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Universal Music Group is asking a federal judge to halt all discovery in Drakeā€™s defamation lawsuit over Kendrick Lamarā€™s diss track ā€œNot Like Us,ā€ arguing that the star is unfairly demanding ā€œhighly commercially sensitive documentsā€ ā€“ including Lamarā€™s record deal.
A day after moving to dismiss the lawsuit, UMG followed up Tuesday by asking the judge to pause discovery until he rules on that motion. That ruling is likely to end the entire case, UMG argued, and the label should not face costly demands for documents that will ultimately ā€œbe rendered moot.ā€

Such a delay is particularly necessary, UMG said, because Drakeā€™s lawyers are already demanding ā€œbroad discoveryā€ requests that impose an ā€œundue burdenā€ on the company. Those asks have allegedly ranged from Interscope boss John Janickā€™s pay structure to Lamarā€™s record deal.

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ā€œDrakeā€™s requestsā€¦seek production of confidential, proprietary, and highly commercially sensitive documents ā€” including all contracts between UMG and Kendrick Lamar,ā€ the label writes. ā€œProceeding with discovery while the motion is pending would waste the partiesā€™ resources and would constitute an undue burden on defendant.ā€

In a statement Wednesday, Drakeā€™s attorney Michael J. Gottlieb said it was ā€œunsurprisingā€ that UMG was ā€œdesperateā€ to avoid handing over evidence: ā€œThis motion is a ploy to delay producing documents and communications that UMG hopes to keep hidden and buried. If UMG has nothing to hide, it should not have an issue with discovery.ā€

UMG did not immediately return a request for comment.

Lamar released ā€œNot Like Usā€ last May amid a high-profile beef with Drake that saw the two stars drop a series of bruising diss tracks. The song, a knockout punch that blasted Drake as a ā€œcertified pedophileā€ over an infectious beat, eventually became a chart-topping hit in its own right and was the centerpiece of Lamarā€™s Super Bowl halftime show.

In January, Drake took the unusual step of suing UMG over the song, claiming the label had defamed him by boosting the trackā€™s popularity. The lawsuit, which doesnā€™t name Lamar himself as a defendant, alleges that UMG ā€œwaged a campaignā€ against its own artist to spread a ā€œmalicious narrativeā€ about pedophilia that it knew to be false.

UMG moved to dismiss the case on Monday, arguing not only that Drakeā€™s allegations against the company were clearly ā€œmeritless,ā€ but that the star filed his case simply because he had been publicly embarrassed: ā€œInstead of accepting the loss like the unbothered rap artist he often claims to be, he has sued his own record label in a misguided attempt to salve his wounds.ā€

In Tuesdayā€™s filing, UMG argued that it was highly likely to succeed on those claims. And it warned that the daunting cost of defending against meritless defamation cases can be abused by those that want to squelch free speech.

ā€œCritically, courts in this District have emphasized that defamation defendants must be protected from unnecessary discovery to safeguard First Amendment protections,ā€ the companyā€™s lawyers write. ā€œA stay is therefore particularly warranted here given the untenability of Drakeā€™s defamation claim and the First Amendment rights at issue.ā€

The two sides have already sparred over discovery once before. In a court filing last month, Drakeā€™s lawyers said UMG was unfairly seeking to delay the case as their client continued to be defamed ā€” and they cited Lamarā€™s halftime show as evidence of such ongoing harm. A judge eventually sided with Drake over that procedural issue, setting the stage for UMGā€™s motion on Tuesday.

Universal Music Group has filed a scathing first court response to Drakeā€™s defamation lawsuit over Kendrick Lamarā€™s diss track ā€œNot Like Us,ā€ blasting the case as ā€œno more than Drakeā€™s attempt to save faceā€ after losing a rap beef.
In a motion filed Monday (March 17) seeking to dismiss the lawsuit, attorneys for the music giant argued that Drakeā€™s allegations against the company were clearly ā€œmeritlessā€ ā€” and that he had gone to court simply because he had been publicly embarrassed.

