TV/Film

Anitta Will Reveal ‘The Other Side’ of Her in New ‘Larissa’ Documentary: Watch the Trailer

While fans around the world may feel like they know everything about Anitta, the Brazilian superstar has yet to introduce fans to Larissa — until now. In her upcoming Netflix documentary, titled Larissa: The Other Side of Anitta, the “Envolver” singer — born Larissa de Macedo Machado — gets personal about the private side of her life.

“Larissa is fragile and sensitive. Anitta is super tough,” a voice says in the documentary’s trailer, released Thursday (Jan. 30). The film — told through the gaze of a former crush from her youth — follows her on a journey of self-discovery as she navigates the ups and downs of fame and success. In the documentary, “fans will marvel at not only her career journey but her personal path,” according to an official description of Larissa.

From the suburbs of Rio de Janeiro to global stardom, Anitta became one of Brazil’s most iconic stars. Since cracking the Billboard Hot 100 in 2020 with “Me Gusta” in collaboration with Cardi B and Myke Towers, she’s had two more songs on the Hot 100: “Bellakeo” with Peso Pluma and “Envolver.” The latter became a viral hit that spent one week at No. 1 on the Billboard Global Excl. U.S. chart, just to name a few of her chart accomplishments.

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Last year, she embarked on her first-ever North American tour, in support of her latest album Funk Generation; the set is up for a Grammy in the best Latin pop album category.

The documentary does not yet have a release date, with the press release stating only that it is “coming soon.” Watch the trailer for Larissa: The Other Side of Anitta below:

Billie Eilish, Finneas, Timothée Chalamet & More to Be Featured in ‘Hans Zimmer & Friends’ Concert Film

Billie Eilish, Finneas, Johnny Marr, Pharrell Williams, Timothée Chalamet and Zendaya are among those who will pay tribute to composer Hans Zimmer in Hans Zimmer & Friends: Diamond in the Desert. The film will feature a live performance of some of Zimmer’s most famous scores, including Dune, Gladiator, Interstellar and The Lion King.

Directed by Emmy winner Paul Dugdale, with Jerry Bruckheimer serving as an executive producer, the film offers viewers a glimpse into Zimmer’s creative process. The German composer’s works are brought to life by his band and an orchestra at Dubai’s Coca-Cola Arena, the Al Wasl Plaza dome at Expo City Dubai and other venues.

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The film will feature conversations with, in addition to those named above, Bruckheimer, Sir Christopher Nolan, Denis Villeneuve and Tanya Lapointe.

“The Hans Zimmer Live tour has been one of the most exciting experiences of my career,” Zimmer said in a statement. “Seeing these compositions transform from their big-screen origins to the live show then back to the big screen is a delightful full-circle moment. I hope audiences enjoy this peek behind the curtain as much as we enjoyed making it.”

Hans Zimmer & Friends: Diamond in the Desert will be released in select theaters across the Americas, Europe, Asia and United Arab Emirates, with limited screenings beginning Wednesday, March 19. Theaters in Australasia and other countries in the Middle East will screen the film at a later date. Tickets are on sale from Wednesday, Feb. 5, at 9 a.m. ET on the film’s website.

Zimmer, 67, has won four Grammys and two Oscars. He has received 12 Oscar nominations in scoring categories, across five decades, from the 1980s to the 2020s, winning for The Lion King and Dune.

Eilish paid tribute to Zimmer when she and Finneas won an Oscar for best original song for “No Time to Die” from the film of the same name, which Zimmer scored, calling him “so amazing.” Elton John and Tim Rice also paid tribute to Zimmer when they won Oscars for best original song for “Can You Feel the Love Tonight” from The Lion King. “To Hans Zimmer, who did a wonderful job with the songs,” John said.

Dugdale has won two Primetime Emmys — outstanding directing for a variety special for Adele: One Night Only (CBS) and outstanding variety special (live) as a co-executive producer of Elton John Live: Farewell From Dodger Stadium (Disney+). He was also nominated for outstanding variety special (pre-recorded) as executive producer of Billy Joel: The 100th – Live at Madison Square Garden (CBS).

Dugdale has also received three Grammy nods for best music film for Coldplay’s Live 2012 and Ghost Stories and Adele: One Night Only.

