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Karol G achieves her 27th top 10 on Billboard’s Hot Latin Songs chart as “Si Antes Te Hubiera Conocido” debuts at No. 2 on the July 6-dated list. The song, released June 21 via Bichota/Interscope/ICLG, launches in the upper region three months after “Contigo,” with Tiesto, finished its four-week run in the top 10.
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“Si Antes Te Hubiera Conocido” starts at No. 2 with activity across all metrics integrated into Hot Latin Songs (airplay, streams and sales). In the July 21-27 tracking week, the song recorded 11.9 million official U.S. streams, according to Luminate. Thanks to that sum, the song opens at No. 33 on the overall Streaming Songs chart and an No. 2 on Latin Streaming Songs.
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For the remaining metrics that contribute to Hot Latin Songs, song sales and radio airplay, “Si Antes Te Hubiera Conocido” sold 2,000 downloads in the same period for a second week atop Latin Digital Song Sales. Plus, it starts at No. 29 on the overall Latin Airplay chart with 4.1 million audience impressions.
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With “Si Antes Te Hubiera Conocido’s” No. 2 entrance, Karol G claims her 27th top 10, and 10th unaccompanied by another artist. Her first top 10 unaccompanied by another act was the No. 5-peaking “Ay, Diso Mío” in 2020. Of her 27 top 10s, eight reached No. 1. Her most recent leader was “Qlona,” with Peso Pluma, for five weeks in 2023.
Notably, Karol and Gloria Estefan remain the only two women to debut in the top two on Hot Latin Songs with titles unaccompanied by another artist. Karol has debuted in the top two with three solo, unaccompanied songs (“Si Antes Te Hubiera Conocido,” “Mi Ex Tenía Razón” and “Provenza”) and Estefan did it with “Hotel Nacional” in 2012.
Beyond Karol’s No. 2 debut on Hot Latin Songs, the merengue-based track places Karol back on the top 10 on Tropical Airplay after almost eight years, where “Conocido” rallies 18-3 in its third week. Her first and last visit to the top 10 arrived through “Casi Nada” in 2016.
Further, “Si Antes” grants Karol her 31st career entry on the all-genre Billboard Hot 100, with a No. 34 start.
Just three months after Peso Pluma’s Génesis clocked its 28th week (and so far final week) at No. 1 on Billboard’s Top Latin Albums, the Mexican singer is back atop the 50-album ranking with Éxodo, his fourth studio set which rises 41-1 on the July 6-dated list. The set also launches at No. 5 on the overall Billboard 200 list.
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Éxodo debuted at No. 41 on Top Latin Albums (June 22-dated ranking) with only one day of activity, as the album was released June 20 via Double P, the last day of the tracking week. According to Luminate, the 24-song set (21 of which are collaborations), generated 64,000 equivalent album units in the U.S. during the 21-27 tracking week.
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Streaming units comprise essentially all Éxodo’s second week of activity, with a little over 63,000 units deriving from that consumption method. That sum equates to 87.5 million on-demand official streams of the album’s 24 songs. Traditional album sales and track sales, meanwhile, supply the remaining 1,000. One unit equals one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.
Éxodo becomes just the second album by a regional Mexican act to land at the summit on Top Latin Albums in 2024, following Fuerza Régida’s Pa Las Baby’s y Belikeada, which led for three weeks between April and May.
Beyond its coronation on Top Latin Albums, Éxodo likewise rallies 19-1 on Regional Mexican Albums, where Peso replaces himself at No. 1. The new set sends Génesis to No. 2 with a 4% dip in overall units, to 17,000.
The last act to swap No. 1 positions on the chart was Eslabon Armado, whose album Tu Veneno Mortal, Vol. 2 ceded the throne after three weeks to Armado’s Corta Venas, rebounding to the summit on the chart dated July 31, 2021, for its 18th week atop then. (The latter ruled for a total of 54 weeks, the third-most since the list’s inception in 1985.)
Éxodo was preceded by four songs on the multi-metric Hot Latin Songs chart, starting with “La Durango,” with Junior H and Eslabón Armado, which rallies 20-9 with the Greatest Gainer honors, awarded weekly to the song with the largest increase in audience.
