Music

Styx’s Tommy Shaw and Foreigner’s Kelly Hansen on Summer Tour, Rock Hall & What’s Next

Foreigner and Styx on tour together is a match made in classic rock heaven.

It’s happened many times over the years, though it’s been a decade since the bands were last on the road together — as they will be for this summer’s Renegades & Juke Box Heroes tour, which kicks off Tuesday (June 11) in Grand Rapids, Mich., and plays 36 North American dates through August. The bands will also release a joint compilation album, Renegades & Juke Box Heroes, on vinyl in conjunction with the trek. Available at tour stops and, as of July 12, at retail, it features four songs from each band, divided onto separate sides.

With John Waite opening, the tour will be filled AOR-era hits, from Foreigner’s “Feels Like the First Time,” “Cold As Ice,” “Urgent,” “Juke Box Hero” and “I Want to Know What Love Is” to Styx’s “Lady,” “Come Sail Away,” “Renegade” and “Mr. Roboto.”

And so many more, for both. Foreigner, after all, has released nine studio albums since 1977 — seven of them platinum or better — with 14 top 20 hits on the Billboard Hot 100. Styx, formed during 1972, in Chicago, has been around a few years longer, with 17 studio albums and nine top 20 singles

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Foreigner, in the midst of a farewell tour that’s slated to go into 2025, will be inducted into the Rock and Roll Hall of Fame on Oct. 19 in Cleveland after its first nomination, following an extensive campaign spearheaded by founder Mick Jones’ son-in-law Mark Ronson. Styx is still waiting for that honor but has been (comparatively) prolific in the last decade, with new albums in 2017 (The Mission) and 2021 (Crash of the Crown).

Both bands have also gone through numerous membership changes during their histories, as well as recently. Earlier this month Styx brought keyboardist Lawrence Gowan’s brother Terry Gowan on board replacing bassist Ricky Phillips after 21 years. Foreigner, meanwhile, added guitarist Luis Maldonado three years ago after the amicable departure of multi-instrumentalist Thom Gimbel. But what both bands share is a staying power; in their cases — to turn a Pete Townshend phrase — it’s the songs not the identity of the singer that keeps the music moving along, and the popularity of those tunes has kept both bands healthy at the box office.

In advance of the tour, Billboard sat down with Styx’s Tommy Shaw and Foreigner’s Kelly Hansen, both eager to share their enthusiasm for hitting the road together once again with such friendly touring partners.

They Really Like Each Other

“It’s always been good, the respect and admiration we have for Foreigner and their music,” Shaw says of the kinship between the two groups. “They’re going for excellence all the time, and they’re achieving it. I think they are also true to the DNA of the music and really do a great job of playing the songs people have loved for so many years.”

Hansen adds that, “Both bands came out of the same era, the same kind of machinery of the time, of the ‘70s, when recording techniques were expanding colossally, when all different kinds of bands on a wide spectrum were all on the same radio station together, when every song you heard was completely different. It was a really a bountiful time, and I think that’s something both of these bands have experienced that kind of bonds us and creates a camaraderie.”

That extends to at least one end-of-tour prank that Hansen remembers. “(Bassist) Jeff Pilson and I dressed up in this crazy outfits. Jeff was wearing a dress and a wig and I had a mask on with a huge nose and a cape and tights and stuff. We were just trying to make them crack up when they were in the middle of a serious song.” Did it work? “No,” Hansen says. “They’ve experienced it before.”

The First Time They Heard The Other Band

“I had just moved to Niles, Mich.,” Shaw relates, “and was sitting in the bathtub in the middle of the afternoon, cooling off ’cause it was hot. I think it was ‘Cold As Ice’ that came on; that was the first time I heard anything by Foreigner, and I’m sitting there going, ‘Who is this?! Whoa! I have to hear more of this!’ From that point on they never let me down — in fact, they just kept getting better and better. The songwriting is just fantastic, really well thought-out and produced. I think that’s what makes their music so timeless.”

Hansen claims that he “couldn’t tell ya” when he first heard Styx. “It’s all a jumble. I was listening to pop radio — to singers with backup bands, mostly, like Aretha or Ray Charles or Rod Stewart, things like that. It wasn’t until years later that I fully understood the concept of what a band is, when I got into Zeppelin or whoever and realized, ‘Oh, these guys are really equally playing a part here. There’s not one guy out front and the rest of the band in back.’ That was a real revelation, and that’s the context I heard Styx in.”

