Stevie Nicks Soars Through a Night of Songs & Stories at Mohegan Sun: 5 Best Moments

Making an entrance with her long, cascading curls and signature black stage ensemble, Nicks launched her set with the energy of Bella Donna album track “Outside the Rain,” and then the Fleetwood Mac Billboard Hot 100 No. 1 hit “Dreams,” from Rumours.

“We’re very glad to be here,” Nicks, live band by her side, said to cheers from the audience. “We got to fly in on a helicopter. It was truly magnificent,” she shared of her trip into town.

Even better? “I got to photograph my Barbie sitting in the window with the background of New York, and then here [Connecticut], the whole time,” Nicks happily reported — before moving forward with “If Anyone Falls,” off 1983’s The Wild Heart.

Yes, Nicks proudly has a cool Barbie doll that was created in her likeness by Mattel, in partnership with Primary Wave, which the star announced in late 2023. Nicks’ version of Barbie is fashioned after the singer at age 27, on the cover of Rumours. She was very hands-on in the process, even down to the Barbie-sized tambourine.

Nicks’ first solo project, her 1981 album Bella Donna, was done, she told the audience in the chatter between songs Sunday night, until Jimmy Iovine (who was her producer and then-boyfriend) told her she just didn’t have a hit single on the album.

“Stevie, I think we have a problem,” Nicks recalled him saying to her. “Well, you don’t have a single, and if you don’t have a single, then your beautiful record will probably tank,” he told her.

“And I’m going, ‘He’s so sensitive. He so nicely delivered that,’” Nicks said to fans. “I’m like, well, do you have a plan?”

His plan was to connect her to Tom Petty: “‘He has a song for you that he thinks would be great for you. He thinks it would be a great duet, and he would love to sing it with you if you’d like to,’” she said of her memory of the moment, sharing with the crowd that she definitely wanted to work with Petty. She continued her story: “He goes, ”Cause you know, I know that you’d really love to join this band. The first time you walk in to meet him, don’t, like, say that. Don’t go, ‘Can I join your band?’ Cause he’s gonna say, ‘No girls allowed.’ That was Tom Petty, that was their thing.”

“I said, at that moment, and I swear to god this is true — this is a new layer — I said, ‘I’m gonna prove you wrong. I’m gonna instantly, definitely be allowed into The Heartbreakers,” said Nicks at the show.

Nicks and Petty, of course, ended up recording “Stop Draggin’ My Heart Around,” and she happily announced to the crowd how upon its release that year it “went straight to No. 3 in Billboard [on the Hot 100],” with Bella Donna going “straight to No. 1 [on the Billboard 200 albums chart].”

“Thank you, Tom Petty,” Nicks said to her late friend.

Before playing “Gypsy,” from Fleetwood Mac’s 1982 album Mirage, Nicks recalled the interesting chain of events that led to her joining Fleetwood Mac in 1975. This was a 13-minute version of a story she’s likely told all too many times, but there’s a special charisma to her telling it in-person — all leading up to her introducing the song, a highlight among a crowd dressed in outfits inspired by Nicks’ timeless “Gypsy” style.

“There was a certain part of that beginning part, from 1971-1975, that I started to really miss,” Nicks confessed of her younger, pre-fame days, when she had started making music with Lindsey Buckingham and struggled to make ends meet, as her parents were not supporting her financially outside of college.

Writing “Gypsy,” she was in the mindset of nostalgia, and of romanticizing that time period of her life: “I kind of miss being a cleaning lady, in a way,” she recalled. “I kind of miss waitressing. I miss what I call the halcyon days … the wine and roses days. I kind of miss it.”

“This song came out of that. For all you travelers, and nomads, and gypsies, this is your song,” she said to a packed arena.

Sprinkled into Nicks’ setlist on Sunday was a cover of Buffalo Springfield‘s “For What It’s Worth,” written by Stephen Stills and originally released in 1966. Nicks recorded a version of the protest track in 2022.

Ahead of singing, she used her platform to nudge people to vote in the upcoming election, something she failed to do for many years. One of Nicks’ only regrets — of which she has very few, she says — is not voting earlier in her life. “We should all vote,” Nicks told the crowd. “We should.”

“I didn’t vote until I was like 70 years old,” she said. “Maybe a little younger than that. You might ask, ‘Well, why? Why, Stevie?’”

“And I might say, ‘Well, ’cause I was busy,’” she said, hands on hips, mocking herself about a schedule of fittings, dinners and distractions, like Don Henley introducing her to salmon-pink lightbulbs. “It was so beautiful that I went out and bought a truckload of them,” Nicks noted. “They eventually discontinued them, so that was a huge bummer in my mind. Anyway, it was things like that. I was tracking down lightbulbs. I was busy! She was busy!”

Now she’ll make the time for it. “As I look back on it, I think, ‘How long could it take to go down and vote?’” Nicks admitted. “I think it’s a good idea for us all to vote. I will certainly vote. You vote, too … I’m 76 years old, so it’s like, how much time do I have? But you, most of you, anyway, probably have a lot longer than I do, so you don’t have the regrets.”

After leaving the stage briefly, Nicks and her band returned for a two-song encore, likely the most-anticipated pair of Fleetwood Mac songs Nicks would deliver that night, “Rhiannon” and “Landslide.”

Her eyes glistening as she sang, Nicks delivered a beautiful performance of “Landslide,” the 1975 Fleetwood Mac ballad that’s more than stood the test of time.

As fans sang along, a video montage played of photos featuring Fleetwood Mac’s Christine McVie (many being snapshots of Nicks with McVie) across the big stage screen at Mohegan Sun Arena; McVie sadly passed away in 2022. With the stage set up in her memory, Nicks closes the show backed by the spirit of her longtime friend and musical collaborator each night she performs.