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Beloved reggae singer and Jamaican musical icon Jimmy Cliff has died at 81. The “Many Rivers to Cross” singer’s wife, Latifah Chambers, announced the news in an Instagram post on Monday morning (Nov. 24) that read, “It’s with profound sadness that I share that my husband, Jimmy Cliff, has crossed over due to a seizure followed by pneumonia. I am thankful for his family, friends, fellow artists and coworkers who have shared his journey with him. To all his fans around the world, please know that your support was his strength throughout his whole career. He really appreciated each and every fan for their love.”
Cliff, known for his high, clear vocals and lifelong focus on positvity, peace and unity, was known for such indelible reggae hits as “Many Rivers to Cross,” You Can Get It If You Really Want” and the title track to his beloved 1972 musical crime film The Harder They Come, in which he starred as lead character Ivanhoe “Ivan” Martin in a role that is credited with helping to bring the sound of reggae to the world.
One of the last living global ambassadors from the generation of reggae greats who brought the island’s music to the world — alongside late contemporaries Bob Marley, Peter Tosh, Toots Hibbert and Bunny Wailer — before his death Cliff was the only living reggae artist to have earned Jamaica’s Order of Merit, the highest honor the nation’s government gives for achievements in the arts and sciences.
Born James Chambers on April 1, 1948 in the St. James parish of Jamaica near Montego Bay, Cliff’s talent was spotted early on at the Somerton All Age School in the 1950. The eighth of nine children, Cliff’s signature vocal tone, a high and mellifluous croon, immediately set him apart when he moved to Kingston at 14, adopted his more famous stage name and began cutting songs with an American R&B influence before making the connection that would change his life.
Cliff managed to convince Leslie Kong — who owned a combo restaurant/ice cream parlor/cosmetics shop in Kingston called Beverley’s — to get into the music business. The label they formed, Beverley’s Records, released Cliff’s ska-tinged debut single, “Hurricane Hattie,” which ran to the top of the Jamaican charts and was followed by a string of hits sung and written by the artist including “Miss Jamaica,” “One-Eyed Jacks” and “King of Kings.”
He also befriended a 16-year-old Marley at that time and helped the soon-to-be-reggae icon score a recording deal with Kong to release his debut single, 1962’s “Judge Not.” Already a rising star in the first wave of ska music, Cliff was tapped to represent Jamaica at the 1964 World’s Fair in New York City alongside Millie Small, Prince Buster and others.
Impressed with their performances, soul giant Curtis Mayfield and producer Carl Davis compiled the 1964 album titled The Real Jamaica Ska, featuring two of Cliff’s compositions, “Ska All Over the World” and “Trust No Man.” More importantly, the World’s Fair is where Cliff met Jamaican expat and rising U.K. record mogul Chris Blackwell, founder of Island Records. After struggling to find his sound while recording in London, Cliff returned to Jamaica in 1969 to work on a series of originals and covers that would help kick-start his eventual global fame.
He hit No. 25 on the Billboard Hot 100 singles chart with “Wonderful World, Beautiful People” in 1969, followed by the more urgent “Vietnam,” a track about a friend who was drafted into the U.S. army and never recovered from his war-time PTSD that Bob Dylan has called the best protest song he ever heard. In the summer of 1970 Cliff had another hit with a cover of Cat Stevens’ “Wild World,” compiled on his 1969 Wonderful World, Beautiful People LP. The next year, director Perry Henzell asked Cliff, who had no acting experience, to star in The Harder They Come, a slow-burn hit that mixed the joy of the nation’s music with clear-eyed depictions of social and economic conditions in what is still considered one of the greatest and most influential music films ever.
Cliff is credited with almost single-handedly introducing the sound of reggae to the world via his masterful turn as country musician Ivan in The Harder They Come, in which the singer tries to break into Jamaica’s corrupt music industry as an avatar for the aspiration of being uplifted by music. He also contributed four indelible songs to the movie’s soundtrack: the ebullient “You Can Get It If You Really Want,” meditative “Sitting in Limbo,” the beloved title track and the quasi-religious meditation “Many Rivers to Cross.”
