Music

Peso Pluma Fractures Foot During Gov Ball Performance & Kept Going

New York City’s Gov Ball was ablaze with excitement on Sunday (June 9) as Peso Pluma energized tens of thousands of festivalgoers with corridos and a few trap hits on the Gopuff stage. But during his set, the Mexican superstar fractured his foot, yet continued to power through like a champ. This was his first headlining slot at a genre-spanning festival, and he tackled the challenge head on with an exhilarating show.

Decked out in a Celine black mesh hoodie and silver chains, the Guadalajara native kickstarted his hourlong set with the blaring trombone notes of “Rubicon.” With ecstatic cheers, he welcomed the crowd, “¡Arriba México, putos! How y’all doing, New York? Are you ready to have a f–king corrido night?” he shouted.

Amid a dozen dancers and eight musicians, the star also invited Jasiel Nuñez on stage to perform the corridos hit “Rosa Pastel,” and later on brought in Rich the Kid to do the trap song “Gimme a Second.” This blend of artists across different styles showcased Peso’s versatility. He also showcased Billboard chart-topping bangers such as “Ella Baila Sola,” “PRC” and “La Bebe,” and performed his recent single “La Durango” live for the first time.

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The night took an unexpected turn when Peso Pluma, with a sudden misstep on the slanted stage, fractured his foot. Unfazed, he adapted his performance. At one point, a staff member brought him a chair, which Peso refused, and kept hopping on one foot. “If I have it fractured, I don’t give a s–t because you all deserve a grand show!”

He later confirmed the injury and wrote on Instagram, “Broken foot? IDGAF! Thanks New York. Y’alls energy was insane! Los Amo!

At one point, Morgan Freeman’s voice also played a notable role in Peso’s set as a key storyteller. The actor recounted the historical controversies that narco corridos — drug ballads — have played in Mexico, or in this case, corridos bélicos, which have even been banned in certain places in the country, drawing parallels to gangster rap. Meanwhile, images of Chalino Sánchez appeared on the backdrop.

As Peso Pluma — who later rocked a white tank top, showing off his newly tattooed sleeves — rallied for one final grand cheer, and the audience responded by chanting his name at the end for an encore, which he delivered with “Lady Gaga.” Despite his injury, his Gov Ball appearance was a display of his indomitable spirit. Audience members left the set energized and inspired, with one non-Hispanic fesivalgoer commenting, “That was the coolest set ever!”

After a wildly successful 2023 packed with Hot 100 hits, the Mexican hitmaker now prepares to release his Génesis follow-up, Éxodo, this month.

Tony Winners Who Have Landed Top 10 Hits on the Hot 100

This star-studded list will get you in the mood for this year’s Tonys, which are set for Sunday June 16.

Of the four award shows that comprise the EGOT, The Tony Awards are sometimes thought to be the least connected to the contemporary pop music scene. But there have been many exceptions to that stereotypical view over the years, including these 16 artists who have both received Tony Awards (either competitive or honorary awards) and made the top 10 on the Billboard Hot 100.

The Tonys have been presented annually since 1947 and have aired on national television every year since 1967. This year’s Tonys are set for Sunday June 16. The program, always one of the best and most entertaining awards shows, will air live on both coasts from 8:00-11:00 p.m. ET/5:00-8:00 p.m. PT on CBS. Ariana DeBose is hosting for the third year in a row.

Here’s a little Broadway lore to get you in the mood for this year’s show. Three recordings of songs from Broadway musicals have topped the Billboard Hot 100 – Louis Armstrong’s rendition of the rousing title song from Hello, Dolly!, The 5th Dimension’s sleek coupling of a pair of hippie anthems, “Aquarius/Let the Sunshine In,” from Hair and Ariana Grande’s “7 Rings,” which interpolates Rodgers & Hammerstein’s “My Favorite Things” from The Sound of Music.

“Hello, Dolly!” is also one of three songs from Broadway musicals to win the Grammy for song of the year, along with “What Kind of Fool Am I” from Stop the World – I Want to Get Off and “Send in the Clowns” from A Little Night Music.

Here’s another indication of the potency of Broadway musicals: The cast album from Lin-Manuel Miranda‘s masterwork Hamilton: An American Musical has been a fixture on the Billboard 200 for 455 weeks. It’s closing in on the record long held by Lerner & Loewe’s splendid My Fair Lady (480 weeks) as the longest-charting cast album in history.