ā€œPlaintiff, one of the most successful recording artists of all time, lost a rap battle that he provoked and in which he willingly participated,ā€ UMGā€™s lawyers write. ā€œInstead of accepting the loss like the unbothered rap artist he often claims to be, he has sued his own record label in a misguided attempt to salve his wounds.ā€

Trending on Billboard

In the filing, UMG pointedly noted that Drake himself had leveled his own ā€œhyperbolic insultsā€ and ā€œvitriolic allegationsā€ during the same exchange of stinging rap tracks, including accusing Lamar of domestic abuse and questioning whether the rival had really fathered his son.

ā€œDrake has been pleased to use UMGā€™s platform to promote tracks leveling similarly incendiary attacks at Lamar,ā€ the companyā€™s attorneys write. ā€œBut now, after losing the rap battle, Drake claims that ā€˜Not Like Usā€™ is defamatory. It is not.ā€

In a statement to Billboard on Monday, Drakeā€™s attorney Michael J. Gottlieb responded to the new filing. ā€œUMG wants to pretend that this is about a rap battle in order to distract its shareholders, artists and the public from a simple truth: a greedy company is finally being held responsible for profiting from dangerous misinformation that has already resulted in multiple acts of violence,ā€ Gottlieb said. ā€œThis motion is a desperate ploy by UMG to avoid accountability, but we have every confidence that this case will proceed andĀ continue to uncover UMGā€™s long history of endangering, abusing and taking advantage of its artists.ā€

Lamar released ā€œNot Like Usā€ last May amid a high-profile beef with Drake that saw the two stars release a series of bruising diss tracks. The song, a knockout punch that blasted Drake as a ā€œcertified pedophileā€ over an infectious beat, eventually became a chart-topping hit in its own right and was the centerpiece of Lamarā€™s Super Bowl halftime show.

In January, Drake took the unusual step of suing UMG over the song, claiming the label had defamed him by boosting the trackā€™s popularity. The lawsuit, which doesnā€™t name Lamar himself as a defendant, alleges that UMG ā€œwaged a campaignā€ against its own artist to spread a ā€œmalicious narrativeā€ about pedophilia that it knew to be false.

But in Mondayā€™s response, UMG says the lyrics to Lamarā€™s song are clearly the kind of free speech that are shielded from defamation lawsuits by the First Amendment. The song contains over-the-top insults, the company argued, but so do all such tracks, including those by Drake.

ā€œDiss tracks are a popular and celebrated artform centered around outrageous insults, and they would be severely chilled if Drakeā€™s suit were permitted to proceed,ā€ the company wrote. ā€œHyperbolic and metaphorical language is par for the course in diss tracks ā€” indeed, Drakeā€™s own diss tracks employed imagery at least as violent.ā€

In technical terms, UMG is arguing that Lamarā€™s lyrics are either ā€œrhetorical hyperboleā€ or opinion ā€” the kind of statements that might sound bad but cannot actually be proven false. Since defamation only covers false assertions of fact, statements of hyperbole and opinion canā€™t form the basis for such lawsuits.

To make that point, UMG cites Drakeā€™s own public support for a 2022 petition criticizing prosecutors for using rap lyrics as evidence in criminal cases. That letter, also signed by Megan Thee Stallion, 21 Savage and many other stars, criticized prosecutors for treating lyrics as literal statements of fact.

ā€œAs Drake recognized, when it comes to rap, ā€˜the final work is a product of the artistā€™s vision and imaginationā€™,ā€ UMGā€™s lawyers write. ā€œDrake was right then and is wrong now. The complaintā€™s unjustified claims against UMG are no more than Drakeā€™s attempt to save face for his unsuccessful rap battle with Lamar. The court should grant UMGā€™s motion and dismiss the complaint with prejudice.ā€

Drakeā€™s attorneys will file a court response to UMGā€™s motion in the weeks ahead, and the judge will rule on the motion at some point in the next few months. If denied, the case will move ahead into discovery and toward an eventual trial.

