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We all know and love the Christmas classics, but you might need to find some extra room on your decorated mantel for some new holiday hits this year. On the latest episode of the Billboard Pop Shop Podcast (listen below), Katie & Keith are chatting about five brand-new Christmas songs for 2023: Cher‘s “DJ Play […]

Dove Cameron is fresh off the release of her debut album, Alchemical: Volume 1, and the 27-year-old star sat down with Billboard‘s Rania Aniftos to discuss the inspiration behind the two-part project. Explore Explore See latest videos, charts and news See latest videos, charts and news “I felt like I was writing the two halves […]

Taylor Swift is the ultimate Sagittarius, and her upcoming The Eras Tour extended edition film — out on the singer’s 34th birthday (Dec. 13) — will fittingly include a performance of her Lover track, “The Archer.” Explore Explore See latest videos, charts and news See latest videos, charts and news In a preview clip of […]

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2023 all this week. At No. 7, we remember the year in Olivia Rodrigo — who avoided the sophomore slump and continued to define both pop and rock stardom for her generation with one of the year’s most acclaimed albums.

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“It’s a lot of pressure,” Olivia Rodrigo admitted to Billboard upon the June release of “Vampire” — the lead single to her sophomore album, which was one of most anxiously awaited albums of 2023. “I’d be lying if I said that I didn’t feel that.”

It’d be one thing if Rodrigo had followed Sour — her 2021 debut featuring smashes like “Drivers License” and “good 4 u,” which turned into one of the most successful pop albums of the decade — with any sort of stopgap singles or deluxe-edition goodies for fans. But her decision to limit her studio output, as the rare pop star content to hole away until their next full-length statement is ready for unveiling, built enormous anticipation (and expectation) for its follow-up. “It’s very nerve-racking,” Rodrigo continued. “I haven’t put out music in, what, two years now?”

Billboard’s Greatest Pop Stars of 2023:Introduction & Honorable Mentions | Rookie of the Year: Peso Pluma | Comeback of the Year: Miley Cyrus | No. 10: Drake | No. 9: Doja Cat | No. 8: Bad Bunny

“Vampire” dramatically ended that drought. After some social media teases, the single arrived as a gut-punch to a bloodsucking, fame-f–king ex at the end of June, and demonstrated that Rodrigo wasn’t going to trend-chase with her sophomore effort. A theatrical piano ballad with a slow build-up, halting refrain and multiple tempo changes, “Vampire” sounded unlike anything else on pop radio upon its arrival — but fans reveled in the outsized scale, critics were on board, and the song debuted atop the Billboard Hot 100, officially announcing that one of the decade’s brightest new stars had returned.

Zamar Velez

Nick Walker

“Bad Idea, Right?” followed in August, and scratched the itch for “good 4 u” fans hoping that more guitar-heavy punk leanings were on the way. In addition to scoring a top 10 debut on the Hot 100, the second single refined Rodrigo’s pop-rock aesthetic — the guitar chugs and blurted-out verses a bit more delicious, the backing harmonies and chorus flare-up a little more immediate.

And when Guts, Rodrigo’s sophomore album, arrived in full in September, the full scope of that artistic evolution was clear. Once again working alongside producer-songwriter Dan Nigro, Rodrigo made sure every post-childhood fear, romantic agitation and cynical realization landed with emotional clarity and instrumental force, whether through a thicket of guitar fuzz or beautifully restrained balladry. Guts scored a No. 1 debut on the Billboard 200 with a slightly higher equivalent albums unit total than Sour, while also receiving rave reviews upon its release; fans kept the new full-length on repeat, while critics confirmed that Rodrigo had avoided the sophomore slump.

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Building upon the momentum of the album release, Rodrigo announced the Guts World Tour, which will bring her around the globe as an arena headliner for the first time, with one of the hottest tickets of 2024’s touring slate. Meanwhile, she stayed visible after the album’s release – particularly with third single “Get Him Back!,” which harnessed a similar guitar-crunch energy as “Bad Idea, Right?”  “Get Him Back!” received a pronounced promotional push, complete with an MTV Video Music Awards performance, Apple iPhone commercial synch and even an appearance in the trailer for the upcoming Mean Girls musical film adaptation.