“La People II” with Tito Double P and Joel De La P, travels 23-18. “Rompe La Dompe,” with Junior H and Oscar Maydon, re-enters at No. 27 after its No. 12 debut and peak (Jan. 13-dated list). “Peso Completo,” with Arcángel reached its No. 42 debut high, while “Teka,” with DJ Snake, climbs 36-45.
“Reloj,” with Iván Cornejo, leads 17 debuts on Hot Latin Songs, which combines airplay, digital sales and streaming data, where it opens at No. 3. It was the most streamed song during the debut week, with 7.7. million official U.S. streams in the tracking period.
With the 17 new recruits, plus two songs already on the list and a re-entry, Peso Pulma places 20 total simultaneous titles on the current chart, the most in 2024.
Here’s the full recap of Peso Pluma’s Éxodo on the Hot Latin Songs chart:
No. 3, “Reloj,” with Iván CornejoNo. 5, “Vino Tinto,” with Natanael Cano & Gabito BallesterosNo. 6, “La Patrulla,” with Neton VegaNo.9, “La Durango,” with Junior H & Eslabon ArmadoNo. 11, “Hollywood,” with Estevan PlazolaNo. 16, “Mami,” with Chino PacasNo. 17, “Put Em In The Fridge,” with Cardi BNo. 18, “La People II,” with Tito Double P & Joel de La PNo. 19, “Santal 33,” with Oscar MaydonNo. 20, “Me Activo,” with Jasiel NuñezNo. 21, “Bruce Wayne,” with Tito Double PNo. 22, “Sr. Smith,” with Luis R ConriquezNo. 24, “Belanova,” with Tito Double PNo. 27, “Rompe La Dompe,” with Junior H & Oscar MaydonNo. 28, “Ice”No. 29, “Solicitado”No. 31, “14 – 14”No. 37, “Pa No Pensar,” with QuavoNo. 40, “Tommy & Pamela,” with Kenia OsNo. 50, “Mala,” with Ryan Castro
Peso Pluma also reaches global success with three new songs on the Billboard Global 200: “Vino Tinto,” with Natanael Cano and Gabito Ballesteros, at No. 94, with 18.8 million global streams. “Reloj,” with Iván Cornejo, at No. 130 with 15 million universal clicks, and “La Patrulla,” with Neton Vega, at No. 164, with 13.9 million streams worldwide. “Vino Tinto” likewise launches at No. 109 on the Global Excl. U.S. ranking with 12.8 million streams outside the U.S.
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Los Ángeles Azules and Emilia’s “Perdonarte, ¿Para Qué?” notches a third total and consecutive week at No. 1 on the Billboard Argentina Hot 100 chart (dated June 29). The song, Los Ángeles Azules’ third leader and Emilia’s fifth, is the fourth song to spend at least three weeks at the summit in 2024. Here’s the recap:
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Peak Date, Title, Artist, Weeks at No. 1Jan. 20, “Una Foto (Remix),” Mesita, Nicki Nicole, Tiago PZK & Emilia, No. 10May 4, “Bésame (Remix),” Bhavi, Seven Kayne, Milo j, Tiago PZK, KHEA & Neo Pistea, No. 5March 2, “Hola Perdida (Remix),” Luck Ra & KHEA, No. 4June 15, “Perdonarte, ¿Para Qué?,” Los Ángeles Azules & Emilia, No. 3
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Los Ángeles Azules posts two other songs on the current tally, “El Amor De Mi Vida,” with Maria Becerra, at No. 22, and “Otra Noche,” with Nicki Nicole, at No. 86.
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Valentino Merlo and The La Planta’s “Hoy” nearly misses the top slot, with a 3-2 jump. While Trueno’s “Real Gangsta Love” moves ahead, with a 4-3 lift.
The Hot Shot Debut of the Week goes to Ke Personajes and Ulises Bueno who each add a new entry with “Intento” at No. 51.
Feid’s “Sorry For That Much” claims the week’s Greatest Gainer honors, with a 24-position surge, from No. 87 to No. 63. The Colombian boasts two other entries, “Luna,” with ATL Jacob, at No. 13 and “Offline,” with Young Miko at No. 42.
Two more songs debut this week: starting with Marama, Migrantes and the Argentinian rising star Flor Alvarez, whose first collab, “No Te Vayas,” opens at No. 66. Plus, J Abdiel, Pirlo, Izaak, Anuel AA & Blessd’s “WYA (Remix) Black And Yellow” launches at No.79.
