Music News

5 Seconds of Summer’s ‘Everyone’s a Star’ Shoots to No. 1 on U.K. Albums Chart

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5 Seconds of Summer is No. 1 on the U.K. Albums Chart for the fourth time in their career. On the charts dated Nov. 21, the Australian group’s EVERYONE’S A STAR knocks Taylor Swift‘s The Life of a Showgirl from the top spot.

The group, composed of Calum Hood, Ashton Irwin, Luke Hemmings and Michael Clifford, has hit No. 1 on three previous occasions: Sounds Good Feels Good (2015), CALM (2020) and 5SOS5 (2022).

EVERYONE’S A STAR is also No. 1 on the Official Record Store Chart, which tracks the most popular album in U.K. independent record shops this week. 

In their home nation of Australia, the Sydney four-piece had a record-breaking week as they became the first act in the history of the ARIA Charts to hit No. 1 with their first six studio albums.

Olivia Dean’s The Art of Loving closes the week at No. 2 and follows a stylish performance on Saturday Night Live last weekend (Nov. 15) of “Man I Need” and “So Easy (to Fall in Love With Me).”

Swift falls just two places to No. 3 with The Life of a Showgirl, which has already earned four non-consecutive weeks at No. 1 on the U.K.’s Official Albums Chart.

U.K. rap duo D-Block Europe net a fifth top five album in six years with PTSD 2 (No. 4). The group — made up of Young Adz and Dirtbike LB — have seen success with PTSD (2019), The Blue Print — Us VS. Them (2020), Lap 5 (2022) and their No. 1 success Rolling Stone (2024). 

Sabrina Carpenter’s Man’s Best Friend completes the top five (No. 5), and there’s strong debuts for Oasis with a reissue of 2000’s Familiar To Millions live LP (No. 11), Celeste and her sophomore album Woman Of Faces (No. 12) and Summer Walker with Finally Over It (No. 13).

Hype around Liverpool rapper EsDeeKid — which fan theories jokingy posit is a moniker of actor Timothée Chalamet — continues to build as Rebel is up three places No. 16.

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Beyoncé Makes Surprise Appearance at F1 Las Vegas Grand Prix With Jay-Z

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Beyoncé made an unexpected on-track appearance at the Formula 1 Las Vegas Grand Prix on Sun., Nov. 23, drawing widespread attention as she and Jay-Z arrived at the paddock ahead of the race.

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The Houston-born singer looked race-ready as she was first photographed in a sleek, custom Louis Vuitton jumpsuit zipped to the neckline as she walked through the paddock before the race, with Formula 1’s official accounts highlighting her arrival.

Beyoncé also shared her own look inside the Grand Prix, posting a video on Instagram that showed her stepping into the passenger seat of a Ferrari supercar before taking a high-speed hot lap with Lewis Hamilton. The clip captured the pair preparing for the run, with Beyoncé captioning it simply: “Give it to Mama.”

The visit marked one of the most high-profile celebrity sightings of the weekend, which has evolved into one of the most entertainment-driven stops on the global F1 calendar.

Hamilton — long one of F1’s key crossovers into music and fashion culture — was later photographed chatting with both Beyoncé and Jay-Z on the grid. The pair previously met behind the scenes at a Grand Prix in 2009, making this a rare reunion at one of the sport’s most high-profile events.

Jay-Z, dressed in an all-black outfit, was photographed walking through the paddock with Beyoncé as the pair made their way toward the garages and hospitality suites before the race.

Their appearance added to the celebrity atmosphere surrounding the Las Vegas stop, which has quickly become one of Formula 1’s most entertainment-forward weekends since debuting in 2023.

They weren’t alone. Travis Scott, Cynthia Erivo, Magic Johnson, Brooks Nader, Michael Douglas, Catherine Zeta-Jones, Gordon Ramsay, Ciara and Ben Affleck were also spotted across the weekend — a reminder that the Las Vegas and Miami Grands Prix are increasingly functioning like music-adjacent cultural events as much as major sporting showcases.

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Lenny Kravitz Says Fan Ripped Out Dreadlocks During Brisbane Concert

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Lenny Kravitz says an enthusiastic fan accidentally pulled four of his dreadlocks out during his show in Brisbane on Fri., Nov. 21.

The rock icon is currently touring Australia in support of his 2024 album Blue Electric Light. In a video posted to Instagram shortly after his performance at Brisbane Entertainment Centre, Kravitz told fans the incident happened while he moved through the crowd during “Let Love Rule.”

