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With less than a month to go before Eternal Sunshine takes over the world (Mar. 8), Ariana Grande is keeping her attention on “Yes, And?” — and she’s tapped a certifiable legend to breathe new life into the song. Marking their second official collaboration, Ariana Grande and Mariah Carey have teamed up for a new “Yes, And?” remix.
Released to digital streaming platforms on Friday (Feb. 16), the new version of Grande’s latest Billboard Hot 100 chart-topper arrives after a few days of teasing via her official Instagram page, Carey’s official Instagram page, and the @sweetener account Grande has been relaying album-related news on since 2018.

After teasing a special announcement via her Instagram Story earlier this week (Feb. 13), Grande confirmed Carey’s appearance on the “Yes, And?” remix with a Feb. 14 post captioned, “Thank you from the bottom of my heart for this dream come true and for sprinkling your brilliance and magic on my little song @mariahcarey. [It] means more to me than [I] could ever possibly articulate and [I] cannot wait for everyone to hear this! [I] love you eternally!!!!!!!”

Trending on Billboard

Mariah returned the love in Grande’s comment section, writing, “Darling angel, I am so effing excited to be joining you on the yes, and? remix!! This is such a magical moment!! Love you ❤️ MC.”

The two vocal powerhouses first team up for a track back in 2020. Alongside EGOT winner Jennifer Hudson, Carey and Grande updated “Oh Santa!” — a single from Carey’s Merry Christmas II You (2010). That track, which delighted fans in its union of two artists (Carey and Grande) than have been unfairly pit against each other in the past, came complete with a glitzy music video. The three divas delivered the first joint live performance at the song last month (Dec. 9) at Madison Square Garden during the New York stop on Carey’s Merry Christmas One & All! tour.

In January (chart dated Jan. 27), “Yes, And?” debuted atop the Hot 100, marking Grande’s eighth career No. 1 single. The house-indebted bop serves as the lead single from Eternal Sunshine, her forthcoming seventh solo studio album, which serves as her first LP since 2020’s Billboard 200-topping Positions.

Stream Ariana Grande and Mariah Carey’s “Yes, And?” remix now!

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The summer may be winding down, but the Afrobeats release schedule has barely let up — and August has proven to be another big month, with major albums from superstars like Burna Boy and Olamide, plus EPs from Uncle Waffles and Kelvyn Boy, among others.
And that hectic schedule of great new music is unlikely to end soon, with forthcoming albums from the likes of Teni and Muzi — both of whom also have new tracks out this month — on the way, among many others. Before the Headie Awards this weekend — airing Sept. 3, with Burna Boy, Asake and Rema leading the nominations — there’s plenty of new music to check out.

We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and find your new end-of-summer soundtrack with our Spotify playlist below.

Uncle Waffles feat. Tony Duardo, Manana & Lusanda, “Echoes”  

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The “princess of amapiano” returns with her second EP Solace, a tranquil, ethereal experience compared to her “very upbeat and explosive” debut EP Asylum, she described in a press release. Its lead single and first track, “Echoes,” envelops listeners in an array of mesmerizing harmonies from eSwatini-born singer Manana and South African singer Lusanda about wishing to patch up an old relationship (“Echoes/ ‘Cause this heart is hollow/ Empty from the hole you left,” Manana croons), and scintillating production from Waffles and frequent collaborator Tony Duardo.  

Muzi, “eMtunzini” 

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South African artist and producer Muzi plans on traveling down memory lane (in his family’s Toyota Cressida) for his upcoming album uMuzi, due Oct. 13 via Fool’s Gold Records. But for his first stop, the sun-soaked lead single “eMtunzini,” Muzi retells his parents’ love story, and his own origin story, while weaving in between his native Zulu and English. The impassioned, exhilarating house production and deep vocals repeating “Feel like we’re a vibe/ Feel like we should spend more time” make “eMtunzini” a prime addition to anyone’s roadtrip playlist.  

Lord Afrixana feat. Firefly, “Pillow” 

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After writing for Beyoncé, Davido and more, rising Ghanaian singer-songwriter Lord Afrixana is making a name for himself on his Protect the Culture/Warner Records debut Ghana Must Go. On highlight track “Pillow,” he comforts his love interest by promising to be the kind of man her ex never was while Firefly challenges whether he’s ready to provide the kind of loving she requires in her arousing retort.  

Black Sherif, “YAYA” 

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From the Ghanaian rapper’s introspective two-pack Take Care of Yourself Blacko, the single “YAYA” tells the story of strife, staying true to oneself despite the fame and success and searching for peace through the lens of Black Sherif’s alter ego, “a rebel who gave fate a chance and is in search of healing,” according to a press release.  

Burna Boy, “City Boys” 

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Move over City Girls, because Burna has something for the “City Boys” on his latest album I Told Them…. He starts the Jeremih-sampling track with audio from British rapper J Hus’ Instagram story, where he dismantles his “ugly” perception of himself and rather praises himself as “sexy.” The monologue sets the tone for the braggadocious anthem, where Burna blends his signature Afro-fusion with U.S. hip-hop (that’s amplified throughout the album as well as in his “City Boys” TikTok challenge). He even acknowledges fans’ misinterpretation (“I need a boat and shy hoes”) of his chant-worthy chorus from last summer’s smash “Last Last” (“I need Igbo and shyo”), proving that the Nigerian hitmaker’s fingers remain on the pulse of what’s hot in the culture.

