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Feid captures his second top 10 on Billboard’s Top Latin Albums chart — and highest charting release yet — with his latest set Mor, No Le Temas a La Oscuridad, which debuts at No. 4 on the Oct. 14-dated survey.
Mor, No Le Temas a La Oscuridad launches with 20,000 equivalent album units earned in the U.S. during the Sept. 29-Oct. 5 tracking week, according to Luminate. It’s the biggest opening week in terms of units among Feid’s six career entries on the overall albums ranking.
On Top Latin Albums, an equivalent album unit equals one album sale, or 10 individual tracks sold from an album (track equivalent album units, TEA), or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album (streaming equivalent album units, SEA).
Streaming powers most of the album’s activity, with 15,000 of the first week from the consumption method. That figure equals to 20.1 million official U.S. on-demand streams for the album’s songs in its opening week. Traditional albums sales, meanwhile, account for 5,000 units, while a negligible amount derives from track-equivalent unit.
Mor, No Le Temas gives Feid, whose off-stage name is Salomón Villada Hoyos, his second top 10 on Top Latin Albums. The album was released Sept. 28 via Universal Music Latino/UMLE. Previously, Feliz Cumpleaños Ferxxo: Te Pirateamos El Album peaked at No. 6 in Oct. 2022. The set held in the top 10 for 12 weeks. In between, Sixdo (EP) debuted and peaked at No. 32 last December.
Feid also nabs his highest charting album on the all-genre Billboard 200, as Mor debuts at No. 31. Plus, the album arrives at No. 3 on Latin Rhythm Albums, likewise his highest charting album there.
Mor was previewed by two songs: Feid’s first collab with Sean Paul, “Niña Bonita,” which peaked at No. 41 on the multi-metric Hot Latin Songs chart, and “Bubalu,” with Rema, that rises 39-32. Further, “Luces de Tecno” debuts at No. 40 on the current tally.
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Karol G secures her 16th No. 1 on Billboard’s Latin Airplay chart as “Mi Ex Tenía Razón” rises 3-1 in its seventh chart week to lead the Oct. 7-dated ranking.
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“Mi Ex Tenía Razón” was released Aug. 11 as part of Karol’s Mañana Será Bonito (Bichota Season) which took her to No. 1 on Top Latin Albums (Aug. 26-dated list). The track arrives at the summit on the overall Latin Airplay after it earned 9.8 million audience impressions in the U.S. in the week ending Sept. 28, according to Luminate, a 16% gain from the week prior. Plus, it ejects Chencho Corleone’s “Un Cigarrillo” from the lead and sends it to No. 9, after one week in charge (6.41million in audience, down 28%)
With the new leader, Karol becomes the first woman to achieve a No. 1 as a soloist, unaccompanied by any other act, in 2023. The last woman to do so was Rosalía, who accomplished the feat through “Despechá” in Oct. 2022.
In total, among Karol G’s 16 No. 1s, she’s led the Latin Airplay chart five times, unaccompanied by another act. Her first leader overall was “Mi Cama,” with J Balvin, featuring Nicky Jam, in 2018.
Prior to “Razón,” “Provenza” became Karol’s last totally solo ruler, for one week in charge in July 2022. In between, “TQG,” a collaboration with Shakira, spent two weeks at No. 1.
“Razón’s” new peak on Latin Airplay, arrives after its one-week coronation on Hot Latin Songs (Aug. 26-dated list), where it dips 5-6 on the current chart with a 7% decrease in streams, to 7.56 million, and an 18% fall in sales during the same period.
Beyond its Latin Airplay coronation, “Razón” also pushes up Regional Mexican Airplay, climbing 39-23. The song earned Karol a first entry there when it debuted at No. 39 (Sept. 30-dated list).
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Peso Pluma, Gabito Ballesteros and Junior H’s “Lady Gaga” rises 3-1 on Billboard’s Hot Latin Songs chart (dated Sept. 30). The song, one of 17 tracks from Pluma’s Top Latin Albums No. 1 Génesis, gives Ballesteros and Junior H their first champ on the chart. Explore See latest videos, charts and news See latest videos, […]
Edwin Luna y La Trakalosa de Monterrey capture their fourth champ on Billboard’s Regional Mexican Airplay chart with “No Se Vale.” The group’s latest single rises 3-1 to lead the chart dated Sept. 16.
“No Se Vale” crowns Regional Mexican Airplay in its 10th week with 6.37 million audience impressions. That’s less than a 1% gain from the week prior, earned in the U.S. in the week ending Sept. 7, according to Luminate.
