Music News

Kevin Liles Defeats Sexual Assault Lawsuit From Ex-Def Jam Assistant

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A judge has thrown out civil sexual assault claims brought against Kevin Liles by an executive assistant who worked for the legendary record executive at Def Jam in the early 2000s.

An anonymous woman filed suit in February alleging Liles, who was her boss and the president of Def Jam, made sexually inappropriate comments, groped her and ultimately raped her in 2002. Liles denied the claims as “patently false,” saying when they were filed that he has “intentionally built a reputation for doing things the right way, treating people the right way and empowering women.”

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As it turns out, these allegations are barred entirely from court. That’s because Def Jam’s corporate parent, Universal Music Group (UMG), already paid the woman $47,500 in 2005 to settle a civil rights complaint she’d filed with New York state regulators.

That original complaint alleged the woman was unlawfully fired in retaliation for complaining about verbal harassment and inappropriate dancing by Liles. It did not include rape claims. Without admitting any wrongdoing, UMG agreed to pay the woman in exchange for her agreeing not to bring any further legal action.

Liles was not involved in that settlement agreement, since he’d left Def Jam by the time it was signed. But U.S. District Judge Naomi Reice Buchwald held in a Monday (Nov. 24) order that the release language still “expressly and unambiguously covered” Liles, meaning the woman cannot now sue the music mogul.

“The agreement and release itself contains no language cabining its terms at all,” wrote Judge Buchwald. “To the contrary, the agreement consistently and intentionally utilizes broad language discharging ‘any and all’ claims which ‘are known or reasonably should be known’ by plaintiff.”

The judge threw out the lawsuit permanently, saying there’s no amendment the woman could make that would allow her to “avoid the consequences of a comprehensive settlement agreement.”

Reps for Liles declined to comment on the decision Monday. Lawyers for the accuser did not immediately return requests for comment.

Liles ran Def Jam from 1999 to 2004, and he co-founded 300 Entertainment with Lyor Cohen, Roger Gold and Todd Moscowitz in 2012. The label, which quickly gained recognition for developing hip-hop superstars like Megan Thee Stallion, Migos and Young Thug, was acquired by Warner for $400 million in 2021. He left his role as 300’s CEO last year.

A few months after the former Def Jam assistant brought her lawsuit this past year, Liles put out a statement saying rapper Lady Luck was trying to extort him with false sexual assault claims of her own. Liles said in May that Lady Luck, who was signed to Def Jam during his tenure, had threatened to release a book and file a lawsuit filled with “utterly false and horrendous allegations” if he didn’t pay her $30 million.


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Rolling Loud India: Swae Lee, Nav, Wiz Khalifa & More Take You Behind the Scenes | All Access: Tour Stop

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Rolling Loud India took place this past weekend, and we’re taking you inside the inaugural event! Featuring interviews with Nav, Swae Lee, Wiz Khalifa, fans and more, keep watching to experience what the festival was like.

Swae Lee:

Shout out to India, man. 

Nav:

Everybody’s brown, everybody looks like me. 

Wiz Khalifa:

“Beware?” 

Tetris Kelly:

Yeah, it’s “Beware” remix with Jay-Z, I feel like as soon as that- we’re here.

Rich the Kid:

Hey, they knew every song. Knew every word. So it was exciting.

Guest 1:

Also, people love hip-hop in India.

Tarik Cherif:

If you want to experience hip-hop culture, come to Rolling Loud, and we’re coming to you worldwide.

Tetris Kelly:

Hanging out at Rolling Loud India with Wiz Khalifa, man, this is so crazy to me that we even here.

What is the song that you have you feel like that you know, everybody gonna sing the words that like they react differently than they would in the States?

Wiz Khalifa:

Definitely “We Dem Boyz,” that’s one that gets like the crowds in the foreign country. 

Tetris Kelly:

What was one of your favorite acts yesterday? 

Guest 2:

My favorite was Swae Lee. 

Swae Lee:

That crowd crazy, right? Feel like we back in Miami or something, like they, they screaming.  That’s my first time coming here. 

Tetris Kelly:

What you ate, like what’s the energy?