Their Favorite Song By the Other Band

Hansen tries to demure — “There’s so many,” he protests — but pushed he allows that, “I like ‘Blue Collar Man.’ ‘Renegade’ is a big song. So, yeah, there’s two.” Shaw’s pick: “Well, of course, ‘I Want to Know What Love Is.’ But I can go down the list really — ‘Cold As Ice,’ ‘Hot Blooded,’ just really drop the needle anywhere and you’ll get a great song.”

Weathering Lineup Changes

“There’s the entity of the band and the music itself — the catalog of songs and what they carry with the audience,” explains Hansen, who’s been singing the songs made famous by original frontman Lou Gramm since 2005. “It’s all about the songs; it’s a testament to the writing and the recording of these songs originally.

“I think my job is to carry forward the legacy of those songs. To still be able to go out there and play these songs, and the songs still have meaning, is a rare thing to achieve. I think both bands have been doing that quite well.”

Styx, of course, still has founding guitarist James “J.Y.” Young and bassist Chuck Panozzo, who plays a few songs each night, while Shaw has been in the band since 1975.

“As we’ve gone on great people have come our way, and once you’re working in it it’s such a great world to be in, musically,” he says. “It’s the music that brings you all together.” Shaw adds that the benefit of legacy is “you’re not having to worry about having to make new music. We’re always working on new music, but the power of that music from the first time it came out and the experiences that our fans had and how they related to the music, that’s really what sticks with you.”

Is New Music Coming?

Foreigner hasn’t released anything since Can’t Slow Down back in 2009, but founder Mick Jones — who revealed via Billboard that he’s been battling Parkinson’s disease for several years — has confirmed that he’s still writing for both the band as well as for a solo project. Gramm has also discussed some unfinished material he and Jones wrote during the early 2000s that’s still around in demo form.

“As always, there’s unfinished stuff in the pipeline,” Hansen notes. “Maybe when we’re not on the road all the time we’ll have time to finish up some of those things. There’s definitely some good stuff that’s not finished yet, so time will tell.”

Shaw, meanwhile, says he’s been working on new Styx material with Will Evankovich, who produced the band’s last two albums and also tours with the group. “There’s music; the problem is there’s just not enough days in the week or hours in the day to get it all done. But we just keep plugging away at it and everyone brings a certain kind of magic to the new music, especially when it’s in the writing phases of it, and it’s all exciting.

“Whenever we’re creating new music we always remember who we are and the things that we love about Styx and not step out of the margins any more than we have to. But it’s such a wide lane to be in, anyway. (Styx) music can go just about anywhere.”

About the Rock Hall….

Hanses says that even though the current members of Foreigner will not be inducted, they’re thrilled for Jones, Gramm and the other members receiving the accolade.

“I think that the original guys in this band really deserve this recognition,” he says. “In so many ways they didn’t get recognition back in the day. It was somewhat of a faceless kind of thing; there wasn’t a David Lee Roth out there or a Jimmy Page or a Keith Richards public persona out there; they were a lot more about the music rather than showing off their personalities. I think they made a musical mark, so to be recognized for the music is a really great thing.”

As for the induction, Jones and Gramm have said they plan to perform, along with other members being inducted, but the current Foreigner lineup won’t be forgotten. “I know everyone has all kinds of ideas,” Hansen says. “I’m here to humbly assist in any way I can.”

Shaw is also stoked about his tour mates’ impending induction. “It’s fantastic,” he says. “You like to see your friends get in — (Peter) Frampton this year, too.” He’s circumspect about Styx’s prospects for the Rock Hall, however.

“We’re really powerless over it,” Shaw notes. “We don’t have any influence whatsoever. So to be anticipating it or be disappointed that we’re not in there…I don’t even know who the people are who judge (the Rock Hall), so I can’t really say much about it. We just know that our fans love us and we know that our music is good before we let them hear it. If that thing’s meant to happen, it will.”

