TV/Film

Reba McEntire Gave Kelsea Ballerini Some Inspirational Words About Being a Coach on ‘The Voice’

As Kelsea Ballerini stepped into her new role as a coach on The Voice for its new season on Feb. 3, she got a sweet note of encouragement from the previous artist to fill that seat on The Voice–her fellow country artist Reba McEntire.

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In an Instagram Reel Ballerini shared, the Patterns hitmaker steps up to one of the iconic red coach’s chairs on the set of The Voice, and finds a letter rested against the red button.

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As Ballerini picks up and opens the note, McEntire’s voice can be heard in a voiceover reading the note, saying, “Dear Kelsea, I heard you would be the new voice coach this season and I’m just so excited for you. It’s up to you to keep country alive on this show, and I know you’ll do a terrific job. Now go out there and show those boys who’s the boss.”

McEntire’s note ended with a little surprise: “P.S. I left you a little good luck charm in case you need it. Love, Reba.”

From there, Ballerini looked at the red chair and saw a sparkling tiara rested on the seat. Ballerini sat the tiara on her head and said, “I feel so… fancy,” referencing McEntire’s 1991 hit version of the Bobbie Gentry song.

This season, Ballerini joins Michael Buble, John Legend and Michael Levine as a coach. Ballerini is also currently on her headlining Kelsea Ballerini Live On Tour 2025 trek, which recently visited Nashville’s Bridgestone Arena.

Last year, Ballerini released her latest album Patterns, which earned Ballerini her first No. 1 on Billboard’s Top Country Albums chart.

The 10 Best Musical ‘Saturday Night Live’ Opening Monologues

Featuring memorable show introductions from Taylor Swift, Ariana Grande and more.

The opening monologue is one of the most sacred rites of passage for anyone who hosts Saturday Night Live. It’s also when the guest ringleader of any given week is the most exposed, typically addressing the audience alone and out of character for one of the only times the entire episode.

That’s possibly why many of the dozens of musicians who have piloted SNL episodes over the years have chosen to perform their monologues in the medium with which they’re most comfortable: through song. Instead of simply warming up the crowd with a spoken stream of introductions and stand-up comedy-style jokes — which is the tried-and-true approach most hosts opt for — a memorable few hosts have instead sung or played their way through the show’s opening few minutes. Sometimes, they’ll grab a guitar or piano to accompany themselves with, and other times, they’ll enlist some of the program’s cast members for some added banter or employ their own backup singers and dancers for some extra pizazz and jazz hands. A musical monologue also creates perfect opportunities for hosts to interact with their live studio audiences, like Justin Timberlake serenading a blushing woman in the crowd during his 2011 hosting stint (see below).

As SNL celebrates its 50th anniversary in 2025, Billboard is looking back at the 10 best musical monologues the show has seen since premiering in 1975. Featuring monologue songs performed by Drake, Taylor Swift, Paul Simon and more, keep reading to see which hosts have delivered the most iconic show-opening compositions below.

Rihanna Is in Her ‘Blue Era’ While Teasing ‘Smurfs’ Movie Trailer

Rihanna is entering the Smurfs universe.

The “Love on the Brain” singer is set to voice Smurfette in Paramount Pictures’ upcoming film based on the beloved animated blue characters, and she took to social media on Wednesday (Feb. 5) to share a teaser ahead of the official trailer release.

In the 17-second clip, a small blue TV is seen among the mushroom-filled Smurf Village. As the scene zooms in closer to the television set, the screen turns on and and RiRi’s Smurfette character blows a kiss to the viewer. “Trailer tomorrow,” the text on top of the screen reads.

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“In my blue era,” Rihanna captioned the post, along with a blue heart and eyes emojis.

In addition to Rihanna, the Smurfs cast also includes Hannah Waddingham, Natasha Lyonne, Dan Levy, Kurt Russell, John Goodman, Nick Offerman, Sandra Oh, Amy Sedaris, Nick Kroll, Octavia Spencer, Billie Lourd, James Corden and more, per IMDb. In addition to starring in the film, Rihanna will also be producing the animated feature alongside Jay Brown, Ty Ty Smith and Ryan Harris.