Universal Music Group chairman and CEO Lucian Grainge delivered an update on the companyā€™s response to the Los Angeles wildfires on Tuesday, writing in a staff memo obtained by Billboard that while many evacuated employees have returned home, others remain displaced, while some have ā€œlost their homes completely.ā€
Grainge said the Santa Monica-based company is actively supporting affected employees by providing resources to meet both immediate and long-term needs. Over 100 employees have volunteered to help colleagues through various means, such as offering shelter, babysitting and donating clothes, he said.

Beyond internal support, UMG has been involved in community relief efforts, including volunteering, providing meals and donating clothing and hotel rooms for displaced families. Additionally, Grainge said UMG has made financial contributions to several organizations supporting relief efforts, including the American Red Cross, California Community Foundation, The California Fire Foundation, Direct Relief, Entertainment Industry Foundation, L.A. Regional Food Bank, MusiCares, Music Health Alliance, Mutual AID Network L.A., Pasadena Humane Society and World Central Kitchen, among others.Ā 

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ā€œWhat has impressed me the most throughout this tragic event is the fact that collectively we havenā€™t just made financial contributions, but so many of our colleagues have rolled up their sleeves and gone to work,ā€ he said. ā€œWe know that even after every fire is extinguished the road to recovery will be very long. We will be there every step of the way.ā€

UMG announced earlier this month that it is canceling all of the companyā€™s Grammy-related events, including its artist showcase and after-Grammy party, and will instead ā€œredirect the resources that would have been used for those events to assist those affected by the wildfires.ā€

Read Graingeā€™s full memo below:

Dear Colleagues,

Iā€™m writing to update you on our efforts related to the Los Angeles fires.Ā  In short, while many of our evacuated employees have fortunately been able to return to their homes, others who are in the most seriously affected areas remain displaced and will be so for some time to come.Ā  Some have lost their homes entirely.Ā 

We are working closely withĀ thoseĀ affected employees, providing them a range of resources and support to meet their immediate individual or family needs.Ā Following meetings with theĀ team of UMG leaders that I mentioned in my prior note, we are also determining the best ways to help these employees going forward.Ā Ā And in addition to the companyā€™s support, more than 100 employees have volunteered to help theirĀ colleaguesā€”from opening their homes to babysitting, dog walking, donating clothes, and more.

In terms of recovery of the broader community, from Day One weā€™ve been on the ground helping wherever we can.Ā  Whether itā€™s volunteering at relief organizations, providing meals to first responders and affected community members, donating clothing or providing hotel rooms to displaced families.

And in addition to all this, weā€™ve made financial contributions to a range of organizations, including the American Red Cross, California Community Foundation, The California Fire Foundation, Direct Relief, Entertainment Industry Foundation, L.A. Regional Food Bank, MusiCares, Music Health Alliance, Mutual AID Network L.A., Pasadena Humane Society, World Central Kitchen, and more.

What has impressed me the most throughout this tragic event is the fact that collectively we havenā€™t just made financial contributions, but so many of our colleagues have rolled up their sleeves and gone to work.

We know that even after every fire is extinguished the road to recovery will be very long.Ā Ā  We will be there every step of the way.

You can read more about these efforts in our latest edition of ourĀ All Together NowĀ bi-weekly newsletter.Ā Ā 

Iā€™m so enormously proud of the fact that so many of you have shown up to help our community and your colleagues.Ā  Iā€™m grateful but not surprised.Ā  As a company, this is who we are.

Lucian

Limp Bizkit has suffered a setback in its $200 million lawsuit against Universal Music Group, with a federal judge ruling that the band cannot legally void its contracts of ā€œnearly 30 yearsā€ over accusations of underpaid royalties.
The blockbuster case, filed last year in Los Angeles federal court, claims that frontman Fred Durst and the band have ā€œnot seen a dime in royaltiesā€ over the years. Among other claims, the lawsuit argued that the band is therefore entitled to a ruling of ā€œrescissionā€ that terminates its deals with UMG.