The film, which runs more than 2-1/2 hours, was produced by Simon Fisher, Steven Kofsky, Michael Marto, Omar Saab and John Featherstone. Executive producers are Bruckheimer, Dugdale, Steven Kofsky, Michael Marto, and Omar Saab. Distribution is by Trafalgar Releasing (in all markets excluding the Middle East, where it will be distributed by VOX).

Watch Cher’s Time Travel Trip to the ’80s Go Terribly Wrong in Hilarious Commercial

Cher finally found a way to turn back time — but it isn’t exactly what she was hoping for. In a hilarious new commercial for Uber Eats that premiered in Australia, a mysterious time machine is delivered to the superstar’s doorstep just as she’s listening to her own 1989 smash “If I Could Turn Back Time.” Cher immediately knows where she wants to go — “Take me back to the ’80s,” she tells the device — but instead of the 20th century, she ends up in the 1680s.

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When she arrives in the middle of a colonial settlement, it’s hard to say who’s more confused: Cher or the locals, who take note of her futuristic appearance and accuse her of being a witch. “I’m not a witch — I’m an icon!” she says in futile protest, with the villagers proceeding to burn her at the stake.

Moral of the story? The food delivery service should strictly be enjoyed as a thyme machine, not a time machine.

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In a statement about the project, Cher said, “I get approached to do commercials all the time – but the creativity and hilarity that Uber Eats presented appealed to me right away.”

“I am really proud of the final product,” she added. “I sincerely hope Uber will get me back my boots.”

The commercial is just the latest endeavor Uber Eats has rolled out ahead of the 2025 Super Bowl. Charli XCX recently defined football positions in club terms and played a game of “We Listen, But We Don’t Judge” with Martha Stewart for the company, and on game day, the pair will costar with Matthew McConaughey in an ad that’ll air during the Kansas City Chiefs vs. Philadelphia Eagles broadcast Feb. 9.

Watch Cher turn back time to the 1680s above.

Will Ferrell’s New Film Features Stevie Wonder Classic ‘Isn’t She Lovely’: Watch the Clip

The countdown has begun for Amazon Studios’ premiere of You’re Cordially Invited. Lift-off for the highly anticipated comedy starring Will Ferrell and Reese Witherspoon is set for Jan. 30 on Prime Video. In advance of the premiere, Billboard is now cordially inviting viewers to watch an exclusive clip above from the film’s opening scene featuring Stevie Wonder’s 1976 classic “Isn’t She Lovely.”

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The premise of You’re Cordially Invited revolves around two weddings that are accidentally booked on the same day at the same venue. Both hilarity and chaos ensue when the father of one bride (Ferrell) and sister of the other bride (Witherspoon) go head-to-head in their very determined efforts to ensure their families’ respective special celebrations go off without a hitch. In the film’s opening scene, viewers are introduced to Ferrell’s loving dad character while Wonder’s song plays in the background.

You’re Cordially Invited was written and directed by Nicholas Stoller (Forgetting Sarah Marshall, The Muppets). Of using “Isn’t She Lovely” in the film’s opening sequence, Stoller tells Billboard, “It’s a beautiful song about the birth of Stevie Wonder’s daughter, which makes it the perfect introduction to Will Ferrell and his daughter [played by Geraldine Viswanathan]. Also, it’s one of my favorite songs of all time.”

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“We knew we wanted to open the film with a song that was 100% pure joy, positivity and universally loved by all,” note the film’s music supervisors Manish Raval and Tom Wolfe. “Stevie Wonder’s ‘Isn’t She Lovely’ is not only that song, but the fact that, lyrically, it’s a love letter to his daughter makes it the perfect sentiment to play as Jim [Ferrell] is awaiting his daughter’s return home.”

In addition to Ferrell, Witherspoon and Viswanathan, the You’re Cordially Invited cast includes Meredith Hagner, Jimmy Tatro, Stony Blyden, Leanne Morgan, Rory Scovel, Keyla Monterroso Mejia, Ramona Young, Jack McBrayer and Celia Weston.

Tributes to Quincy Jones, LA’s Resilient Spirit Amid Wildfires, to Highlight 2025 Grammys

A series of special performances will highlight the 67th Annual Grammy Awards on Sunday (Feb. 2), including a salute to the life and legacy of Grammy legend Quincy Jones, tributes to the spirit of Los Angeles, which is beginning the long process of rebuilding after devastating wildfires, and the annual In Memoriam segment.

