Music

Stevie Nicks Soars Through a Night of Songs & Stories at Mohegan Sun: 5 Best Moments

At 76 years old, Stevie Nicks — who breezily brought up her age a few times on stage Sunday night (June 9) — maintains the distinct, strong vocal performance for which she’s become iconic. She carries it through a showtime of about two hours, with a 15-song set and several stories spanning her fascinating journey in rock ‘n’ roll.

Nicks brought her headlining tour to the Mohegan Sun Arena, a well-designed, 10,000-seat venue in southeastern Connecticut that’s within the Mohegan Sun casino/entertainment complex owned by the Mohegan Tribe.

She has plenty to play, and so much to say — and with the life experience she’s had as an entertainer for so many years, rightly so. On Sunday Nicks was a lively conversationalist, letting her sense of humor shine while telling the crowd about her early days with Fleetwood Mac in the 1970s, how her debut solo album hit No. 1 on the Billboard 200 in 1981, and what’s currently on her mind in 2024.

Who wouldn’t want to hear what Stevie Nicks has to say? This January it’ll be 50 years since the 1975 lineup of Fleetwood Mac (with Nicks) came to be, a musical ride that followed humble beginnings alongside eventual Mac co-star Lindsey Buckingham with the Buckingham Nicks project, and preceded the ascent of her solo career.

Nicks’ concert at Mohegan Sun Arena featured setlist staples like “Dreams,” “Stop Draggin’ My Heart Around,” “Stand Back,” “Leather and Lace,” “Rhiannon,” “Gypsy” and an encore of “Landslide,” a beautiful tribute to late best friend and bandmate Christine McVie. Mixed in with the chart-toppers were the singer-songwriter’s stories, almost like mini lessons on the history of Nicks’ path.

During a quick restroom break my husband overheard someone making small-talk wisecracks at the urinal: “She talks a lot, huh?” I grew up with a parent who’d listen to Fleetwood Mac albums on repeat. I could listen to her voice telling stories 100 times over and still find it soothing. We didn’t find the bathroom joke funny, but it was amusing timing.

As though she could sense what someone, somewhere, was saying, a charming Nicks was actually on stage poking fun at herself: “I’m trying, I’m making a big effort to shorten down my stories. My stories are starting to become as long as the show,” she quipped at the start of a 13-minute introduction to her performance of 1982 single “Gypsy.”

“Every time I do it, I mess up,” she said. “I take a part off, it’s impossible to understand where I’ve stopped and where I should start up again. I’m only sharing this with you because it’s part of the fun of being my age.”

“I’m so old … What’s everybody gonna say to me? ‘Stop! You can’t do this anymore!’ I’ll say, ‘OK. Fine. I’ll just go home and be alone in a rocking chair with my dog Lily,” Nicks said with a grin.

Below, see five of the best moments from Stevie Nicks’ concert at Mohegan Sun Arena. Nicks is currently on tour through June 21 in North America, then heading to Europe in July. See the full tour date list on her official website.

Watch TikToker Harry Daniels Serenade a Confused Charlie Puth With Taylor Swift’s Name-Drop

Taylor Swift declared Charlie Puth should be a bigger artist on her song “The Tortured Poets Department,” but the “Attention” singer would probably declare himself confused after his latest fan encounter.

In a hilarious new TikTok from serial serenader Harry Daniels, Puth looks totally baffled as the creator approaches him from behind a fence and starts singing Swift’s lyrics on “Tortured Poets” — in which she gives the “See You Again” musician a big shout-out.

“You smoked then ate seven bars of chocolate/ We declared Charlie Puth should be a bigger artist,” Daniels sings in an exaggerated tone.

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“What is this?” Puth says, looking lost. But Daniels had already walked away.

The TikToker is known for surprising musicians with spontaneous performances of their songs. In April, for instance, he made the rounds at Coachella and sang for Katy PerryGwen StefaniParis HiltonTyga, Becky GReneé Rapp and Wallows’ Dylan Minnette.