Rich the Kid:

I love it out here. It’s cool. All the people is cool, very down to earth, and the energy is great.

AR Paisley: 

I love it, can’t complain. Food’s been good. 

Wiz Khalifa:

I just had some regular chicken and rice type

Nav: 

We got to eat. The food is amazing. All the hotels, all of staff, everybody ever just treats us with the utmost respect.

Keep watching for more!

Inside SEVENTEEN’s ‘NPR Tiny Desk’ Taping: 3 Things You Didn’t See

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In early November, one cluttered corner of the NPR office in Washington, D.C., received a new type of memento. As global superstars SEVENTEEN became the first K-pop group to make their official Tiny Desk debut in the U.S., their light stick took its rightful place on the set’s iconic bookshelf alongside a hoard of trinkets left by previous musical guests, including Sabrina Carpenter’s bedazzled martini glass — and Billboard was once again on hand to witness it all, from rehearsal to goodbyes.

While a few offshoots of NPR’s concert series have welcomed K-pop acts in the past, SEVENTEEN members Joshua, Mingyu, Seungkwan, Vernon and Dino were the first to perform behind the actual desk. And filming in the office base meant the most rigorous of standards were set in place: no floor monitors, no in-ears, no post-production magic or vocal touch-ups. Taken together, these are no small asks, even for veteran performers now a decade into their careers.

Then there’s the matter of size. “Any group with a large number of lead singers is hard to bring to the desk,” says Suraya Mohamed, executive producer for NPR Music, who adds that vocalist DK was originally supposed to attend the shoot before losing his voice. While a sprawling ensemble in its entirety may technically be able to squeeze into the space, she explains, that’s without accompanying band members and several instruments. Plus, only around five or six people comfortably fit in the front of the desk.

All these challenges combined, beyond creating the raw, authentic atmosphere that Tiny Desk has come to be known for, stretch artists to reach new highs, say its producers. And trust SEVENTEEN to rise to the occasion. All the world’s a stage for K-pop’s main theater kids, who recently wrapped the U.S. leg of their NEW_ world tour. Whether they’re playing to 18,000 cheering fans or an office of public media employees, it’s hard not to walk away from one of their shows inexplicably and irrevocably charmed.

In the video posted to NPR’s YouTube channel on Monday (Nov. 24), the group confesses to having experienced some nervousness before the shoot. But while working through a medley of nine songs spanning years of their catalog — from blistering hits “Hot” and “Clap” to beloved b-side “To You,” with a fair share of stellar high notes sprinkled in — those nerves were more than melted away by the warm reception in the room. “I don’t think I’ve ever seen such a response on Tiny Desk,” Vernon says, visibly blown away by the energy the crowd gives them throughout. “This is awesome. Thank you so much.” 

Given all that went on behind the camera, here’s a roundup of 3 things you didn’t see in SEVENTEEN’s Tiny Desk debut.

Red Bull Records Is Shutting Down

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Red Bull Records is shutting down after nearly two decades, Billboard has confirmed.

“After 18 years of operation, Red Bull Records globally will be winding down by the close of the year,” a Red Bull spokesperson tells Billboard. The news was first reported by Hits Daily Double.

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Launched in 2007 by Red Bull energy drink founder Dietrich Mateschitz and operating out of offices in Los Angeles and London, Red Bull Records was led by managing director Greg Hammer and distributed through Sony’s The Orchard. Over the years, the label has seen success with artists including Los Angeles rock band AWOLNATION, Scottish alt-rockers Twin Atlantic, Ohio metalcore band Beartooth, and Grammy-nominated rapper Blxst, who was named Billboard‘s R&B/Hip-Hop Rookie of the Year in 2022. Over the years, it also formed joint ventures with label imprints such as Mind of a Genius, Blxst’s EVGLE and WondaGurl’s Wonderchild. In 2008, it launched a publishing division, repping songwriters and producers including Eric Aukstikalnis, Charlie Shuffler, LordQuest, Kofi, Caleb Shomo and Aaron Bruno.