Brad Paisley, Brittany Howard, Coldplay’s Chris Martin, current Oscar nominee Cynthia Erivo, Herbie Hancock, Jacob Collier, Janelle Monáe, John Legend, Lainey Wilson, Sheryl Crow, St. Vincent and Stevie Wonder are set to appear in these segments.

Jones, who died in November at age 91, won 28 Grammys across six different decades, from the 1960s to the 2010s. He was a friend and mentor to generations of talented artists, including Hancock, Wonder, Legend and Collier. He won just about every award the Recording Academy has to give, including a trustees award in 1989 and a Grammy Legend Award in 1992.

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Live from Crypto.com Arena in Los Angeles and hosted by Trevor Noah, Music’s Biggest Night will be broadcast live on Sunday, Feb. 2, at 8 p.m. ET/5 p.m. PT on CBS. The show will also be available to stream live and on demand on Paramount+.

Previously announced performers include Benson Boone, Billie Eilish, Chappell Roan, Charli xcx, Doechii, RAYE, Sabrina Carpenter, Shakira and Teddy Swims.

The 67th Annual Grammy Awards will be produced by Fulwell 73 Productions for the Recording Academy for the fourth consecutive year. Ben Winston, Raj Kapoor and Jesse Collins are executive producers.

Prior to the telecast, the Grammy Awards Premiere Ceremony will be broadcast live from the Peacock Theater at 12:30 p.m. PT and will be streamed live on the Recording Academy’s YouTube channel and the Grammy website.

Justin Tranter, a Grammy nominee for song of the year for co-writing Chappell Roan’s “Good Luck, Babe,” is set to host the Premiere Ceremony. Tranter also hosted last year’s Premiere Ceremony, where the vast majority of Grammys are presented.

The opening number on the Premiere Ceremony will feature a performance by current nominees Yolanda Adams, Wayne Brady, Deborah Cox, Scott Hoying, Angelique Kidjo, and Taj Mahal. Six other current nominees — Joe Bonamassa, Joyce DiDonato, Béla Fleck, Renée Fleming, Muni Long and Kelli O’Hara — are also set to perform, as is Grammy-winning contemporary classical composer Kevin Puts.

This year’s Premiere Ceremony, to be held at Peacock Theater at the LA Live complex in Los Angeles, will stream live at 3:30 p.m. ET/12:30 p.m. PT on the Recording Academy’s YouTube channel and on the Grammy website.

As announced last week, this year’s Grammy telecast will carry an added sense of purpose: raising additional funds to support Los Angeles wildfire relief efforts and honoring the bravery and dedication of first responders. Since launching the Los Angeles Fire Relief Effort to Support Music Professionals last week, the Recording Academy and MusiCares have raised and pledged more than $4 million in emergency aid to music people affected by the wildfires.

On Grammy Sunday, fans can access exclusive behind-the-scenes Grammys content, including performances, acceptance speeches, interviews from the Grammy Live red-carpet special, and more on the Grammy website.

Lorne Michaels Claims SNL Has ‘Never Banned’ Any Musical Guests

In the 50-year history of Saturday Night Live, the show’s myriad musical highlights have been paired with plenty of controversies, but creator and producer Lorne Michaels has asserted that no musical guest has ever been barred from returning.

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Michaels’ claims emerged in the new three-hour documentary Ladies & Gentleman… 50 Years of SNL Music, which premiered on NBC on Monday (Jan. 27). Alongside notable revelations in regards to the show’s musical history (including the fact that no one seems to know the melody to the SNL theme song), Michaels pushed back at long-standing reports that numerous artists have been banned from the show for various reasons.

“I’ll read it sometimes in the Post, ‘So and so’s banned for life,’” Michaels explained. “We’ve never banned anyone. We’re way too crass and opportunistic. If something’s hot, we’re going to go for it and have it on.”

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Though it’s not exactly clear where the reports that artists have been banned from SNL have emerged from over the years, a number of controversial appearances make it easy to see why bans would be expected.

One of the earliest incidents of an apparently banned performer came from a December 1977 episode in which Elvis Costello stepped in for the Sex Pistols. Despite planning to perform “Less Than Zero”, Costello switched up his set at the last moment and instead performed “Radio Radio” – a track that was critical of commercial radio in his native U.K. Undeterred by the negative reaction his appearance generated from the show’s staff, Costello later returned to the show in 1989, 1991, and again in 1999 where he parodied his first performance alongside the Beastie Boys.