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Based on the popular characters of Belgian comics writer and artist Peyo, Smurfs hits theaters on July 18, 2025. The new movie follows a series of Smurfs films over the years, including 2011’s The Smurfs, 2013’s The Smurfs 2 and 2017’s Smurfs: The Lost Village.

Too $hort Compares Kendrick Lamar & Drake Feud to Bill Gates & Elon Musk Fighting: Watch

The fallout from the Kendrick Lamar and Drake feud has been picked apart, and it will be further delved into as part of IMPACT x Nightline: Kendrick v. Drake: The Feud episode coming to Hulu on Thursday (Feb. 6).

Ahead of its streaming premiere, Billboard exclusively shares a clip from the ABC News Studios program featuring Too $hort, who speaks candidly on the Drizzy-K. Dot battle and compares them to Bill Gates and Elon Musk as two billionaires fighting, but still being fine when the dust settles.

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“Was it Drake, Kendrick, J. Cole, a couple names up there — who’s the new top five? Amongst them, each one of their egos had to think ‘I’m the best writer, I do the best videos, I rock the crowd the best,’” Too $hort tells ABC News correspondent Megan Ryte in the clip.

$hort agrees they’re at the top of the rap food chain, as the Oakland native went on to crown Drake and Kendrick as “the best rappers of their time.”

He continued to say: “It’s still the equivalent of Bill Gates and Elon Musk fistfighting. Two billionaires, who cares who gets knocked the f–k out? They going home to billionaire lifestyles. It’s still the same thing.”

The Hulu special touches on Drake and Kendrick’s relationship, the diss tracks fired back and forth, the fallout since and even Drake’s defamation lawsuit filed against Universal Music Group.

Currently, Drake is on tour in Australia, while Lamar picked up five Grammys for “Not Like Us” and will be bringing his show to the Super Bowl Halftime stage in New Orleans on Sunday (Feb. 9).

Watch Billboard’s exclusive clip of the IMPACT x Nightline episode above.

J Balvin Is Making His Anime Debut in ‘Solo Leveling’ Season 2: ‘I’m Beyond Thrilled’

J Balvin will make his anime debut in 2025, voicing a key character in the second season of Solo Leveling: Arise From the Shadow. The Colombian artist will voice a major role in both English and Spanish in the current season that premiered Jan. 4 on the Crunchyroll streaming platform.

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“I’m beyond thrilled to join the cast of Solo Leveling!” Balvin, real name José Álvaro Osorio Balvin, said in a press statement. “This series has such a passionate fanbase and getting the chance to be part of the anime world, after being a fan for such a long time, is an absolute honor. I can’t wait for everyone to see what we’ve been working on!”

Co-produced by Aniplex and Crunchyroll, and adapted from the popular Korean web novel written by Chugong, the series follows the story of the world’s weakest hunter Sung Jinwoo. After being slaughtered by monsters in a dungeon, he returns with a program that’s leveling him up, and is discovering his superpowers and the dungeon that spawned them.

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Balvin’s voiceover debut will premiere later this season. Fans can stay tuned to Solo Leveling Season 2: Arise From the Shadow on Crunchyroll.

In 2024, Balvin announced he was gearing up for his first feature film lead role, in the drug drama Little Lorraine, helmed by Grammy Award-winning director Andy Hines and planned for a release this year. His TV and film ventures also expanded with a new docuseries called A Great Day With J Balvin that premiered in October via Peacock.

Paul Shaffer Returning to Late Night to Fill in for The Roots on ‘Tonight Show Starring Jimmy Fallon’

Paul Shaffer isn’t done with late night just yet! The musician is heading to Studio 6B in Rockefeller Center with The World’s Most Dangerous Band to fill in for The Tonight Show Starring Jimmy Fallon‘s house band, The Roots, as they spent the week rehearsing for the Saturday Night Live 50th anniversary concert.

