Music News

GloRilla Beats Copyright Lawsuit Over ‘All Natural, No BBL’ Lyric

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GloRilla has defeated a lawsuit that accused her of stealing a social media personality’s viral catchphrase “all natural, no BBL” for her 2024 song “Never Find.”

The federal copyright case was filed this summer by Natalie Henderson, aka @slimdabodylast on Instagram, who claims she coined the catchphrase referencing “Brazilian butt lift” surgery. Henderson says GloRilla (Gloria Woods) stole the phrase for her lyric “All natural, no BBL/ Mad hoes go to hell” on “Never Find,” a bonus track off her debut album Glorious.

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GloRilla’s lawyers denied any infringement and argued that nobody can copyright a “cliched” expression like “all natural, no BBL.” But it doesn’t look like a court will have to decide these substantive questions; Judge Lance M. Africk dismissed Henderson’s lawsuit on Friday (Nov. 21) based on geographical technicalities.

The suit was brought in Henderson’s home state of Louisiana, but the judge ruled that wasn’t enough to establish jurisdiction over GloRilla, a Georgia resident, or the various label defendants also named in the lawsuit — California-based Universal Music Group and Warner Chappell, Tennessee-based CMG and New York-based BMG.

Henderson tried to argue that jurisdiction was established by GloRilla doing business in New Orleans, including by attending the 2025 Super Bowl and performing at the city’s Smoothie King Center when she opened for Lil Baby’s It’s Only Us tour in 2023 and Megan Thee Stallion’s Hot Girl Summer tour in 2024. But Judge Africk was not convinced.

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“Plaintiff’s claims do not arise out of or result from defendant Woods’s concerts or personal appearances in Louisiana, particularly when plaintiff has not made any allegations that ‘Never Find’ was ever performed in Louisiana,” wrote the judge.

Judge Africk similarly rejected Henderson’s contention that the case could be brought in Louisiana because “Never Find” was distributed in the state. He noted that the song was available worldwide — and also pointed out a major hole in Henderson’s argument.

“Plaintiff relies on her counsel’s purchase of a copy of defendant Woods’s album Glorious on vinyl at a New Orleans record store as evidence that defendants ‘specifically targeted consumers in Louisiana,’” wrote the judge. “However, ‘Never Find’ was not included on the vinyl that plaintiff’s counsel purchased, as it was only released as a bonus track on an exclusive digital version of the album Glorious.”

The lawsuit was dismissed without prejudice, meaning Henderson can attempt to refile the lawsuit in a different state if she so chooses. Her lawyer did not immediately return a request for comment on Friday, and neither did GloRilla’s reps.

This isn’t GloRilla’s first time defeating a copyright infringement lawsuit. Another case, which alleged her hit songs “Tomorrow” and “Tomorrow 2” sampled a decades-old hip-hop track without permission, was also dismissed out of New Orleans federal court last year for jurisdictional reasons.

GloRilla was sued again a year ago alongside Megan Thee Stallion, Cardi B and Soulja Boy for supposedly sampling the 2008 Plies song “Me & My Goons” without clearance on their collaboration “Wanna Be.” That case was voluntarily dropped in March.


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Here Are 13 Songs Taylor Swift Wrote for Other Artists

Some of the tunes feature the pop superstar, others ended up as vault tracks when she released her Taylor’s Versions.


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Taylor Swift’s prolific songwriting skills have endured through the 2000s, 2010s and deep into the 2020s. With 13 Hot 100 No. 1 hits (including “The Fate of Ophelia” with six weeks on top of the chart currently) and 15 Billboard 200 No. 1 albums (her latest release, The Life of a Showgirl, also sits at the top of that chart for its sixth straight week), she’s found great success with her catchy hooks, gorgeous melodies, and storytelling powers.

In addition to her charting accolades, Swift counts the record-breaking Eras Tour on her résumé as the highest-grossing tour of all time, as well as 58 Grammy nods (she and her longtime collaborator Jack Antonoff are tied with the most nominations in the song of the year category with eight), with 14 wins, including four album of the year wins: Fearless in 2009, 1989 in 2005, Folklore in 2021 and Midnights in 2023, the most of any artist.