But in a decision Friday (Jan. 17), Judge Percy Anderson ruled that the band had in fact been ā€œpaid millions in advancesā€ and that UMG had fronted ā€œsubstantial sumsā€ to record and distribute Limp Bizkitā€™s albums ā€“ meaning the band doesnā€™t deserve the drastic remedy of terminating the decades-old deals.

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ā€œPlaintiffs seek rescission of contracts that have governed the partiesā€™ relationship beginning in 1996 ā€“ nearly 30 years ā€“ because the agreements should be rescinded as fraudulently induced,ā€ the judge wrote. ā€œPlaintiffs have not plausibly alleged the type of ā€˜substantialā€™ or ā€˜total failureā€™ in the performance of the contracts that could support rescission of the partiesā€™ agreements.ā€

The ruling isnā€™t a total defeat. Judge Anderson didnā€™t reach many of the lawsuitā€™s other legal claims, including fraudulent concealment and intentional misrepresentation, and gave Limp Bizkitā€™s lawyers a chance to fix the rescission claim. But the judgeā€™s wording suggested he will be skeptical of revoking a contract when ā€œmillions in royalties were advanced and paid under decades-old agreements.ā€

If finalized, the decision is something of a double blow for Durstā€™s lawsuit. It would not only reject his efforts to rescind the contracts, but would sink one of his other core allegations: that UMG has infringed Limp Bizkitā€™s copyrights. Such a claim ā€” which could carry a huge damages award ā€” can only succeed if the bandā€™s contracts are voided and it legally regains its ownership of the copyrights, the judge wrote.

That could also mean the case is headed to another court entirely. If Limp Bizkitā€™s lawsuit no longer contains federal copyright claims, a federal court would no longer have jurisdiction over the case, meaning the lawsuitā€™s remaining accusations against UMG would need to be refiled in a state court.

In a statement to Billboard on Wednesday, attorneys for Durst and Limp Bizkit downplayed the impact of the ruling, noting that the court had ā€œupheld a majority of our claimsā€ and given them a second shot at the rejected claims.

ā€œThe facts speak for themselves,ā€ said Frank Seddigh, the bandā€™s lead attorney. ā€œUniversal will be held accountable for its actions and will not get away with its conduct at the expense of artists.ā€

A spokesman for UMG declined to comment.

Durst and Limp Bizkit sued in October, claiming the band had ā€œnever received any royalties from UMG,ā€ despite its huge success over the years: ā€œThe band had still not been paid a single cent by UMG in any royalties until taking action.ā€

That claim was something of a stunner. How had one of the biggest bands of its era, which sold millions of records during the music industryā€™s MTV-fueled, turn-of-the-century glory days, still never have been paid any royalties nearly three decades later?

According to Durst, the answer was an ā€œappalling and unsettlingā€ scheme to conceal royalties from artists and ā€œkeep those profits for itself.ā€ He claimed UMG had essentially kept Limp Bizkit in the red with shady bookkeeping, allowing the label to falsely claim the band remained unrecouped ā€” meaning its royalties still had not surpassed the amount paid in upfront advances.

UMG hit back a month later, calling the allegations ā€œfictionā€ and demanding they be thrown out of court. The music giantā€™s attorneys argued that Limp Bizkitā€™s own legal filings contradicted the accusation that the band had not been paid: ā€œPlaintiffs concede thereafter receiving millions of dollars in payments.ā€

Following Fridayā€™s decision, Limp Bizkit has until early next month to refile an amended version of the lawsuit.

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Source: Cole Burston / Getty
Just when it seemed like Drake was about to move on from the massive loss he took at the hands of Kendrick Lamar by dropping his legal petition against Universal Music Group and Spotify over their promotion of ā€œNot Like Us,ā€ the Certified Lover Boy artist shocked the Hip-Hop world by turning around and suing UMG for ā€œdefamationā€ over the record. Christ on crutches.