Among the most notable examples of controversial musical guests was that of Sinéad O’Connor, who tore up an image of Pope John Paul II during an a cappella performance of Bob Marley’s “War” in 1992. Protesting sexual abuse within the Roman Catholic Church, O’Connor’s urging for viewers to “fight the real enemy” became one of the most infamous moments on the show’s history.

Other instances also include Los Angeles punk outfit Fear appearing on the show at the insistence of John Belushi in 1981, with their rowdy set reportedly causing $500,000 in damage. A 2004 performance from Ashlee Simpson also gained international notoriety after she was revealed to be lip-syncing due to illness, though she would later return the following year without incident.

The nascent documentary also featured further information about Rage Against the Machine’s 1996 performance, in which they appeared alongside then-presidential candidate Steve Forbes. 

Following a version of “Bulls on Parade” (which was planned to feature upside-down American flags hung from their amps until stagehands intervened), bassist Tim Commerford vented his frustration by throwing one of the flags into Forbes’ empty dressing room. The incident caused the Secret Service to respond on behalf of the billionaire, locking the band down in their dressing room until the completion of the show.

The 50 Years of SNL Music documentary – which is co-directed by Oscar-winning Roots drummer Questlove – is part of SNL’s 50th anniversary programming, and arrived following the premiere of SNL50: Beyond Saturday Night on Jan. 16.

Yes, Fans Have Been Singing the ‘Defying Gravity’ Riff to Cynthia Erivo in Public

Cynthia Erivo defied the laws of vocal gravity at the end of Wicked, when her character Elphaba lets out a passionate riff to conclude the “Defying Gravity” number.

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The riff has since gone viral, with fans constantly attempting the difficult belt on social media — and to Erivo’s face, apparently. The superstar, who is an Oscar away from becoming the youngest EGOT member, joined Jimmy Kimmel Live this week, where the host asked her if people have sang the “war cry” to her in person.

“Yes, randomly, when I don’t ask for it,” she replied with a laugh, adding that sometimes the fans don’t even introduce themselves and “go straight into it.”

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“I’m still trying to figure out how [to react to it],” she continued. “Sometimes it’s really delightful, sometimes it’s really wonderful. I think what’s wonderful is that people are willing to try anyway. If the emotion has moved you to do that without even introducing yourself, then I think we’ve done something right. I’m just going to go with it.”

The Academy unveiled its 2025 nominees last week, with Erivo snagging a nod in the best actress in a leading role category for her portrayal of Elphaba in Jon M. Chu’s Wicked. She was previously nominated for best actress in 2020 for her role in Harriet, as well as best original song for the film’s “Stand Up.”

Watch her full interview with Jimmy Kimmel below.

‘RuPaul’s Drag Race’ Season 17 Power Rankings: Episode 4 — Now That’s What I Call Infomercials

The contestants offered their best compilation album commercial impressions in this week’s challenge. See which queens reached the top of the charts, and which ones fizzled out.

With RuPaul’s Drag Race bringing back their Rate-a-Queen system for season 17, Billboard decided to rate each of the new queens every week based on their performance. Below, we take a look at the show’s compilation album challenge to see how the queens performed in the first group challenge of the season. Spoilers ahead for episode 4.

With 17 main seasons, nine All Stars seasons and countless numbers of international seasons under its belt, RuPaul’s Drag Race has become a universe of its own over the last decade-and-change it’s been on the air. With episode 4’s music challenge, the show leaned in hard to that legacy and delivered the kind of self-referential challenge that only Drag Race could succeed at.

On Friday’s episode (aired on Jan. 24), the queens of season 17 were given a lot to do. First, they had to take iconic moments from the show’s history and reimagine them into hit songs in their own right. Then, the queens were asked to create a Now That’s What I Call Music-style infomercial to sell two compilation albums of those songs. Donning ridiculous costumes and outsized personalities, the 13 contestants paid homage to their predecessors the best way Drag Race knows how: by constantly making fun of them.

It’s nice to see Drag Race taking a new approach to the tried-and-true challenge format of “recording a song and then acting it out.” While the musical moments throughout were inherently tailored to reference talked-about moments throughout the show’s run, this challenge really helped give the queens of season 17 an opportunity to show off their own distinct abilities as actresses and singers.

Of course, that wasn’t quite the case for two of this season’s contestants. After some respectively rough performances in the challenge, both Joella and Kori King wound up in the bottom two. In a truly wild lip sync to “Buttons” by the Pussycat Dolls, Kori was granted another week in the competition, while Joella became the season’s second queen to sashay away.