The accolades piled up for Guts as 2023 started to wind down: the album is all over critics’ year-end list, including at the top of Billboard’s staff list of the best albums of 2023. After winning best new artist at the Grammy Awards in 2022, Rodrigo will try to snag the other three Big Four categories: Guts is up for album of the year, and “Vampire” is nominated for both record of the year and song of the year, as part of Rodrigo’s six total 2024 nominations. Rodrigo spent December showcasing her Guts material on platforms like Saturday Night Live and NPR’s Tiny Desk Concert – although Rodrigo has already provided a stopgap single that she resisted between Sour and Guts. “Can’t Catch Me Now,” the heartfelt soundtrack single from The Hunger Games: The Ballad of Songbirds & Snakes, continues to grow as a hit outside of the film franchise following its November release. 

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The pressure that Rodrigo felt at the beginning of 2023 was understandable: Sour was the type of debut album that checked every commercial and critical box for a new pop star, and nothing was promised as she prepared to follow it up. With her second album era well underway, however, Rodrigo has proven herself as a durable, consistently exciting voice at the forefront of popular music. She is still only 20 years old, but Rodrigo had demonstrated remarkable poise as she has crafted a singular career, continued to score hits, transcended genre and deployed her artistry across a variety of mediums. Early next year, she’ll compete against Taylor Swift, Lana Del Rey, Billie Eilish and Miley Cyrus in key Grammy categories, and she has adeptly absorbed pieces of those artists’ respective careers — from the uncompromising songwriting, to the chart consistency, to the ability to rock out for pop fans and have them clamoring for more.

Time and again, Rodrigo meets, and exceeds, the expectations placed upon her. And because of that, her future couldn’t be brighter.

Long before she released her hit single “Vampire,” Olivia Rodrigo was repping her favorite fictional blood sucker on tour.   In a Tuesday (Dec. 11) appearance on The Kelly Clarkson Show, the 20-year-old pop star gushed about the custom in-ear monitors she used while touring in support of her debut album, Sour. On both of her […]

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2023 all this week. At No. 8, we remember the year in Bad Bunny — who, with his unrelenting impact on the global music scene, continues to shape the fabric of contemporary pop culture.

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In the pop realm of 2022, there was no disputing Bad Bunny‘s indomitable reign — an accumulation of years since urbano’s global breakthrough that shot him to the forefront of the pop culture zeitgeist. With nearly 435 million grossed on the road and one of the biggest albums of the last decade, the 13-week Billboard 200-topper Un Verano Sin Ti, Benito Antonio Martínez Ocasio became the biggest star in the world, and our Greatest Pop Star of 2022, all while singing in Spanish.

The year kicked off in the afterglow of his 2022 triumphs. From casually tossing off collaborative hits alongside Ñengo Flow (the Christmas season-release of “Gato de la Noche”) and Eladio Carrion (“Coco Chanel”) to the now-infamous incident of throwing a fan’s cell phone into the ocean, Bad Bunny wasted no time making waves in 2023, effortlessly.

Billboard’s Greatest Pop Stars of 2023:Introduction & Honorable Mentions | Rookie of the Year: Peso Pluma | Comeback of the Year: Miley Cyrus | No. 10: Drake | No. 9: Doja Cat

In February, the performer opened the 65th annual Grammy Awards with a historic Un Verano Sin Ti medley that paid homage to his beloved Puerto Rico. Running the gamut of Caribbean music — from merengue to plena and, of course, reggaetón — the superstar brought previously overshadowed genres to primetime television at the prestigious ceremony. (This also included a viral moment when the broadcast’s closed captioning described him as “singing in non-English.”)

Bad Bunny was up for best pop solo performance, best música urbana album, and the coveted album of the year awards. Despite not clinching the latter — memorably losing to Harry Styles’ Harry’s House — Bunny still made history as the first all-Spanish LP to receive a Grammy nomination for Album of the Year. (In October, he would tell Vanity Fair, “Maybe they weren’t ready for a Spanish-language album to win the big prize.”) The night was still a success as he secured the best música urbana award for the second year in a row.

Stillz

Stillz

Meanwhile, rumors of a romantic entanglement with Kardashian sibling and model Kendall Jenner began to swirl that month, when TMZ captured the couple leaving a restaurant in Beverly Hills. In March, after getting seen on another date in West Hollywood, US Weekly reported from a source that they were “not official,” however, they were “getting to know each other better.”