Continuing to make himself look funny in the light, ā€œDepositionā€ Drizzy sued his own record label stating that the new classic diss record slandered his reputation for alleging that he was a pedophile amongst a few other head-nodding allegations. Not taking the lawsuit lying down, Billboard is reporting that Universal Music Group has responded to Drakeā€™s lawsuit by calling it ā€œillogicalā€ and accusing the Canadian crooner of ā€œweaponizing the legal system.ā€

While itā€™s safe to say that many Hip-Hoppers agree that Drake is reaching with his latest lawsuit, itā€™s also become obvious that Drake is looking for any way to save some face, as Kendrickā€™s scathing diss track has cost Drake not only his ā€œstreet credibilityā€ but also his popularity amongst Hip-Hop fans who arenā€™t so interested in hearing any new material from Drake anytime soon. That being said, filing such a lawsuit not only makes him look that much worse out on these streets, but continues to give life and notoriety to Kung Fu Kennyā€™s now-classic club diss record.
Per Billboard:
In a strongly-worded statement issued Wednesday afternoon (Jan. 15), UMG flatly denied the allegations in Drakeā€™s lawsuit ā€” filed earlier in the day in New York federal court ā€” and sharply criticized its superstar artist for bringing it.
ā€œNot only are these claims untrue, but the notion that we would seek to harm the reputation of any artistā€”let alone Drakeā€”is illogical,ā€ the company wrote. ā€œWe have invested massively in his music and our employees around the world have worked tirelessly for many years to help him achieve historic commercial and personal financial success.ā€
In his new lawsuit, Drake claims that UMG knew that ā€œNot Like Usā€ contained false allegations against his character but that his record label decided to put it out anyway and ā€œchose to place corporate greed over the safety and well-being of its artists.ā€
UMG clapped back by saying that Drake himself has engaged in numerous rap battles where he too participated in the slandering of his fellow Hip-Hop peers.
ā€œThroughout his career, Drake has intentionally and successfully used UMG to distribute his music and poetry to engage in conventionally outrageous back-and-forth ā€˜rap battlesā€™ to express his feelings about other artists,ā€ UMG wrote. ā€œHe now seeks to weaponize the legal process to silence an artistā€™s creative expression and to seek damages from UMG for distributing that artistā€™s music.ā€

ā€œWe have not and do not engage in defamationā€”against any individual,ā€ UMG said in the statement. ā€œAt the same time, we will vigorously defend this litigation to protect our people and our reputation, as well as any artist who might directly or indirectly become a frivolous litigation target for having done nothing more than write a song.ā€
Most rappers would just take the loss and move on with their life (See Ja Rule). Not Drake though. That man will obviously go to great lengths to salvage whatever ā€œhonorā€ he feels he has left even if it means making him look like a Canadian Karen to millions of Hip-Hoppers in the process.
God help us all.
What do yā€™all think about Universal Music Groupā€™s response to Drakeā€™s latest lawsuit? Are they in the right? Does Drake have a case given Hip-Hopā€™s history of rap battles? Let us know in the comments section below.

Drake has filed a lawsuit against Universal Music Group (UMG) over allegations that the music giant defamed him by promoting Kendrick Lamarā€™s diss track ā€œNot Like Us,ā€ claiming the label boosted a ā€œfalse and malicious narrativeā€ that the star rapper was a pedophile and put his life in danger.
Hours after his attorneys withdrew an earlier petition, they filed a full-fledged defamation lawsuit Wednesday against his longtime label ā€“ claiming UMG knew Lamarā€™s ā€œinflammatory and shocking allegationsā€ were false but chose to place ā€œcorporate greed over the safety and well-being of its artists.ā€

ā€œUMG intentionally sought to turn Drake into a pariah, a target for harassment, or worse,ā€ the starā€™s lawyers write in a complaint filed in Manahttan federal court. ā€œUMG did so not because it believes any of these false claims to be true, but instead because it would profit from damaging Drakeā€™s reputation.ā€

Trending on Billboard

In one of the lawsuitā€™s most vivid accusations, Drake claims that the release of ā€œNot Like Usā€ has subjected him to risk of physical violence, including a drive-by shooting on his Toronto area home just days after the song was released.