Here’s a list of 16 Tony winners who have also landed top 10 hits on the Hot 100. Artists who have won Tonys in competitive categories are listed first, followed by those who have won honorary awards.

Rick Ross to Auction Off Rare Sneakers, Piano Featuring Michael Jackson’s ‘Thriller’ Art & More for Charity

Rick Ross has long prided himself on living an life of luxury. Now, he’s looking to give back some of those opulent material items laying around his estate to benefit those less fortunate than him.

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Rozay will be hosting the two-day auction that boasts 800 items, and is presented by Julien’s Auctions; it will be held June 25-26 live and online, and benefits the Boss Up Grant program with The Creative Collective NYC.

“I looked around one day and marveled at how blessed I am. I wanted to figure out how to be a blessing to others and share some of the dopest, rarest luxuries with the world that I’ve collected over the course of my career,” Ross said in a statement, before explaining how Pharrell Williams’ auction inspired him to launch one of his own. “Inspired by my brother Pharrell, I thought of an auction with the proceeds to help the next generation of bosses. It was the most player and sustainable way to not only touch my fans but also pour into a community that has poured into me.”

The Boss Up Grant aims to help “entrepreneurs with grants to accelerate their continued impact, business initiatives and scale their operations,” according to the release.

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“Even the most motivated people have to feel empowered to chase and pursue those big ideas, and through this charitable effort with The Creative Collective, the aim is to provide entrepreneurs and young hustlers with the push they need to become legendary,” added Ross.

The MMG mogul will be putting up some prized possessions for auction, such as 300 rare pairs from his sprawling sneaker collection, including the Air Jordan Retro 5 “University of Michigan Fab 5” PEs (est. $2,000-$3,000), Air Maxes (est. $1,000-$2,000), DJ Khaled “Father of Asahd” Air Jordans (est. $3,000-$5,000) and Virgil Abloh Off-White collaborations (est. $500-$700).

Rick Ross'

Rick Ross’ “Father of Asahd” Air Jordan 3.

Julien’s Auctions

There are also plenty of designer garments and eccentric outfits Ross rocked to various award shows on the red carpet and music video shoots up for grabs. From Versace silk shirts (est. $500-$700) to designer sunglasses and varsity jackets (est. $200-$500), there’s a little bit of everything from the Biggest Boss’ expensive wardrobe.

For the art enthusiasts, Rozay will also have some street, contemporary and high artwork pieces taken from the walls of his jaw-dropping mansions to the auction table. There are also miscellaneous personal items such as a custom-painted piano featuring Michael Jackson Thriller cover (est. $2,000-$3,000), a Franky Cardona’s signed painting of Ross holding up Luc Belaire bottles (est. $2,000-$3,000), RIAA plaques, MMG memorabilia and more accolades and trophies from his illustrious career.

Rick Ross' Michael Jackson under hood Thriller album piano

Rick Ross’ Michael Jackson under hood ‘Thriller’ album piano.

Julien’s Auctions

The Push It to the Limit-Luxury & Lifestyle: A Rick Ross Auction will be run by Julien’s Auctions in Los Angeles on June 25 and June 26 starting at 10 a.m. PT. Those who can’t attend will still have the opportunity to virtually participate and bid on items online via the auction house’s website, or by calling 310-836-1818.

Watch a trailer for what’s to come with the Rick Ross auction above.

Bon Jovi Play Surprise Five-Song Club Set at Grand Opening of JBJ’s Nashville Bar/Restaurant

Jon Bon Jovi has been making the rounds lately to talk up Bon Jovi‘s new album, Forever, as well as to promote the recent Hulu series, Thank You, Goodnight – The Bon Jovi Story, which chronicles the Jersey band’s history and his long, hard road back from vocal cord surgery in 2022.

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The one thing he hasn’t really done, though, is perform a set with the band as he tests whether all the work he’s been doing to strengthen his voice has paid off. But on Friday night the band hit the stage at the singer’s new Nashville bar, JBJ’s, for a special mini-set to celebrate opening night. And, by the sounds of the fan videos of the pop-up gig Bon Jovi is in fine form.