Farewell is a relative term for Foreigner, by the way. Despite last year’s farewell tour announcement — which is expected to roll into 2025 — Foreigner is “not disappearing off the face of the earth,” according to Hansen, who’s blamed the vocal demands of singing that material as one of the reasons he’s dialing down.

“We’re just not gonna tour nine months out of the year anymore; it doesn’t get easier, especially for someone of my years,” explains the 63-year-old. “There’ll be some shows here and there, but there’ll be a lot more time for doing other things in my life that I’m passionate about,” including family, cooking, working on cars and motorcycles and “a social life that I’ve had to miss out on for many years. There’s just a lot of other things for me to do.”

Shaw says Styx is nowhere near such a point, but he does understand where Hansen’s coming from. “Y’know, I’m one of the singers (in Styx); there are good vocalists in our band who can take the leads,” he notes. “Kelly’s the guy in their band, and there’s a lot of high vocals in those (songs) that aren’t easy to do. So that’s a decision they have to make but, y’know, I never say never. They can say it’s the end; a lot of people do, and then a lot of people are right back there a year and a half later. I just hope they do what’s right for them and everybody’s happy.”

Recording Academy Details Global Expansion Efforts in Africa and the Middle East

The Recording Academy is extending its efforts to support music creators on a global scale. The Academy has agreements with Ministries of Culture and key stakeholders across the Middle East and Africa to collaborate on a framework to bolster the Academy’s presence and services in these rapidly growing music regions, the organization announced Tuesday (June 11).

“This is exciting because music is one of humanity’s greatest natural resources,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “It is critical that the people who dedicate themselves to creating music have support, resources and opportunities, no matter where they are from.”

This global expansion marks a significant shift from the Recording Academy’s original charter. The organization was founded in 1957 as the National Academy of Recording Arts & Sciences.

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The Academy is working with the Ministries of Culture in Kenya, Kingdom of Saudi Arabia (KSA) and Nigeria, the Department of Culture and Tourism in Abu Dhabi for the United Arab Emirates (UAE), the Rwanda Development Board (RDB), and the Ministry of Sports, Arts and Culture in South Africa. Additionally, MOUs (memoranda of understanding) have been signed with Ghana and the Ivory Coast.

For the past two years, Academy leaders have traveled throughout these regions, participating in listening sessions, receiving high-level briefings, tours and demonstrations, and obtaining insight directly from both governmental ministries and music creators.

The Academy intends to publish a series of reports highlighting its research and insights into these music markets.

“The Recording Academy is dedicated to supporting music creators around the world,” Panos A. Panay, Recording Academy president, said in a statement. “Our expansion efforts into these fast-growing regions reflect our commitment to fostering a truly global music community, where creators at every stage of their careers and from every corner of the world have the resources and support they need to thrive.”

(Panay was born Panayiotis Andreas Panayiotou in Cyprus, which may be a further sign of the Academy’s increasing global reach. Before joining the Academy, Panay was senior vp of global strategy & innovation at Berklee College of Music.)

The Academy characterizes this exploration into the Middle East and Africa as only the first phase of plans to support music creators abroad. It comes in the same year that the Academy celebrates the 25th anniversary of the Latin Grammy Awards, and seven months after the Latin Grammys were held outside of the United States (in Seville, Spain) for the first time. Last year, the Recording Academy also partnered with the U.S. State Department on an initiative to promote peace through music.

Through these newly-announced collaborations, the Academy looks to explore several key initiatives, including:

  • Championing music creators at all levels, providing them with a platform and advocacy.
  • Empowering creators through enhanced training. Through its online learning platform, GRAMMY GO, the Academy will look to provide educational programs and resources specifically tailored to the needs of music creators in these regions.
  • Producing original content that celebrates the rich musical heritage and dynamic emerging scenes of Africa and the Middle East.
  • Enhancing support for existing and future members. The Academy argues that cross-cultural learning will benefit all music creators.
  • Advocating for strong Intellectual Property (IP) legislation and protections for music creators.
  • Fueling the music economy by collaborating with partners to develop and strengthen the creative economy in Africa and the Middle East.

The Recording Academy supplied quotes from four of its members:

John Legend, a 12-time Grammy winner and a former trustee of the Recording Academy, said: “I’m excited to see the Recording Academy taking these meaningful steps to globalize our mission and reach.  Music knows no borders. It’s global and transcends cultural, political and language barriers. I’m so glad that the Recording Academy, the leading organization serving music creators, is evolving to be a more global organization.”