Below, Billboard takes a look back at episode 4 and ranks where our remaining contestants lie based on this episode and the season as a whole:

Miley Cyrus Says She Wouldn’t Change Any of Her Past ‘Mistakes’ — Except for These Few Things

At just 32 years old, Miley Cyrus has had a truly wild life and career. And in a sit-down with personal hero Pamela Anderson, the star confirmed that she has no regrets — except for maybe just a few small things here and there.

While talking with the star of Gia Coppola’s The Last Showgirl, Cyrus — who recorded original ballad “Beautiful That Way” for the film — opened up about the many twists and turns she’s faced since stepping into the spotlight as a preteen on Hannah Montana. “I’ve had so many pivots and evolutions and — some might say ‘detours’ — within my path,” she began.

“But it always ends up coming back around to make the next stage of what we are — something that’s more potent, something that’s more real,” the “Flowers” singer continued. “Funnily enough when I look back, all the mistakes, anything I was unsure of or I didn’t understand, I am so proud of every moment and now every stage of my life.”

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“I would not go back and change anything,” Cyrus added, before amending: “Except [for] a couple things I was wearing.”

The singer’s conversation with Anderson comes over a month after Cyrus’ “Beautiful That Way” received a Golden Globe nomination for best original song ahead of the 2025 awards, something she called “an honor” on Instagram Stories. “I am continuing to root for [Pamela],” Cyrus wrote at the time. “It’s so fun to watch her shine. Thank you Gia Coppola for inviting me to be a part of your gem.”

Watch Cyrus’ conversation with Anderson below.

Kesha Releases Diane Warren Song ‘Dear Me’ From Documentary ‘Relentless’

When the Oscar nominations were announced on Thursday (Jan. 23), Diane Warren found herself nominated for best original song for the 16th time. Warren, never one to rest on her laurels, is already back with a song that may be put her back in the running at the 2026 Oscars – “Dear Me,” sung by Kesha in the new the documentary Diane Warren: Relentless.

Warren was already a hit-making songwriter when Kesha was born in 1987. Little-known fact: Kesha’s mother, “Pebe” Sebert, was a member of the songwriting community as Warren was breaking in (though the two writers never collaborated). Sebert co-wrote Joe Sun’s 1978 single “Old Flames (Can’t Hold a Candle to You),” which reached No. 14 on Billboard’s Hot Country Songs chart. A cover version by Dolly Parton reached No. 1 in 1980.

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“We all know that Diane Warren is one of the most iconic songwriters of our time, but many people don’t know that my connection with her is multigenerational,” Kesha said in a statement. “My mom used to write songs alongside Diane Warren in the ’80s. I’ve heard her name in our home growing up since I was a baby. Once my music broke into the scene in 2008, we have worked on projects together … but none of them ever were publicly released.”

“I’ve written a lot of songs for movies but this is the first time I’ve ever written a song for a movie that’s about me,” Warren said in a statement. “This song isn’t just about me though, it’s for anyone who’s ever wished they could have a conversation with their younger self and tell them no matter what they’re going through that it’s going to get better. When I was thinking who would be the perfect artist for this, I could think of no one better or more authentic than Kesha. I felt that not only is she a great artist who would sing the song magnificently which of course she did, but that this would also speak to her and her fans on a very deep level.”

Diane Warren: Relentless, directed by Bess Kargman, is currently in theaters and streaming exclusively on MasterClass.

It’s fairly rare for a song from a documentary to receive an Oscar nomination for best original song, but it does happen. Just this year, “Never Too Late” from the Disney + doc Elton John: Never Too Late was nominated, where it is competing with Warren’s “The Journey” from the Netflix film The Six Triple Eight. Elton John co-wrote “Never Too Late” with Brandi Carlile, Andrew Watt and Bernie Taupin.

Billboard’s Stephen Daw wrote warmly about “Dear Me” (released on Kemosabe/RCA Records) in his Queer Jams of the Week column. “For her contribution to the new documentary Diane Warren: Relentless, Kesha decided to strip back the artifice and sing from the heart. The result is “Dear Me,” a Warren-penned, Guy Roche-produced ballad where Kesha looks back on her younger self and offers some salient advice — primarily, to know that she can get through whatever pain comes her way. It’s no surprise that Kesha sounds as good as she does here; it is surprising, though, to get such a poignant song in a week when so many of us need to hear this.”