Just months before the Wailers, led by a young Bob Marley, would drop their debut on Island Records, Catch a Fire, The Harder They Come introduced Western, and most importantly American, audiences to the sounds and vibe of reggae music. The impact would reverberate for decades and generations, with everyone from Keith Richards to Rancid, Cher and Willie Nelson covering the movie’s title track and “Many Rivers to Cross” getting the same treatment from Annie Lennox, UB40, Lenny Kravitz, Linda Ronstadt and many more.
Following the movie’s success, Cliff signed to Warner Bros. Records and appeared as a musical guest during the first season of Saturday Night Live in 1976, but following his early rush of success, Cliff’s music career remained steady, though his global impact was less pronounced than that of Marley, who would quickly rise as the global avatar of reggae. Cliff continued to release albums throughout the late 1970s and 1980s, earning praise and respect from his musical peers, including Bruce Springsteen, who regularly added the little-known Cliff song “Trapped” to his band’s legendarily lengthy live sets; a live version of the song was included on the star-studded 1985 famine relief album We Are the World.
A joyful ambassador of reggae, Cliff won a best reggae album Grammy in 1985 for Cliff Hanger, the same year he appeared alongside E Street Band guitarist “Little” Steven Van Zandt on the anti-apartheid song “Sun City.” After providing backing vocals on the Rolling Stones’ 1986 album Dirty Work, Cliff was back on the big screen in the Robin Williams comedy Club Paradise, whose soundtrack featured his duet with Elvis Costello on “Seven Day Weekend.”
Following a long chart drought, Cliff’s 1993 cover of Johnny Nash’s “I Can See Clearly Now” from the soundtrack to the Jamaican bobsled team sports comedy Cool Runnings reached No. 18 on the Billboard Hot 100. He later teamed with South African producer/composer Lebo M on the single “Hakuna Matata,” for the soundtrack to Disney’s 1994 mega-hit The Lion King.
Cliff was inducted into the Rock and Roll Hall of Fame in 2010 by the Fugees’ Wyclef Jean and the next year his generational impact on music came full circle when he entered the studio with Tim Armstrong, lead singer of ska-influenced Bay Area punk legends Rancid to record the album Rebirth. The joyous collection of originals (“World Upside Down,” “Reggae Music,” “One More”) and covers including takes on the Clash’s “Guns of Brixton” and Rancid’s “Ruby Soho” earned Cliff a Grammy for best reggae album and reintroduced the legend to a whole new generation. Cliff released his final studio album, Refugees, in August 2022.
Listen to some classic Cliff hits below.
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Before you break the wishbone on your Thanksgiving turkey, Conan Gray is going to build on the success he’s seen with 2025 album Wishbone with a performance during the Macy’s Thanksgiving Day Parade this year.
As Billboard can exclusively announce on Monday (Nov. 24), the indie-pop singer is joining the annual showcase’s already star-studded lineup. Viewers tuning in at 8 a.m. local time on Thursday (Nov. 27) can catch Gray performing on 34th Street, where the iconic Macy’s storefront is located in New York City.
The news comes a little over three months after the release of Gray’s fourth studio album, Wishbone. Featuring singles “This Song” and “Vodka Cranberry” — which Gray performed at the MTV VMAs in September — the project reached No. 3 on the Billboard 200.
In addition to the parade performance, Gray will also co-star in a new “Holiday Gift Hotline” commercial for Macy’s that will premiere during the broadcast. The singer/songwriter stars alongside NFL quarterback Baker Mayfield and actor John O’Hurley in the spot, as they call on the “Macy’s Gift Guide,” aka actress Alison Brie, to help them with their holiday shopping.