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“I’ll be reuniting The World’s Most Dangerous Band for four super-fun shows with Jimmy. We hope to finally get right all the mistakes we made with Dave,” Shaffer said in a statement to Billboard.

Shaffer previously served as the musical director and band leader on Late Night With David Letterman from 1982 to 1993 and Late Show With David Letterman from 1993 to 2015. His relationship with Letterman continues to this day, as he wrote the bridging music on the talk show host’s Netflix interview series, My Next Guest Needs No Introduction.

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In 2021, he entered the Canadian Songwriters Hall of Fame for co-writing the enduring disco hit, “It’s Raining Men,” which he penned alongside Paul Jabara. The track, performed by the musical duo the Weather Girls, hit No. 1 on Billboard’s Hot Dance Club Play chart and No. 46 on the Billboard Hot 100 songs chart.

He’s also a Grammy winner and multi-Emmy nominee. At the 2002 Grammy ceremony, he won best country instrumental performance for playing on Earl Scruggs’ “Foggy Mountain Breakdown.” At the Emmys, he was nominated twice for outstanding achievement in musical direction, both for his work on Late Night With David Letterman, in 1989 and 1992. In 2011, he was nominated again for outstanding music direction for the Rock and Roll Hall of Fame Induction Ceremony that year, and was up for the same award in 2016 for A Very Murray Christmas.

Jelly Roll Is the First-Ever ‘Artist in Residence’ on ‘American Idol’

Jelly Roll is stepping into a new Jelly role!

The Grammy-nominated country superstar is set to appear on the 23rd season of American Idol, as the show’s first-ever “artist in residence,” according to Variety. Per the publication, Jelly will first appear on the season during the “Hollywood Week” episodes and continue to become “a permanent fixture this season and will work closely with the Idol hopefuls, giving them firsthand advice on how to navigate the journey.”

It’s hardly Jelly’s first time on American Idol. In 2024, he appeared as a guest mentor on the April 8 episode of the show and performed his song “Halfway to Hell” from his 2023 album Whitsitt Chapel.

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Before that, in 2023, he teamed with Lainey Wilson to perform “Save Me” on the American Idol finale. He also performed “Need a Favor” with Idol contestant Oliver Steele.

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Former judge Katy Perry even suggested that the country star be the one to replace her after her departure from the show, before it was announced that Carrie Underwood would be the newest judge on the panel. “I gotta say, Jelly Roll was crazy when he came on the show,” the pop star had told E! News of the country a. “I was convinced at anything he said. He could run for president, he could be my pastor, I might go back to church for him. He could sell me anything.”

The newest season of American Idol premieres on Sunday (March 9) on ABC, before it streams the next day on Hulu.

Whoopi Goldberg Defends Beyoncé’s 2025 Grammy Award Wins Following Fox News Pundit’s Criticism

Beyoncé’s long-awaited album of the year victory at the 2025 Grammy Awards for Cowboy Carter has garnered plenty of praise across the music industry, but some weren’t as happy to see Queen Bey rack up the award wins, and The View‘s Whoopi Goldberg isn’t letting it slide.

The actress had some words to share after Raymond Arroyo joined Laura Ingraham’s The Ingraham Angle on Fox News on Monday (Feb. 3), following Bey’s history-making night the evening before, and he slammed the Recording Academy for Beyoncé’s country dominance while she had more wins than artists such as Dolly Parton.

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“The country artists are not really happy about this,” Arroyo said. “I’m gonna put this in some context Laura: Dolly Parton has 10 Grammys. Frank Sinatra had 11 Grammys. Beyoncé has 35. How is that possibly commensurate with that talent? I mean come on.”

He continued to tell the host: “What people don’t know about the Grammys is everybody votes in every genre. You can vote in up to 20 genres. So basically Lady Gaga’s cat sitter votes for, you know, best reggae and best country album. So that’s why you get this ridiculous outcome that has nothing to do with the country audience or the country musicians.”