ā€œUMGā€™s greed yielded real world consequences,ā€ his lawyers write. ā€œWith the palpable physical threat to Drakeā€™s safety and the bombardment of online harassment, Drake fears for the safety and security of himself, his family, and his friends.ā€

Notably, the case does not target Lamar himself ā€” a point that Drakeā€™s attorneys repeatedly stress in their filings.

ā€œUMG may spin this complaint as a rap beef gone legal, but this lawsuit is not about a war of words between artists,ā€ Drakeā€™s attorneys say.

A spokesman for UMG did not immediately return a request for comment.

Wednesdayā€™s lawsuit is yet another dramatic escalation a high-profile beef that saw Drake and Lamar exchange stinging diss tracks last year, culminating in Lamarā€™s knockout ā€œNot Like Usā€ ā€” a track that savagely slammed Drake as a ā€œcertified pedophileā€ and became a hit in its own right.

Drake shocked the music industry in November when he filed petitions suggesting he might sue over the fued ā€” first accusing UMG and Spotify of an illegal ā€œschemeā€ involving bots, payola and other methods to pump up Lamarā€™s song, then later claiming that the song had been defamatory. But those cases were not quite full-fledged lawsuits, and Drake withdrew one of them late on Tuesday.

Now itā€™s clear why: In Wednesdayā€™s lawsuit, he formally sued UMG over the same alleged scheme, claiming the label ā€œunleashed every weapon in its arsenalā€ to drive the popularity of Lamarā€™s track even though it knew the lyrics were ā€œnot only false, but dangerous.ā€

ā€œWith his own record label having waged a campaign against him, and refusing to address this as a business matter, Drake has been left with no choice but to seek legal redress against UMG,ā€ his lawyers write.

The filing of the case represents a doubling-down for Drake, who has been ridiculed in some corners of the hip-hop world filing legal actions over a rap beef. It also will deepen further his rift with UMG, where the star has spent his entire career ā€” first through signing a deal with Lil Wayneā€™s Young Money imprint, which was distributed by Republic Records, then by signing directly to Republic.

In his complaint, Drakeā€™s lawyers said the label opted to boost ā€œNot Like Usā€ despite its ā€œdefamatoryā€ lyrics because they saw it as a ā€œgold mineā€ ā€” partly because UMG owns Lamarā€™s master recordings outright, but also because it could use the song to hurt Drakeā€™s standing in future contract talks.

ā€œUMGā€™s contract with Drake was nearing fulfillment ā€¦ UMG anticipated that extending Drakeā€™s contract would be costly,ā€ his lawyers write. ā€œBy devaluing Drakeā€™s music and brand, UMG would gain leverage to force Drake to sign a new deal on terms more favorable to UMG.ā€

This is a breaking news story and will continue to be updated with additional details as they become available.

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Drake shocked his legion of fans and detractors by taking pre-trial legal action against Universal Music Group and Spotify for allegedly platforming ā€œNot Like Us,ā€ the scathing diss track from his rival Kendrick Lamar. This week, Drake filed to drop the legal petition against UMG and Spotify which prompted many on X to assume that the OVO honcho is waving the white flag.
As reported in detail by Billboard, Drake and his legal team filed for the withdrawal of the petition on Tuesday (Jan. 14) in a Manhattan court. The Canadian superstarā€™s Frozen Moments LLC was the top name on the petition and as the outlet adds, the company still has an active filing aimed at UMG and iHeartRadio in Texas courts. No official statements have been made by the aforementioned parties in these matters.