Red Bull Records’ current roster includes Strokes guitarist Albert Hammond Jr., Maryland rapper Joony, London R&B singer James Vickery, U.K. pop artist Morgan and emerging country singer-songwriter Pynk Beard, who signed with the label in August.

In October 2019, Red Bull shuttered its other major music ventures, Red Bull Music Academy and Red Bull Radio. Red Bull Music Academy, which catered to emerging artists, launched in 1998 and spearheaded programming, workshops, festivals, radio studios and more in more than 60 countries.


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Jason Kelce Says This Is the ‘Coolest’ Thing About His Brother Being in a Relationship With Taylor Swift

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Jason Kelce has had a front-row seat to brother Travis Kelce‘s love story with Taylor Swift, and in his opinion, one of the “coolest” facets of their romance has been how it’s impacted families all over the world.

While the Kelce brothers were speaking to Erin Andrews and Charissa Thompson on the latest episode of New Heights posted Monday (Nov. 24), Jason pointed out how much he’s loved seeing more women and girls become football fans thanks to the pop star. “You just mentioned Taylor and how much she’s gotten girls into the sport and dads and daughters together,” he said to Thompson, who’d brought up the NFL‘s rise in female viewership Swift’s presence at games has catalyzed.

“That’s one of the coolest things I get when people talk about Taylor and Travis and hearing from dads or hearing from daughters about that,” Jason continued. “It’s an awesome thing.”

Travis was in agreement about his famous fiancée’s impact. “For sure,” he said, nodding as Thompson raved, “Those little girls that maybe didn’t have an interest in football and then sit down because it’s her … all of a sudden the dads have a bond with their daughter over her, like, [it’s] so special.”

Young women have indeed been watching football games more than ever before, a trend that has largely been attributed to Swift. For many Swifties, what started out as tuning in to Kansas City Chiefs games just to see the 14-time Grammy winner in attendance has become a genuine love of the sport.

And if Swift gets credit for bringing more women and girls into the sport, so do Thompson and Andrews. In addition to being two prominent women working in the sports industry, the ladies indirectly played a part in Swift and Travis getting together, famously urging the singer to give the football player a chance on their Calm Down podcast in 2023.

Watch the full new episode of New Heights above.


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MGK Says He’s Not ‘Far Off’ From Becoming an F1 Driver in the Bedroom: ‘I’m Very Fast’

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MGK compared his sexual performance to that of an F1 driver during a Las Vegas Grand Prix show, and the hilarious clip is going viral.

Originally shared by The Daily Mail, the rapper and singer made the crass joke before playing his song “Bloody Valentine” from his 2020 Billboard 200-topping album Tickets to My Downfall.

“Well, I don’t know if you guys know who we are, but we’re mgk,” he told the audience at the T-Mobile Zone at Sphere during the F1 Grand Prix in Vegas over the weekend. “I appreciate you guys standing in the rain, even though I don’t really think you had a choice because the cars are out there. And just so you know, I’m not much far off from an F1 racer when I’m in the bedroom because I’m very fast and it takes me a long time to get to the finish line.”

He concluded: “Anyway, if you did come to see us today, like this beautiful group right here, I’m gonna go ahead and dedicate this to you.”

The F1 weekend was full of exciting celebrity spottings, including Jay-Z and Beyoncé. Bey made a surprise appearance on track at the Formula 1 Las Vegas Grand Prix on Sunday, drawing widespread attention as she and Jay arrived ahead of the big race. The R&B superstar also took a seat in a Ferrari supercar before taking a high-speed hot lap with Lewis Hamilton.

As for MGK, he recently kicked off his Lost Americana Tour with Wiz Khalifa. The extensive tour features recent November Chartbreaker Julia Wolf as his tour opener.

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Aaron Carter’s Family Heads Toward Trial in Wrongful Death Lawsuit Against Xanax Providers

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Three years after Aaron Carter’s sudden death at the age of 34, the deceased singer’s family has been granted a trial next year against doctors and pharmacies that gave him access to Xanax pills.