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According to Setlist.fm, the set opened with “Blood on Blood” (from 1988’s New Jersey) and included “We Weren’t Born to Follow,” “You Give Love a Bad Name,” “Born to Be My Baby” and the Forever single “Legendary.”

Wearing a black t-shirt, jeans and a white sneakers, at the top of the show Bon Jovi welcomed the capacity crowd to the bar and said, “we’re just gonna play you a couple and then we’ll get to drinking.” Bon Jovi recently said that he doesn’t think the band can do a full tour in support of the album, so the club show was a rare treat for the group’s fans.

The Tennessean reported on Bon Jovi and the band’s first walk-through of the five-story Broadway bar — now the tallest one on the city’s main drag — during a media preview on Thursday. The singer was joined by drummer Tico Torres, keyboardist David Bryan and bassist Hugh McDonald as they unveiled the 37,000 square-foot space. “It’s like Christmas morning. I knew this space as a parking lot,” Bon Jovi said. “We came once during the construction, but we haven’t seen the finished product until today.”

According to the paper, the open floor plan includes all the levels opening up to a three-tiered stage on the ground floor, with the walls covered in Bon Jovi pictures spanning the group’s four-decade career and bathrooms bearing sings for “Tommy” and “Gina.”

Courteney Cox Recreates ‘Dancing in the Dark’ Video Cameo For 1980s Mom Dance TikTok Trend

Four decades later, Courteney Cox‘s fire is still burning. The Friends star hopped onto the viral “asking my mom how she danced in the ’80s” TikTok trend on Sunday (June 9) when she posted a video featuring her Reagan-era moves by throwing back to the moment that started it all for her.

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While most of the moms who’ve responded have danced to British synth pop trio Bronski Beats’ “Smalltown Boy,” Cox’s video opened with her doing a classic 1980s arm shimmy before she appeared to have a change of heart. Cue the saxophones and a wardrobe switch, as Cox ditched her sweatshirt, unzipping it to uncover a Bruce Springsteen Born in the U.S.A. t-shirt while she busted into the dance that helped make her a star.

The video then pivoted back to 1984, when Cox got her first big break when she was pulled from the audience onto stage with The Boss for a dancing cameo in his “Dancing in the Dark” video. The video directed by famed auteur Brian De Palma was shot during a pair of Springsteen shows in St. Paul, Minn. and the rocker pulled the then 20-year-old Cox from the audience to dance with him onstage, not knowing that she was an actress who was chosen during a casting call in New York.

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Springsteen and the E Street Band are in the midst of their 2024 European tour, with the band gearing up to play three shows at the Civitas Metropolitano in Madrid, Spain on June 12, 14 and 17.

Watch Cox’s video below.

Kendrick Lamar Makes Surprise Speech at 2024 Compton College Graduation: ‘There’s No Place Like This One Right Here’

Kendrick Lamar has been out of the spotlight since the conclusion of his heated feud with Drake ended several weeks ago. But on Friday, K-Dot made a surprise appearance at the 2024 commencement ceremony for Compton College, where the rapper gave props to the city he grew up in and gave graduates words of wisdom as they start their journey into the wider world.

Making his way to stage to a censored version of “Bitch, Don’t Kill My Vibe,” a smiling Lamar stopped to take a few pics and dole out handshakes and hugs as he took out his own phone to grab a video of the happy scene. “I wanted to come out here just to tell y’all how much I appreciate y’all. I’m proud of the city of Compton, I’m proud of Compton College, most importantly I’m proud of the graduates out here,” he told the crowd.

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“I know what it takes. You had a lot of hardship, not only in your house, in your communities, but most importantly, in yourself, and that’s the toughest thing to overcome. We still growing day by day, brick by brick, making sure we develop, not only in the physical form but in the spiritual as well,” he added.

“Seeing y’all you out here, it is not only a representation of the world, but it’s a representation of me. When I walk out in these cities in these countries, I can be proud and say, ‘This is where I’m from.’ I still believe in Compton, Compton always been a future for me. I think we breed some of the most incredible individuals: Creatives, intellectuals, talent. We had it since day one, that’s why I always screamed this city. I traveled the world, there’s no place like this one right here. No place,” the rapper told the cheering crowd.

“I still believe in Compton. Compton has always been the future for me. I think we breed some of the most incredible individuals, creators, intellectuals, talent. We had it since day one… I traveled the world, it’s no place like this one right here… I still believe in everything that we’re doing. Brick by brick.”