“Brisbane, that was wild,” he said in a video shared on his Instagram Stories. “A very excited young lady pulled four dreadlocks out of the back of my head. You know how hard you’ve got to pull to rip those out of my head? Damn, baby.”

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Kravitz clarified that the moment won’t change his commitment to interacting with audiences during the track, which traditionally sees him step off the stage and into the crowd.

“I’m not going to stop coming out there for ‘Let Love Rule’ because that’s our moment together,” he added. “Brisbane, you’re wild. I love you.”

Kravitz is midway through his Australian run, which continues Tues., Nov. 25 at Melbourne’s John Cain Arena before heading to Mildura on Nov. 28 and Adelaide on Nov. 29.

The singer’s current Australian dates mark his first shows in the country since 2012. That visit was itself many years in the making, with his only other visits to the country taking place in 1993 and 1994.

“Coming to New Zealand for the first time and returning to Australia after so many years is giving my soul the most beautiful energy,” Kravitz wrote in an Instagram post on Nov. 21.

“You all are amazing. Thank you for sharing this with me. Let’s keep going!” he added.

Since his last visit, Kravitz has released three further albums, including 2014’s Strut, 2018’s Raise Vibration, and 2024’s Blue Electric Light. Additionally, in 2024, he was honored with a star on the Hollywood Walk of Fame, and also received his first nomination for the Rock and Roll Hall of Fame, though he was not inducted.

Billy Corgan Debuts ‘A Night of Mellon Collie and Infinite Sadness’ Opera in Chicago

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Billy Corgan debuted the long-anticipated operatic adaptation of Mellon Collie and the Infinite Sadness on Fri., Nov. 21, with the Smashing Pumpkins leader performing on opening night at the Lyric Opera of Chicago.

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The new production presents a symphonic and operatic reimagining of the band’s 1995 double album, which debuted at No. 1 on the Billboard 200 and marked a defining moment in the group’s commercial peak. Across the evening, selections including “Tonight, Tonight,” “1979,” and “Bullet With Butterfly Wings” were transformed for a full operatic cast and orchestra.

Corgan appeared as a featured vocalist throughout the performance, joined by soprano Sydney Mancasola, mezzo-soprano Zoie Reams, tenor Dominick Valdés Chenes and baritone Edward Parks. The Lyric Opera Orchestra and Chorus performed under conductor James Lowe, who has been one of Corgan’s key collaborators in reworking the score for the stage.

In a previous statement, Corgan said the process allowed him to reconsider the album nearly 30 years on. “It is thrilling to collaborate with Lyric head John Mangum, my musical partner James Lowe, and all of the artists at Lyric in reimagining this very special and historic album, and to discover how Lyric’s full operatic treatment is helping me experience my own compositions in powerful new ways,” he said.

“Opera and rock both tell stories of heightened emotions, and I am excited for both fans of my music and traditional opera fans to hear some truly inspired work; for the balance here is to honor both traditions in a magisterial way.”

Originally released in Oct. 1995, Mellon Collie and the Infinite Sadness earned seven Grammy nominations, including album of the year. It produced two of the band’s most enduring singles with “1979” (which peaked at No. 12 on the Billboard Hot 100) and “Bullet With Butterfly Wings,” the latter winning the group a Grammy for best hard rock performance. The album remains one of the Smashing Pumpkins’ most critically and commercially significant projects, certified diamond by the RIAA.

The Lyric Opera production continues its limited run in Chicago through the coming week.

Jellybean Johnson, The Time Drummer & Prince Associate, Dies at 69

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Jellybean Johnson, the Minneapolis musician and producer who was the drummer for the Prince-affiliated funk-rock group The Time, has died. He was 69.

His cause of death is unknown. TMZ first reported Johnson’s passing, noting that he died Friday night (Nov. 21) according to a statement obtained by his family.

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Prince recruited Johnson (real name Garry George Johnson), who was self-taught on drums and guitar, in 1981 for The Time, an act born out of the city’s Flyte Tyme. They’d known each other since their high school years in Minneapolis.

“The drums are physical and violent for me while the guitar is spiritual and emotional,” Johnson said in a 2018 interview with Australian Musician. He also quipped to the publication, “When you live here in the cold, you stay in [in] the winter time and you learn how to play.”