Angélique Kidjo, a five-time Grammy winner and a current trustee of the Recording Academy, said: “The Recording Academy is accelerating its efforts to serve music people everywhere, and Africa is ready with open arms. We are a continent of music and young, passionate music makers. I’m proud to see the Academy forming partnerships with Nigeria, Kenya, Rwanda, South Africa, and no doubt, more to come!”

Davido, a three-time Grammy nominee, said: “As an African musician, I’m excited about the Recording Academy’s expansion into Africa and the Middle East. It acknowledges our vibrant talent and the global influence of African music. This initiative offers a platform for creators, elevating our cultural expressions and uniting us through music.”

Kat Graham, actress/singer (The Vampire Diaries, the upcoming Michael Jackson biopic Michael) and a former trustee of the Recording Academy, said: “As a Goodwill Ambassador for the UN Refugee Agency, I’ve seen firsthand how interconnected our world is. I applaud the Recording Academy for expanding its activities to Africa and the Middle East, two of the fastest-growing regions. This visionary move will amplify the role music can play as a force for good in the world while showcasing diverse voices and fostering cultural unity on a global scale.”

Ed Sheeran Says He Has Absolutely No Notes on Olivia Rodrigo’s Two Albums: ‘Un-Skippable’

Ed Sheeran knows a thing or two about writing popular songs thanks to his more than two dozen top 10 singles on the Billboard Hot 100. He also knows a great song by another artist when he hears it, which might explain why during a recent visit to the Therapuss with Jake Shane podcast Sheeran was more than happy to rain some praise on two of his favorite songwriters.

When host Shane asked if Sheeran remembered the video for Lana Del Rey’s debut single, “Video Games,” Sheeran enthusiastically recalled that it came out around the same time as his debut song, “A Team” and that, in a word, LDR’s track was “incredible.”

“I just [think] that song’s just kind of like the perfect debut song isn’t it?” Sheeran said of “Video Games.” Then, asked to name another flawless debut song, Ed said, without hesitation, Olivia Rodrigo’s “Drivers License,” as well as Britney Spears’ “Baby One More Time,” commenting, “there is no better debut song,” dubbing Britney’s signature track one of the “top two or three best songs ever written.”

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Sheeran — who repeatedly displayed a savant-level knowledge of other artist’s timelines and debut singles — went on to say that not only is “Drivers License” a “great” song, but both of Rodrigo’s albums, Sour and Guts, are, in his estimation, “un-skippable… it’s just, as a record, just a great record.” Among the other songs Sheeran had no notes on were Katy Perry’s “I Kissed a Girl.”

Listen to Sheeran on Therapuss here (LDR/Britney/Rodrigo) talk begins at 38:50 mark).

Eminem Does His Own Stunts in ‘Houdini’ Video Behind-The-Scenes Footage: ‘That’s Actually Not Easy’

Lest you think Eminem doesn’t suffer for his art, Slim Shady pulled back the curtain on Monday (June 10) to provide fans with a behind-the-scenes peek at the making of the video for his “Houdini” single. The minute-long clip starring the rapper’s not-so-super alter ego, Rapboy, features the caption, “I do my own stunts. #Houdini video shoot behind the scenes – don’t try this at home!!!”

It opens with Rapboy doing a series of jumps off a bed onto a crash pad, repeatedly face-planting on the black mat you don’t see in the finished product. He then does another round of face plants — this time from a kneeling position — onto a dusty rug while complaining to the director about his motivation. “Oh, you want me to smash my f–king face!?,” video veteran Marshall says, adamantly noting that he can’t be responsible for what his cape does when his mug hits the dirt.

“Don’t do the recoil,” director Rich Lee counsels Em, as the Rock and Roll Hall of Famer argues, “that’s my head bouncing off the carpet!” Lee, however, begs to differ and shows Em on an iPad that he is, in fact, bobbing his head as he drops to the ground. “Can you make my nose not as f–king pointy?” the MC asks while changing the subject while viewing the playback.