Wearing glasses, a purple ball cap and a black suit with a white t-shirt, the hometown MC told the graduates that he still believes in everything that the community is doing, but that it’s time to change the narrative. “Some people tell us this generation don’t have what it takes. Gen Z. We talk about it all day. They try to pull us down and say we don’t know what we’re doing,” he said. “They wrong though.  Because not only you all have what it takes, you have something bigger: You have the heart, y’all the courage to be independent thinkers. Independent thinkers. There’s nothing more valuable than that.”

Lamar assured the graduates that their degree from Compton College was just as important and vital as any degree that anyone else might get from a different school. “This Compton degree is just as big,” he said to whoops of approval. “Now it’s all about taking these resources and taking what you learned and applying. It’s as simple as that. You gonna have hardships, you gonna have tribulations as you had coming up here, but guess what? You have someone special behind your corner and all around you and that’s God, period. Period. Period. Every step of the way when you fall and you have your shortcomings, he’s right there. When you have your victories, he’s right there. Give yourself grace, give yourself time to grow and appreciate it, because he’s growing with you.”

Lamar will be back on stage in Los Angeles on June 19 as the hots of The Pop Out – Ken & Friends concert at the Kia Forum for a special gig that will be streamed live on Prime Video.

Watch Lamar’s surprise Compton College speech (Lamar segment begins around 41:30 mark) below.



CMA Fest 2024 Final Night: 5 Top Moments

CMA Fest 2024 may have concluded with Sunday evening’s (June 9) lineup at Nashville’s Nissan Stadium, but fans were far from winding down. Instead, the tens of thousands of country music diehards came ready to party with everything they had left on the fest’s fourth night.

Sunday’s lineup included Josh Turner, Megan Moroney, Brothers Osborne, Carly Pearce, Jackson Dean, Bailey Zimmerman, and country/rock purveyor HARDY. Meanwhile, the platform stage featured two not-to-be overlooked newcomers: Zach Top and Wyatt Flores.

In all, the evening’s performances put country music’s vast breadth of sounds and influences on display, ranging from modern-day hits to covers of songs nearly five decades old. The night found traditional-minded country strains mined by artists including Turner, Top, Moroney and Pearce.

The deep-voiced Turner offered up his hits, including “Firecracker” and “Long Black Train,” in addition to his new single, “Heatin’ Things Up.” Newcomer Top staked his traditional country claim from the start of this two-song set, lacing his song “Sounds Like the Radio” with nods to Alan Jackson’s “Chattahoochee” and the year 1994, midway through a decade when artists including Jackson, Garth Brooks and Reba McEntire spearheaded country music’s rapid ascent into an economic powerhouse.

Meanwhile, Moroney — who will release her new album Am I Ok? on July 12 — offered up cleverly-crafted songs such as “No Caller ID,” “Man on the Moon,” “Indifferent” and her breakthrough hit “Tennessee Orange,” with her writing often based on classic country frameworks and torn from her own personal history of romantic wins and losses.

Brothers Osborne were clearly in their element, pouring forth an amalgam of blues, rock and country, while Dean offered an unfiltered, rock-soaked performance. Mississippi native HARDY, who topped seven different Billboard charts with his album The Mockingbird & the Crow, closed out the show with his mesh of grunge-rock, metal and country while offering up a handful of surprises.

Jelly Roll and Ashley McBryde served as hosts for much of the evening, with the Nissan Stadium shows taped as part of the upcoming three-hour primetime special CMA Fest, slated to air on June 25 on ABC (and stream on Hulu the following day).

Here, we look at five top moments from Sunday’s show that closed out this year’s CMA Fest:

Billboard Latin Women in Music 2024: Tears, Gratitude, Family & Gloria Estefan

Tears, parents, emotional performances and lots of gratitude and respect for Gloria Estefan marked Billboard’s second annual Latin Women In Music gala on June 9 in Miami.

Produced by Telemundo, the show, which aired Sunday night, honored revered icons of Latin music like Gloria Estefan (the Legend Award), salsa Legend La India (the Pioneer Award) and Mexican Powerhouse Ana Bárbara (Lifetime Achievement), as well as Puerto Rican singer-songwriter Kany García (Spirit of Change), Mexican prodigy Ángela Aguilar (Musical Dynasty), Colombian chart topper Kali Uchis (Rising Star) and this month’s Billboard cover star, Camila Cabello (Global Impact).