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Feid secures his fifth top 10 on Billboard’s Hot Latin Songs chart as “Sorry 4 That Much” debuts at No. 4 on the June 22-dated chart. The new single becomes his first solo, unaccompanied by any other artist, top 10 entry on the tally, and fifth top 10 overall. His first top 10 came in March of 2023.
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“Sorry 4 That Much” was released June 7, the first day of the tracking week, via Universal Music Latino/UMLE. It starts at No. 4 on the multi-metric tally on the strength of streaming activity and radio airplay. The song registered 4.7 million official U.S. streams during the June 7-13 tracking week, according to Luminate. That sum yields a No. 5 start on the Latin Streaming Songs survey.
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On the radio front, “Sorry 4 That Much” logged 4.2 million audience impressions, enough for a top 20 launch on the overall Latin Airplay list, at No. 19. It snatches double honors as the Hot Shot debut of the week and the Greatest Gainer of the week. “Sorry” concurrently opens at No. 5 on Latin Rhythm Airplay.
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Streaming and radio activity surrounding “Sorry,” drives Feid to his first solo top 10 entry on Latin Airplay among five career top 10s. Here’s his collection of top 10 achievements:
Peak Position, Title, Artist, Peak DateNo. 10, “Hey Mor,” with Ozuna, March 4, 2023No. 6, “Yandel 150,” with Yandel, March 25, 2023No. 2, “Perro Negro,” with Bad Bunny, Nov. 4, 2023No. 7, “Luna,” with ATL Jacob, May 11No. 4, “Sorry 4 That Much,” June 22
“Sorry 4 That Much,” produced by Jowan, Wain and Rolo, joins another song by the 31-year-old Feid in the Hot Latin Songs’ top 10: “Luna,” with ATL Jacob, which rebounds to No. 9 after peaking at No. 7 on the May 11-dated tally.
On a global scale, “Sorry” arrives at No. 83 on the Billboard Global 200, for Feid’s 21st chart visit. Meanwhile, it percolates at No. 74 on the Global Excl. U.S. ranking.
Feid’s new accolade hits as the Colombian travels the U.S. for his ongoing FERXXOCALIPSIS World Tour which continues in full force, wrapping up the U.S. leg of the trek on July 8 at the Hard Rock Stadium in Miami, and his recent performance announcement at the 2024 CONMEBOL Copa América U.S. opening ceremony at the Mercedes-Benz Stadium in Atlanta on June 20.
El Fantasma tastes his first leader on Billboard’s Latin Airplay chart (dated June 22) with “Sabor a Michelada.” With the cumbia and banda-blended song, the singer-songwriter rules after logging 10 previous top 10s on the overall radio ranking.
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The single rallies 14-1 in its fifth week with 8.5 million audience impressions, up 71%, in the U.S. in the tracking week ending June 13, according to Luminate. KFLZ-FM San Antonio, Texas, leads all reporters to the chart, with over 430 plays of the song to date. Meanwhile, WOJO-FM Chicago had the most audience – 1.3 million – among chart reporters for the song in the tracking week.
Though “Sabor a Michelada” takes El Fantasma to his first Latin Airplay champ, the AfinArte-released track earns him a seventh ruler on Regional Mexican Airplay -and second this year- where the song climbs 6-1 with the Greatest Gainer honors, awarded weekly to the song with the largest surge in audience.
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Here’s a recap of El Fantasma’s collection on No. 1s on Regional Mexican Airplay dating back to his first in 2019:
Peak, Title, Artist, Weeks At No. 1June 1, 2019, “Encantadora,” fourAug. 14, 2021, “Soy Buen Amigo,” oneSept. 25, 2021, “Tus Desprecios,” with Pepe Aguilar, oneOct. 1, 2022, “Soldado Caído,” oneSept. 9, 2023, “La Vida Cara,” oneMarch 16, “El Exitoso,” oneJune 22, “Sabor A Michelada,” one
Thanks to “Michelada,” released March 15 through AfinArte, the indie label returns to No. 1 on Latin Airplay for the first time in almost a decade. Voz de Mando’s “Levantando Polvodera” was the label’s first and last leader, for one week in charge in Feb. 2019.