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Cut to one of the oldest tricks in the book as Rapboy “climbs” a building and gets blown around by a wind machine, appearing to struggle mightily against gravity while actually just standing on a slight incline shot from the side. “Holy s–t, that’s actually not easy,” a winded Em, 51, says after repeated takes. “I need a break.”

The rest of the clip consists of Em doing multiple takes of set-ups where he does tuck-and-rolls and practices a fight scene. It ends with a blonde-haired Marshall kicking a door open so hard he loses one of his shoes.

The video that makes nods to Em’s 2009 “Without Me” visual features cameos from Dr. Dre, Snoop Dogg and 50 Cent, as well as Marshall’s three kids — Hailie, Alaina and Stevie — as well as former SNL star Pete Davidson. The song is the first single off Eminem’s upcoming 12th album, The Death of Slim Shady (Coup De Grâce), which is expected out this summer.

In the meantime, Eminem landed his 23rd career top 10 debut when “Houdini” entered the Billboard Hot 100 at No. 2, kept out of the top spot by Post Malone and Morgan Wallen’s “I Had Some Help,” which has been at the peak for four consecutive weeks. The “Houdini” debut is the rapper’s highest-charting single since “The Monster” featuring Rihanna spent four week at No. 1 in December 2013-January 2014.

Watch the “Houdini” BTS video below.

Billie Eilish Soars From a Whisper to a Scream During ‘The Greatest’ on ‘Late Show’

Billie Eilish unwrapped the live debut of the soaring ballad “The Greatest” on The Late Show on Monday night (June 10), performing the Hit Me Hard and Soft album track accompanied by her brother/producer Finneas on acoustic guitar. The moodily lit performance opened with the singer shrouded in darkness sitting on a stool as Finneas finger picked notes and she whisper sang, “And you don’t wanna know/ How alone I’ve been/ Let you come and go/ Whatever state I’m in.”

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Wearing one of her patented outfits comprised of an oversized jersey with striped tie, baggy plaid shorts and sneakers, Eilish eventually stood up as the song began to pick up pace and she gripped the mic with both hands as she leaned into the soaring, self-congratulatory chorus: “Man, am I the greatest/ My congratulations/ All my love and patience/ All my admiration/ All the times I waited/ For you to want me naked/ Made it look painless/ Man, am I the greatest.”

With the green stage lights flashing, Finneas switched to electric guitar and the band cranked up as Eilish howled “Man am I the greatest” and “I waited” before the arrangement got small again and she dropped back into her feathery falsetto and sighed, “I shouldn’t have to say it/ You could’ve been the greatest.”

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Eilish dropped the video for the album track “Chihiro” last week in which she sprinted through an abandoned building, chasing elusive Paper Towns actor Nat Wolff before they briefly tussle and then make nice.

Watch Eilish perform “The Greatest” on The Late Show below.


https://youtube.com/watch?v=hDtGsVB3y3I&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

KCON 2024 LA Adds NCT 127 to Lineup, Jeon Somi & K-Drama Stars as Hosts

Just as tickets went on sale for KCON 2024 in Los Angeles, the K-pop mega festival and convention announced a special surprise guest to its lineup as well as three noteworthy names as hosts.

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For its first KCON Los Angeles since first hitting its stage in 2017, NCT 127 has been announced as part of a “special lineup” for the fest, joining previously announced stars like ZICO, ENHYPEN, P1Harmony, NMIXX, A.C.E and more. A graphic announcing the group’s involvement featured seven members of the group — Johnny, Yuta, Doyoung, Jaehyun, Jungwoo, Mark and Haechan — as leader Taeyong began fulfilling his mandatory South Korean military service in March, and Taeil was announced to enlist this year as well and may begin his service by the July performance.

KCON also revealed the three hosts that will hold MC duties for the live taping of M Countdown, the weekly live performance program on the K-pop music channel Mnet, which occasionally goes abroad for live tapings.

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Rowoon, the Korean-drama actor Rowoon and former member of boy band SF9, will host Friday, July 26, marking his first appearance at KCON LA since 2019. Solo star Jeon Somi is the M Countdown host for Saturday, July 27, to mark her long-awaited return to L.A. and first time back at KCON since 2016 when she first performed with her former girl group, I.O.I. Finally, top K-drama actor Kim Soo Hyun will host on Sunday, June 28.