As a member of The Time — and later, Prince’s The Family — Johnson helped establish the funk-rock, new wave and synth-pop hybrid that became known as the Minneapolis Sound. He appeared as a fictionalized version of himself in 1984’s Academy Award-winning Purple Rain and as himself in 1990’s Graffiti Bridge.

The Time had five top 10 hits on the Hot R&B/Hip-Hop Songs chart in the ’80s and early ’90s (when the chart was called Hot Black Singles), including “777-9311,” “Jungle Love” and “Jerk-Out,” which reached No. 1 in 1990.

Johnson is also known for his work as a producer, with Janet Jackson‘s 1990 Hot 100 No. 1 “Black Cat” among his credits — and he was an in-demand session musician.

Sheila E., a longtime friend and a frequent collaborator with Prince, remembered Johnson in an emotional post on Facebook Saturday morning, which she shared “with a heavy heart.”

“My dear friend Jellybean passed away a couple of hours ago,” Sheila E. wrote. “We are devastated by this news. I’m praying for his family and all the kids. He was a kind human being, extremely talented and funny. He had a great sense of humor and [was] an awesome guitar player.”

Directing her words toward her late friend, she added, “Yesterday was your birthday, I forgot to call you and I’m so sorry. I love u bean. Rest in peace and power.”

“I’m absolutely heartbroken!” The Family vocalist Susannah Melvoin wrote on Instagram. “My beautiful brother Jellybean Johnson has passed. This band was and is the kind of Family that believed we all rightfully belonged together in love, music and kindness. Jellybean was the master of loving you like no brother could! My big brother, who watched over me and anyone who he loved!”

Melvoin’s note continued: “I met him when I was 19 years old and he was already a seasoned musical savant at 28. He’d been in the Time and was masterfully put into a band that became what we lovingly and rightfully call the family. He went from being behind the drums to playing guitar in this band because he was a guitar player first and drummer second. Oxygen for him was the inhale and exhale of playing his guitar. I can barely get this out….his children and family members need our support and love. Please send it their way.”

“May you rest in all that is light and graceful,” she said to Johnson.

Johnson performed with The Time and Rihanna at the Grammy Awards in 2008, a performance that had him playing the drums to a click track. After being a career musician with his “own click track for 30, 40 years,” Johnson said it was difficult to pivot — “If you go back and watch that performance, it came off flawless, but, man, that week of practice was hell,” he said with a laugh, in a 2024 interview with Dancing to the Drum Machine author Dan Leroy.

“The guys in The Time always trusted me, as far as tempos and all that kind of stuff,” explained Johnson. “But there were a few times, like when I played the Grammys … I remember one time back in ’08, man, I played the Grammys, and Rihanna was on there with [The Time]. And she was just getting huge, and she had that ‘Umbrella’ song … And she had dancers, and she was doing this thing with us, and it was gonna be part Minneapolis, part her. She’s gonna be integrated with us — which means with me being the only drummer, I had to play to a click track. I struggled. I’m not gonna lie. I called every hotshot drummer, young drummers that I know, all my top drum friends. I mean, how do y’all do this? Because some guys, especially studio guys, they learn how to do that. Just deal with click tracks and all that kind of stuff. And I didn’t. I never had to really do that.”

He returned to the Grammys stage in 2017 and 2020 as part of tributes to Prince.

Johnson co-founded the non-profit Minneapolis Sound Museum in 2021, with the goal of preserving the history, culture and legacy of the Minneapolis Sound.

In 2022, he was awarded a Soul Train Lifetime Achievement Award with The Time.

Ornella Vanoni, ‘The Lady of Italian Song,’ Dies at 91

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Ornella Vanoni, a beloved performer who had a seven decade-long singing career with such international hits as “Senza Fine” and “L’appuntamento,” has died. She was 91.

In a post on X Saturday, Italian Prime Minister Giorgia Meloni expressed her deep sorrow for the loss of Vanoni, whose “unmistakable voice” left an imprint on Italian culture for generations. “Italy loses a unique artist who leaves us with an unrepeatable artistic heritage,” Meloni said.

Vanoni died of cardiac arrest at her Milan home, Italian newspaper La Stampa reported.

Vanoni recorded more than 100 albums with sales of over 55 million copies, vaulting her to iconic status among generations of fans and earning her the moniker “The Lady of Italian Song,” according to LaPresse newspaper.