“No Se Vale” gives Edwin Luna and La Trakalosa their fourth No. 1 and first in almost two years, after the two-week coronation of “Saludos a Mi Ex” in March 2021. The group achieved its first Regional Mexican Airplay ruler through “Dormida” which dominated for three weeks in 2020. In total, Luna and La Trakalosa have placed nine top 10 entries dating back to 2017 when “Aplauso” reached its No. 4 high.
Beyond the new Regional Mexican Airplay No. 1, “No Se Vale” holds at No. 10 (its peak) on the overall Latin Airplay chart for a second week.
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Mora’s Fourth Straight Top 10: Over on Top Latin Albums, Mora picks up his fourth straight top 10 with his fourth album, Estrella. The 15-track set, released via Rimas Entertainment on Aug. 28, advances 12-8 with 9,000 equivalent album units, up 19%, earned in the U.S. during the Sept. 1-7 tracking week.
As with most Latin rhythmic efforts, the bulk of Estrella’s activity comes from streaming equivalent album units. That figure equals to 12.2. million official U.S. on-demand streams of the album’s songs. Album sales and track-equivalent album units, meanwhile, account for the negligible remaining units.
Estrella follows three other top 10s, two No. 4-peaking sets which landed in 2022: While Microdosis endured for 33 weeks, Paraiso’s run completed after six weeks on Top Latin Albums.
Elsewhere, Estrella jumps 6-4 for a new peak on Latin Rhythm Albums. It also debuts at No. 167 on the all-genre Billboard 200.
As Estrella arrives, two songs debut on the Global charts. On Billboard Global 200, “Reina,” with Saiko, debuts at No. 149 after drawing 15.18 million global streams, while “Dónde Se Aprende a Querer” starts at No. 156 with 14.4 million worldwide streams. The former concurrently logged 13.7 international streams with a No. 87 start on Global Excl. U.S., while the latter launched at No. 99 with 12.62 streams outside the U.S.
Los Angeles Azules add a new single to their collab portfolio with “El Amor De Mi Vida,” featuring Maria Becerra. The song flies 38-9 on Billboard’s Regional Mexican Airplay chart dated Sept. 9. It earns Becerra her first top 10 with her first entry.
“El Amor De Mi Vida” was released Aug. 18 via SeiTrack/Disa/UMLE. With a 38-9 surge it becomes the biggest jump for a song since Adan Chalino Sanchez’ “Nadie Es Eterno” equally climbed 29 rankings, from No. 33 to No. 4, in 2004.
“El Amor De Mi Vida” traces its top 10 ascent to a robust 178% percent gain in audience impressions, to 4.1 million, earned in the U.S. in the week ending Aug. 31, according to Luminate.
As the song arrives in the upper region, Becerra secures her first top 10 since the chart’s inception in 1994. Los Angeles Azules, meanwhile, log their 14th top 10 hit, after “Tú y Tú,” with Cazzu and Santa Fe Klan, crowned Regional Mexican Airplay for one week in May.
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As Los Angeles Azules register a new top 10 song, here’s the history of their top 10 hits:
Peak, Title, Artist, Peak Date, Weeks At No. 1No. 5, “Como Te Voy A Olvidar,” Jan. 25, 1997No. 3, “Me Haces Falta Tú,” April 18, 1998No. 7, “Quiero Ser,” Nov. 21, 1998No. 1, “El Listón De Tu Pelo,” Feb. 5, 2000, sevenNo. 8, “Sin Ti No Se Vivir,” Sep. 16, 2000No. 5, “Ni Contigo Ni Sin Ti,” featuring Pepe Aguilar, August 4, 2018No. 1, “Nunca Es Suficiente,” featuring Natalia Lafourcade, Jan. 26, 2019, threeNo. 2, “Amor A Primera Vista,” with Belinda & Lalo Ebratt featuring Horacio Palencia, Aug. 31, 2019No. 6, “Acaríñame,” with Julieta Venegas & Juan Ingaramo, Dec. 28, 2019No. 7, “Y La Hice Llorar,” featuring Abel Pintos, June 13, 2020No. 4, “Otra Noche,” with Nicki Nicole, March 12, 2022No. 4, “Cumbia Del Corazón,” con Carlos Vives, Nov. 26, 2022No. 1, “Tú Y Tú,” con Cazzu & Santa Fe Klan, May 20, 2023, oneNo. 9, “El Amor De Mi Vida,” y Maria Becerra, Sept. 9, 2023
Elsewhere, “El Amor” debuts at No. 29 on the overall Latin Airplay chart. It’s the highest start for Los Angeles within their 17 career entries. Prior, the Mexicans scored a No. 29 debut with “Acaríñame,” with Julieta Venegas and Juan Ingaramo, in 2019.
