Rihanna
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Rihanna runs onto Billboard‘s multimetric Hot Dance/Electronic Songs chart (dated Feb. 25) with eight songs, including six in the top 10, following her Super Bowl halftime show extravaganza on Feb. 12.
“We Found Love,” featuring Calvin Harris (No. 3), and “Only Girl (In the World)” (No. 4), both performed at the show, lead the way on the chart. “Love,” from 2011, earned 8.1 million official U.S. streams, up 236%, while “Girl,” from 2010, tallied 6.8 million, up 212%, respectively, in the Feb. 10-16 tracking week, according to Luminate.
Concurrently on the Dance/Electronic Streaming Songs chart (which started in 2013), “Love” leaps 24-3 and “Girl” debuts at No. 4. Five of Rihanna’s seven career top 10s on the chart are new this week.
“Love” also sold 5,900 downloads, up 1,035%, while “Girl” moved 5,600, up 977%. Those figures are also good for vaults on the Dance/Electronic Digital Song Sales chart, with the former up 17-2 and the latter, 18-3. Rihanna has now totaled nine career top 10s on the tally (which began in 2010), with “Girl” and two others notched since the Super Bowl: “Don’t Stop the Music” (re-entry at No. 5; 3,000, up 651%) and “S&M” (24-9; 2,400, up 398%).
Returning to the Hot Dance/Electronic Songs chart (which began in 2013), the other new Rihanna top 10s are “Don’t Stop the Music” (No. 7), “Where Have You Been” (No. 8), “S&M” (No. 9) and “Disturbia” (No. 10).
The six songs by a single act in the top 10 are the most since July 2, 2022, when eight tracks from Drake’s Honestly, Nevermind debuted, including his first No. 1, “Falling Back.”
Additionally, Calvin Harris’ “This Is What You Came For,” featuring Rihanna, which spent three weeks at No. 1 on Hot Dance/Electronic Songs in 2016 (one of Harris’ four toppers and Rihanna’s sole leader), restarts at No. 11. Rihanna’s “SOS” rounds out the list of her appearances in its initial showing (No. 14). All mark Rihanna’s first visits to the survey since April 22, 2017, the last week that “This Is…” was on the chart.
Rihanna boasts nine career Hot Dance/Electronic Songs top 10s, also including “Right Now,” featuring David Guetta (No. 5, 2013).
As previously reported, Rihanna claims her first week at No. 1 on the Billboard Artist 100, with five albums in the top 50 of the Billboard 200, sparked by her best streaming week ever.
Other Super Bowl halftime show performers have tackled Hot Dance/Electronic Songs in recent years, including Jennifer Lopez with “On the Floor,” featuring Pitbull (No. 4, Feb. 15, 2020), after her headlining set with Shakira at Super Bowl LIV. Before that, Lady Gaga landed two top 10s (“Bad Romance,” No. 6, and “Poker Face,” No. 8, on Feb. 25, 2017) among six chart hits after headlining the Super Bowl LI halftime show.
Winning weekend: Jason Derulo and David Guetta’s “Saturday / Sunday” enters Hot Dance/Electronic Songs at No. 18. The fourth charted title for Derulo (and second with Guetta, after their “Goodbye,” featuring Nicki Minaj and Willy William; No. 9, 2018) is the record-extending 74th for Guetta. (Kygo is next with 61.)
Madonna’s ‘Sorry’ returns: Also noteworthy on Hot Dance/Electronic Songs is a debut from Blond:ish, Eran Hersh, Darmon and Madonna, “Sorry” (No. 39). The new remix of Madonna’s “Sorry” brings the initial appearance each for the first three credited acts and the sixth for Madonna. She last charted with another freshly remixed version of an older hit, 1998’s “Frozen,” with Sickick (No. 10, April 2022).
The original “Sorry” spent seven weeks at No. 1 on the Dance/Mix Show Airplay chart in 2006, Madonna’s second-longest-leading No. 1 among her seven leaders; only previous Confessions on a Dance Floor single “Hung Up” clocked more time on top, eight weeks in 2005.
Englund celebrates ‘like Christmas morning’: Shifting to the Dance/Mix Show Airplay chart, Anabel Englund achieves her third leader with “Need Me Right” (3-1). Englund also led with “Picture Us” (October 2020) and “Underwater” (April 2021). Dating to Englund’s first top 10 ink in May 2020, with the No. 2-peaking “So Hot,” she is tied with David Guetta and Joel Corry for the most top 10s among all acts, with eight each.