The pairing, however, was not universally embraced by all fans, especially Latina fans. Refinery29’s Somos wrote that fans felt a “collective sense of betrayal.” “For many Latina fans venting their grievances online, Bad Bunny’s recent dates with Jenner force them to think about the possibilities and limits of popular culture and what happens when the icons we love don’t love us back,” said scholar of gender and ethnic studies, Yessica Garcia Hernandez, in April. “There is no denying that Latina fans have branded Benito as a contemporary symbol of Latina feminisms, and now there seems to be a cultural expectation from fans that want Benito to remain committed to his social justice stardom.” Nevertheless, being half of one of pop culture’s preeminent power couples further reinforced his status as an A+ lister.

April marked another milestone for Bad Bunny, who became Coachella’s first-ever Spanish-language headliner. “Latinos have been rompiéndola (killing it) for some time now. I just did a tour last year that I never imagined I’d be able to do,” he said during his Coachella performance, alluding to his record-shattering World’s Hottest Tour. “I’ve been out for some time but [I’m back] and it feels cabrón to be here tonight and that you’re all here with me.” He brought the usual (as well as some unusual) suspects on stage, including Post Malone, Ñengo Flow, Jhayco, and Jowell & Randy — oh, while also jumping on a jet ski at one point.

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Just a few days later, after his historic performance, the Puerto Rican hitmaker embraced the burgeoning música mexicana boom with Billboard’s December 2022 Latin artists on the rise, Grupo Frontera, on “un x100to.” The Edgar Barrera-assisted collaboration not only dominated across multiple Billboard charts — Hot 100 (No. 5), Global 200 (No. 1), Global Excl. US (No. 1), Hot Latin Songs (No. 2) — but further helped fuel the genre’s international explosion.

Breaking a social media hiatus in May, Bunny released the Jersey club one-off “Where She Goes,” produced by MAG, followed by collaborations such as the synth-driven “Mojabi Ghost” by Tainy, from the producer’s debut album Data; and “K-Pop” by Travis Scott, also with The Weeknd, a buoyant trap song with Afrobeat elements. While these tracks debuted well and showcased Bunny’s versatility, none reached the meteoric success of his previous hits.

Then came the reggaetón number “Un Preview” in September, setting the stage for his return-to-roots, Latin-trap-heavy fifth solo album, October’s Nadie Sabe Lo Que Va a Pasar Mañana. The album landed another resounding No. 1 debut on the Billboard 200, but also experienced a somewhat softer reception than Un Verano Sin Ti. (Nadie Sabe debuted with 185,000 units in its first week, roughly 90,000 shy of the 274,000 posted in May 2022 by Un Verano Sin Ti in its first frame.)

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Still, five years ago, the Billboard 200 had never had a Spanish-language album atop its rankings, and Bad Bunny has now done it three albums in a row, starting with El Último Tour del Mundo. And although the Nadie Sabe songs didn’t cling to the charts in the same way, it did become Spotify’s 2023 most-streamed album in a single day upon its release.

In a notable moment for mainstream American television, Benito also hosted and performed on Saturday Night Live the week after the album drop. Billboard’s chief content officer Leila Cobo wrote on the normalization of Spanish on one of the longest-running shows in American pop culture: “Thanks to a rapper from Vega Baja, Puerto Rico, Latin presence in U.S. pop culture has been mainstreamed for perhaps the first time since I Love Lucy in the 1950s,” said Cobo. “The big difference is, I Love Lucy used comedy as a vehicle to “translate” Desi Arnaz’s accented English, accompanied by boogaloo. In contrast, Bad Bunny makes no attempt at translation or compromise when he very matter of factly speaks in Spanish.”

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As the year draws to a close, Bad Bunny is plotting the Most Wanted Tour for 2024, kicking off on Feb. 21 in Salt Lake City. Despite remaining one of the globe’s biggest and best pop stars, the excitement of his previous year seems to have waned, with increased competition from rising stars like Peso Pluma, who’s leading the música mexicana explosion towards American pop; and Karol G, who also had a historic Billboard 200 debut and dominated the highest-grossing Latin tours of the year. However, Benito still secured a top 5 ranking in Latin tours — he placed No. 28 on the all-genres 2023 year-end boxscore chart. But the singer/rapper still ranked No. 1 on Billboard’s year-end Top Latin Artists chart, with Peso coming in second, and Karol in third place.

