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Maroon 5 vocalist Adam Levine has reflected on Paul McCartney’s reaction to his band covering The Beatles on television more than a decade ago.
Levine’s comments were made during his recent appearance on The Howard Stern Show, where he and guitarist James Valentine were discussing a special televised event from February 2014. Broadcast by CBS, The Night That Changed America: A Grammy Salute to the Beatles was a star-studded performance held to commemorate the 50th anniversary of the Fab Four’s debut on The Ed Sullivan Show.
Alongside performances from McCartney and Ringo Starr, the event featured the likes of Ed Sheeran, Katy Perry, Stevie Wonder, and John Legend and Alicia Keys all covering original Beatles songs. The night opened with Maroon 5, who shared their own renditions of “All My Loving” and “Ticket to Ride.”
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“ I was scared s–tless,” Valentine told Stern of the performance, with Levine adding, “I told you I’ve been scared a handful of f–king times in my life, that was definitely one of them. “I was like, ‘Holy s–t.’ I’m sorry man, but it’s just like, you can be too cool, but not always. It’s Ringo Star and Paul McCartney. F–k off if you’re gonna try and be cool about that.
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“Afterwards, I see Paul and Paul kind of took me in close and he goes, ‘You know, we did it better,’” Levine remembered while laughing. “I thought it was so funny. And I cracked up and I’m like, ‘Yeah, no s–t, you’re Paul McCartney, you’re The Beatles.’”
Levine then added how the interaction took an even stranger turn when McCartney tried to get his attention at a party some months later, using the opportunity to apologize for any bad blood his initial comments may have caused.
“He’s like, ‘Hey man, I just wanted to let you know, if that bothered you, I’ve been thinking about this, I didn’t want to insult you or anything,’” Levine recalled. “It was something like that. Like, ‘If I insulted you, I apologize.’ And I’m like, ‘Oh my God. Like, you’re good. Dude, you’re Paul F–king McCartney.
“But it kind of shattered in a great way this whole thing about your heroes being who they are,” Levine concluded. “It’s like, he’s a human being with a beating heart and a really beautiful soul who actually was thoughtful enough to even take into account that maybe for some reason my feelings might have been hurt, but of course they were not.”
Levine’s appearance on The Howard Stern Show wasn’t his only big media appearance this week, with Monday night’s (April 7) episode of The Tonight Show seeing him confirm that Maroon 5 will be making a musical comeback in 2025
“The rumors are correct. There are details. I cannot divulge all the details,” Levine explained. “But the details are basically, roughly, there’s a single coming at the end of the month-ish. I’m really excited about it. An album is coming over the summer. Non-specifically around the summertime. And then, even more non-specifically, there is a tour coming in the fall-ish.”
NIKI has given Chappell Roan a musical makeover, covering “Casual” for her recent appearance on Like a Version, the long-running segment from Australian radio station triple j.
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Airing on Friday, April 10 (Australian time), the performance was recorded in mid-March during the Australian leg of the Indonesian-born singer’s Buzz World Tour. As is tradition, the two-song set launched with an original, which saw NIKI deliver a raucous rendition of her “ female rage” song “Colossal Loss,” which has become wildly popular with her fans despite not being released as a single.
For the cover portion of the set, NIKI turned her attention to Roan’s “Casual,” which had been initially released in late 2022 as a single, before appearing on her debut album The Rise and Fall of a Midwest Princess the following year. As a result of the Grammy-nominated album’s global success in 2024, “Casual” peaked at No. 59 on the Hot 100 in August.
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Stripping away the nostalgic synths in favor of a Gibson 12-string and slide guitar, NIKI’s reinvention of the track almost feels like something of a link between Roan’s original and the country-pop of her March single “The Giver.”
“It’s definitely a song that I wish I wrote,” NIKI explained in a post-performance interview. “I love the entire record, obviously, but ‘Casual’ was the one that really stayed with me on a personal level. It’s almost like I feel like I’ve known those melodies all my life, so it just felt very familiar and the production is just so moody.”
“For my version of casual, we decided to speed it up and make it more of like an early 2000s vibe, because we’ve been covering a lot of early 2000s bangers on tour,” she continued. “Just to kind of tie it into that universe of my Buzz tour, we sort of like Buzz-ified it, I guess.”
Having first launched in 2004, the Like a Version series has gone from being a near-impromptu acoustic affair to featuring larger studio productions. Numerous artists have taken part over the past two decades, with the likes of Billie Eilish, Childish Gambino, Arctic Monkeys, and more reinventing classic tracks in the process.
Just one week after bandmate Michael Clifford announced a solo career, 5 Seconds of Summer bassist Calum Hood has followed in kind, sharing his debut solo single ahead of a full-length record.
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Hood’s solo venture has officially launched with the release of “Don’t Forget You Love Me,” which is described as the emotional cornerstone of its accompanying album, ORDER chaos ORDER.
Written and produced alongside English production team TMS and Jack LaFrantz, “Don’t Forget You Love Me” is a darker pop cut, boasting a sense of vulnerability and heartbreak that appears to underline the more melancholic approach that Hood has taken on the forthcoming album. The single also comes accompanied by a Andy DeLuca-directed and Sarah Eiseman-produced visual which places a pensieve Hood in myriad locations as rain begins to pour down.
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ORDER chaos ORDER is scheduled to release via Capitol Records on June 13, with Hood explaining that the album sees him breaking new ground on his musical journey, yet maintaining a sense of sincerity as he approaches a far more raw and tender aesthetic.
“This album was made in a tumble dryer of knowing and not knowing,” Hood explains. “I started out with a vision—order—but quickly became overwhelmed by the process—chaos. Eventually, I learned to embrace both, and that balance became the heart of the record.”