Oscar winner Goldberg came to Bey’s defense the next day, scolding the pundit on the Tuesday (Feb. 4) episode of The View.

“Sir, are you aware that you have to be in the music industry to be a Grammy voter? So, the cat sitter can’t just vote,” she fired back. “Are you aware that when the Grammys began in 1959, there were only 28 categories — now there are 94?”

Goldberg added: “The year that Frank Sinatra got six nominations despite having two No. 1 albums, he only won one Grammy that night for his album cover — not even for his singing, for the album cover. Listen, man. You can’t do that. She earned it.”

Arroyo is wrong on some other points. Sinatra won nine competitive Grammys, not 11. Voters cannot vote “in up to 20 genres.” In addition to the six General Field categories, voters can vote in no more than 10 categories spread across no more than three fields.

Beyoncé collected another three wins at the 2025 Grammy Awards, including her first album of the year victory for Cowboy Carter to bring her grand total to 35 Grammys. She also took home victories for best country album and best country/group performance for “II Most Wanted” with Miley Cyrus.

Watch Whoopi Goldberg’s slam the conservative pundit on The View below.

The Weeknd Insists We ‘Call Me By the Old Familiar Name’ In Manic, Doom-Laden ‘Hurry Up Tomorrow’ Trailer

If you are on a hunt for more clues about The Weeknd‘s upcoming Hurry Up Tomorrow film, the first trailer for the Trey Edward Shults-directed thriller won’t provide much clarity. The two-minute first look at the movie inspired by the singer’s album of the same name dropped on Tuesday morning (Feb. 4) and unlike many contemporary trailers it leaves more questions unanswered.

The action opens with a vertigo-inducing helicopter shot of an upside down cityscape as co-star Jenna Ortega’s character Anima intones, “Death is nothing at all. It does not kill,” over a shot of the Weeknd submerged in a bathtub up to his eyes.

Then, things start to get a bit weird. As we get our first glimpse of Anima, her voice appears to merge with Abel’s as they say, “everything remains exactly how it was. Whatever we were to each other that we are still.” Keoghan’s character, Abel’s manager, Lee, then pops up with a weary look on his face as a ghostly voice announces (not for the last time in the tailer), “call me by the old familiar name.”

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According to EW, in an interview conducted before the trailer dropped, Shults said it was “absolutely” possible that the movie is the vehicle by which Tesfaye will lay his long-running artistic alter ego to rest. “I tried to make the movie in a way where, for his fans and people who want to approach it at that level, I hope it’s very satisfying and you get a good meal out of it,” Shults said. “And for people that aren’t his fans and don’t know anything about him or even care about the final capping of the Weeknd, I think you still have a great movie to go through.

Speaking to Variety last month, Tesfaye confirmed that he was planning to retire his enigmatic Weeknd persona following last month’s release of the Hurry Up Tomorrow album, the conclusion of a trilogy that began with 2020’s After Hours LP and continued on 2022’s Dawn FM. “It’s a headspace I’ve gotta get into that I just don’t have any more desire for,” he said of his stage name. “You have a persona, but then you have the competition of it all. It becomes this rat race: more accolades, more success, more shows, more albums, more awards and more No. 1s. It never ends until you end it.”

The movie follows insomniac Abel as he’s pulled into an “odyssey with a stranger [Anima] who begins to unravel the very core of his existence.” Fans will recognize the by-now-familiar gold leaf-decked hooded robe in the trailer that Tesfaye has been wearing in recent performances in a bit where the bleary-eyed singer is hoisted on a lift up to a stage at a packed arena.

As a techno track bubbles up, we see Keoghan’s Lee trying to hype up Abel — “stop self-doubting, you’re f–king invincible!” he says — whose performance appears to make Anima tear up in the audience. She assures the singer, “this is all very intense, but I’m not trying to hurt you,” adding, “I’m really sorry about this. I really am,” as she sits next to a seemingly dazed and confused Abel on a bed.

