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Post Malone is the latest artist to hold the title of Record Store Day Ambassador, the annual event has announced.
Set to take place on April 12, Record Store Day returns for its 18th year in 2025, celebrating close to two decades of supporting physical media, independent artists, and brick-and-mortar record stores. Now, Malone has been announced as the artist who is being honored with the title of 2025’s Record Store Day’s Ambassador.

“What an honor, I can’t believe I was chosen to be Record Store Day’s Ambassador for 2025,” Malone said in a statement. “Record Store Day is so important and I really hope to do my part to keep it alive. We love hitting local shops when we’re on the road, seeing all the crazy artwork, the whole energy in a record store is just super inspiring. I feel at home.

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“It’s really an unexplainable feeling to hit up a shop and dig through crates, just see what grabs your eye. You can be looking for something super specific and end up finding something totally different. It’s the best. Keep supporting y’all and let’s keep records and these local shops going strong. Happy Record Store Day everybody!”

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Malone joins a list of musical luminaries to hold the title, which has been bestowed annually since 2009. Previous years have seen the likes of Jack White, Run the Jewels, Ozzy Osbourne, Brandi Carlile, Metallica, and St. Vincent assume the role. In 2024, Paramore were the U.S. Ambassadors while Kate Bush took on duties for Record Store Day’s U.K. edition.

Traditionally, the Record Store Day Ambassador also partakes in the event by issuing a limited edition release on the day, though the list of exclusive releases for 2025 has not yet been announced. However, considering the success of his F-1 Trillion album in 2024 – which marked his transition to country music and topped the Billboard 200 – it could be speculated any prospective release will be related to his latest record.

“I’m very excited about Ambassador ‘Posty’”, added Record Store Day co-founder Carrie Colliton in a statement. “Musically, he’s all over the place — just like record stores and their customers, especially some of the newest, youngest people to embrace their local brick-and-mortar spaces.”

Chris Brown has filed a lawsuit against Warner Bros. Discovery, alleging the media giant defamed him with a 2024 documentary claiming that the R&B star had a long history of sexually abusing women.
Filed Tuesday (Jan. 21) in Los Angeles Superior Court, the complaint accuses Warner Bros. Discovery and Ample Entertainment, the production company behind Chris Brown: A History of Violence, of “promoting and publishing false information in their pursuit of likes, clicks, downloads and dollars and to the detriment” of the R&B star — all while “knowing that it was full of lies and deception and violating basic journalistic principles.”

“They did so after being provided proof that their information was false, and their storytelling ‘Jane Doe’ had not only been discredited over and over but was in fact a perpetrator of intimate partners violence and aggressor herself,” reads the lawsuit, which was filed by attorneys Arnold Shokouchi and Levi McCathern. “Mr. Brown has never been found guilty of any sex related crime…but this documentary states in every available fashion that he is a serial rapist and sexual abuser.”

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The Jane Doe who made sexual assault accusations against Brown in the documentary — whom he identifies in the lawsuit — is also named as a defendant in the complaint, which alleges the woman “completely disregarded the facts in an attempt for fame and fortune — all at the cost of Chris Brown and the reputation he has worked diligently in redeeming over the last decade.”

The “sensationalized, unfounded, and defamatory allegations” in the documentary “have been discredited, dismissed by the courts, or outright fabricated,” Brown’s lawyers write. The lawsuit further alleges that the Jane Doe filed a “frivolous civil lawsuit” against Brown in January 2022 in which she accused him of sexual assault and battery — but that her claims “were determined to be entirely fabricated, leading to the withdrawal of her attorneys and dismissal of the case” that same August “after a Miami Beach Police detective uncovered text messages…that exposed her dishonesty.” It adds that while an investigative report published by Rolling Stone in March 2022 “further discredited her claims,” the ID documentary nonetheless portrayed her “as credible, ignoring her established lack of veracity.”

Later in the complaint, Brown’s attorneys break down the Jane Doe’s alleged “history of violence and erratic behavior [that] should have raised red flags for any responsible journalist.” The suit includes a copy of an alleged restraining order filed against Doe by an ex-boyfriend in 2021 “after she physically assaulted him, threatened him with a knife, and engaged in online harassment.”

“These incidents, detailed in court records and leading to her arrest by the Los Angeles Police Department, were disregarded by the Defendants, who instead framed her as a reliable source to bolster their sensationalized portrayal instead of the physical aggressor in a romantic relationship,” the complaint reads.