Her pen is spread throughout not just her own catalog, but others’ work too. She’s written songs for Miley Cyrus’ alter ego Hannah Montana, Boys Like Girls, B.o.B, Calvin Harris, Little Big Town, Sugarland, Big Red Machine (the indie supergroup of Swift friends Aaron Dessner – who produced and wrote with the superstar for Folklore, Evermore, Midnights 3 AM Edition, and The Tortured Poets Department – and Bon Iver’s Justin Vernon, who appears on both of her 2020 albums) and more.

Here are the 13 songs that Swift has penned that either other artists have recorded, she wrote directly for, or on which she appears as a feature.

Mumford & Sons and Hozier Make Fastest Flight to No. 1 on Adult Alternative Airplay This Year

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Mumford & Sons and Hozier’s “Rubber Band Man” completes a speedy four-week trip to No. 1 on Billboard’s Adult Alternative Airplay chart, rocketing six spots to the top of the Nov. 29-dated list.

The collaboration completes the fastest rise to No. 1 since The Black Keys’ “Beautiful People (Stay High)” took four frames to reign in February 2024.

Hozier earns his quickest coronation, exceeding the five weeks it took for his “Too Sweet” last year and the Mavis Staples-featuring “Nina Cried Power” in 2018. As for Mumford & Sons’ best, “I Will Wait” and “Believe” each needed only three weeks to lead in 2012 and 2015, respectively.

Hozier now boasts eight No. 1s. Mumford & Sons nab their sixth.

Most No. 1s, Adult Alternative Airplay:
14, U2
13, Coldplay
11, Dave Matthews (solo and with Dave Matthews Band)
11, Jack Johnson
9, The Black Keys
8, Death Cab for Cutie
8, Hozier
8, John Mayer
8, The Lumineers

“Rubber Band Man” is Hozier’s sixth No. 1 in a row, tying him with U2 for the longest streak in the chart’s nearly 30-year history. His run began in 2023 with “Eat Your Young.” U2 linked its six straight leaders in 2001-05.

Mumford & Sons last topped Adult Alternative Airplay with their Pharrell Williams collaboration “Good People” in April 2024. (In between, they hit Nos. 2 and 3 with “Rushmere” and “Caroline,” respectively.)

Concurrently, “Rubber Band Man” leaps 16-10 on Alternative Airplay, becoming Mumford & Sons’ 12th top 10 and Hozier’s third. On the all-rock-format, audience-based Rock & Alternative Airplay chart, the song holds at its No. 7 best with 3.6 million audience impressions in the week ending Nov. 20, a gain of 7%, according to Luminate.

The track placed at No. 28 on the most recently published, multimetric Hot Rock & Alternative Songs tally (dated Nov. 22, reflecting data Nov. 7-13). In addition to its radio airplay, it drew 1.6 million official U.S. streams and sold 1,000 downloads in that span.

“Rubber Band Man” is the lead single from Prizefighter, Mumford & Sons’ sixth studio album, due Feb. 13, 2026. Their LP Rushmere debuted and peaked at No. 3 on the Top Rock & Alternative Albums chart this April and has earned 98,000 equivalent album units to date.

All Billboard charts dated Nov. 29 will update Tuesday, Nov. 25, on Billboard.com.

Foo Fighters Extend Rock & Alternative Airplay No. 1 Record With ‘Asking for a Friend’

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Foo Fighters earn their 13th No. 1 and second this year on Billboard’s Rock & Alternative Airplay chart, as “Asking for a Friend” leads the survey dated Nov. 29.

The song reigns with 5.7 million audience impressions in the week ending Nov. 20, a boost of 6%, according to Luminate.

“Asking for a Friend” follows the eight-week reign of predecessor “Today’s Song” in July-September. That rule was ended by Sublime’s “Ensenada,” which led the chart for the ensuing 10 weeks before being supplanted by “Asking for a Friend.”