The video comes nearly two months after Swift surprised fans (and Puth) by including him in the lyrics to the title track of her latest album The Tortured Poets Department, which recently nabbed a seventh week at No. 1 on the Billboard 200. It took some time before the “Light Switch” artist properly responded to the shout-out, but in May, he revealed that the recognition inspired him to release a new song of his own titled “Hero.”

“I’ve never put out a song like this before,” he wrote on Instagram last month. “It’s very different for me, but I want to thank @taylorswift for letting me know musically that I just couldn’t keep this on my hard drive any longer.”

“My new song HERO is about when you see someone you love hurting themselves, ruining the things in their life that are good, but you just can’t save them,” he added at the time. “I’m very excited to share my next album with you, especially this song because it’s a great representation of what’s to come.”

Watch Daniels sing for Charlie Puth below.

Charli XCX Recalibrates the Pop Game With Career-Best ‘Brat’ LP (Critic’s Take)

Somewhere along the way, the concept of pop stardom got severely warped. The 2010s – an absolutely mind-boggling decade that we’re still trying to figure out – brought about a bevy of pop stars and pivots that prioritized not just a banal understanding of “relatability,” but also a specific kind of feigned honesty and vulnerability. In an effort to stoke the increasingly parasocial connection between consumers and creators, pop stars packaged up “refreshingly honest and vulnerable” lyrics that didn’t actually say much at all about their authors and sold them in more variants and configurations than there are editions of the Merriam-Webster dictionary. The obsessive curation of the relatable pop star threatened to completely swallow up the reckless bombast and brash provocation of pop’s most gifted and most imported auteurs – until Charli XCX’s superb sixth official studio album, Brat. 

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As an artist who has helped steer the evolution of pop over the past decade and change – while sporadically reaching some of the most staggering commercial heights of pop stardom (Billboard Hot 100 chart-toppers, Grammy nominations, smash soundtrack singles) – Charli XCX has always been miles ahead. Now that the top 40 world has mostly caught up with her – think Beyoncé’s “All Up in Your Mind” (2022) or Camila Cabello’s “I Love It” (2024) — an album like Brat feels remarkably accessible. Nonetheless, at least half of that accessibility comes by way of Charli’s own maturation; Brat finds her finally embracing the full scope of her specific brand of pop stardom, not through cynicism or snark, but by genuine self-reflection soundtracked by some of the boldest and most audacious production pop music has heard in years.  

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“I went my own way and I made it/ I’m your favorite reference, baby,” she begins the album by proclaiming, on delicious pure-pop opener “360.” The opening oscillating synths immediately situate the LP’s sonic universe as the soundtrack to the video game that is life – specifically the high-octane lives of hot girls, party girls and, of course, pop stars. On “Club Classics,” she dubs herself as such and demands to dance to her own music in the club, and on lead single “Von dutch” she reminds us – and herself – that she’s our “No. 1.”  

For an artist who’s often been incredibly frank about her insecurity regarding where she stands (and how she’s perceived) in the pop ecosystem, these songs could read as Charli trying to convince herself of her greatness. In reality, she’s always believed those things, but those sentiments are just one component of her self-understanding. Being a hot girl pop star is terribly messy business, and as Brat barrels through its 15-song tracklist, Charli completely submerges herself in those murky, ever-troubled waters. 

Brat is filled with homages to rambunctious late ‘90s French dance music, as Charli searches for the biggest and brightest sounds pop can offer, and those sonic touchpoints are vital to the album’s success. “All this sympathy is just a knife/ Why I can’t even grit my teeth and lie?/ I feel all these feelings I can’t control,” she sings in the chorus of “Sympathy Is a Knife,” the album’s third track and first taste of the nuanced examination of pop stardom Charli emarks on throughout the album. On the Gesaffelstein-helmed “I Might Say Something Stupid,” she feigns contentment with being “perfect for the background”; “Girl, So Confusing” finds her coming to terms with empty lip service from peers that only exacerbates how out of place she feels; and “I Think About It All The Time” introduces motherhood as a very real path for her, one that’s truly beckoning her attention – for better and for worse – for the first time.  