Becerra adds a seventh entry on Latin Airplay. Plus, she extends her record for the most entries by a woman on Billboard Argentina Hot 100 with 43 career entries.
El Fantasma captures his fifth No. 1 on Billboard’s Regional Mexican Airplay chart as “La Vida Cara” crowns the list dated Sept. 9. The single checks into the penthouse after a 13% gain in audience impressions, to 6.8 million, earned in the U.S. during the Aug. 25-31 tracking week, according to Luminate.
‘La Vida Cara” ascends 4-1 in its ninth week and unseats Carin León’s “Indispensable” from its three-week domination; the song dips 1-2.
El Fantasma scores his fifth No. 1 after coming short on his last appearance. Previously, “El Selectivo” reached No. 2 in April, where it held for three weeks. Prior, “Soldado Caído” lifted 3-1 in Oct. 2022.
With his fifth champ, El Fantasma becomes the sixth male artist with as many No. 1s on Regional Mexican Airplay since the list launched in 1994. Christian Nodal beats the race with 15. Here’s the recap:
15, Christian Nodal12, Gerardo Ortiz8, Marco Antonio Solis7, Vicente Fernández6, Alejandro Fernández5, El Fantasma
Notably, as “Vida Cara” lands at No. 1, collaborators Salvador Hurtado and Indalfer Ochoa, who share writing credits, achieve their first champ on any Latin radio list. Hurtado previously landed in the runner-up slot when La Fiera De Ojinaga’s “900 Cigarros” peaked at No. 1 on the Aug. 26-dated list.
Beyond its Regional Mexican Airplay coronation, “Vida” gifts El Fantasma his ninth top 10 on the overall Latin Airplay chart as the song climbs 15-5.
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Maluma’s ‘Don Juan’ debuts in the top 10: Elsewhere on Latin charts, Maluma picks up his sixth top 10 on Latin Rhythm Albums as Don Juan opens at No. 5 with 8,000 equivalent album units earned in week ending Aug. 31.
The 24-track Don Juan was released Aug. 25 via Sony Music Latin. Of the 8,000-unit week, 7,000 derives from streaming activity, equal to 10.3 million official on-demand audio and video streams for the album’s songs in its first week.
With Don Juan, Maluma logs his sixth top 10 effort on Latin Rhythm Albums out of seven chart entries. Before the No. 12-peaking The Love & Sex Tapes set in June 2022, his previous five releases all reached top 10, and three out of those topped the list – 2015 Pretty Boy, Dirty Boy earned the Colombian his first chart appearance and maiden No. 1, while F.A.M.E. (2018) and 11:11 (2019), both debuted at the summit and ruled for one week, respectively.
Don Juan was preceded by four songs on the multi-metric Hot Latin Songs chart, starting with “Sobrio,” which peaked at No. 11 in Oct. 2021. Meanwhile, three others debuted in 2023: “La Fórmula,” with Marc Anthony, “Diablo, Que Chimba,” with Anuel AA, and “Coco Loco,” all debuted and peaked at No. 33, No. 45, and No. 41 in Feb., April, and June, respectively.
Further, Don Juan debuts at No. 11 on Top Latin Albums, Maluma’s best chart performance since Papi Juancho debuted and peaked at No. 2 in 2020.
Myke Towers claims a fourth week atop Billboard Argentina Hot 100 as “Lala” crowns the Sept. 2-dated chart. The song ties with “Bzrp Music Sessions, Vol. 53” by Bizarrap and Shakira, for the fourth-most weeks at No. 1 in 2023.
Here’s a recap of the longest-leading songs on the chart in 2023:
Title, Artists, Peak Date, Weeks at No. 1“Los del Espacio,” LIT killah, Maria Becerra, FMK, Rusherking, Duki, Emilia, Tiago PZK & Big One, June 10, seven“En La Intimidad,” Emilia, Big One, Callejero Fino, Feb. 25, sevenUn Finde: Big One CROSSOVER #2,” Ke personajes, Big One & FMK,“ April 22, five“LaLa,” Myke Towers, Aug. 5, four“Bzrp Music Sessions, Vol. 53,” Bizarrap & Shakira, Jan. 21, four
LIT Killah, FMK, Rusherking, Maria Becerra, Duki, Emilia, Tiago Pzk and Big One’s “Los Del Espacio” rebounds to No. 2 after its seven-week domination. The song trades places with Becerra’s “Corazón Vacío,” which drops 2-3. Plus, Quevedo’s “Columbia” returns to its No. 4 high, while BM’s “Ni Una Ni Dos” dips 4-5.