Foo Fighters add to their chart-leading tally of No. 1s since the ranking begin in 2009. It’s their first ruler to feature new drummer Ilan Rubin, who joined the band in July.

Most No. 1s, Rock & Alternative Airplay:
13, Foo Fighters
8, Green Day
8, Linkin Park
6, Cage the Elephant
6, Twenty One Pilots
5, The Black Keys
5, Imagine Dragons
4, Red Hot Chili Peppers
3, Weezer

Concurrently, “Asking for a Friend” rises 3-2 on Mainstream Rock Airplay and holds at its No. 5 best on Alternative Airplay.

The song also ranked at No. 8 on the most recently published, multimetric Hot Hard Rock Songs chart (dated Nov. 22, reflecting data accumulated Nov. 7-13). In addition to its radio airplay, it drew 494,000 official U.S. streams in that span.

“Asking for a Friend” is currently a standalone single released alongside Foo Fighters’ announcement of a stadium tour set for next summer.

All Billboard charts dated Nov. 29 will update Tuesday, Nov. 25, on Billboard.com.

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Which New Music Release Is Your Favorite This Week? Vote!

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Good news! This week is closing out with bunches of new music releases, including the long-awaited soundtrack to Wicked: For Good.

Arriving one year after the first half of the Wicked music dropped alongside the first movie in November 2024, the Part 2 soundtrack hit streaming services on Friday (Nov. 21) via Universal Pictures and Republic Records, the same day that Wicked: For Good premiered in theaters worldwide. The new LP features all of the original music in the second half of the Broadway musical on which the Wicked films were based, plus two brand-new numbers sung by Ariana Grande and Cynthia Erivo: “The Girl in the Bubble” and “No Place Like Home,” respectively.

But while the Wicked soundtrack might be the most thrillifying release this week, it’s far from the only new album to drop. Tate McRae unleashed the deluxe edition of her Billboard 200-topping full-length So Close to What — featuring Billboard Hot 100 smash “Tit for Tat” — while BigXthaPlug, fresh off of a memorable performance at the 2025 CMAs, unveiled an expanded version of his I Hope You’re Happy Project.

Plus, Stray Kids sprang into action with a new five-track EP titled DO IT, while Tainy and Karol G teamed up for single “Ünica” and The Kid LAROI unveiled a song called “A Perfect World.”

From major motion picture soundtracks to deluxe albums and new singles, there’s a lot of new music to enjoy this week — and Billboard wants to know your favorite. Tell us which project you have on repeat right now by casting a vote in the poll below.

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Ice-T Posts Ice-Cold AI-Generated Photo With Ice Spice, Vanilla Ice & Ice Cube: ‘The Ice’s’

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Ice-T was having a little too much fun messing around with AI and had a laugh at putting all of “the Ices” of hip-hop together in one photo.

The 67-year-old posted an AI-generated picture featuring himself in a Yankees fitted cap next to Vanilla Ice, Ice Cube and Ice Spice hitting an ice-skating rink together.

“Ok… Ai got us…. The ICE’s,” he tweeted, and the post has over 11,000 likes and nearly 1,000 replies.

Followers were thrown off by the bizarre photo. One fan even swapped the group of rappers into gear from the United State Immigration and Customs Enforcement. “Get your tickets to I.C.E. on Ice now,” a person wrote. Others pointed out how unrealistic the depiction of Ice Spice looks.

The other “Ice” rappers haven’t responded to Ice-T’s post, however, Ice Cube probably wouldn’t be too thrilled. He’s voiced his opposition to AI, especially in music, and threatened litigation against anyone using his vocals as part of an AI-produced track. “I don’t wanna hear an AI Drake song,” he said during an appearance on the Full Send podcast in 2023. “Yeah, I don’t wanna hear that bullshit. He should sue whoever made it… I’ma sue the motherf—r who made it and the people and the platform who play it. It’s like a sample.”

Cube continued: “Somebody can’t take your original voice and manipulate it without having to pay. I think AI is demonic. I think A.I. is going to get a backlash from organic people.”