These moments where Charli opens up on a whim are as disarming as they are charming – and they never contradict the flashier come-hither anthems like “Talk Talk.” The negative connotations of the word “brat” are paramount to the album’s tone, but if a “brat” is to be understood as a poorly behaved child, then Charli sources her childlike tendencies by feeling the full extent of all of her emotions – more of a skill than most realize, and one that many people lose as they transition to adulthood. 

Brat reaches its emotional apex with “So I,” a downright heartbreaking ballad dedicated to the late SOPHIE, a pop and dance music pioneer and frequent collaborator of Charli’s. “When I’m on stage sometimes I lie/ Say that I like singing these songs you left behind/ And I know you always said, ‘It’s okay to cry’/ So I know I can cry, I can cry, so I cry,” she coos, her slightly hoarse voice hanging on by a thread as a tidal wave of tears threatens to wash the rest of the song away. Charli hasn’t ever sounded like this on a record; this is the vulnerability that we’ve been sold facsimiles of for the past decade in pop.  



Of course, Charli is able to display this level of nuance in her vocal performance because the LP’s sprawling soundscape – which features contributions from forward-thinking producers such as El Guincho, A.G. Cook, Cirkut, George Daniel and Omer Fedi – allows her the space to. Whether it’s the heartbeat-nodding throbs of “Everything Is Romantic” or the electro-jazz breakdown in the back half of “Mean Girls,” Charli is granted an entire sonic galaxy to stake her claim over. 

Six studio albums and several seminal projects since she first hit the scene over a decade ago, Charli seems to have finally found herself, while charting limitless futures for dance and pop music in the process. We hear so much about how pop music tends to cast aside its leading ladies once they hit their 30s, but a now 31-year-old Charli is only getting more indispensable. She is pop music – in all of its glorious sleaze and self-doubt and sex and somber introspection. And personifying the totality of pop while synthesizing it into some of her most evocative work yet reveals more about who Charli is than any amount of faux-diaristic, needlessly verbose lyrics could anyway. 

Róisín Murphy’s Hit Parade Tour Hits the Recently Revamped Brooklyn Paramount

There aren’t too many singer-songwriters making brainy, avant-leaning dance-pop that appeals equally to the hips, the head and the heart, but Róisín Murphy has always been one of a kind. From her time in the duo Moloko in the ‘90s to her no-misses solo discography that includes electropop classics such as Overpowered (2007) and Róisín Machine (2020), she never fails to deliver, particularly on stage. So when the Irish artist hits the U.S. for a tour, people turn out – and sure enough, a packed audience spanning generations and state lines (some folks drove more than four hours to see her) greeted Murphy when she played New York City’s Brooklyn Paramount on Friday (June 7).

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With a title like Hit Parade Tour, one might wonder if the trek is Murphy’s version of Madonna’s Celebration Tour or Taylor Swift’s Eras Tour, both career-spanning global treks that played to enthusiastic (well, mostly) crowds and critical raves. And while Hit Parade is, more directly, the name of her 2023 album (which she followed this year with the companion piece Hit Parade Remixes), you wouldn’t be too far off.

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Over the course of a lengthy, muscular set, Murphy performed four tunes from her old band, one from her solo debut, three tracks from Overpowered, and four apiece from Róisín Machine and Hit Parade. Hardly career-encompassing (two albums were skipped), but a pretty healthy mix of beloved catalog and more recent material spanning a quarter of a century.

Throughout those years, Murphy’s substantial vocal chops have only seemed to improve with each release. During her show at the gorgeously restored, dramatically lit Brooklyn Paramount, she performed peerless electropop without singing to track (almost unheard of in pop) in front of a live band that provided every rubbery bass line, shimmering synth and razor-sharp beat in real time. (Originally a movie palace that opened at the top of the talking pictures era, Brooklyn Paramount turned into a live venue that housed everyone from Ella Fitzgerald to Buddy Holly in the ’50s before shutting down to the wider public for decades; it only reopened as a concert space this year thanks to Live Nation and Arcadis.)