In November, Drake took action against UMG and Spotify in the aftermath of his explosive audio feud with Kendrick Lamar, with ā€œNot Like Usā€ topping the Billboard charts and shifting the musical landscape. Many on the sidelines believe that the Canadian superstarā€™s light has dimmed since taking the heavy blows delivered during the back-and-forth battle, along with unproven accusations of sexual misconduct and other heinous charges.
The petition was a revelation for many considering the longtime partnership between Drake and UMG, which began with Lil Wayneā€™s Young Money outfit before signing with Republic Records. In 2022, Drake signed a deal with UMG reported to be up to $400 million, adding to the shockwaves felt by the industry with the filing of the petition.
In it, Drake states that UMG violated the Racketeer Influenced and Corrupt Organizations Act and added that Spotify worked with the company by offering reduced licensing fees in exchange for pushing ā€œNot Like Usā€ into the algorithms of users of the streaming service. The Texas petition levies similar charges. The outlet rightly explains that a petition is a pre-trial action that legal teams use to gather information ahead of filing a full-on lawsuit.
On X, formerly Twitter, music fans are taking shots at Drake for pulling the petition. Weā€™ve got those reactions below.
ā€”
Photo: Getty

Universal Music Group and Amazon Music have expanded their global partnership, embracing ā€œStreaming 2.0ā€ as both companies aim to enhance artist-to-fan engagement through exclusive content with UMG artists, innovative product opportunities and increased fraud protection.
The partnership will explore new and enhanced product opportunities, including advancements in audiobooks, audio and visual programming and livestreaming content. UMG and Amazon Music will also collaborate to combat issues such as unlawful AI-generated content, fraud and misattribution, ensuring the integrity of creative works.

ā€œWe are very excited to advance our long-standing, excellent partnership with Amazon Music that marks a new era in streaming ā€” Streaming 2.0,ā€ said Sir Lucian Grainge, chairman & CEO of UMG. ā€œWe appreciate Amazon Musicā€™s deep commitment to the interests of our artists, and look forward to progressing our shared artist-centric objectives through product innovation and accelerating growth of their service.ā€

Trending on Billboard

UMG laid out its Streaming 2.0 strategy ā€” focusing on innovation, consumer segmentation, geographic expansion and higher average revenue per user (ARPU) ā€” at the companyā€™s capital markets day gathering in August. UMG plans to grow subscriptions in developing markets, where subscribers significantly boost ARPU. Additionally, UMG aims to attract audiobook listeners and satellite radio subscribers to convert them into music streaming users, leveraging these new audiences to drive further growth.

Steve Boom, vp of audio, Twitch and games for Amazon, noted that the expanded partnership would redefine streaming services by introducing more artist-to-fan connections through innovative products and exclusive content. ā€œWeā€™re thrilled to expand our relationship with UMG which will enable us to partner on meaningful new ways for artists to deepen their engagement with fans around the world, while working together to protect the work of artists, songwriters and publishers,ā€ he said.

UMG has partnered with several AI technology companies to enhance artistsā€™ creative and commercial opportunities while ensuring ethical practices. These collaborations include YouTube/Google, ProRata.AI, Endel, SoundLabs and BandLabs, among others.

The two companies expanded their working relationship in 2022 as well, providing Amazon Music and Twitch users with greater access to UMG content, including live streams, spatial audio, artist merchandise and other exclusive experiences.

Universal Music Group, the owner of Republic Records, has reached a settlement to resolve a trademark lawsuit the music giant filed against a music investment platform called Republic.
The deal will end a case in which UMG accused the smaller company of confusing consumers by expanding into music royalties investing ā€“ a move UMG warned could dupe people into thinking Republic Records was involved in the project. But a judge later ruled that the case would be difficult to win.

In an order last week (Dec. 13), the federal judge overseeing the lawsuit said that all claims had been ā€œsettled in principleā€ and ordered the case dismissed. Terms of the agreement were not disclosed, and neither side immediately returned requests for more details.