And lest anyone forget, El Conejo Malo declared precisely one year ago, “I’m taking a break. 2023 is for me, for my physical health, my emotional health to breathe, enjoy my achievements.” As we stand at the culmination of this year-long journey — witnessing his triumphant return to the Coachella stage as a headliner, his exploration of diverse musical genres, his unyielding influence on pop culture — it’s evident that his version of “taking a break” is still an extraordinary metamorphosis.

Google released its list of the biggest trending searches of 2023 and when it comes to music, Jason Aldean‘s controversial “Try That in a Small Town” led the list of search inquiries for songs, with Aldean also hitting No. 1 as the top trending musician.

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In a year when Taylor Swift and Beyoncé were perpetually in the news thanks to their massive tours and the live concert films, the high placement for Aldean was not totally surprising given the weeks of attention he got for “Small Town,” which was  pulled from CMT and labeled by some detractors as being pro-gun, pro-violence and akin to a “modern lynching song” after the release of the track’s video.

The visual found Aldean performing the song in front of the Maury County Courthouse in Columbia, TN, the site of the 1927 lynching and hanging of 18-year-old Henry Choate over allegations that he sexually assaulted a white girl, as well as the spot of a 1946 race riot in which two Black men were killed. Aldean rejected detractors’ claims about the song whose video featured images of an American flag burning, protesters clashing with police, looters breaking a display case and thieves robbing a convenience store; the video was later seemingly edited to remove images of a Black Lives Matter protest following the backlash.

Right behind Aldean was buzzy rapper Ice Spice, followed by “Rich Men North of Richmond” country singer Oliver Anthony, Peso Pluma, Joe Jonas, Sam Smith, The 1975’s Matty Healy, Kellie Pickler, Kim Petras and Sexxy Red.

Google’s data shows the top trending searches in the U.S., referring to trending queries as searches that had a major spike in traffic over a sustained period in 2023 versus 2022, which is why despite being a near-ubiquitous search term who has a consistently high search interest, TIME‘s Person of the Year Swift (and Beyoncé) didn’t top the ranking for musicians; click here for Gizmodo‘s explanation.

The year’s most buzzed-about movies, Barbie and Oppenheimer (combined as Barbenheimer by fans) came out on top, followed by the controversial anti-trafficking movie Sound of Freedom and Oscar-winner Everything Everywhere All At Once, as well as Guardians of the Galaxy Vol. 3, The Super Mario Bros. Movie, Creed III, John Wick: Chapter 4, Five Nights at Freddy’s and Cocaine Bear. The No. 1 trending actor was Jeremy Renner, who suffered serious injuries in a snowplow incident in January.

Jamie Foxx, who was sidelined most of this year after an unexplained “medical complication” in April, was just behind Renner, followed by disgraced That 70’s Show actor Danny Masterson, comedian Matt Rife, Pedro Pascal, Jonathan Majors, Sophie Turner, Russell Brand, Ke Huy Quan and Josh Hutcherson.

The trending people list had Buffalo Bills safety Damar Hamlin at No. 1 following his scary on-field cardiac incident during a Cincinnati Bengals game in January, followed by Renner and Kansas City Chiefs tight end Travis Kelce, likely due to his romance with Taylor Swift; Kelce was also among the top five most-searched athletes.

The TV tally featured mostly Netflix projects, including its originals Ginny & Georgia, Queen Charlotte: A Bridgerton Story, Wednesday, That 90’s Show, Kaleidoscope, Beef and The Fall of the House of Usher. Other shows that got in the mix included Daisy Jones & the Six (No. 4) and The Weeknd’s one-and-done HBO series The Idol (No. 9).

Late Friends star Matthew Perry was No. 1 on searches for celebrity deaths, followed by Tina Turner, Jerry Springer, Jimmy Buffett and Sinead O’Connor, with Lisa Marie Presley coming in at No. 8. The news headlines that we searched the most were those related to the war between Israel and Hamas, followed by the sinking of the Titanic tourist submarine, Hurricanes Hilary, Idalia and Lee, as well as a mass shootings in Maine and Nashville, the Maui wildfire, the Idaho college campus murder trail and the Canadian wildfires.

In 1970, a genre-bending band from Long Beach, Calif., called War teamed up with Eric Burdon, former singer for The Animals. Eric Burdon Declares “War” included the No. 3 Billboard Hot 100 hit “Spill the Wine,” and the May 2, 1970, Billboard declared Burdon was officially “now a full-fledged soul singer.” After one more album, Burdon collapsed onstage and then left the group, leaving War’s future uncertain. The band’s next album, as well as its first for United Artists (UA), only advanced to No. 190 on the Billboard 200.