In addition to its Latin Airplay and Regional Mexican Airplay wins, “Michelada” debuts at No. 50 on the airplay-, streaming- and digital-blended Hot Latin Songs chart, for El Fantasma’s 22nd career entries there.
The new achievements land amidst E Fantasma’s Se Activó La Chavalada 2024 tour, which launched Feb. 17 in Texas and continues through Nov. 27 in Chicago.
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Natti Natasha Debuts on Tropical Airplay: Elsewhere on the Latin charts, Natti Natasha picks up her sixth top 10 on Tropical Airplay -and third as a soloist, unaccompanied by any other act-as “Quiéreme Menos” debuts at No. 5.
The Romeo Santos-produced bachata starts with 2.3 million audience impressions logged in the U.S. during the tracking period.
The song, a love letter for husband Ralphy Pina who was released from prison on May 24, concurrently earns the Dominican singer her 22nd top 10 on Latin Digital Song Sales, with a No. 7 debut.
Carín León celebrates the week’s highest debut on Billboard’s Top Latin Albums and Regional Mexican Albums charts (dated June 15) as Boca Chueca, Vol. 1, comes in at No. 8 and No. 5, respectively. The 19-track set launches with 9,000 equivalent album units earned in the U.S. in the week ending June 6, according to Luminate.
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“Very happy to debut on the Billboard charts with this album that we love very much, and I am especially surprised with the results it is having,” León tells Billboard. “I am delighted to be able to show a little more of the music that we have and that we carry in our hearts.”
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On Top Latin Albums and Regional Mexican Albums, units comprise album sales, track equivalent albums [TEA] and streaming equivalent albums [SEA]. Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
Boca Chueca, Vol. 1’s first week sum is driven almost entirely by streaming activity. That figure equals 12.05 million official on-demand audio and video streams for the album’s songs this week, while a negligible amount of activity comes from album sales and track-equivalent units.
With Boca Chueca, the Mexican singer-songwriter mirrors his best showing to date on both charts: his fourth studio album follows 2023’s Colmillo De Leche, which reached an equal No. 8 and No. 5 high on Top Latin Albums and Regional Mexican Albums charts, respectively.
Elsewhere, León outdoes his previous showing on the all-genre Billboard 200, where Boca Chueca debuts at No. 169, surpassing the No. 184 peak of Colmillo.
On Billboard’s songs charts the set was preceded by one song on the multi-metric Hot Latin Songs chart, which combines streaming data, airplay and digital sales: “The One (Per No Como Yo),” with Kane Brown, debuted and peaked at No. 29 on the March 16-dated list.
As the album launches, “Despidase Bien” debuts at No. 29 on the current tally mainly on the strength of streaming activity. The song logged 2.5 million official U.S. streams in the tracking week.
“I think the song that I identify with the most, a song that is a little risky but that feels great in our desire to make music, is ‘Despidase Bien,’ with its soulful nuances and gives a refresh to our type of R&B with its very regional lyrics and by mixing all these types of genres and sounds that are a big part of the project that is Carin León,” adds León.
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Álvaro Díaz bounds back onto Billboard’s Latin Rhythm Albums chart as his new album, Sayonara, debuts at No. 8 on the list dated June 1. The 20-track set, released on Universal Music Latino, becomes his first top 10 in more than seven years.
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“I’m happy and I hope this a new beginning in my career,” Díaz tells Billboard. “It’s always great to see oneself in lists such as Billboard, continuing the sound with which one started.”
Sayonara, which dropped on May 17, the first day of the tracking week, earned 7,000 equivalent album units in the U.S. in the week ending May 23, according to Luminate. The album’s opening sum is mostly driven by streaming activity. The figure equals to 9.58 million on-demand official streams for the set’s songs during the tracking week.
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Units comprise album sales, track equivalent albums [TEA] and streaming equivalent albums [SEA]. Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
Díaz returns to Latin Rhythm Albums for the first time since Dec. 2016, when San Juan Grand Prix, his first chart entry there, debuted and peaked at No. 4, for one week in the top 10.
Elsewhere, the Puerto Rican claims his third entry on the overall Top Latin Albums, where Sayonara launches at No. 14. While San Juan Grand Prix concurrently earned Díaz his maiden chart performance in 2016, in between Felicilandia arrived at its No. 48 high in Nov. 2021.
