TV/Film
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Barry Keoghan stars in the music video for Fontaines D.C.’s new single “Bug,” which was directed by Andrea Arnold. It follows the Irish actor’s music video debut for Sabrina Carpenter’s Billboard Hot 100-topping hit “Please Please Please” earlier this year.
The track is the fifth single to be released from Fontaines D.C.’s fourth LP, Romance, which arrived in August via XL Recordings. The accompanying clip includes footage from Arnold’s soon-to-be-released film, Bird, which also stars Franz Rogowski and the Dublin band’s own Carlos O’Connell, among others.
Speaking about the video, which has been billed as a “short form reimagination” of Bird, O’Connell said in a press release, “Andrea Arnold was kind enough to cut up a sequence to our tune ‘Bug’ featuring Barry Keoghan playing the character Bug in her new movie Bird.”
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He added: “In my eyes, the character Bug, the tattoo ‘Bug’s Life,’ Andrea’s essential and romantic worlds, and the line ‘Changed my name to “Promise you, Yea”,’ when put all together make convincing needless and conviction undeniable. Big thanks to Andrea Arnold for letting us in so close to her visionary universe. She’ll be remembered how we remember Bacon or Goya.”
Bird marks the fifth feature-length film from the Academy Award and BAFTA-winning director Arnold, whose past work includes credits on HBO’s Big Little Lies and 2016’s American Honey. The film also stars Nykiya Adams and newcomer Jason Buda, and is slated for release on Nov 8. Fontaines D.C.’s music will feature prominently in its soundtrack, alongside tracks from Coldplay, Blur and The Verve.
“I’ve loved the Fontaines since I first heard them. Some music just sits in your bones like it always belonged, like you know it already, like it’s part of you,” explained Arnold in the release. “It’s why I asked to use ‘Too Real’ and ‘A Hero’s Death’ for my Bird film. Their music felt like it belonged there, in my world.”
Upon the release of Romance, Fontaines D.C. achieved its fourth consecutive top 10 studio album on the U.K.’s Official Albums Chart, while it landed at No. 97 in the U.S. – their highest entry to date on the Billboard 200. The band are currently on tour across Europe in support of the record, and will head to Japan, Australia, South America and North America in early 2025.
Speaking to Billboard earlier this year, frontman Grian Chatten discussed the creative leap the band took on Romance, which expands its sound to include elements of nu-metal, pop and string-laden ballads. “I think change was just generally a very enticing thing for us. We wanted to really indulge in something new, and we didn’t want to risk it being only a half-step,” he said. “We always think that we’re pushing the boat out, or taking some new turn, with each record. And I think probably the reality is that it was a lot less of a turn than we thought. But this time, I feel good about it being a full f–kin’ turn.”
Watch the music video for “Bug” below:
The late composer’s cinematic work earned him seven Oscar nominations and an Emmy win.
Ye (formally knows as Kanye West) has another documentary in the works, but this time it’ll be directed by a newcomer with “a billion-dollar budget” and “armed with an iPhone” instead of a couple old friends from Chicago.
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Directed by 18-year-old Nico Ballesteros, and produced by Goodfellas and Utopia, the doc will be introduced at the upcoming American Film Market in Las Vegas with a promo reel this week with a hopeful release date some time in 2025.
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Via press release, the synopsis reads as follows: “With a billion-dollar budget and a commitment to truth, Ye, formerly known as Kanye West, invites 18-year-old Nicolas Ballesteros armed with an iPhone on a six-year journey revealing unfiltered aspects of celebrity life which confront the provocative opinions, grand visions and bold contrarianism that defined him as the world’s most controversial artist.
“The film follows Ye’s ascent to becoming the richest Black man in American history while uncovering why the superstar risked everything he had built in the name of freedom. Examining the culture that birthed the star, ‘In Whose Name?’ explores the overlapping influences of corporate exploitation, racial complexities and psychological struggles inherent in the American dream.”