The group proved it wasn’t a Cold War when its next album, All Day Music, hit No. 16 on the album chart in 1972. That same year, The World Is a Ghetto established the group — which still performs today with founding member Leroy “Lonnie” Jordan — as a musically fearless funk group that soared even higher without the burden of a famous frontman. The album topped the Billboard 200 on Feb. 17, 1973 — a half-century ago this year.

War Effort

After Burdon left, War waged a marketing blitz — the March 13, 1971, Billboard reported that the campaign “included saturation of trade and underground press with ‘War Is Coming’ ads,” as well as “distribution of 10,000 plastic war helmets to disk jockeys, music writers and key record dealers across the country.”

War Is Declared

The “Soul Sauce” column in the Nov. 11, 1972, Billboard hailed War’s The World Is a Ghetto as the “best new album of the week.” “Sparked by their current single and title cut, War have come up with [an] excellent package that is destined for big sales,” predicted a review in the same issue, citing the 13-minute “City, Country, City” as an “excellent example of talent in the group.”

War Cry

“War is a dynamic act in person and its single of ‘World Is a Ghetto’ on UA continues its quest toward the top,” read a “Hot Chart Action” dispatch in the Feb. 3, 1973, issue. The single would eventually reach No. 7 on the Billboard Hot 100 and No. 3 on what is now the Hot R&B/Hip-Hop Songs chart. War didn’t stop there — the April 21, 1973, Billboard reported that “The World Is a Ghetto has gone gold for War together with their other United Artists single, ‘Cisco Kid’ ” — which eventually hit No. 2.

Spoils of War

The World Is a Ghetto became “the top pop album of the year,” according to the Dec. 29, 1973, issue, beating out Seals & Crofts’ Summer Breeze, Stevie Wonder’s Talking Book and Carly Simon’s No Secrets. “The well-made AM [radio] hit of today must have impeccable production and great energy,” read an analysis of the album’s success in the same issue. “This War LP was a sterling example of crossover and of the increasing demand for danceable records with free-form Latin rhythms.”

This story originally appeared in the Dec. 9, 2023, issue of Billboard.

Seeing the list of stars we’ve lost in the calendar year is always a shock. But there’s something comforting about British artist Chris Barker’s annual visual homage to stars who’ve left this mortal coil, which this year includes yet another unfathomable tally of beloved singers, actors, public figures and personalities. 
As always, Barker organizes the faces using the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album cover as the template, with this year’s model featuring Pogues singer Shane MacGowan front-and-center above the bass drum, flanked by Tina Turner and Sinead O’Connor. Just a few spots down, Tony Bennett smiles next to British guitar great Jeff Beck, with beloved comedian/actor Pee Wee Herman copping a squat in the foreground. 

In a statement to Billboard about his eighth go-round, Barker — who has frequently pledged to make each year his last — says that after cramming all his work into November in the past, this year he began compiling his list in September because he knew this year would be jam-packed with subjects. 

“This is the most overwhelming number of huge significant losses I remember in the eight years doing this since 2016. The front two or three rows are all really recognizable legends. It’s a bit much to be honest,” Barker says of the list that includes the above mentioned, as well as beloved British actor Barry “Dame Edna” Humphries, Raquel Welch, Friends star Matthew Perry, CSNY singer David Crosby, composer Burt Bacharach, De La Soul’s Trugoy the Dove and Calypso singer/civil rights activist Harry Belafonte. 

Barker said he was glad that Pogues and Smiths fans were sharing the image of MacGowan and Smiths bassist Andy Rourke. He pointed out some other small touches he was happy to include were late artist Jamie Reid’s Sex Pistols flag under Herman’s feet, replacing the flag more earnestly commemorating  Queen Elizabeth II in last year’s montage. “I also quite like the way I’ve used Steve Mackey from Pulp’s actual cardboard cutout from the Different Class album cover,” he says. 

“I know it’s a very sad topic, it’s a very strange hobby and I really don’t know how I’ve ended up as this weird custodian of international grief, but people do really seem to like it so I’m kind of stuck with it now!” Barker says. 