As a fashion-forward artist frequently inspired by drag and queer culture (more than a few chart-topping pop stars with larger profiles have followed in her footsteps), Murphy brought a mix of camp, eleganza and couture to the show, changing her outfit for nearly every song – sometimes while still singing.

The wild costuming and nonstop dance party clearly resonated with her substantial queer fanbase, who turned out in big numbers at the Brooklyn Paramount despite Murphy’s controversial comments last year. In Aug. 2023, a screenshot from Murphy’s Facebook account called puberty blockers – a go-to boogeyman for people targeting the trans community – “F—KED.” Shortly after, she released a statement apologizing for her “directly hurtful” comments, affirming her commitment to “celebrating diversity” without directly backtracking on the issue; she did, however, promise to “bow out of this conversation within the public domain.” Since then, fans – who had previously expressed widespread disappointment in her comments – have mostly dropped the topic, and it didn’t seem to impact her ticket sales too much, at least based on the NYC turnout. (In 2023, she played Terminal 5, which fits about 300 more people than the Brooklyn Paramount does – not enough of a drop in venue size to extrapolate anything meaningful.)

Notwithstanding her regressive, unnecessary take on trans youth, Murphy continues to craft, record and execute some of the most innovative dance-pop of this century. And on her latest trek, it comes to life in all its beautiful, bizarre splendor.

Upcoming Hit Parade Tour Dates

June 10 – HISTORY – Toronto, Canada

June 11 – Riviera Theatre – Chicago, IL

June 13 – Bonnaroo Music & Arts Festival – Manchester, TN

June 15 – The Fillmore Miami Beach – Miami, FL

November 1 – Roseland Theater – Portland, OR

November 2 – Moore Theatre – Seattle, WA

November 3 – Vogue Theatre – Vancouver, Canada

November 7 – The Shrine Expo Hll – Los Angeles, CA

November 9 – The Warfield – San Francisco, CA

LL Cool J Announces ‘Saturday Night Special’ Single — and a New Album ‘Coming in the Fall’

LL Cool J hasn’t released an album since 2013’s Authentic, but the drought should be ending at some point later this year. The Radio rapper on June 7 announced plans for his first single of the year, “Saturday Night Special,” which will be arriving on June 14.

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“In case you missed it, new single ‘Saturday Night Special,’” he said in the clip while posted up in the studio with shades on and his signature Yankee fitted cap. “It’s coming June 14. Go to the link in the bio. Sign up to the pre-save it. Ya know what I mean?”

The surprises didn’t stop there, as LL promised that his long-awaited next “album’s coming in the fall.”

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The New York native continued: “It’s the real deal, baby. It’s go time. ‘Saturday Night Special’ is the first single. I’ll let you know about the features. Couple of days … Hit the link in the bio, you’ll be able to find out a little sooner. Tracklisting for the album is coming. Album will be out in the fall. Yo, it’s on, baby.”

LL Cool J had a busy 2023 as he was part of the 50th anniversary of hip-hop tribute performance at the Grammy Awards and hit the road for The F.O.R.C.E. Live Tour.

The 56-year-old was continually teasing an album throughout last year, which he says is executive-produced by Q-Tip, but hasn’t yet gone through with releasing it. He also didn’t make it clear if this is the same LP.

LL previously raved about the project and working with Q-Tip at the 2023 Grammys. “I know all the tricks,” he told E! News at the time. “I got this covered. I think honestly and sincerely, that Q-Tip as a producer is unbelievable and what he did on this record for me, I think is amazing. So the world will decide.”

He continued: “The album, I think, is really, really special. I think it’s something it’s modern without chasing. It’s a whole new thing. I can’t wait for the people to see it.”

LL’s last album, Authentic, was released in 2013 and debuted at No. 23 on the Billboard 200. Find his announcementbelow.

Shania Twain & Our Lady Peace to Headline NHL Concerts for Stanley Cup Final

Let’s go, girls! Shania Twain is headlining the Rogers Festival at the Final Concert Series in Edmonton in honor of the Stanley Cup Final this week alongside Canadian rock band Our Lady Peace.