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Taylor Swift on Ice: Olympic Figure Skaters Share Mesmerizing Routine Set to ‘Fate of Ophelia’

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Keep it 100 on the land, the sea, the sky — and the ice.

Ahead of the 2026 Winter Olympics, two British skaters shared a mesmerizing routine set to Taylor Swift‘s “The Fate of Ophelia,” proving that showgirls can shine on frozen stages too.

In a clip shared by the Olympics’ official Instagram account, Bronze medalist Lilah Fear and seven-time British Ice Dance champion Lewis K. Gibson glide, spin and twirl in perfect sync on the rink, subbing in their own majestic moves for the pop star’s viral choreography in the “Ophelia” music video.

“Lilah and Lewis make it look so simple…,” the caption reads. “By the way, how has Taylor not seen this yet?”

The post comes just a few months ahead of the Feb. 6 kickoff of the Winter Games in Italy next year. In addition to figure skating, skiing, Bobsleighing, curling, ice hockey and more sports will be on the docket.

The Olympics also shared the video as “The Fate of Ophelia” is spending its sixth week at No. 1 on the Billboard Hot 100. The track is by far the biggest hit from Swift’s Billboard 200-topping album The Life of a Showgirl, which dropped in October and quickly set a new record for biggest opening sales week of all time.

Two other superstars who’ve been a part of the promo cycle leading up to the Games next year are Wicked‘s Ariana Grande and Cynthia Erivo. Both leading ladies starred in videos showcasing Team USA’s curling and figure-skating teams shared earlier this month in partnership with NBC.

Check out Fear and Gibson’s “Fate of Ophelia” routine below.


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Friday Dance Music Guide: The Week’s Best New Tracks From Skrillex, Major Lazer, Laidback Luke & More

This week in dance music: Fred again.. played the first North American set in his 10 shows/10 songs/10 cities run, Dom Dolla told Billboard that “My head’s definitely spinning a bit, but I’m having so much fun along the way,” ahead of the ARIA Awards in Sydney on Nov. 19, where the producer became the inaugural recipient of ARIA’s new Global Impact Award presented by Spotify.

Circuit Capital, a new initiative from The Circuit Group, launched with more than $500 million in backing from Create Music Group, with the fund intended for investment in catalogs, record labels, publishers and other music-driven ventures with a mission to build long-term sustainable value.

Meanwhile, Northern Ireland rap trio Kneecap dropped a surprise drum & bass single with Sub Focus, The Chainsmokers extended their Wynn Nightlife residency in Las Vegas until 2029 and Calvin Harris moved from WME to Wasserman.

We caught up with Welsh producer Kelly Lee Owens on the occasion of her new Kelly EP and spoke with Billboard’s Dance Rookie of the Month Kito about her work co-executive producing Lily Allen’s new album West End Girl.

And there’s more: Charli xcx appeared as a fictionalized version of herself in a new trailer for The Moment, and Jessie Reyez scored her first Billboard No. 1 with her Calvin Harris collab “Ocean,” which hit the top spot on Dance/Mix Show Airplay. Harris was also announced as a headliner for the college football weekend national championship, a bill he shares with John Summit and Peso Pluma. We debuted the genuinely very nice Channel Flipping 2: Only You mashup video from Zeds Dead and the queen Robyn performed her new song “Dopamine” live for the very first time during a concert from Spotify x Acne Studios at the Fonda Theatre in Los Angeles.

And finally, the music. These are the week’s best new dance projects.


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Olivia Dean Puts Ticketmaster on Blast for Her Tour’s Ticket Resale Prices: ‘You Are Providing a Disgusting Service’

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Olivia Dean took a couple minutes out of her day on Friday (Nov. 21) to put Ticketmaster, Live Nation and AEG Presents on blast for the resale ticket prices to her 2026 North American tour.

Tickets to Olivia Dean’s The Art of Loving Tour went on sale to the general public on Friday and quickly sold out in minutes.

With some resale prices climbing into the thousands of dollars, the “Man I Need” singer voiced her disgust with Ticketmaster, Live Nation and AEG Presents in an Instagram Story.