Marie Zeniter, VP of Sales at Utopia had this to say in a statement: “We’re thrilled to present In Whose Name? This powerful documentary offers an unfiltered view without narration, it invites audiences to draw their own conclusions on themes of fame, religion, and power. We believe audiences globally deserve the chance to witness how one of the world’s most influential figures navigates the complexities and contradictions of celebrity.”
Ballesteros posted a picture from the doc and a text exchange with Ye on Instagram, along with the caption, Coming to Theaters Worldwide 2025.” In the text exchange, Ye apparently told the young filmmaker, “The doc was very deep. It was like being dead and looking back on my life,” to which Ballesteros answered, “This is the most profound text message I have ever received. I love you brother.”
Aside from the doc, Ye is also working on his 11th studio album entitled Bully.
Ariana Grande is paying homage to her younger self. In an interview with Australia’s Hit 104.7 Canberra, the “We Can’t Be Friends” singer was asked why she chose to use her “grown-up name,” a.k.a. her birth name Ariana Grande-Butera, in the credits of Wicked. “Technically, it’s my little girl name! It’s technically little Ari’s name,” […]
The Weeknd‘s psychological thriller film Hurry Up Tomorrow will get worldwide theatrical distribution from Lionsgate, which was announced Monday (Nov. 4). Directed by Trey Edward Shults (Waves, It Comes At Night), Hurry Up Tomorrow will mark The Weeknd’s feature-starring debut, as well as an extension of his upcoming sixth studio album of the same title, […]
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Chappell Roan was feeling generous on Saturday (Nov. 2) during her first ever appearance on Saturday Night Live as a musical […]
After premiering at the Tribeca Film Festival earlier this year, a new documentary about late producer Avicii is set for release on Netflix Dec. 31
The documentary, I’m Tim, is narrated by the Avicii (born Tim Bergling), with this narration taken from interviews he did before his death by suicide on April 20, 2018. The documentary also features interviews with Bergling’s parents, friends, colleagues and fellow artists, tracking his rise from boyhood in Sweden to international stardom as the archetypal artist of the EDM era.
I’m Tim was directed by Henrik Burman and produced by Björn Tjärnberg. This documentary follows a previously released 2017 doc on the artist, Avicii: True Stories, directed by Levan Tsikurishvili.
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Along with the new documentary, Netflix will stream Avicii’s final performance at Ushuaïa Ibiza in August of 2016. This performance was the final live set from the dance producer after he stopped touring at age 26. In March 2016, Bergling took to his website to tell his millions of fans about the decision, writing, “Two weeks ago, I took the time to drive across the U.S. with my friends and team, to just look and see and think about things in a new way. It really helped me realize that I needed to make the change that I’d been struggling with for a while.” Two years later, he died in Muscat, Oman, at age 28.
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The releases of I’m Tim and the Ushuaïa performance come amidst a general shoring up of the Avicii legacy, with the upcoming film following the summer release of a photobook, Avicii: The Life and Music of Tim Bergling, featuring images of the producer’s early life, private life and career.
Additionally, an auction of the producer’s personal effects that happened last October in Stockholm raised $750,000 for the Tim Bergling Foundation, which works to educate young people about mental health. A biography of the artist, Tim, written by Swedish journalist Måns Mosesson was released in early 2022.
Meanwhile, in the fall of 2022, the Avicii Estate sold 75% of the Avicii catalog — which includes hits such as “Levels,” “Wake Me Up” and “Seek Bromance” — to Pophouse, the Stockholm-based music investment company co-founded by ABBA member Björn Ulvaeus.
If you or anyone you know is in crisis and/or experiencing suicidal ideation, reach out to the Suicide and Crisis Lifeline by calling 988 or visiting the website. Confidential support is available 24/7, 365 days a year.