Born in Milan in 1937, Vanoni’s first love was the theater, which culminated with performances on the Broadway stage in 1964. But her passion for music combined with what LaPresse described as a “highly personal and sophisticated performing style” and vast repertoire from jazz to pop led her to collaborate with some of the most important songwriters in Italy and abroad.

Vanoni’s partnership — and love affair — with famed Genovese singer-songwriter Gino Paoli produced the hit “Senza Fine” (Without End), which shot her onto the international stage in 1961.

Her later collaborations spanned a range of artistic talent including Gil Evans, Herbie Hancock and George Benson, according to Italy’s ANSA news agency.

Vanoni excelled in numerous prestigious music festival awards in Italy, including the country’s most popular Sanremo Music Festival in which she participated eight times, earning second place in 1968 with the song “Casa Bianca.”

Her talent extended into songwriting which was recognized when she twice won the prestigious Tenco Award — the only Italian singer to be awarded the prize as a songwriter and the only woman to have won it twice.

ANSA said Vanoni was much sought-after as a guest on television programs in her later years because of her unpredictable nature, the vast wealth of anecdotes she shared and her “complete indifference to political correctness.”

Bad Bunny’s Debí Tirar Más Fotos World Tour Setlist: Every Song From the Dominican Republic Night One

Puerto Rican band Chuwi opened the first of two nights at a sold-out Olympic Stadium on Bad Bunny’s world tour.


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Bad Bunny kicked off his Debí Tirar Más Fotos World Tour Nov. 21 at Félix Sánchez Olympic Stadium in Santo Domingo, Dominican Republic, where he’ll play a second show tonight (Nov. 22).

The highly-awaited tour is Bunny’s official world trek, which will take him through Latin America, Europe and Asia after his historic 31-show residency in Puerto Rico.

Bad Bunny’s connection with the Dominican Republic is close. In 2022, he dedicated a Latin Grammy to the country after winning best urban fusion/performance for “Tití Me Preguntó.” That same year, he sold out two consecutive nights at the Olympic Stadium — and before that, he’d built a strong bond with the Dominican audience through collaborations like “La Romana” with El Alfa. He even gives them a shoutout in “El Apagón,” saying, “Si no me voy pa’ RD… un saludo a mis vecinos, ey (de lo’ mío’, ¿qué lo qué?)” –which roughly translates to, “If I don’t go to DR… a shoutout to my neighbors, hey (my people, what’s up?).”

So it was no coincidence that for these particular two shows, the preferred seating area in the stadium was named Los Vecinos (“The Neighbors”) in honor of this connection. The local production of the show was handled by businessman Gamal Haché, with a setup that took nearly two weeks to complete. For the first time outside of Puerto Rico, the show included Bad Bunny’s iconic “casita,” a key feature of his residency. Its presence at the Olympic Stadium not only added a visual nod to that historic time but also enhanced visibility for fans in the stands and VIP areas, while maintaining the intimate, theatrical vibe of the original show.

Here’s the complete setlist from Bad Bunny’s opening night of the Debí Tirar Más Fotos World Tour in Santo Domingo (note: the setlist may vary in other cities):

How Andrés Cepeda Made His Dream of Singing With Celia Cruz Come True | Billboard News

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Andrés Cepeda talks about his tribute to his hometown of Bogotá, Colombia, and how he was recently able to record a song with Celia Cruz.

Andrés Cepeda: Precisely this past week, I just released a song that is a cumbia, which includes the original voice of the great Celia Cruz. It’s a Colombian song called “Las Pilanderas.” How beautiful! Yes, Bogotá. Besides being the title of my album, and the song for which I have three nominations, of which I’m very, very proud, Bogotá is also the place where I was born and grew up. It’s where most of the important stories of my life happened. The key moments in both my personal and professional life are framed within Bogotá. It’s the setting of my best stories. That’s why I decided to create an album in tribute to this city — not only to tell my stories from their roots and origin, immersed in their environment, but also because I have often experienced how literature, music, poetry or even cinema can make you feel connected to cities you’ve never visited. I imagined I could serve as an ambassador for Bogotá in a similar way, offering people who haven’t visited my city an idea of how it smells, tastes, sounds and feels. That’s the idea behind this album that makes us so happy.

It’s funny because one would think that after many nominations, 19 at the Latin Grammys, it would become normal. It doesn’t. It’s still just as exciting every time, still as challenging and it still brings the same anxiety as we wait for the results, whether it’s in Las Vegas or wherever the awards are held that year. You submit your work with so much hope, and every nomination brings immense excitement. Every time I have the opportunity to be nominated or receive several nominations, it’s a moment to celebrate. These achievements aren’t just about the artist or the album, but also recognize the hard work of the entire team, production, publicity, management, guest artists, musicians, engineers and everyone involved. It’s rewarding for all who contributed to making the project a reality.