Only one song preceded Sayonara, “1000Canciones” with San Senra, Díaz’s second top 10: No. 10 peak in April 2023, after “A Donde Van,” with Sebastián Yatra, took him to an equal No. 10 high in Oct. 2020.
Beyond “1000Canciones,” the set’s “Gatitas Sandungueras, Vol. 1,” with Feid, opens at No. 34 on the multi-metric Hot Latin Songs charts, which combines airplay, digital sales and streams. The song logged 2.3 million official U.S. streams.
Blessd and Feid combine forces atop Billboard’s Latin Airplay chart, as the singer-songwriters’ first collaboration climbs from No. 7 to lead the list dated June 1. The new champ is the second team-up by two Colombian artists to rule the overall Latin radio tally in less than a year, after Shakira and Manuel Turizo united at No. 1 through “Copa Vacía” (one week in charge) in Oct. 2023.
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“Si Sabe Ferxxo” is one of eight collaborative cuts from Blessd’s 14-track album, Si Sabe, which earned the 24-year-old his first entry on any Billboard albums chart, debuting and reaching No. 29 and No. 15 high on the Top Latin Albums and Latin Rhythm Albums charts (dated Feb. 10), respectively.
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The song advances to the chart’s summit with a 28% gain in audience impressions, up to 8.5 million, earned in the U.S. during the May 17-23 tracking week, according to Luminate.
With “Si Sabe,” Blessd achieves his second No. 1 on Latin Airplay, following his three-way collab “Medallo,” with Justin Quiles and Lenny Tavarez, in May 2022.
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For Feid, “Si Sabe” becomes the hitmaker’s eighth No. 1 on the overall radio ranking, which began with “Porfa,” featuring J Balvin, Maluma, Nicky Jam, Sech and Justin Quiles, climbing to No. 1 in Aug. 2020. Here’s his collection of champs:
Peak, Title, Artist, Weeks at No. 1Aug. 29, 2020, “Porfa,” with J Balvin, Maluma, Nicky Jam, Sech & Justin Quiles, oneMarch 4, 2023, “Hey Mor,” with Ozuna, oneApril 15, 2023, “Yandel 150,” Yandel, fourAug. 19, 2023, “Niña Bonita,” with Sean Paul, oneJan. 13, 2024, “Bubalu,” with Rema, twoApril 20, 2024, “Perro Negro,” with Bad Bunny, oneMay 4, 2024, “Luna,” with Atl Jacob, twoJune 1, 2024, “Si Sabe Ferxxo,” with Blessd, one
As “Si Sabe Ferxxo” rises to No. 1, it unseats another Warner Latina song from the summit: Myke Towers’ “La Capi” dips 1-5 with a 25% decrease in audience impressions, to 7.71 million.
Elsewhere, thanks to its radio haul, “Si Sabe” rises 36-31 with the Greatest Gainer/Airplay honors of the week on the multi-metric Hot Latin Songs chart, which combines airplay, digital sales and streaming data.
All charts (dated June 1, 2024) will update on Billboard.com Wednesday, May 29, a day later than usual due to the Memorial Day holiday in the U.S. on Monday, May 27. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.
Shakira and Grupo Frontera celebrate a dual win on Billboard’s Latin Airplay and Regional Mexican Airplay charts as “(Entre Paréntesis),” their first collaborative single, crowns both lists dated May 18. The track is Shakira’s second regional Mexican pair-up, and her first to rule both charts simultaneously.
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On Latin Airplay, “(Entre Paréntesis)” jumps 2-1 to top the overall Latin radio list despite a 3% dip in audience impressions, to 9.63 million, on U.S. reporting radio stations during the May 3-9 tracking week, according to Luminate.
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With the ascension, Shakira adds her record-extending 23rd No. 1 on Latin Airplay among women in the chart’s almost 30-year history. Here’s an updated list of the female artists with the most No. 1s on Latin Airplay which launched in 1994 (overall, J Balvin continues at the lead overall, with 36 No. 1s):
23, Shakira17, Karol G11, Gloria10, Jennifer López10, Natti Natasha7, Rosalía6, Becky G
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Grupo Frontera, meanwhile, captures its third champ, after “Bebe Dame,” with Fuerza Regida, for one week atop in 2023 and “Un X100to,” with Bad Bunny, with a six-week domination in 2023.