Elsewhere, Luck Ra and BM add a new career top 10 as “La Morocha” climbs 15-10.
The Hot Shot Debut of the week goes to Los Ángeles Azules and Becerra’s first collab, “El Amor De Mi Vida,” which starts at No. 21.
Further, Trueno takes the week’s Greatest Gainer trophy, as “Tranky Funky” climbs 41 places, from No. 76 to No. 35.
Other debuts of the week include Jhayco’s “Holanda” at No. 34, Alan Gomez and BM’s “BM | MISSION 18” at No. 72, and Karol G and Peso Pluma’s “Qlona” at No. 74.
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Karol G makes history this week on Billboard’s Hot Latin Songs chart (dated Aug. 26), as the woman with the most entries in the list’s history, which dates to 1986, as she lands nine debuts, all from her fifth-studio album, Mañana Será Bonito (Bichota Season). The Colombian now has a total of 60 chart appearances, outpacing the previous recordholder among women, Ednita Nazario, with 53-career entries. (Overall, Bad Bunny continues in command with 148 total entries).
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Hot Latin Songs ranks the most popular Latin songs of the week, blending airplay, steams, and digital sales.
“Mi Ex Tenía Razón” leads the new haul bursting in at No. 1. The song traces its high start to 15 million official U.S. streams earned in the week ending Aug. 17, according to Luminate. The sum yields a No. 14 start on the overall Streaming Songs chart and an equal No. 1 launch on Latin Streaming Songs. It also sold 2,000 copies, allowing for a No. 1 debut on Latin Digital Song Sales.
“Mi Ex Tenía Razón” makes a mark on radio airplay in line with its big streaming and sales splash. It’s the only new song from Bichota Season to debut on the overall Latin Airplay, at No. 28, with 4 million in audience impressions earned during the same tracking week.
Meanwhile, “Qlona,” Karol G’s first collab with Peso Pluma, takes off at No. 2 with 12 million official U.S. streams and 1,000 downloads sold.
Those two tracks join “S91” in the chart’s top 10. The latter previewed Bichota Season as the first single, debuting at No. 10 in July. On the current ranking, it rises 20-6 with the Greatest Gainer Sales/Streaming honors, fueled by 8.9 million streams, up 73%. It also re-enters at No. 37 on the overall Streaming Songs list, and rallies 25-6 on Latin Streaming Songs.
Three other tracks outside Bichota hold steady on Hot Latin Songs, making a total of 13 simultaneous songs on the current ranking. Here’s the recap:
No. 1 “Mi Ex Tenía Razón” (debut)No. 2 “Qlona,” with Peso Pluma (debut)No. 6, “S91”No. 12, “Una Noche En Medellín (Remix)” with Cris MJ & Ryan Castro (debut)No. 13, “TQG,” with ShakiraNo. 15, “Okidoki” (debut)No. 18, “Amargura”No. 19, “Me Tengo Que Ir,” with Kali Uchis (debut)No. 22, “Dispo,” with Young Miko (debut)No. 26, “Bichotag” (debut)No. 29, “Gatita Gangster,” with Dei V (debut)No. 36, “Provenza (Remix),” with Tiesto (debut)No. 44, “Watati,” featuring Aldo Ranks
Karol G’s new personal records arrive amidst her Mañana Será Bonito tour, in support of the eponymous album which scored her the best performance on the Billboard 200, and the first all-Spanish-language record by a female artist to debut at No. 1.
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Myke Towers’ “Lala” holds steady at No. 1 on the Billboard Argentina Hot 100 chart (dated Aug, 12) for a second week. The song joins Towers’ two other career rulers, the seven-week champ “Bandido,” with Juhn (2021); and “La Jeepeta,” with Nio García, Anuel AA, Brray and Juanka, which reigned for three weeks in 2020. […]
Carin León captures his fourth No. 1 on Billboard’s Regional Mexican Airplay chart as his latest single, “Indispensable,” climbs 5-1 to lead the Aug. 19-dated ranking. “Indispensable” is the only song from León’s third studio album Colmillo de Leche to enter Regional Mexican Airplay thus far. The 18-track set, a collage of genres that have […]