Gray is just the latest star to be revealed as a parade performer in 2025, with Cynthia Erivo, Lainey Wilson and the singing trio behind KPop Demon Hunters girl group HUNTR/X — EJAE, Audrey Nuna and REI AMI — also sharing the bill. The show’s full guest lineup features Drew Baldridge, Matteo Bocelli, Colbie Caillat, Ciara, Gavin DeGraw, Meg Donnelly, Mr. Fantasy, Foreigner, Debbie Gibson, Mickey Guyton, Christopher Jackson, Jewel, Lil Jon, Kool & the Gang, Darlene Love, Roman Mejia, Taylor Momsen, Tiler Peck, Busta Rhymes, Calum Scott, Shaggy, Lauren Spencer Smith, Luísa Sonza and Teyana Taylor.
There will also be appearances by Nikki DeLoach, Kristoffer Polaha, U.S. Olympian Ilia Malinin, U.S. Paralympian Jack Wallace and special correspondent Sean Evans, as well as the Radio City Rockettes and guest dancers from the EVIDENCE Dance Company, Native Pride Productions, Circus Vazquez, and A Chorus Line: The Next Generation, led by creative director and original cast member Baayork Lee. More than 1,200 dancers and cheerleaders repping the Spirit of America Dance and Spirit of America Cheer will perform as well.
And of course, it wouldn’t be the Macy’s parade without a brigade of marching bands in the mix. This year, the featured ensembles will be the Banda de Musica La Primavera (Panama), Catawba Ridge High School Marching Band (South Carolina), Damien Spartan Regiment (California), L.D. Bell Blue Raider Band (Texas), Northern Arizona University Lumberjack Marching Band, Alcorn State University Sounds of Dyn-O-Mite (Mississippi), Spartans Jr Drum and Bugle Corps (New Hampshire), The Marching Pride of North Alabama, Temple University Diamond Band (Pennsylvania), the Macy’s Great American Marching Band and the NYPD Marching Band (New York).
Hosted by Today‘s Savannah Guthrie, Hoda Kotb and Al Roker, the 2025 Macy’s Thanksgiving Day Parade will air live on NBC and Peacock at 8 a.m. local time.
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Ball Park Music are getting another boost from their career-defining support slot on Oasis’ blockbuster Australian reunion tour, with the Brisbane five-piece featured in the latest instalment of Live Nation’s Soundcheck series.
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The behind-the-scenes episode documents the band stepping onto the biggest stages of their career, performing to arena-sized crowds across the country as Oasis returned to Australian venues for the first time in more than a decade.
The new video follows Ball Park Music from soundcheck through to showtime, capturing the emotional and technical build-up before the house lights drop. The band — who have long cited Oasis as formative influences — are shown tuning up backstage, taking in the scale of the arena, and reflecting on the surreal nature of opening for one of the most culturally dominant bands of the ’90s and 2000s.
“It’s hard to even describe what it feels like to open for Oasis,” the band say in the episode. “We’ve all grown up with their music and to suddenly be standing there, playing before them, it’s surreal. You can feel the crowd buzzing from the moment you walk out. It’s a mix of nerves and pure joy. Nights like that remind you why you started playing music in the first place.”
The Oasis tour itself has been one of the major Australian live music stories of 2025, prompting rapid sellouts across multiple cities and adding extra dates to meet demand. For Ball Park Music, the run marks a significant step up following a strong year that already included major touring and chart success.
Earlier in 2025, the group scored their first ARIA No. 1 album with Weirder & Weirder, extending their streak of consecutive top-10 entries on the ARIA Albums Chart. Until then, three of the band’s releases had stalled at No. 2: Puddinghead (2014), Ball Park Music (2020), and Weirder & Weirder (2022).
The Soundcheck episode portrays this shift in real time. Cameras capture the band navigating the fast pace of arena production, walking onstage to tens of thousands of fans, and later watching Oasis’ performance from the side of the stage. There are quieter moments too: the group describing their pre-show nerves, laughing about technical mishaps, and taking in the “full-circle” nature of the moment.