Burna Boy feat. Seyi Vibez, “Giza”

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On an album in which he reaches across the Atlantic more than ever, it’s the song where he links up with Nigerian street king Seyi Vibez that stands out the most. There’s something about the distinct style that Seyi has been delivering over the past 18 months that is both raw and engaging, and Burna taps into his soundscape to deliver one of the best tracks on I Told Them… It may not have the U.S.-leaning pop appeal of other records on the project, but it’s arguably the most captivating.

Olamide, “Problem”

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If Unruly, as he’s threatened, is Olamide’s last album, it’s both a triumphant finale and a shame that he won’t continue to deliver tracks like the single “Problem” — one of the best distillations of his strengths that he’s put out across his illustrious career. Produced by Magicsticks, the beat itself is infectious, and Olamide’s delivery, particularly on the hook, is carefree and effortless. It’s easily the best track off the album.

Olamide, “Life Goes On”

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Unruly can be broken down into three parts — two five-song solo sections from the YBNL boss that bookend a slew of top-shelf collaborations. And the back end of the album has a number of tracks that stand out and tie the whole project together — “Supplier” and “Street Jam” could easily be included here, too — but “Life Goes On” is another of the best tracks of his career, combining his melodic flows and rapped verses, and serving as a farewell of sorts if this is, indeed, his final project. Let’s hope that’s not actually the case.

Kelvyn Boy feat. Babyboy AV, “Roma”

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Ghanaian singer Kelvyn Boy has a history of slipping effortlessly through various genres, and “Roma” sees him dipping into highlife styles for a breezy track that could be the perfect send off to the summertime. The major key instrumentation gives it an irresistible quality, and it’s an easy highlight off his great new EP For the Kulture.

Teni, “Lanke”

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Sometimes it feels like Teni can do everything; all three singles she’s released this year are wildly different from each other, and each are great in their own way. The latest, “Lanke,” is the most carefree and outwardly joyous, as expressed in its hook and its gleeful new music video, out today. “Feel good, regardless of what life throws at you,” she said about the track. “Omo Lanke is someone that owns a wheelbarrow. You never see a person that owns a wheel barrow drive straight. Good or bad, we stay pushing, we don’t stop, we keep going. We appreciate the good, we learn from the bad.”

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Nicki Minaj has fallen victim to swatting once again. Cops rushed to her home after a call was made to 911 saying someone was shot at her residence.

As spotted on TMZ Queens, New York native was the latest target of celebrity harassment. Last week an unidentified individual placed a phony phone call to local police claiming someone had been shot at her mansion. The authorities quickly rushed over to the Maraj-Petty household only to find out they were tricked by someone with a terrible sense of humor. The cops pulled up with sirens and lights the San Fernando property.

The celebrity gossip outlet says the “Chun Li” rapper was not pleased one bit at the fact that the force showed up ready for action on a Saturday afternoon. But unfortunately this is not the first time she has been on the receiving end of phony phone call to 911. Back in June cops were dispatched to her home after some called in claiming a child was being abused and that the house was on flames.
According to Dictionary.com swatting is defined as “the action or practice of making a prank call to emergency services in an attempt to bring about the dispatch of a large number of armed police officers to a particular address.” Within the last couple years several celebrities have felt been targeted with swatting including Paris Hilton, Rihanna, and Justin Timberlake.
Nicki Minaj has yet to comment on the matter.

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The Recording Academy is celebrating a “major global victory” for music as the PEACE For Music Diplomacy Act passes through the House and the Senate as part of the 2023 National Defense Authorization Act (NDAA).

The Senate voted Thursday (Dec. 15) to approve the massive defense bill, which includes The PEACE (Promoting Peace, Education, and Cultural Exchange) Act. This follows the House’s bipartisan passage of the paperwork last week.

The Recording Academy has thrown its advocacy efforts behind the bill since it was first introduced January in the House by 2022 Grammys on the Hill honorees Rep. Michael McCaul and former Rep. Ted Deutch.

The act, it has been said, would use music and music-related global exchange programs as a tool to build cross-cultural understanding.

Specifically, the Recording Academy notes, the bill leverages partnerships with the private sector when designing and implementing its music-related exchange programs, and authorizes music-related exchanges that “advance peace abroad.”

At October’s District Advocate Day, almost 2,000 Recording Academy members met with Congressional reps to discuss pending legislation affecting creators, including the PEACE Through Music Diplomacy Act.

The behind-the-scenes advocacy work and passage of the bipartisan $858 billion defense bill is a reminder of “the power of music and its capacity to increase understanding between diverse cultures and people around the world,” comments Recording Academy CEO Harvey Mason jr.

The legislation is now on President Joe Biden’s desk awaiting his signature. 

“The Recording Academy is grateful to Rep. McCaul, former Rep. Deutch, and Senators Leahy and Tillis for their support of this important legislation, and we look forward to championing future cross-sector partnerships that will allow music creators to promote peace across the globe.”

Read more here on the NDAA.