Notably, KCON’s central featuring of stars like Kim Soo Hyun and Rowoon marks a move back towards featuring more actors from Korea as it did in past iterations during the ’10s despite the prominence of K-dramas and Korean cinema, arguably growing more prominent in the post-pandemic years.

Tickets for KCON’s general onsale opened this afternoon, June 10, local time. KCON 2024 Los Angeles takes place across Los Angeles’ Crypto.com Arena, LA Convention Center and Gilbert Lindsay Plaza from July 26-28.

GloRilla & Megan Thee Stallion’s ‘Wanna Be’ Surges After Cardi B Remix

A new Cardi B remix adds a serious jolt to GloRilla and Megan Thee Stallion’s “Wanna Be,” sending the rap collaboration rebounding up the Billboard Hot 100 and multiple other charts (dated June 15) following the first tracking week for the new version, which was released May 31.

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In the May 31-June 6 tracking week, according to Luminate, “Wanna Be” generated 19.7 million official U.S. streams – its biggest streaming yet and a 51% increase from the previous week, sparking its 35-15 ascent on the Streaming Songs chart. The single sold 13,000 downloads in the same period, up 6,210%, prompting a No. 4 re-entry on the Digital Song Sales list. (It reached Nos. 9 and 1 on the respective charts upon its debut on rankings dated April 20.)

“Wanna Be” also registered 7.1 million airplay audience impressions, a 115% week-over-week improvement. Although it’s as yet below the 50-position threshold for the all-genre Radio Songs chart, the single’s gains reap rewards on format airplay charts: It darts 36-17 on the R&B/Hip-Hop Airplay chart (up 113% in audience to 5.9 million) and debuts at No. 37 on Rhythmic Airplay.

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Thanks to the increases for all three metrics, “Wanna Be” rockets 39-15 on the Hot 100, which blends streaming, sales and airplay into its calculations. The collaboration nears its peak of No. 11, achieved upon the song’s debut. Additional jumps occur on both the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100. “Wanna Be” rebounds 11-5 on the former to match its peak rank and 9-4 on the latter, earning a new best showing. (All versions of the song are rolled up into one listing for tracking purposes and chart ranks. Cardi B is not listed on “Wanna Be” on the June 15-dated multimetric charts, as the remix did not account for the majority of the song’s overall consumption during the tracking week, although she is listed on radio charts, as the new remix is already responsible for the bulk of its airplay; such decisions are reviewed each week upon compilation of updated data.)

Plus, streaming and sales consumption for “Wanna Be” in both its original and remixed forms helps the track’s parent album, GloRilla’s Ehhthang Ehhthang, rally on the albums charts. The set, released in April (which includes the original GloRilla and Megan Thee Stallion version), drives 47-23 on the all-genre Billboard 200, with 23,000 equivalent album units earned May 31-June 6, a 35% gain from the previous week. Further, the project’s 13-4 surge on the Top R&B/Hip-Hop Albums chart unlocks a new peak, while it returns to its highpoint on Top Rap Albums with an 11-3 advance.

Funkmaster Flex Goes on Rant Against ‘Million Dollar Baby’: ‘Sounds Like a Shoe Store’

Hot 97’s Funkmaster Flex — who’s been a staple on New York City airwaves for decades — isn’t feeling Tommy Richman’s “Million Dollar Baby.”

In fact, the legendary DJ went on an epic rant about how much he doesn’t like the song and went as far as to call those who do like it “clowns.”

“If you’re someone that likes this song, you are a clown,” Flex said. “This song… I don’t know what the rest of his songs sound like. I don’t even know who Tommy Richman is. Sounds like a shoe store. Now we’re gonna document this hot garbage. We’re gonna play it now, I know you want to hear it. I wonder if this is big in the club.”

He then says, “See this part is deceiving like it might be a good song,” when talking over the song’s intro. Adding, “Watch the terrible part as it comes in… where you hear the tin can drums,” as the beat starts to build and Tommy Richman’s voice can be heard.