The show was pre-taped at Telemundo’s studios (with production headed by Cisco Suárez and Macarena Moreno) in Miami, and perhaps the smaller setting, combined with fully live performances, gave the evening a sense of intimacy, collegiality and love — corny as that may sound — that is not usually felt at big award shows.

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“It’s an honor to honor someone who writes her own story,” said Mexican star María José early in the evening as she presented the Lifetime Achievement Award. “Ana Bárbara is an example of someone who does not put brakes on herself. I identify with that strength and determination with which she has chosen to be an artist, but above all, the woman she is.”

It was an assessment that could have well applied to all the honorees in the room, all pioneers in their own right. Even Angela Aguilar, the youngest among them, at 20 years old, and the daughter and granddaughter of legends — Pepe Aguilar, Antonio Aguilar, Flor Silvestre — said as much: “In between this great legacy and this great last name, I’m still trying to find who I am.”

It was uncommon honesty expressed again and again throughout the evening, by the “newer” artists, but also the veterans. La India, emotional as a singer and as a speaker, belted “Ese Hombre” and her classic “Vivir Lo Nuestro,” then shed tears as she thanked her icons — the late Celia Cruz and the living Gloria Estefan — and acknowledged that artists have ups and downs. Ana Bárbara, the first honoree of the night, admitted that when she had first visited Miami, many, many years ago, her dream was to meet Estefan, the great door-opening star that was honored with the Legend award, and who sat through the entire evening cheering her colleagues on.

The sentiment was echoed by García, who said: “I love being among all these women I so admire. The first award show I ever went to in my life, they honored Gloria Estefan, and to see her seated here is one of the most beautiful things in the world.”

Parents were also a recurring theme of the evening. Camila Cabello devoted most of her speech to her mother: “When the world is suffering […] my mom reminds me there is love in this world. I love you, mom. And I love you, Gloria Estefan.”

In the other direction, Aguilar received warm words from her dad, Pepe Aguilar, who sent her a video from Japan, where he is currently.

And at the close of the evening, the Woman of the Year award for Karol G — honored in absentia because she was kicking off her European tour the same evening — was picked up by her father, Guillermo Giraldo.

“Thank you, Billboard, thank you, Telemundo, for opening the door to this little girl who at five years old sang backup for this artist [Giraldo himself is an artist] who wasn’t successful, but who today picks up her recognition as Woman of the Year.”

The evening, after all, was a celebration of doors opening, as Billboard extends its Woman of the Year franchise to the Latin realm.

“Thank you, Billboard, for doing this for women,” said Ana Bárbara receiving her award. “We have many barriers to tear down yet, but we’re doing well.”

Billboard Latin Women in Music 2024: Photos From the Show

The second annual Billboard Latin Women in Music may be a wrap, but we’re reliving every single moment from the gala that aired on Sunday (June 9).

Kicking off the two-hour music special, Mexican powerhouse Ana Bárbara, who was honored with the Lifetime Achievement Award, performed a riveting medley that included “Te Regalo la Lluvia,” “Los Caminos de la Vida,” “Qué Poca” and “La Trampa” accompanied by a live band of 13 musicians and a troupe of fierce dancers.

Her performance set the vibe for the ultra-special night that also included sets by other honorees of the night including La India (Pioneer), Ángela Aguilar (Musical Dynasty), Kany García (Spirit of Change) and Kali Uchis (Rising Star). While they didn’t perform, Gloria Estefan, Camila Cabello and Karol G were also honored this year. Estefan was honored as Legend, Cabello with the Global Impact Award and Karol as the Woman of the Year.

All honorees gave heartfelt speeches as they received their respective awards. García was the first one to take the stage to give a speech after Tommy Torres presented her with the award.

“It’s time for us to not only sing and dance and have a great time,” she said categorically. “It’s time for us to talk more. It’s time for us to use the microphone to not only entertain. We women have experienced such a brutal and incredible imbalance, which is why we’re fighting for something that comes very easily to us. That is why as a woman, being hand in hand with each of the people I see sitting here, receiving this award [is so important].”