“Getting a Billboard No. 1 feels like opening my eyes on Christmas morning,” Englund tells Billboard. “I’m so grateful for all of the success ‘Need Me Right’ has been having. Writing this song was fun and felt effortless working with two people, James Hurr and Paul Harris [of Dirty Vegas], that I love.”
“Need” is drawing core-dance airplay on SiriusXM’s BPM, Music Choice’s Dance/EDM channel and WCPY (Dance Factory FM) Chicago, among others. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)
Also on Dance/Mix Show Airplay, BONNIE X CLYDE collects its second top 10 and FOMO experiences its first with “Need Ya” (12-9).
Chris Brown took to his Instagram Stories on Friday (Feb. 17) to seemingly respond to backlash he and Chloe Bailey received following the announcement that the duo will be collaborating on the upcoming track “How Does It Feel.”
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“If y’all still hate me for a mistake I made as a 17-year-old please kiss my whole entire a–,” Brown wrote in an all-text Instagram Story, seemingly referring to the time he physically abused then-girlfriend Rihanna in February 2009, which was brought up on Twitter by fans who disapproved of Bailey’s choice to collaborate with the “No Guidance” singer.
“I’m f—ing 33,” Brown continued. “I’m so tired of y’all running with this narrative… you weird a– n—-s are the same ones that tune in every week to see Blueface and Chrisean beat the f— out each other in front of the world. But that’s ok? It’s entertainment? All y’all can suck my d— disrespectfully.”
The singer went on to ask where the “cancel culture” is toward white celebrities, sharing photos of stars who had faced assault allegations against them, including Mel Gibson, Nicholas Cage, Ozzy Osbourne, Charlie Sheen and more. “No more fake love from me… stay out my way or get ran over, simple as that,” Brown concluded. “None of you and I mean none of you n—-s can f— wit me.”
The people Brown named have yet to publicly respond to his statements. Watch Brown’s Instagram Stories before they disappear here.
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In the new issue of British Vogue, featuring a gorgeous cover of Rihanna, A$AP Rocky and their baby boy in his magazine debut, the music icon and Fenty mogul said that her son is “obsessed” with his dad.
“I’m just sitting on the sidelines when they’re together,” she says in the exclusive feature article, seemingly amused by her role in the background. “I’m literally the girl trying to get into the boys club, waiting for my turn. He is obsessed with his father. And I’m like: ‘Didn’t I give birth to you? What is going on?’”
She added, “Their connection is undeniable. The second Rocky makes eye contact with him he is on fire. The whole thing they say about sons and moms, it’s a myth. Sons and fathers is crazy. I realized that the validation that you really need as a boy is from your father.”
The megastar just stunned the world during her Super Bowl appearance last Sunday, Feb. 12 by showing off another baby bump and announcing that she is expecting a second child.
Ri-Ri also shared some insight into her relationship with the A$AP Mob rapper whom she previously dated and had a long friendship. “We’re best friends with a baby,” she says, laughing at their dynamic now. “We have to be on the same page, but we’ve always kind of had that in our relationship. Everything changes when you have a baby but I wouldn’t say it’s done anything but made us closer.”
In the cover story, she also explained why she changed from her previous decision to not perform at the game due to her support of blackballed former NFL quarterback Colin Kaepernick.
“There’s still a lot of mending to be done in my eyes,” she says now, “but it’s powerful to break those doors, and have representation at such a high, high level and a consistent level.” She notes the two previous Super Bowls which demonstrated representation to her, specifically referring to last year’s headliners, Dr Dre, Snoop Dogg, Eminem, Mary J Blige and Kendrick Lamar, “you know, representing the urban community, globally. It is powerful. It sends a really strong message.”
She also added that motherhood may have influenced her decision, “Of course,” she says, as the writer notes she is visibly moved, “raising a young Black man is one of the scariest responsibilities in life.” It’s made her re-evaluate everything. “You’re like, ‘What am I leaving my kids to? This is the planet they’re gonna be living on?’” She added, “All of those things really start to hit differently.”
After Rihanna’s hits-filled Super Bowl halftime show performance — and unexpected pregnancy reveal! — what could be next for the superstar?