Live Nation’s Soundcheck series has previously highlighted artists across the Australian touring landscape, including Anna Lunoe, Teen Jesus and the Jean Teasers, Coterie and Dallas Frasca. The Ball Park Music instalment continues the focus on documenting live performance culture from the inside — showing the realities and emotions artists experience at key turning points in their touring career.
Watch the extended episode of Live Nation’s Soundcheck with Ball Park Music and Daphne Berry here.
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Donald Glover told fans at Tyler, the Creator’s Camp Flog Gnaw festival on Saturday night (Nov. 22) that he suffered a stroke last year while touring under his Childish Gambino moniker — an episode that ultimately led to the cancellation of his world tour.
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During his set at Dodger Stadium in Los Angeles, Glover recounted the medical emergency that struck mid-tour in 2024. He explained that the symptoms began after a show in New Orleans, where he experienced a sudden, intense head pain and blurred vision. Despite performing through the discomfort, he later sought medical attention in Houston, where doctors informed him he had experienced a stroke.
“I had a really bad pain in my head in Louisiana and I did the show anyway,” he told the crowd. “I couldn’t really see well, so when we went to Houston, I went to the hospital and the doctor was like, ‘You had a stroke.’”
He added that his first reaction was thinking he had “let everybody down,” before joking that he felt like he was “copying Jamie Foxx” — whose own stroke in 2023 made global headlines.
Glover said the stroke was only part of what he faced medically. He also revealed he had broken his foot around the same time, and that doctors discovered a hole in his heart that required two surgeries.
“They say everybody has two lives, and the second life starts when you realize you have one,” he told fans. “You’ve got one life, and the life I’ve lived with you guys has been such a blessing.”
The medical complications forced Glover to cancel the remainder of his planned dates, including U.S., U.K., European and Australian shows. At the time, he publicly referred to the incident only as an “ailment,” noting that his recovery was taking longer than expected.
Glover released Bando Stone & the New World in 2024 — which he billed as the final Childish Gambino album — and had planned the now-canceled tour as a farewell era for the stage name. The five-time Grammy winner has since shifted focus back to film and television projects under his own name.
Trending on Billboard DO IT, the latest mixtape from Stray Kids, tops this week’s fan-voted music poll. Music fans voted in a poll published Friday (Nov. 21) on Billboard, choosing Stray Kids’ new five-track EP (via JYP Entertainment) as their favorite new release. DO IT arrived in a week that also brought new music releases from the […]
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Sabrina Carpenter hit an appropriately cheeky milestone on Saturday during her fifth of six nights at Los Angeles’ Crypto.com Arena: Her 69th concert of the Short n’ Sweet Tour.
“My friends wanted me to inform you: This is our 69th show,” Carpenter announced while sitting on her heart-shaped stage, sending the crowd into wild cheers over the spicy stat.
It’s a fitting marker for the trek: Since its September 2024 kick-off, the Short n’ Sweet Tour has been known for its little suggestive moments, like Carpenter’s nightly “Juno” sex positions (“have you tried this one before?”), the voyeuristic “Bed Chem” video camera (“I bet the thermostat’s set at six-nine”), and the elevator that ticks up the floors until “SC” comes just after the 68th.
“We knew we’d get there eventually, and tonight’s the night,” Carpenter said of the 69th show. “And it’s Saturday, and we’re just like, we’re living!”
In one more nod to Night 69, Carpenter emerged for the final song, last year’s top five Billboard Hot 100 smash “Espresso,” in sparkly blue go-go boots and an oversize Los Angeles Dodgers jersey, with her last name emblazoned on the back and the jersey number of — you guessed it! — 69.
Another tongue-in-cheek nightly tradition is Carpenter arresting someone in the crowd for the crime of being “too hot,” and Saturday night’s offender was actress and Saturday Night Live legend Maya Rudolph, who Carpenter asked: “Whoa, whoa, whoa — what’s your name, gorgeous?” After Rudolph mouthed back “Maya,” Carpenter responded, “Maya, you’re stunning. Where are you from?” She mouthed “Los Angeles” and made her best attempt at throwing up an “L.A.” hand sign, but Carpenter didn’t think the crowd had a big enough reaction. “Scream louder — that’s here!”