The finale 45 seconds are a headlong rush of hectic imagery, including Anima pouring gas in a home as if to torch it as Abel gets more and more freaked out by the chaos around him. In keeping with the album trilogy’s visual presentation of an often-battered, spun-out singer, Shults told EW that the film is about an artist “on the verge of a mental breakdown,” explaining that he meets a woman [Ortega] and they “go on this odyssey together. It’s a mix of psychological thriller and drama. I honestly feel like I’ve never seen a movie quite like it.”

Ortega added that she thinks her character is another version of the singer, “a side of him that the persona the Weeknd doesn’t show as much.” The Hurry Up Tomorrow film — co-written by Shults, Tesfaye and The Idol co-creator Reza Fahim — will premiere in theaters on May 16.

Watch the trailer below.

How H.E.R. Reimagined an Iconic Bruce Springsteen Hit to Remind Girls in Sports They’re ‘Born to Run’

If you asked H.E.R. what her life’s purpose is, she’d tell you it’s to inspire women and young girls. It’s no accident, then, that many of the major projects she’s taken on over the past couple of years have fallen in line with that mission, from contributing her newly Oscar-nominated Diane Warren collaboration “The Journey” to Tyler Perry’s Six Triple Eight — about the all-Black, all-female 6888th Central Postal Directory Battalion of World War II — to examining her own definitions of womanhood and empowerment on a highly anticipated followup to 2021’s Back of My Mind, which she’s teased is arriving at some point in 2025. And now, H.E.R. is turning her focus on girls in sports, reimagining Bruce Springsteen’s iconic 1975 hit “Born to Run” for Dove’s moving new Super Bowl commercial that premiered Tuesday (Feb. 4) with an important message at its center.

Her full version of the track will arrive one day later.

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In the 30-second spot — which will air during fourth quarter of the ultimate Kansas City Chiefs vs. Philadelphia Eagles game Sunday (Feb. 9) — a breathless 3-year-old girl sprints through her suburb as H.E.R.’s buoyant take on The Boss’ anthem plays. “These legs are unstoppable,” onscreen text reads. “At 14, she’ll think they’re unbearable.”

Reminding viewers how frequently young female athletes hear critiques about their bodies, the commercial then calls on it’s audience to “change the way we talk to our girls.” It’s a directive that feels especially poignant considering the popularity boom women’s sports have seen in recent years (thanks in no small part to powerhouses like Caitlin Clark and Angel Reese), as well as the sociopolitical influx in online communities picking apart players’ appearances (thetransphobic hate cisgender Algerian boxer Imane Khelif experienced during the 2024 Olympics comes to mind). And it’s definitely something that weighs on H.E.R.’s mind as a former athlete and role model to her 18-year-old and 3-year-old sisters, which is why she says she jumped at the chance to translate “Born to Run” into a heartfelt tribute for young girls all over the world.

“I’m seeing myself in all of these young girls and thinking about all these things that we forget to appreciate,” she tells Billboard. “I have a body that simply moves, and I love all the things that it can do.”

“We’re born to run,” she adds, her voice swelling with passion. “There’s so many layers to that message. It’s like you’re born to be exactly who you are, to chase your path and follow your own dreams and your own heart. It’s not about anyone else. You’re born uniquely you.”

Speaking over Zoom just one day ahead of the premiere of Dove’s new campaign, the singer-guitarist broke down how she made Springsteen’s signature song her own, revealed how the project informed her upcoming album’s sound and explained why she aligns so strongly with the brand’s message. Read her conversation with Billboard below.

How did you approach re-recording such a famous song?

The song itself is so iconic, I didn’t want to do a complete left turn in my recreation of it. It’s so uplifting and joyful, and “born to run,” it’s the perfect lyric. It’s the perfect message, and kind of the perfect pace for a message like this.