As announced Monday (June 10), the two free concerts presented by Rogers in partnership with the NHL will begin with Our Lady Peace performing before Game 3 on Thursday (June 13). The “You’re Still the One” singer will take the stage before Game 4 on Saturday (June 15).

Both performances will begin at 4 p.m. MT in Scotiabank Fan Park outside Rogers Place before the 6 p.m. MT games, no tickets required. They’ll serve to hype up hockey fans as the Florida Panthers and Edmonton Oilers go head to head for the best-of-seven in pursuit of the Stanley Cup.

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The news comes just hours ahead of Game 2, which will kick off at 8 p.m. ET. The first game — which was attended by Ariana Grande and Ethan Slater — took place Saturday (June 8) in Florida and ended with the Panthers triumphing 3-0 against the Oilers.

Before Game 1, The Kid LAROI performed as part of a similar concert series presented by BODYARMOR. DJ Khaled is set to deliver a musical showcase as part of the same series prior to Game 2.

Twain is fresh off the release of a new single with a surprising new collaborator, Yung Gravy. Titled “White Claw,” the track dropped Friday (June 7). In August, she’ll return to the Bakkt Theater in Las Vegas for a second round of her Come On Over Residency in Sin City.

Our Lady Peace hasn’t released an album since 2022’s Spiritual Machines II. According to a release, however, the “Superman’s Dead” quartet is set to release new music at some point this year.

Watch Ado’s Performance of ‘Aishite Aishite Aishite’ From World Tour Stop in L.A.

Ado shared some live footage of her performance of “Aishite Aishite Aishite” during her global tour entitled THE FIRST WORLD TOUR “Wish.”

The enigmatic singer toured cities in Asia, Europe, and the U.S. starting in February for her Wish world tour. The four-minute clip captures the “Show” singer’s performance at the Peacock Theater in Los Angeles, where she covered the track by Vocaloid producer Kikuo.

The “New Genesis” artist is set to release her highly anticipated second studio album Zanmu on July 10. This video will be included in the three limited first editions of the project: the BIG Acrylic Stand & Blu-ray, Blu-ray, and DVD versions.

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Check out Ado’s performance of “Aishite Aishite Aishite” below.



Donald Trump Calls Taylor Swift ‘Unusually Beautiful,’ Questions Whether Her Liberal Views Are ‘An Act’

Donald Trump is a fan of Taylor Swift‘s appearance, but not so much her politics. As for her music? He’s pretty indifferent.

The twice-impeached former U.S. president shared his thoughts on the pop star in a new book titled Apprentice in Wonderland: How Donald Trump and Mark Burnett Took America Through the Looking Glass, an excerpt of which Variety published Monday (June 10). “I think she’s beautiful — very beautiful!” he says of Swift in the snippet. “I find her very beautiful.”

“I think she’s liberal,” the ex-POTUS continued in conversation with Variety co-editor-in-chief Ramin Setoodeh, who wrote the book. “She probably doesn’t like Trump. I hear she’s very talented. I think she’s very beautiful, actually — unusually beautiful!”

As Trump has clearly noticed, Swift has been open for years about her left-leaning political views. She first broke her decade-plus-long silence on the matter about two years after the 77-year-old reality star-turned-politician was elected to the White House in 2016, endorsing Tennessee Democratic candidates Phil Bredesen for Senate and Jim Cooper for House of Representatives in a 2018 Instagram post.

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When asked about the endorsement at the time, the then-president told reporters, “Let’s just say I like Taylor’s music about 25% less now, OK?” Bredesen ended up losing to Republican Marsha Blackburn — whom Swift called “Trump in a wig” in her 2020 Netflix film Miss Americana — while Cooper kept his seat.

“She is liberal, or is that just an act?” Trump, who is currently awaiting sentencing after being found guilty of 34 charges of falsifying business records last month, asked Setoodeh in the new interview. “She’s legitimately liberal? It’s not an act? It surprises me that a country star can be successful being liberal.”

Finally, when asked about the “Anti-Hero” singer’s music, Trump simply replied, “Don’t know it well.”