At the top of the second hour of the show, Ángela Aguilar took the stage, alongside pianist Arthur Hanlon, to sing Pepe Aguilar’s “Me Vas a Extrañar,” one of her dad’s most iconic songs.

Toward the end of the show, Gloria Estefan was honored by Elena Rose, GALE and Juliana who gave a touching performance of Estefan’s “Mi Tierra” accompanied by an orchestra composed of women.

And Karol G shared a special message, thanking Billboard for the Woman of the Year honor and dedicating this award to the women who have collaborated with her, the women who are part of her team and the women who stream her music. Her father Guillermo Giraldo, also known as Papa G, accepted the award on her behalf. “Thanks to each one of you, to the fans, to the great team, it’s because of them we are celebrating this beautiful day,” he said before Karol’s video played.

“I think there is a part of my heart that feels very nostalgic for these beautiful things that have been happening to me,” Karol continued. “They make me remember all the years of my career, all the years of work, of effort, of obstacles, of closed doors, of mockery, of sacrifices and many tears, but also of happiness. I always say that people are afraid of the process, but the process is the most beautiful thing, the experience that it leaves you.”

See below for all the photos from the Billboard Latin Women in Music ceremony.

Karol G Accepts Woman of the Year Award at Billboard Latin Women in Music 2024: Here’s Her Full Speech

Karol G was honored with Woman of the Year at the Billboard Latin Women in Music gala, which aired on Sunday (June 9). Although the Colombian hitmaker is currently on her Mañana Será Bonito European tour, she appeared via video to share a heartfelt message.

But before Karol’s video played, her father, Guillermo Giraldo, aka Papa G, took to the stage to speak about his daughter — one of the most touching moments of the night.

“Good evening, everyone,” he began. “Thank you very much to Leila [Cobo], to Cisco [Suárez], to Telemundo for having opened the door to a little girl who at the age of five was singing backup vocals for this artist who was not as successful,” Papa G said, referring to himself.

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“Today we’re here receiving this great recognition as Woman of the Year. We are very sad because [Karol] could not join us today as she is on her world tour in Zurich, [but] I’m very happy to be surrounded by so many stars, so many legends, so many talented women who today are sweeping the world of music. Thanks to each one of you, to the fans, to the great team, it’s because of them we are celebrating this beautiful day.”

Then, it was Karol’s turn to speak. Sounding emotional and grateful, the “Amargura” singer — who was also named Woman of the Year at Billboard Women in Music in March — began her speech by thanking Billboard for the honors.

Below is Karol’s full speech, with everything translated from Spanish to English.

“Good evening, family. Good evening to everyone watching this. Thank you, Billboard, for this recognition. Woman of the Year for Billboard, Woman of the Year for Billboard Latin. Not just this year, the last couple of years of my career have been the most beautiful. The whole process is incredible, but these last years have been like harvesting so many things that I have sown in my life. I feel very grateful for this recognition. I feel very honored for what it means, for the responsibility behind it as well. I want to infinitely thank all the women who have made it possible for me to receive this tonight — I believe that it is not only my work but the work of all the women who are part of what I do.

“To the women who have collaborated with me in my music, to those who have participated in my projects, to all the women at home who listen to me and who are also part of all this success. What a beautiful way to celebrate women, their work, their commitment, their discipline, their dedication, what we are as people. I also want to thank those who are at home and work every day for their dreams. Do not stop believing in yourselves. I believe it’s not just about pursuing a goal but also about making the world more beautiful, more special, [and] that, in the end, the conclusion is to make this women’s movement bigger in the world.”

“I feel very happy. I think there is a part of my heart that feels very nostalgic for these beautiful things that have been happening to me. They make me remember all the years of my career, all the years of work, of effort, of obstacles, of closed doors, of mockery, of sacrifices and many tears, but also of happiness. I always say that people are afraid of the process, but the process is the most beautiful thing, the experience that it leaves you.”

“This only makes me want to keep working very hard. The number one thing I have on my bucket list is to keep inspiring people around the world. I will be giving my best every day, working, studying, preparing myself to continue bringing a little bit of light. Thank you very much to everyone, to all the women who are there tonight. Congratulations to all of you. I receive Woman of the Year today, but in the future it will be others, just like in the past there were others who gave me this opportunity. I hope this movement does not stop growing. Thank you all very much. I love you all very much.”