Key to the lawsuit is the accusation that the companies behind the documentary moved forward with its release even though they allegedly knew it “contained false claims and violated journalist professional standards” — claims Brown’s lawyers now say “caused significant harm to Mr. Brown’s reputation, career, and business opportunities.”

Several individuals who appeared as talking heads in the documentary are also named as defendants in the lawsuit.

Brown is asking for $500 million in damages, “a portion of which will be donated to survivors of sexual abuse.”

Warner Bros. Discovery and Ample Entertainment did not immediately respond to Billboard‘s requests for comment.

Taylor Swift secures her 15th No. 1 on Billboard‘s Top Album Sales chart (dated Jan. 25), as her 2023 set Lover: Live From Paris reenters the list following its reissue on vinyl, as well as its first release as a download album. Explore Explore See latest videos, charts and news See latest videos, charts and news […]

Since the fall of 2023, the Las Vegas Sphere has hosted U2, Phish, Dead & Company, Anyma and a current residency from the Eagles. And last week, Kenny Chesney was announced as the arena’s first country headliner. The announcement has the Billboard Pop Shop Podcast asking: When will we see a pop star at the […]

After reality TV stars Heidi Montag and husband Spencer Pratt lost their home in the Pacific Palisades wildfire in Los Angeles, an outpouring of support drives Montag’s 2010 album Superficial and its songs to debuts across a range of Billboard’s charts (all dated Jan. 25) – including the Billboard 200, Top Album Sales, Top Dance […]

As the world nears a decade since Faith No More‘s last large-scale live show, longtime keyboardist and guitarist Roddy Bottum has admitted that he’s as unclear about the band’s future as anyone.

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Bottum, who has performed with the band since they established themselves as Faith No More in 1983, made the admission during a recent interview with Chile’s Radio Futuro when he was asked about the current state of the band.

“I don’t know. I honestly don’t know,” Bottum admitted. “And you don’t have to believe me, but there’s nothing… Right now we’re in a really weird spot, a really strange spot, and I can’t really tell you what’s going on. I don’t know myself. I get different information from people, and I’m in the band.”

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Bottum also asserted that he’s not the one calling the shots in the band, stating, “Not really. If I did, probably we’d be playing in Chile next week.”

Originally emerging out of the San Francisco group Sharp Young Men, Faith No More adopted their most famous moniker in 1983, and released a total of six albums prior to their dissolution in 1998. Their biggest successes came about following the inclusion of vocalist Mike Patton in 1988, with their following albums – 1989’s The Real Thing and 1992’s Angel Dust – peaking at No. 11 and No. 10 on the Billboard 200, respectively.

The group reunited in 2009, touring globally before releasing their Sol Invictus album in 2015. That same year resulted in the band’s final shows, though a pair of dates took place in 2016 with former vocalist Chuck Mosley to celebrate the reissue of their 1985 debut, We Care a Lot. Mosley would pass away one year later at the age of 57.

Faith No More had initially planned to make their live return in 2020, though shows across the U.S., Europe, and Australia were later postponed due to the COVID pandemic. In 2021, the dates were canceled entirely, with Patton announcing his activities with Faith No More and Mr. Bungle had been shelved due to “mental health reasons” which he later explained was a diagnosis of agoraphobia.

While Patton and Mr. Bungle would later return to the stage, Faith No More have remained quiet ever since, with Bottum describing the band’s current status as being on a “semi permanent hiatus” in October 2024.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. Just in time for Valentine’s Day, Funko has released a limited-edition V Day-themed Wicked set, that re-imagines Glinda and Elphaba as […]

Travis Barker is showing his respect for the firefighters who continue to risk their lives in order to contain and extinguish the catastrophic Los Angeles fires. The Blink-182 drummer was photographed at the Rose Bowl Complex in Pasadena, California, earlier this week, where he met with incarcerated firefighters on the front lines and members of […]

Central Cee shared the tracklist for his long-awaited debut album Can’t Rush Greatness on Tuesday (Jan. 21), days ahead of its release via CC4L and Columbia Records. The 17-track LP features previously released singles “BAND4BAND,” featuring Lil Baby, “Gen Z Luv” and “GBP,” featuring 21 Savage. “BAND4BAND” hit No. 1 on the U.K. Hip-Hop and […]

Kelly Clarkson has proven once again that she can sing any song in any genre, taking on Depeche Mode’s “Just Can’t Get Enough” for the Tuesday (Jan. 21) installment of her talk show’s Kellyoke segment. Explore Explore See latest videos, charts and news See latest videos, charts and news Dressed in a brown leather maxi […]