On the new Billboard Pop Shop Podcast, we’re talking all about the buzzy 13-minute set — like what she did perform (“All of the Lights”) and what she surprisingly didn’t (her Oscar-nominated Black Panther song “Lift Me Up”).
Watch Rihanna’s Full 2023 Super Bowl Halftime Show
02/15/2023
We’re also wondering: Where does the halftime show go from here? Who could be next year’s headliner? We’ve got questions! So listen to our full chat below.
Also on the show, we’ve got chart news on SZA’s SOS bouncing back to No. 1 for an eighth total week on the Billboard 200 albums chart, how a whopping 35 albums all see unit gains on the list thanks in part to the Grammy Awards’ broadcast, and how best new artist winner Samara Joy jumps to No. 1 on multiple charts after her surprise win.
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
After Rihanna took the stage at the 2023 Super Bowl halftime show with what looked like a baby bump under her curve-hugging red outfit, her reps confirmed that the superstar is in fact pregnant with her and A$AP Rocky’s second child.
The star hinted in a pre-game interview with Nate Burleson that she had a surprise in store for fans, but she didn’t end up singing any new songs or bringing out any musical guests to the Super Bowl halftime show stage — proving that the big surprise was her pregnancy.
But RiRi’s bump reveal is hardly the first time a musician has taken an onstage opportunity to announce that she’s expecting, as stars like Beyoncé, Cardi B, Jennifer Lopez and more have all made their pregnancy announcements while performing.
Other artists, who didn’t announce their pregnancies onstage, showed off the power of women with their bumps on full display during major performances at awards shows, festivals and more.
See below for photos of some of the biggest performances by pregnant musicians.
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Rihanna took to the stages at State Farm Stadium at Super Bowl LVII at halftime and delivered a set that enraptured audiences in attendance and at home. As most who saw the show noticed, the Barbadian superstar appeared to be with child and the news was confirmed by her rep shortly after.
Rihanna, who turns 35 next week, showed off her signature bold style in a red outfit with a matching bustier and was back in an element her fans rarely get to see her in these days. Rihanna opened with “B&tch Better Have My Money” and hit other crowd-pleasing moments with “Umbrella” and “Work” among them.
According to Variety, a representative for the Savage X Fenty boss confirmed that she is expecting a second child after delivering a baby boy in May of 2022. As the outlet notes, it had been five years since Rihanna touched a stage in this fashion although she has enjoyed plenty of time in the limelight via her beauty and fashion brands.
Congratulations to Rihanna!
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Photo: Getty
Rihanna’s first performance after five years was nothing short of massive. The singer and mogul opted for one of the world’s biggest platforms — the Super Bowl halftime show — to showcase her slew of hits and a growing baby bump, all of which you can watch in full below.
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The surprise belly reveal both enthused fans and simultaneously crushed their dreams of a new album, with many speculating online that Rih and partner A$AP Rocky’s incoming bundle of joy means no music anytime soon. But nevertheless, the Navy is sending Rihanna love and congratulations following her 13-minute mash-up. After much speculation, Rihanna landed on “Bitch Better Have My Money” as her starting song, and ran through a laundry list of Billboard Hot 100 No. 1s, including “Only Girl (In the World),” “We Found Love,” “S&M,” “Rude Boy” and “Work.”
She was on top of the world quite literally, spending a large chunk of her performance atop a small suspended platform that may have been understandably scary for the soon-to-be mom of two. Nevertheless, she exuded confidence in an all-red ensemble that paid homage to friend and fashion great André Leon Talley, even busting a few moves among her trove of dancers in white.
The multiplatinum artist felt no need for featured guests, handling each number alone. There was one cameo, however: her Fenty Beauty invisimatte instant setting and blotting powder, setting the record straight on where Rih’s billion-dollar focus currently lies. In the past, Rihanna commented that she wouldn’t perform at the 2019 Super Bowl halftime show in solidarity with former San Francisco 49ers quarterback Colin Kaepernick and his quest to spotlight police brutality on the sidelines. Last night, she sang a different tune, presumably connected to her label home Roc Nation’s involvement as the NFL’s official live music entertainment strategist.
Read Billboard‘s full recap here, and watch the entire performance below:
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Rihanna’s Super Bowl halftime performance not only proved that being pregnant won’t stop her from putting on a great show, but that Fenty lipstick can withstand one the world’s biggest stages.