It was all about the image of this young girl — keeping that in mind was the most important thing. We started with drums to kind of keep the energy but still make it my own, and I played some guitars on it to keep that iconic lead. It was all about adding even more soul to it. That iconic line that’s usually just the guitar line, I turned into vocals. I like doing things like that — taking pieces from the instrumentation and turning them into vocals — and my vocals definitely make [the song] a little more feminine.

Is Bruce a personal hero of yours?

Oh my gosh, absolutely. I love Bruce. I grew up listening to a lot of Bruce with my dad. He’s iconic.

I actually got to meet him two years ago and he was so sweet. I was like, “I’m such a big fan, my name’s Gabi.” He was like, “Oh my god, H.E.R., I’m such a big fan of you, I’ve mentioned you in interviews, you really rock out on stage.” And I’m like, “Man, I get it from you!”

Why does the message of the campaign resonate with you personally?

Where do I begin? A lot of my purpose has been to encourage women to be authentic and comfortable in their own skin and embrace who they are. That to me is one of the most important things I could ever do on this planet. That’s always been my mission, so that’s really what got me excited about this. It’s really perfect timing — I’ve been working on an album and the messaging of this album has really been about empowerment.

I have younger sisters, and it’s always so important for me to show them that they’re — I don’t want to say “enough.” I think we’ve outgrown that word. I think it’s to show them that who they are is perfectly imperfect, you know what I mean? We live in this age of social media, and comparison, like they say, is really the thief of joy. I’ve definitely experienced not feeling adequate. I’ve felt like, “Oh, maybe I need to change this about me, I need to fit into this mold.” But I’ve realized that there is no mold. I’ve tried to maintain that in my own life and exemplify that.

Speaking of your new album, what can you tell us about it?

I’ve been working on it in the midst of this [campaign]. It’s funny, because working on “Born to Run,” working on a Springsteen song, I feel like it’s only enhancing my process in the studio. I’m playing a lot more guitar on this album. And again, [the album] is all about empowerment. It was just perfect timing.

It’s this exploration of femininity and what it means to be a woman, what it means to me, what it means to depend on people around you and depend on yourself and love yourself, and what community means. What your expectations of love are, and the expectations you put on yourself. Just learning how to stand on my own.

It’s a lot of accepting ugly. And I mean that to say the parts of myself that I may ignore, that I think haven’t been enough. The parts that I may be afraid to face. It’s really been about embracing those things and empowering myself, not in the way that you’d expect, where it’s all about being triumphant … It’s more like, it’s OK not to be OK. It’s okay to be in the process of healing. You’re never fully healed. Just trusting the process and being OK with it.

One of your recent projects, “The Journey,” recently earned a best original song nomination ahead of the 2025 Oscars. How does that feel?

Oh my gosh, it’s crazy. I’m super excited about the song. It’s such a powerful song, and it’s also a really, really powerful movie — again, about women empowerment, and under-appreciated women. These stories hadn’t been heard. I feel blessed to be a part of that story, in a small way.

Women’s sports are more popular than ever, but with that there’s been an uptick in certain people picking apart women athletes for not looking “feminine enough.” With that in mind, why is this campaign more important than ever?

It’s discouraging. Telling a woman that her body is not the right type, or that she needs to look a certain way, or that she’s not “feminine enough” — what does that even mean? It just shows you what society’s idea of what’s feminine is, and it’s just not right. This message was definitely to break that barrier.

I played sports in high school and middle school, and I’m really grateful that my parents gave me that confidence to not care. But there’s definitely that shyness in the locker room, there’s those moments of, “Oh man, I’m afraid of myself. I’m afraid that people won’t accept me, that people won’t like me, despite my gifts or my ability.” You should never be discouraged to do something that you love and are passionate about because of the way you look.

There’s also been an outpouring of women expressing fear and uncertainty following the results of the 2025 election. Was that on your mind at all when working on this project?

I think, in general, we can’t live our lives in fear, no matter what. It’s all about empowering each other — I think that’s what it comes down to.

Hear H.E.R.’s cover of “Born to Run” in Dove’s new Super Bowl ad below.