Billboard has reached out Taylor Swift’s representatives for comment.

The interview — which took place in November 2023 — isn’t the only time Trump has spoken about Swift in recent months. In a Daily Caller interview in September, he quipped about the star’s romance with Kansas City Chiefs tight end Travis Kelce. “I wish the best for both of them. I hope they enjoy their life, maybe together, maybe not — most likely not,” he said.

A few months later, he bragged on Truth Social about signing The Music Modernization Act during his presidency. “Joe Biden didn’t do anything for Taylor, and never will,” he wrote in February, touching on Swift’s support of the current president’s White House bid in 2020. “There’s no way she could endorse Crooked Joe Biden, the worst and most corrupt President in the History of our Country, and be disloyal to the man who made her so much money.”

Rosalía’s ‘Despechá’ Hits 1 Billion Spotify Streams, Becomes First Solo Spanish Artist to Reach Milestone

Rosalía’s “Despechá” surpassed one billion streams on Spotify Sunday (June 9), making her the first Spanish artist to achieve this milestone with a solo song.

“I just found out that ‘Despechá’ already has 1 BILLION plays and the culprits are all of you,” the singer wrote on her Instagram account. “Thank you for having listened to it and danced to it and enjoyed it so many times!!!! Hopefully life will allow me to share many more songs.”

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The 2022 mambo-driven song hitting the one billion mark is a massive accomplishment, especially considering that Spain has birthed superstars such as Alejandro Sanz, Julio Iglesias and Enrique Iglesias.

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Only Spanish rapper Quevedo can boast such a record with his team-up with Argentine hitmaker Bizarrap on their wildly successful “Quevedo: Bzrp Music Sessions, Vol. 52”, which has accumulated nearly 1.7 billion plays, but in this case, thanks to the combined strength of both artists.

Rosalía also teased on her socials that she is working on a new album and can only “say that the wait will be worth it.” So far, the Barcelona native has dropped three studio albums, which includes the Latin Grammy-winning El Mal Querer (2018) and Motomami (2022), and a joint EP with ex Rauw Alejandro, RR (2023).

On the Billboard charts, “Despechá” became her second song to reach No. 1 on Tropical Airplay, after “La Fama.” Additionally, it entered the Billboard Hot 100 at No. 63, Billboard Global 200 at No. 6, and Billboard Global Excl. US at No. 3.

Check out the video for “Despechá” below:



5 Things You Didn’t See on TV at the 2024 Billboard Latin Women in Music Awards

The 2024 Billboard Latin Women in Music event honored eight powerful and admirable mujeres in the industry, including Gloria Estefan, who received the legend award; Ana Bárbara, who received the lifetime achievement award; and La India, who received the pioneer award.

This year’s woman of the year was Karol G — who was unable to attend the awards ceremony because she’s in the European leg of her Mañana Será Bonito tour, but who sent a heartfelt and inspiring message to her fellow colleagues and viewers back home. 

“To the women who have collaborated with me in my music, to those who have participated in my projects, to all the women at home who listen to me and who are also part of all this success,” she said during her pre-filmed acceptance speech. “What a beautiful way to celebrate women, their work, their commitment, their discipline, their dedication, what we are as people. I also want to thank those who are at home and work every day for their dreams. Do not stop believing in yourselves. I believe it’s not just about pursuing a goal but also about making the world more beautiful, more special, [and] that, in the end, the conclusion is to make this women’s movement bigger in the world.”

Camila Cabello, on the other hand, was at the event to receive her global impact award — where she thanked her mother, Sinuhe Estrabao for her admirable strength and ability to comfort her during difficult times. 

“Seeing my parents getting emotional, and seeing things that I’ve been able to do in music but also with people … my interaction with people around the world has been so fulfilling. I’ve just gotten to see so much and feel really thankful that I’ve gotten the opportunity to interact with people,” she told Billboard backstage after receiving her award.

Backstage, Billboard also caught a couple of sweet and fun candid moments that were not shown on TV during the Telemundo broadcast. Check them out below!