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Launched in 2016, OpenDeal Inc.ā€™s Republic platform lets users buy into startups, cryptocurrency projects and other investments across a wide range of sectors. In October 2021, the company announced it would start allowing users to invest in music royalties by purchasing NFTs (non-fungible tokens), calling itself the first to ā€œbring music investing to the masses.ā€

That quickly sparked the lawsuit from UMG, which acquired Republic Records in 2000 and now operates it as one of its top imprints, home to Taylor Swift, Ariana Grande, Drake, Post Malone and many others. In a November 2021 complaint seeking an immediate injunction, UMG called OpenDealā€™s new service a ā€œwanton effort to usurp plaintiffā€™s Republic name and trademarks for itself.ā€

ā€œThe artists, labels, managers, agents, and fans who currently know of plaintiffā€™s Republic label would be presented with two different companies offering identical services under identical names in the same industry,ā€ UMGā€™s lawyers wrote at the time. ā€œConfusion is inevitable.ā€

But in July 2022, Judge Analisa Torres ruled that that UMG was unlikely to be able to prove such allegations in court. She said the evidence of potential confusion was ā€œextremely minimal,ā€ since the services and consumers of the two companies ā€œdiffer significantlyā€ ā€” and that a shared connection to the music industry was ā€œnot enough.ā€

ā€œIt is conceivable that there may ultimately be some overlap between the partiesā€™ consumersā€”for instance, fans of a popular artist may both purchase that artistā€™s music through Republic Records, and make crowdfunded investments in recordings by that artist through the Republic Platform,ā€ the judge wrote. ā€œBut, such scenarios remain hypothetical.ā€

That ruling ā€“ denying UMGā€™s request for a so-called preliminary injunction that would have forced OpenDeal to change its name while the case was litigated ā€“ was not a final decision on the case. But it indicated that UMG was unlikely to win, and such trademark cases often settle after such early skirmishes.

After that decision, UMG later filed an updated version of its allegations, and the case proceeded into discovery ā€“ the process of exchanging evidence in a civil lawsuit. But the lawsuit has largely been paused for more than a year as the two sides engaged in settlement talks that ultimately resulted in last weekā€™s agreement.

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Joe Budden has made a career out of dissecting music and Hip-Hop culture with his popular eponymously named podcast, and the latest episode found him aiming his sights at Drake. After the news went wide that Drake launched a pair of lawsuits against Universal Music Group, Joe Budden proceeded to heave heavy critique upon the Canadian superstar, which has social media reacting.
On episode 779 of The Joe Budden Podcast, Budden and his cohosts bumped into a conversation regarding Drakeā€™s lawsuits against UMG, the label heā€™s currently signed to and accusing of boosting Kendrick Lamarā€™s scathing ā€œNot Like Usā€ single. Since this episode exists on a Patreon subscription service, weā€™ve only seen clips that surfaced online, which weā€™ll share from X below.

Joe Budden telling the unfiltered truth about Aubrey Drake Graham. pic.twitter.com/K2hMLZFuII
ā€” Busby šŸ (@MrBusby4o8) November 27, 2024
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The Joe Budden Podcast cooking again sheesh
šŸ¦‰ ā€œwas disrespecting someoneā€™s dead momā€ ā€œ idc about his dead mom tell him send a beatā€
( I wonder if this why metro booming got upset)
šŸ¦‰ ā€œis more scared of Not Like Us being played at the SuperBowlā€
Kendrick Lamar GNX out now pic.twitter.com/GsQ7fU141K
ā€” Whooping feet (@WhoopingFeet) November 27, 2024
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As the clips highlight, Budden believes the industry has conspired in some regard against Drake due to alleged shady dealings with the personal affairs of his foes up to the business side of things. Fans online are taking note of Buddenā€™s jabs as heā€™s been known to be friendly with Drake over the years but fell out of favor with the entertainer after Budden was critical of his musical direction For All The Dogs.
On X, formerly Twitter, the JBTV community space and others are sharing their thoughts about Joe Budden using the pod to air out his grievances against Drake. Weā€™ve got the reactions listed below.
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Photo: JBP/Screengrab