Travis Kelce
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On Jan. 29, an article from the New York Times weirdly credited Travis Kelce for inventing “the fade” haircut, which has been a staple in hoods across America for decades. And after a collective groan was heard on every block from coast to coast, Kelce has stepped up to set the record straight.
The NFL superstar not only pushed back on the notion that he started the “trend” of getting fades, but also took issue with the article dropping days before Black History Month.
“And to do it on Feb. 1,” said Kelce during his Super Bowl press conference. “They throw me into the wolves like that. That was messed up, man. I don’t want anything to do with that one, man.”
Kelce, whose business managers happen to be Black men, by the way, also offered some style tip. “It’s a two on top and a nice high-to-mid fade with a taper in the back,” he said, “I didn’t invent that. I just asked for it,” he added.
Why thank you sir for being honest and self-aware in this particular situation. Had Kelce had a Trumpian attitude, he probably would’ve accepted credit for inventing the haircut as Cheeto Jesus is notorious for trying to colonize things he had absolutely nothing to do with. Kelce knew heads were ready to chew him up if he went along with the story.
Now that he’s set the record straight on the matter, he can continue to go about his business and be a part of other conspiracy theories that the far-right MAGAts currently have him involved in such as he and Taylor Swift are actually agents for the CIA who’s mission it was to get to the Super Bowl and somehow convince Americans to vote for Joe Biden during the big game. We would say you can’t make this stuff up, but someone did and now it’s a thing. America in 2024.
What do y’all think of Travis Kelce’s response to Fadegate? Y’all good on him setting the record straight? Let us know in the comments section below.
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The Kansas City Chiefs are heading to the Super Bowl on Sunday (Feb. 11), and tight end Travis Kelce had his own team of supporters when the Chiefs beat the Baltimore Ravens before heading into the championship. Explore Explore See latest videos, charts and news See latest videos, charts and news In a clip shared […]
Here’s a math problem for you: If the Super Bowl, which drew 113 million viewers last year, combines with Taylor Swift, who sold roughly 3.3 million tickets to her Eras Tour last year and over 6 million albums and whose recordings streamed on-demand 16.5 billion times in the U.S., according to Luminate, how many fans will tune in to the big game?
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Not even statisticians know, but the scenario could play out Feb. 11 if Swift’s boyfriend, Travis Kelce, and the Kansas City Chiefs win their playoff game this weekend.
Just about everything Swift goes near experiences a consumption boost, from donuts in Kansas City to hotels in Philadelphia. Her televised omnipresence at Chiefs games led to a 400% sales hike in Fanatics’ Kelce jerseys on a single day and an additional 2 million female viewers for Sunday Night Football in early October, according to The Hollywood Reporter.
So far, the NFL has proceeded cautiously with this new demographic, attempting to welcome Swifties without alienating football diehards with over-coverage. Rick Porter, who covers TV and ratings for THR, expects that strategy to continue for the big game. “They’ll probably try to keep walking that line,” he says, “and not make it the Taylor Swift Bowl.”
Should Kelce and the Chiefs (and Swift) make it to the Super Bowl, Porter predicts the hype-filled run-up week to spotlight their romance, as opposed to more conventional football drama about tight-end positioning, defensive formations or, say, Eminem. “Everything about Super Bowl week is over the top, so I’m sure on media day that everybody will get bombarded with questions about it,” he says. “It’s the line they have to walk between welcoming more people into the tent but not turning off any of the people who were there to watch and talk about the game.”
Could Super Bowl viewership increase? A Taylor Swift Effect, Porter says, could potentially bump the numbers from 115 million to 130 million — “or something ridiculous like that.” He adds, “That would be a pretty big shock, if something jumped that much from something that was already this big.” Still, unprecedented numbers are Swift’s specialty: Eras grossed more than $900 million last year, according to Billboard estimates, and is on its way to earn more than any tour ever.
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