The 2000s teen pop sensation drowned in a bathtub in 2022 after inhaling refrigerant gas and taking Xanax. Carter’s former fiancée later sued on behalf of the son they had together, alleging that psychiatrist Dr. John Faber and dentist Dr. Jason Mirabile over-prescribed him Xanax, and that Walgreens and an independent Los Angeles pharmacy wrongly filled the prescriptions without checking to see if Carter was abusing the drug.

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Both the doctors and the pharmacies sought to throw out the case based on expert reports concluding that the amount of Xanax in Carter’s system was not enough to make him lose consciousness, and that the real culprit was the gas he inhaled from canisters of compressed air (known as difluoroethane). But Carter’s lawyers have their own experts who say Xanax was at least partly to blame for his drowning — meaning the case must be decided by a jury.

“Defendant concedes that plaintiff’s opposition, supported by expert Dr. George C. Georgaklis, raises a triable issue of material fact as to the medical malpractice claim,” wrote Judge Daniel L. Alexander in a July 31 order rejecting Dr. Mirabile’s argument. “Thus, the Court denies the motion for summary adjudication as to medical negligence and wrongful death.”

Judge Alexander similarly denied Santa Monica Medical Plaza Pharmacy’s motion on Sept. 22 and arguments from both Walgreens and Dr. Faber this past Friday (Nov. 21). The negligence and wrongful death claims are now set for trial in June 2026, unless a settlement is reached before then.

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The various summary judgment orders did, however, trim away portions of the lawsuit that sought damages for the pain and suffering Carter experienced before his death. The judge said these are claims that only Carter’s estate representative has the right to bring, not his now four-year-old son, Princeton Lyric Carter.

That means that if the lawsuit indeed goes to trial in June, the child can only seek financial damages from the doctors and pharmacies for harm he himself suffered from Carter’s death. This includes loss of financial support and emotional damage from not getting to know his father.  

In a statement to Billboard on Monday (Nov. 24), the Carter family’s attorney Marc Lazo said his team is now “hopeful that the defendants will realize the magnitude of their liability and enter into good-faith settlement negotiations accordingly.” 

Lawyers for the doctors and pharmacies did not immediately return requests for comment.

Carter got his start opening for the Backstreet Boys, of which his older brother Nick Carter was a member, in the late 1990s. He later became a teen heartthrob in his own right, with his 2000 album Aaron’s Party (Come and Get It) peaking at No. 4 and spending 67 weeks on the Billboard 200.

Carter was open later in life about struggling with substance abuse. The singer did multiple stints in rehab, and he had been attending outpatient therapy in the months leading up to his death.


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Here Is Every Taylor Swift Track 5, Ranked (Critic’s Picks)

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Taylor Swift’s diaristic writing lends itself to the poignant and emotive songs that run through her catalog. In particular, the tracks positioned in spot five on her albums have customarily been seen by fans as her most sensitive – something she later grabbed onto and ran with.

“Track five is kind of a tradition that really started with you guys,” Swift explained in a 2019 Instagram Live. “Because I didn’t realize I was doing this, but as I was making albums, I guess, I don’t know why, but instinctively I was just kind of putting a very vulnerable, personal, honest, emotional song as track five.”

“Because you noticed this,” she continued, “I kind of started to put the songs that were really honest, emotional and vulnerable and personal as track fives.” And during Folklore: The Long Pond Studio Sessions, Swift elaborated on the pressure she feels when choosing a number five. “Picking a track five is sort of a pressurized decision,” Swift told her frequent collaborator Jack Antonoff in the documentary.

On the 12 cuts, Swift employed a variety of co-writers, and penned two of them on her own (“Dear John” and “my tears ricochet”). Liz Rose and Max Martin each appear as writers on three songs (Rose with “Cold as You,” “White House,” and “All Too Well’; Martin with “All You Had to Do Was Stay,” “Delicate” and “Eldest Daughter”). Antonoff (“The Archer,” “You’re on Your Own, Kid”), Shellback (“Delicate” and “Eldest Daughter) and Aaron Dessner (“tolerate it” and So Long London”) each are credited on two. Dessner’s twin Bryce also joined for “tolerate it.”