“(Entre Paréntesis)” is the ninth single off Shakira’s 12th studio album Las Mujeres Ya No Lloran, released March 22. The set made a splash across Billboard’s charts, including a No. 1 start on Top Latin Albums and Latin Pop Albums, and a top 10 debut on Top Album Sales and Vinyl Albums charts (dated April 6).
“(Entre Paréntesis)” is the second regional Mexican song to concurrently top Latin Airplay and Regional Mexican Airplay. Previous “Por El Contrario,” by Becky G with siblings Leonardo and Angela Aguilar, topped both rankings for one week on the chart dated March 9.
Over on Regional Mexican Airplay, “(Paréntesis)” takes the lead (rising 2-1) with 7.32 million audience impressions, down 4% across regional Mexican stations. The move earns Shakira a first No. 1 on the tally, after “El Jefe,” with Fuerza Regida, took her to a No. 9 high in Nov. 2023. The Edinburg, Texas band picks up its ninth No. 1, and enters a tie with Banda MS de Sergio Lizarraga and Grupo Firme for the third-most No. 1s this decade.
All charts (dated May 18, 2024) will update on Billboard.com tomorrow, May 14. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
For the first time in over four years, two albums debut in the top 10 at the same time on Billboard’s Latin Pop Albums chart.
On the May 11-dated list, Jay Wheeler’s Música Buena Para Días Malos opens at No. 4, while Kany García’s García, arrives at No. 8. The pair marks the first time the Latin Pop Albums chart has dual titles launch in the upper region since Oct. 12, 2019, when José José bowed at Nos. 1, 6 and 7, following his death that September, with Serie Platino – 20 Exitos Vol. 2, El Principe de La Canción and Secreto, respectively.
Wheeler’s Música Buena Para Días Malos starts with 5,000 equivalent units earned in the U.S. in the week ending May 2, according to Luminate. Out of those, a little over 4,000 derive from streams, which equates to 6.3 million official on-demand streams of the album’s songs. Traditional album and track sales comprise the remaining sum of the album’s first week.
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Música Buena Para Días Malos was preceded by one song on the overall Latin Airplay chart: “Historia,” which peaked at No. 35 (chart dated April 27).
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Further, with the simultaneous top 10 debuts on Latin Pop Albums by two different artists, Wheeler and García also repeat a feat last achieved five years ago, when Miguel and Anitta debuted at Nos. 3 and No. 4, with Te Lo Dije (EP) and Kisses on the April 20, 2019-dated list.
Both sets add to the list of few albums that have debuted on Latin Pop Albums in 2024. Here are those five top 10 debuts, including two No. 1 albums:
Debut Date, Debut Pos., Title, ArtistJan. 27, No. 1, Orquídeas, Kali UchisApril 6, No. 1, Las Mujeres Ya No Lloran, ShakiraApril 13, No. 6, Final, Vol. 2, Enrique IglesiasMay 11, No 4, Música Buena Para Días Malos, Jay WheelerMay 11, No. 8, García, Kany Garcia
García’s eponymous album arrives on Latin Pop Albums with 2,000 equivalent units earned in the U.S. during the same period. García’s opening frame was almost entirely driven by the streaming activity of its 12 songs. That figure equals to 3.4 million official on-demand streams of the set’s songs.
García, who has history on the tally, returns to the top 10 after almost five years, when the Puerto Rican singer-songwriter’s Contra El Viento debuted and peaked at No. 3 in June 2019.
García has landed 10 titles on the chart altogether, with eight of them reaching the top 10, spanning three decades since the album Cualquier Día, her chart debut, rose to No. 10 in September 2007.
García was preceded by three songs on Latin Pop Airplay. The No. 15-peaking “Una Vida Buena” led the new recruits (Feb. 3). Meanwhile, “Que Vuelva,” with Carla Morrison, and “En Esta Boca,” with Young Miko, reached No. 12 on the March 16- and March 30-dated rankings, respectively. Lastly, “Te Lo Agradezco,” with Carin León, re-enters at No. 43 on the current multi-metric Hot Latin Songs chart, which combines airplay, digital sales, and streaming activity.