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Another user posted what sounds like another rant as Flex plays the record again. This time the DJ tells his listeners that he’s going to play a record suitable for New York in order to “bring us back from the depths of Hell, from the depths of garbage” and then adds that the song “sounds like it was made on a Casio machine.” Flex also says the song makes him question why he’s a DJ and questions whether he’s “aged out” before acknowledging how big the record is.

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You can hear the listeners being both appalled and entertained by what Flex is saying in both recordings.

Check ’em out below.

This rant comes at an opportune time for the Virginia singer, since he’s making an announcement Tuesday on his Instagram Story. A few days ago, he dropped a teaser on his IG for his next single with the caption, “Devil is a lie.” So maybe this announcement has something to do with that.

Million Dollar Baby” currently sits at No. 3 on the Billboard Hot 100 and has been on the charts for the last five weeks, peaking at No. 2.

Seems like a lot of clownery is going on.

Christian Nodal & Ángela Aguilar Confirm Their Relationship

Christian Nodal and Ángela Aguilar revealed Monday (June 10) that they’re dating. HOLA! Americas released the couple’s first photos together, confirming their romance began after Nodal’s separation from Cazzu.

“It is not a new relationship; it’s the continuation of a story that life made us pause so we could grow and miss each other. Because when we let go, we returned even closer,” Aguilar told HOLA!

According to sources, they reunited after Nodal ended his relationship with the Argentine trap star, with whom he recently had a baby. The Mexican superstar and Cazzu artist publicly announced their breakup on social media on May 23, stating they still have a respectful and amicable relationship.

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“The time has come to share that Julieta [Cazzu’s real name] and I are going our separate ways,” Nodal wrote, which Cazzu reposted on her own account. “Our love and respect for each other remains strong, especially in our role as parents to our wonderful daughter, Inti. I am deeply grateful for the moments we shared and will always carry those memories fondly. I appreciate your support and understanding during this time of change.”

After reposting Nodal’s message, Cazzu shared in her own words: “We artists are a screen of what happens in real life. You go through love, heartbreak, successes and mistakes with us. Today, as it was many times and as there are still many, you accompany us, some with hate and others with much love. Thank you, everything heals.”

Following the end of their respective relationships, 20-year-old Aguilar and Nodal, who is 25, began their romance, having previously established a friendship through their musical collaborations in 2020’s ranchera song “Dime Cómo Quieres.” “I couldn’t stop laughing while recording my part. When you record a duet well you have that human interaction and a lot of your facial expressions are a reaction to what the other person is doing. But here, I was singing to a green screen and a guy from our production team who pretended to be Nodal,” Aguilar told Billboard in 2020 about their collaboration.

Ángela Aguilar was honored with the Musical Dynasty award at the 2024 Billboard Latin Women in Music ceremony, which aired Sunday night (June 9), where she was also the youngest of the eight honorees.

Don Toliver to Stream ‘Fortnite’ Collab ‘Hardstone’ on Twitch

Don Toliver is rolling out his new album Hardstone Psycho with the help of Fortnite.

On Monday (June 10), the artist out of Houston is dropping his collab Hardstone with Epic Games — the company behind Fortnite. The special event has been described as an “8v8 turf war between two rival biker gangs (Hardstone & Wolves M.C.)… featuring music from Don Toliver’s new album, a fully custom map, immersive gameplay, & more.”

Last Thursday, Toliver posted the trailer to Fortnite‘s Hardstone gameplay that clearly matches up with the biker themes found in the three singles he’s dropped while promoting the album.

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And he also announced “Don Toliver’s Hardstone Psycho Steam” on Twitch via his Instagram page, which is happening later Monday at 5:30 p.m. ET:

Toliver recently scored a Billboard Hot 100 hit with the third single to Hardstone Psycho “Attitude” featuring Cash Cobain and Charlie Wilson. So far the song has peaked at No. 96 and is his ninth chart entry as a lead artist. The first two singles “Bandit” and “Deep in the Water” also charted, with the former earning the artist his first top 10 hit as a lead artist.

If you remember, his Cactus Jack label boss Travis Scott also had an exclusive collab with the gaming giant. In 2020, Scott had a live performance within the game as a giant avatar entitled Astronomical. The 10-minute performance set a record for Fortnite‘s largest-ever in-game gathering. The event drew 27.7 million unique players over the course of five airings in three days.

Let the battle for Psycho Valley begin.