Read below for all of Swift’s track fives ranked. (And while some count “How Did It End?” from The Tortured Poets Department: The Anthology in the special club, it sits as number 21 on the second half of the double release – although the self-reflective cut certainly fits the theme.)

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Sabrina Carpenter Links Up With Paul McCartney, Says ‘Sorry for Crying’ at Last Short n’ Sweet Tour Show

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This month, Sabrina Carpenter said hello to Paul McCartney and goodbye to her Short n’ Sweet Tour.

In an Instagram post on Monday (Nov. 24) — one day after the pop star played her final show of the year-plus tour — the former Beatle shared a photo of himself and Carpenter in a backstage area at one of his concerts. In the snap, McCartney poses with an arm around the Gen Z star’s shoulders as she smiles at the camera.

In his caption, the Rock & Roll Hall of Famer called his meet-up with Carpenter one of the “highlights” of his ongoing Got Back Tour. “best show ever,” the Girl Meets World alum commented on the post, which she reshared onto her Story.

Also on her Story, Carpenter reflected on wrapping her own tour in support of the Billboard 200-topping albums Short n’ Sweet and Man’s Best Friend, with her final show going down at Crypto.com Arena in Los Angeles on Sunday (Nov. 23). “short n sweet tour for life,” she wrote, posting a photo of herself posing beneath the stage.

Carpenter added, “sorry for crying during espresso.”

The two-time Grammy winner definitely has cause to feel emotional. The close of Short n’ Sweet comes after she spent more than a year on the road, originally kicking off the trek in September 2024. She’s since completed two North American legs, plus a run of shows in Europe.

Midway through the tour, she dropped Man’s Best Friend, which features Billboard Hot 100 No. 1 single “Manchild.” Along the way, she also made headlines numerous times for her series of “arrests” at shows, giving out fuzzy pink handcuffs to celebrity guests such as Millie Bobby Brown, SZA, Gigi Hadid, TWICE and, at the last show in L.A., Miss Piggy.

“You’re so funny, Miss Piggy, wow!” Carpenter said during the hilarious exchange with the Muppet. “You’re like the only celebrity I get nervous to be around. I’m getting really flustered … We’ve arrested so many beautiful individuals and I feel like tonight is your night.”


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Taylor Swift Unwraps New Collection of Holiday ‘Showgirl’ Vinyl — But Fans Have Less Than a Day to Shop

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The show must go on, even during the holidays. On Monday (Nov. 24), Taylor Swift unveiled a collection of limited-edition holiday vinyl for The Life of a Showgirl — but Swifties better put the variants on their Christmas Wi$h Li$ts fast.

With three new vinyl versions of Showgirl now listed under the holiday section of the pop star’s online store, the collection will only be available to purchase for the next 18 hours or so, ending around 11 a.m. ET on Tuesday (Nov. 25). Among the new products are a clear disc with festive red streaks, titled the Honestly Wild Transparent Vinyl, and a tie-dye disc called the Lit My Sky Up Orange Metallic Vinyl.

The third comes with a sparkly pink disc dubbed the Sequins Are Forever Magenta Glitter Vinyl. Unlike past variants Swift has released in support of The Life of a Showgirl, the holiday releases all retain the original cover art of the 14-time Grammy winner lying in a bathtub.

Though fans have a limited shopping window for the vinyl, Swift’s store also has an array of festive clothing, trinkets and tree ornaments for sale in honor of the holiday season that will be available for longer. The vinyl drop comes as Showgirl secures its seventh straight week at No. 1 on the Billboard 200, while lead single “The Fate of Ophelia” has spent the same amount of time atop the Billboard Hot 100.

The collection also precedes another seasonal gift Santa Swift has teed up for fans. On Dec. 12, the musician will release her highly anticipated Eras Tour docuseries on Disney+, taking fans behind the scenes of how she pulled off the highest grossing trek of all time.

To tide Swifties over, she recently shared a trailer for the project, featuring cameos from Sabrina Carpenter, Ed Sheeran and Gracie Abrams. “I’m very aware of mysterious forces at play that I will never have any control of,” Swift says in the clip. “This show created a bonding experience for, like, 70,000 people all at once. There’s something very special about that.”


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