Among the other faces in the crowd are: actors Richard Roundtree (Shaft), Michael Gambon (Harry Potter), Alan Arkin (Little Miss Sunshine), Lance Reddick (The Wire), Angus Cloud (Euphoria), Suzanne Somers, Richard Belzer, Gina Lollarigida, Jerry Springer and game show host Bob Barker, singers/musicians Sixto Rodriguez, Gary Rossington (Lynyrd Skynyrd), Jimmy Buffett, Yukihiro Takahashi (Yellow Magic Orchestra), Tom Verlaine (Television), Robbie Robertson (The Band), Steve Mackey (Pulp), Tim Bachman (BTO), John Gosling (The Kinks), Fred White (EW&F), Lisa Marie Presley, Randy Meisner (Eagles), Anita Pointer (Pointer Sisters), Astrud Gilberto, Dwight Twilley, Van Conner (Screaming Trees), Jane Birkin, The 45 King, Gary Wright, Paul Cattermole (S-Club 7), Gary Young (Pavement), Denny Laine (Wings) and Smash Mouth’s Steve Harwell. 

In keeping with Barker’s comprehensive determination to keep the image as up-to-date as possible, the most recent iteration features two images of Hollywood icons we lost just last week, Love Story star Ryan O’Neal and legendary sitcom producer/writer Norman Lear (Good Times).

Check out the image and the key for the 2023 edition below.

Dua Lipa and Seth Meyers got tanked on Monday night (Dec. 11) in the latest edition of the late night host’s boozy bit “Day Drinking” segment. In keeping with the theme of the singer’s latest single, “Houdini,” Meyers started out with a run of mixed drinks with magical qualities, including a “Houtini,” which mixed vodka, tequila blanco, white rum and a hard pour of curaçao. The addition of some lemon juice “magically” changed the color of the drink, which Meyers dubbed “a wildly unimpressive effect.”
From the looks of the frown on Dua’s face, it was also had a wildly unimpressive taste.

Things didn’t get much better with a gummy-infused concoction called an “Abracadabra,” featuring Harry Potter butter beer. The shenanigans just got more confusing as the bit went on, with Meyers subjecting the singer to a game called “Pick a Card, Any Card,” whose categories included alcohol, common mixers, uncommon mixers and the dreaded “dusty old bottles you’d sneak a drink from at your grandparents.”

In the latter, we learned that Lipa pronounced bourbon “borbon,” which delighted Meyers as he began making the world’s worst drink, which blended borbon, soda, green juice and calvados, a drink the host promised would “suck ass.” It just got worse from there with a drink that mixed tequila, Red Bull, pumpkin spice latte and Campari, dubbed the “Second Wind,” which the pair said could be summed up by one word: “curdling.”

In another round inspired by Houdini, Meyers and Lipa lined up a round of shots and had to down them to find out if they were alcohol or water, with the “Levitating” singer hitting booze three times in a row before striking agua.

Finally, they got to a game inspired by Dua’s single “IDGAF,” in which Meyers asked Dua a question, to which she could answer “I don’t give a f–k” or take a shot. She struck first, asking Meyers to rank his three children in order from least to most favorite: that one ended up with a shot. When Meyers asked Dua to name the most famous person who has slid into her DMs, she laughed and took the shot.

Meyers wasn’t so tame when it came to a question about which of his Strike Force Five podcast co-hosts he liked the least, looking at the camera and slurring, “I don’t think the British should be allowed to have talk shows,” he said, seemingly calling out Emmy magnet and Last Week Tonight host John Oliver. “We found the revalsuh… the Revolutionary War… John Oliver, go back home.”

“Wow, you hate the Brits!” Dua said laughing. “I don’t hate the Brits, I just f–king hate you, John,” Meyers slurred as a promo card for a series of upcoming Oliver/Meyers joint stand-up tour dates filled the screen. After Lipa served up her favorite Albanian swear word, the singer declined to name one of the “many fake-ass b–ches in the world,” while Meyers was happy to say what he hates about being a dad (“they’re so dumb.”)

When things got serious near the end, Dua took the Lizzo road and refused to pick between Oprah and Beyoncé, but the host did get her to sing “Happy Birthday” in her best Cockney accent. They then became the most annoying people in the bar when they tried to match each other’s high notes and ended with the traditional drunk’s prayer: “you’re my best friend.”

Watch Dua Lipa go day drinking with Seth Meyers below.

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