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Paola Jara & Jessi Uribe Welcome Baby Girl & More Uplifting Moments in Latin Music

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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

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Paola Jara & Jessi Uribe Welcome Baby Girl

Música popular power couple Paola Jara and Jessi Uribe welcomed baby girl Emilia, the singers shared on social media. “One more reason to look up to the sky and thank God for His great kindness,” they wrote in a joint post on Instagram. The birth of their first baby together follows Jara’s first-ever Grammy nomination for Sin Rodeos, up for best música mexicana album (including tejano). Jara makes history as the first música popular female artist to compete in the category. Uribe made history last year as the first música popular artist to be nominated in that same category.

Rauw Alejandro’s Education Initiative

Last week, Rauw Alejandro carried out an educational initiative in ten schools in Puerto Rico, according to a press release, where students from various communities received an introduction to the history of bomba and participated in a dance class. The Puerto Rican star was not in attendance but surprised the students with a video message, inspiring a new generation to feel proud of their roots.

See part of the video message here.

Nicki Nicole Gets Emotional

Nicki Nicole couldn’t help but get teary-eyed as she shared the stage with Andrew Bocelli in her native Argentina. Nicki sang “Vivo Por Ella” with Bocelli, his 1995 song originally recorded with fellow Italian artist Giorgia. In what seemed like a pinch-me-moment for Nicki, she expressed a heartfelt message after their duet. “I’m really very excited. I can’t believe it. Let’s give him a round of applause because he’s a legend and it’s an honor to be here. Thank you.”  

Andrew Lloyd Webber Praises LUX

Andrew Lloyd Webber took to social media to praise Rosalía’s latest album, calling it “brilliant.” The English composer (Phantom of the Opera) went on to say that he had listened to the LP for about the fifth time and that it could be “the album of the decade so far.” He goes on to complement her vocals and that the set is “truly musical.” Adding, “It’s got all of these different tempi … it’s got all sorts of exciting sounds.”

Rosalía took to the comments section to thank Lloyd Webber for his positive review. “Thank you, maestro. I’m going to cry. God bless you and your wonderful compositions!”

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Olivia Dean Calls Out Ticketing Companies Over High Resale Prices

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Olivia Dean has criticized major ticketing companies after fans flagged steep resale prices for seats on her newly announced Art of Loving Live tour.

The British singer addressed the issue directly on Instagram soon after general on-sale opened. In her first post, she told fans her team was “looking into” unexpected resale activity and warned followers to be cautious of comment-section sellers, calling many of them potential scams.

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“I’m sorry that there seems to be an issue with ticket re-selling and pricing,” she wrote. “My team are currently looking into it. It is extremely frustrating as the last thing I want is for anyone to be scammed or overcharged for our sho. Please be wary of buying tickets in the comment sections as it is most likely a scam.”

She continued, “@ticketmaster @livenation @aegpresents you are providing a disgusting service. The prices at which you’re allowing tickets to be re-sold is vile and completely against our wishes. Live music should be affordable and accessible and we need to find a new way of making that possible. BE BETTER.”

Fans on social media reported long virtual queues and verified tickets appearing at significantly higher prices on secondary-market sites shortly after on-sale. Listings varied by city, with some resale amounts reaching several hundred dollars above face value.

Ticketmaster acknowledged Dean’s comments by reposting her Instagram story and stating it would cap resale on its platform at face value. “We support artists’ ability to set the terms of how their tickets are sold and resold. @oliviadeano, we will cap resale prices on our site at face value and hope other resale sites will follow,” they added.

The U.K. singer-songwriter and BRIT School alum currently holds four songs on the Billboard Hot 100 — her first four career entries — including the breakout “Man I Need,” which reached the top five on the chart dated Nov. 8. Her sophomore album The Art of Loving debuted at No. 8 on the Billboard 200 earlier this month, marking her highest entry on the tally to date.

Dean announced her 2026 tour last week, celebrating a major career milestone that includes her first headlining date at Madison Square Garden, as well as performing at Australia’s 2025 ARIA Awards. The North American leg begins in July in San Francisco before continuing through major U.S. markets and wrapping in Austin.

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