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The singer/makeup mogul put on a spectacular show in a custom-made red jumpsuit and corset from Loewe, a custom Alaïa coat and Fenty’s Icon Velvet Liquid Lipstick in a new shade called “The MVP.”
“That red stage called for the ultimate Rihanna red lip,” said Priscilla Ono, Fenty Beauty Global Makeup Artist. “We wanted her beauty look to celebrate this moment and be a true reflection of her timeless beauty. And to me, there’s nothing more iconic to Rihanna than her soft matte skin and a bold red lip.”
The newest addition to Fenty’s Icon Velvet Liquid Lipstick was released last week and joins a handful of other shades including C-Suite’Heart, RiRi, H.B.I.C. and Bread Winn’r. According to the product description, Fenty Icon Velvet Liquid Lipsticks offers up a “creamy, whipped texture” that “hugs lips with intense color in one precise swipe.” The $29 lipstick is available at FentyBeauty.com, Sephora, Kohl’s and Ulta Beauty.
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The “MVP” Fenty Icon Velvet Lipstick
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And that’s not the only Fenty Beauty products that made it to the Super Bowl halftime show. Rih Rih also wore Pro Filt’r Soft Matte Longwear Liquid Foundation ($39) and Invisimatte Instant Setting + Blotting Powder ($36) – which she touched up mid performance – along with various Fenty Skin products to prep her face and lips, including Fenty Skin Plush Puddin’ Lip Mask ($22) and Fenty Skin Hydra Vizor Invisible Moisturizer SPF30 Sunscreen ($38).
Leading up to the Super Bowl, Fenty Beauty released a lineup of Game Day essentials which includes this adorable Showstopp’r Football Sponge ($16), a special NFL Showstopp’r Edition of the best-selling Gloss Bomb lip gloss($20) and the limited-edition Showstopp’r Kit ($76).
Click here to shop Super Bowl merch.
Rihanna took the stage at the 2023 Super Bowl halftime show on Sunday night (Feb. 12), where she performed for the first time in seven years, treated viewers to a medley of some of her biggest hits and showed off an adorable baby bump. But who should headline next year’s show?
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Fans have been hoping for some K-pop representation, so maybe a show featuring BLACKPINK or BTS would take over the big game? Taylor Swift was rumored to be the halftime performer in 2023 before Rihanna was announced. Could 2024 be her year?
Who should do the honors and headline the 2024 Super Bowl Halftime Show? Let us know who you’d like to see by voting below.
Rihanna has left fans eager for new music since the release of her most recent album, 2016’s Anti. Since then, the star has launched her Savage X Fenty lingerie line, skyrocketed her Fenty Beauty makeup company and even welcomed a son with A$AP Rocky.
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The musical drought changed in the fall of 2022, when Rihanna was announced as the halftime performer for Super Bowl LVII and the singer unveiled “Lift Me Up” off the Black Panther: Wakanda Forever soundtrack. But what will taking the stage at the big game on Sunday (Feb. 12) mean for RiRi and what will it add to her legacy?
“Jay-Z and Roc Nation began overseeing the Super Bowl halftime show in 2020, and on average, each show costs $13 million,” explains Billboard‘s Neena Rouhani. While Super Bowl performers don’t usually get paid for the gig, they often see a huge bump in merchandise and music sales.
Watch the latest episode of Billboard Explains above to learn more about how Rihanna arrived at the Super Bowl.
After the video, catch up on more Billboard Explains videos and learn about the best new artist award at the Grammys, evolution of girl groups, BBMAs, NFTs, SXSW, the magic of boy bands, American Music Awards, the Billboard Latin Music Awards, the Hot 100 chart, how R&B/hip-hop became the biggest genre in the U.S., how festivals book their lineups, Billie Eilish’s formula for success, the history of rap battles, nonbinary awareness in music, the Billboard Music Awards, the Free Britney movement, rise of K-pop in the U.S., why Taylor Swift is re-recording her first six albums, the boom of hit all-female collaborations, how Grammy nominees and winners are chosen, why songwriters are selling their publishing catalogs, how the Super Bowl halftime show is booked and why Olivia Rodrigo’s “Drivers License” was able to shoot to No. 1 on the Hot 100.