Then she got down to business: “Maya, I don’t know the situation you’re in currently romantically, but I was sort of hoping that I could lock you down tonight, if possible.” (Let’s hope Rudolph’s partner of almost 25 years and the father of her four children, acclaimed filmmaker Paul Thomas Anderson, isn’t feeling threatened.) She then tossed some fuzzy pink handcuffs out into the crowd to officially lock Rudolph down.
Previous L.A. arrestees included SZA on Thursday night and actress sisters Dakota and Elle Fanning on Monday.
Carpenter returns to Crypto.com Arena on Sunday (Nov. 23) to play her sixth night in L.A. and the final night of her 70-date Short n’ Sweet Tour. Find the full setlist for Los Angeles Night 5, including the special “spin-the-bottle” surprise song and the newly added Man’s Best Friend additions, below.
“Taste”
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Carlos Vives brought all his energy and the joyful vallenato to the 2025 Coca-Cola Flow Fest in Mexico City on Saturday (Nov. 22), surprising his fans with a tribute to the legendary ranchera singer-songwriter José Alfredo Jiménez.
“It’s a joy to see you, and I want to tell you something that goes like this,” said the Colombian icon from the Sessions Stage before performing an a cappella version of “Para Morir Iguales” by Jiménez, prompting an ovation at the festival — which on its first day gathered 79,000 people at the Autódromo Hermanos Rodríguez, according to figures from promoter Ocesa. (Watch Vives’ a capella performance in a video captured from the show that was shared on X here.)
“Long live José Alfredo Jiménez! Thank you, Mexico!” he added, after making the crowd dance to a handful of songs that included “La Bicicleta,” his 2016 hit with Shakira that topped Billboard’s Latin Airplay chart for six weeks.
The 64-year-old artist had not been included in the festival’s original lineup, but on Thursday (Nov. 20), organizers announced that the alternative Sessions Stage would feature surprise musical acts, including Vives and Colombian band Bacilos.
“This is a cumbia, Mexico. What unites Colombians and Mexicans, what we have in our blood, is a race,” Vives added before performing “Para Robarte Un Beso.”
Later that evening, the Santa Marta native reappeared during Wisin’s set on the main stage to join his voice with the Puerto Rican star’s on “Nota de Amor,” a celebrated fusion of vallenato and reggaeton included on Wisin’s album Los Vaqueros: La Trilogía (2015), which originally also featured Daddy Yankee.
Considered the largest Latin urban music festival, the Coca-Cola Flow Fest brought some of the biggest stars of the genre to its five stages at the Autódromo Hermanos Rodríguez on its first day. Don Omar, Myke Towers, Nicky Jam, Álvaro Díaz, Santa Fe Klan, De La Rose, El Alfa and Jowell & Randy were among the acts that shone in a celebration that extended into the wee hours.
The festival continues Sunday with performances by J Balvin, Young Miko, De La Ghetto, Farruko, Bellakath and Mau y Ricky, as well as a special performance by corridos tumbados superstar Natanael Cano, among others.
Trending on Billboard Donald Glover is opening up about a recent health scare that forced him to cancel his tour last year. At the time he described it as an “ailment,” but Glover said Saturday night (Nov. 22) at a performance that a doctor told him he’d had a stroke. Glover, who performs under the moniker Childish […]
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Universal Pictures’ two-part Wicked gamble continues to defy gravity at the box office. Just a year after part one brought droves of audiences to movie theaters around the country, even more people bought opening weekend tickets to see the epic conclusion, Wicked: For Good. According to studio estimates on Sunday, Wicked: For Good earned $150 million from North American theaters in its first days in theaters and $226 million globally.
Not only is it the biggest opening ever for a Broadway musical adaptation, unseating the record set by the first film’s $112 million launch, it’s also the second biggest debut of the year behind A Minecraft Movie’s $162 million.