“@Ticketmaster @Livenation @AEGPresents you are providing a disgusting service,” she wrote. “The prices at which you’re allowing tickets to be re-sold is vile and completely against our wishes. Live music should be affordable and accessible and we need to find a new way of making that possible. BE BETTER.”

Dean added in a separate IG Story that her team was looking into the matter. “I’m sorry that there seems to be an issue with ticket re-selling and pricing. My team are currently looking into it,” she continued. “It is extremely frustrating as the last thing I want is for anyone to be scammed or overcharged for our show. Please be wary buying tickets in the comment sections as it is most likely a scam.”

Ticketmaster later reshared the singer’s Instagram Story that called out the company, writing on its own account: “We support artists’ ability to set the terms of how their tickets are sold and resold. @oliviadeano, we will cap resale prices on our site at face value and hope other resale sites will follow.”

The ticket company explained in a July blog post how its Face Value Exchange works, and how it tries to give fans the “best chance to buy tickets at the original price set by artists.”

Billboard has reached out to Ticketmaster, Live Nation and AEG Presents for comment.

Olivia Dean’s 2026 tour kicks off in the U.K. and Europe, beginning with Glasgow, Scotland, in April, and wraps June 20 in Dublin. Her U.S. summer trek is slated to kick off in San Francisco on July 10, and she’ll be making stops in Los Angeles, New York City, Atlanta, Toronto, Las Vegas, Boston, Houston and finish up in Austin on Aug. 28. The Art of Loving Tour’s NYC dates include four shows at Madison Square Garden.

Dean had been opening for Sabrina Carpenter on the final leg of the singer’s Short n’ Sweet Tour, and announced her own North American headlining trek earlier in November.

The British pop star has gained significant momentum in recent months, following her Saturday Night Live debut Nov. 15, and her subsequent trip to Australia, where she performed a show in Sydney and at the 2025 ARIA Awards.

Dean currently has four tracks on the Billboard Hot 100, including “Man I Need” sitting at No. 5. The 26-year-old’s The Art of Loving album is also slotted at No. 5 on the Billboard 200 dated Nov. 22.


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A New ‘Favorite Country Song’: HARDY Scores His Fifth Top 10 on Country Airplay Chart

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HARDY cracks the top 10 of Billboard’s Country Airplay chart for a fifth time as “Favorite Country Song” surges 12-7 on the list dated Nov. 29, up 17% to 20.5 million in audience Nov. 14-20, according to Luminate.

The track, which HARDY cowrote alongside six others, including Nate Smith, reaches the region almost two years after “Truck Bed” last put him there in February 2024. That song went all the way, becoming his third No. 1 that March, further cementing his momentum as both an artist and a writer.

“Favorite Country Song” is just one piece of HARDY’s current chart impact. He’s on the list three times over as his own rising hit joins two Morgan Wallen singles with a HARDY writing credit. HARDY cowrote Wallen’s “I Got Better,” which topped the chart in October and ranks at No. 6, as well as “I Ain’t Coming Back” (featuring Post Malone), at a new No. 24 high (8.2 million, up 10%).

HARDY has stacked 14 Country Airplay No. 1s as a cowriter, including three that he recorded, a run that began with Wallen’s “Up Down” (featuring Florida Georgia Line) in 2018. To date, 41 songs by 31 artists have reached the chart with HARDY’s name in the liner notes as a writer.

Dawn of ‘Midnight’

Nate Smith shows up elsewhere on Country Airplay as he and Tyler Hubbard bow at No. 34 with “After Midnight” with 4.6 million in audience. The track gives Smith his second-highest debut, following “Drinkin’ Buddies,” his 2024 collaboration with Lee Brice and Hailey Whitters, which opened and peaked at No. 26 that May. It’s Hubbard’s fourth top 40 premiere as a solo act (apart from his output in Florida Georgia Line); he started at a No. 19 best with “Undivided,” with Tim McGraw (an eventual No. 16 hit), in 2021.


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