Ariana Grande followed the yellow brick carpet, instead of the red carpet, on the way to the Nov. 3 premiere of Wicked in Sydney, Australia. Celebrating her role of Glinda, the pop star and actress aptly dressed in a pink gown that looks straight out of Oz — though it’s actually custom Vivienne Westwood. With […]
Kamala Harris made a surprise appearance during Saturday Night Live on Nov. 2.
With Election Day just around the corner, the vice president stopped by Studio 8H during the cold open of the episode, hosted by comedian John Mulaney.
Harris joined SNL cast member Maya Rudolph, known for her spot-on impression of the Democratic presidential nominee during the show’s 50th season, in a hilarious opening sketch.
Saturday’s episode launched with a parody of CNN, featuring Chloe Fineman as anchor Kaitlan Collins, who reports on a rally with former President Donald Trump (played by James Austin Johnson) and his running mate J.D. Vance (Bowen Yang). The scene then shifts to a conversation in Pennsylvania involving Rudolph’s Harris, Andy Samberg’s Doug Emhoff, Jim Gaffigan’s Tim Walz, and Dana Carvey’s Joe Biden.
Rudolph’s Harris later steps aside to prepare for her campaign speech, saying, “Well, this is it, the last campaign stop in Pennsylvania. Gosh, I just wish I could talk to someone who’s been in my shoes — a Black South Asian woman running for president, preferably from the Bay Area.”
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She then sits down and looks into a mirror, where the real Kamala Harris is reflected back at her. “It’s nice to see you, Kamala,” the actual vice president says. “I’m just here to remind you that you got this because you can do something your opponent cannot: open doors.”
Rudolph delivers her signature Kamala laugh, saying, “Now Kamala, take my palm-ala.” The two then start finishing each other’s sentences: “The American people want to stop the chaos and end the drama-ala with a cool new step-mamala. Look, let’s get back in our pajamas and watch a rom-Kamala, like Legally Blonde-ala. And start decorating for Christmas, Fa-la-la-la-la.”
In other highlights from the Nov. 2 episode, Mulaney returned as host for the sixth time, while musical guest Chappell Roan made her debut, performing “Pink Pony Club” and premiering a new country song titled “The Giver.”
Watch SNL‘s “2024 Pre-Election Cold Open” sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
Chappell Roan debuted a new country song during her musical guest debut on Saturday Night Live.
The 26-year-old pop star launched the musical portion of the John Mulaney-hosted episode on Nov. 2 with a vibrant and elaborate performance of her popular song “Pink Pony Club,” from her 2023 debut album, The Rise and Fall of a Midwest Princess. The Studio 8H stage was decorated with a throne-like chair and a backdrop of digital galloping ponies, while the singer dazzled in a striking red wig with white streaks, heavy makeup, and a glittery white gown.
In her second dramatic performance, Roan premiered a country-infused song titled “The Giver,” where she confidently asserts her ability to “get the job done” and satisfy a female partner better than any man. During a spoken word segment of the fiddle-driven track, she remarked, “All you country boys think you know how to treat a woman right. Well, only a woman knows how to treat a woman right. She gets the job done.”
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Later in the song, Roan sings, “You ain’t gotta tell me/ It’s just in my nature/ So take it like a taker/ ’cause baby I’m a giver.”
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Saturday’s show marked Roan’s SNL debut. In late October, the singer appeared to tease her next music era in an Instagram post in which she shared some selfies and hinted at the follow-up to her debut breakthrough LP.
“Album kinda popped off imo but it is time to welcome a hot new bombshell into the villa,” she captioned the pics, in a reference to the Love Island catchphrase welcoming new contestants that led fans to speculate that she’s working on her sophomore project.
A potential album will follow the release of Roan’s debut, The Rise and Fall of a Midwest Princess. After a series of headline-making performances — including at Coachella and Gov Ball 2024 — the 14-track project earned a peak of No. 2 on the Billboard 200.
Watch Roan’s SNL performance of “Pink Pony Club” below (“The Giver” was not available at press time). For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.