“The results are just fantastic,” said Jim Orr, who heads domestic distribution for Universal. “Some films can deliver a false positive when tickets go on sale early but these results speak for themselves.”
Universal began rolling out Wicked: For Good in theaters earlier this week, with previews on Monday ($6.1 million from 1,050 theaters) and Wednesday ($6.5 million from 2,300 theaters). By Friday it was playing in 4,115 North American locations and had raked in $68.6 million. IMAX showings accounted for $15.5 million, or 11%, of its domestic haul — a November record for the company.
IMAX CEO Rich Gelfond said in a statement that the strong market share shows “our momentum carries into demos and genres beyond our traditional core, including families.”As with the first film, women powered opening weekend, making up around 71% of ticket buyers according to PostTrak exit polls. Critics were somewhat mixed on the final chapter, but audiences weren’t: An overwhelming 83% of audiences said it was one they would “definitely recommend” to friends. As far as foot traffic is concerned, the box office tracker EntTelligence estimates that about 2 million more people came out for Wicked: For Good’s first weekend than for Wicked’s.
Jon M. Chu directed both Wicked films, starring Cynthia Erivo and Ariana Grande. The first film made over $758.7 million worldwide and received 10 Oscar nominations (winning two, for costume and production design). The question is how high Wicked: For Good can soar. Combined, the two films cost around $300 million to produce, not including marketing and promotion costs.
“The first film paved the way,” Orr said. “It’s really become a cultural event I think audiences are going to be flocking to theaters for quite some time to come.”
Two other films also opened in wide release this weekend, but further down on the charts behind a buffet of holdovers. Searchlight Pictures opened its Brendan Fraser film Rental Family in 1,925 theaters where it earned $3.3 million. The Finnish action film Sisu: Road to Revenge, a Sony release, also played in 2,222 theaters. It earned an estimated $2.6 million.
Second place went to Now You See Me: Now You Don’t with $9.1 million in its second weekend, followed by Predator: Badlands with $6.3 million in weekend three. The Running Man followed in fourth place with $5.8 million, down 65% from its debut last weekend.
Although this weekend the box office was more of a winner takes all scenario, Wicked: For Good’s success is vitally important for the exhibition industry as a whole as it enters the final weeks of the year.
“It sets up a very strong final homestretch of the year,” said Paul Dergarabedian, Comscore’s head of marketplace trends.
After the slow fall season, the Thanksgiving blockbusters could not arrive soon enough. Early next week, Zootopia 2 enters the mix and is also expected to drive big crowds to the cineplex over the holiday break.
Thanksgiving is often one of the biggest moviegoing frames of the year, Dergarabedian said, and both Wicked 2 and Zootopia 2 will benefit. Last year Wicked, Moana 2 and Gladiator II helped power a record five-day frame.
The running domestic box office is currently hovering around $7.5 billion, according to Comscore. Before the pandemic, the annual box office would regularly hit $11 billion, but the post-pandemic goal has lessened to $9 billion. The big question now is whether titles like Wicked: For Good, Zootopia 2 and Avatar: Fire and Ash can push the industry over that threshold.
Top 10 movies by domestic box office
With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore:
1. Wicked: For Good, $150 million2. Now You See Me: Now You Don’t, $9.1 million3. Predator: Badlands, $6.3 million4. The Running Man, $5.8 million5. Rental Family, $3.3 million6. Sisu: Road to Revenge, $2.6 million7. Regretting You, $1.5 million8. Nuremberg, $1.2 million9. Black Phone 2, $1 million10. Sarah’s Oil, $711,542
Trending on Billboard Taylor Swift has held onto the top spot of the U.K. Singles Chart for a fifth non-consecutive week with “The Fate of Ophelia” (Nov. 21). The single first shot to No. 1 on the U.K. charts dated Oct. 10, and held the spot for three consecutive weeks. Following a back-and-forth tussle with […]
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