“There are things I’ve never been able to sing about in the band—my upbringing, my family, the places life has taken me,” he adds. “This album is about laying those things to rest and allowing listeners to connect in their own way.”
5 Seconds of Summer first formed in Sydney, Australia in 2011 and released their self-titled debut album in 2014. All five of the band’s albums have peaked atop the Australia ARIA charts, while only 2020’s Calm and 2022’s 5SOS5 prevented the same feat on the Billboard 200, with the records reaching a very respectable peak of No. 2.
Members of the six-time ARIA Award-winning group began launching solo careers following the release of Calm, with drummer Ashton Irwin releasing his Superbloom album in 2020, with second album Blood on the Drums arriving in July 2024.
Vocalist and rhythm guitarist Luke Hemmings would follow suit in 2021 with his debut album When Facing the Things We Turn Away From, following it up with the Boy EP in April 2024. Just last week, guitarist Clifford shared his own solo debut, with “COOL” set to appear on his forthcoming album, SIDEQUEST.
HYBE is continuing to work to protect its artists. Korea’s Northern Gyeonggi Provincial Police Agency (NGPPA) worked with the global entertainment company to arrest eight individuals who are suspected of creating and distributing deepfake videos of HYBE Music Group artists, Billboard can confirm. Deepfakes are false images, videos or audio that have been edited or generated using […]
In new promos for this weekend’s Saturday Night Live, Lizzo pays homage to another pop star with a rich history on the SNL stage: Britney Spears. Saturday’s musical guest Lizzo wears a Britney T-shirt in the promos, throwing back to the pop princess’ teen-idol days. This weekend will mark Lizzo’s fourth time performing on SNL […]
Rema is ready to get Coachella weekend one started with his new Afro-R&B single “Bout U,” which he released on Thursday (April 10). Produced by Rema and London, the intoxicating track finds Rema infatuated by the one he dubs his favorite girl in the world, with a subtle nod to Megan Thee Stallion‘s 2020 hit […]
Deorro and Santa Fe Klan team up for “La Bandera,” a cumbia banger that fuses rap and EDM, resulting in an explosive track that will get any party going. The pair’s new collaboration, released Thursday (April 10), is a celebration of Mexican culture and Mexican pride, from signature cumbia dance moves to the streetwear that […]
Lest you think of Dave Stewart’s Record Store Day project, Dave Does Dylan, as opportunistic, the hirsute male half of Eurythmics is quick to put the record straight.
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“I had no idea when I started doing this that the (A Complete Unknown) movie was coming out and the whole outburst of stuff about Timothée Chalamet and about (Bob) Dylan,” Stewart tells Billboard via Zoom from his studio in Nashville. “These (recordings) have been around before that, and I have had some real interesting, amazing times with (Dylan), so this wasn’t a great stretch for me.”
Dave Does Dylan — out Saturday (April 12) in limited edition and slated for wider release during the summer — features 14 solo acoustic recordings of Dylan tracks such as “Simple Twist of Fate,” “Forever Young,” “Knockin’ On Heaven’s Door,” “Visions of Johanna” and more. They’re songs Stewart recorded on his iPhone over time — during breaks in the studio, in his hotel rooms on tour or backstage at gigs. “Whenever I was waiting in-between something, I just started to put an iPhone on a little stick and sing a Bob Dylan song. I was just doing it for fun, and then I would put one up on Instagram every now and then and people would say, ‘Oh, we love this! Why don’t you make an album of this?’
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“I didn’t take any of it seriously. Then my management company said, ‘We’d love to put this out on vinyl on Record Store Day.’ I had 24 songs, so then it was, ‘OK, we have to cut it down to fit on an album unless it’s a double album,’ which we didn’t want to do. So we picked these (14), and I think you can hear that I have a deep connection to the songs and you can hear every word, even though we couldn’t really mix them because the guitar and the voice are going down the same mics.”
The set pays tribute to Dylan beyond the music, too. The cover is literally a tip of the cap, with Stewart striking a pose similar to Dylan’s on his 1969 album Nashville Skyline — hat and acoustic guitar included. The package also includes a photo of Stewart and Dylan together during the filming of the latter’s “Blood In My Eyes” video during 1993.
Dylan voiced his support of the project in a statement announcing the album: “Captain Dave is a dreamer and a fearless innovator, a visionary of high order, very delicately tractable on the surface but beneath that, he’s a slamming, thumping, battering ram, very mystical but rational and sensitive when it comes to the hot irons of art forms. An explosive musician, deft guitar player, innately recognizes the genius in other people and puts it into play without being manipulative. With him, there’s mercifully no reality to yesterday. He is incredibly gracious and soulful, can command the ship and steer the course, dragger, trawler or man of war, Captain Dave.”
Stewart’s connection to Dylan’s music is long, as well as deeply felt.
He came to it as a teenager in Sunderland, England, at a time when a broken leg sidelined him from his serious pursuit of soccer. His mother had left the family and his beloved older brother had gone to college. Salvation of sorts came from a package sent by a cousin who’d moved to Memphis; it included pairs of Levi corduroy jeans and a couple of blues albums that Stewart, laid up and “bored out of my mind,” began to play incessantly — followed by Dylan.
“I think it was (1964’s) Another Side of Bob Dylan or something around that,” Stewart recalls. “And it blew my mind. I couldn’t believe the words that were coming out of his mouth. And then I realized he obviously was influenced by the blues-type records I had. There’s certain moments in time when you know something happened to you, and that was one of them. I would smoke Thai sticks and lie on my back on the floor and put on Blonde On Blonde or something. All those songs were imprinted on my brain. The general public would probably think, like, ‘Dave Stewart, Eurythmics, singing Bob Dylan songs? Really?’ But when I was a kid, I was singing those songs in folk clubs. I knew them by heart, so on (Dave Does Dylan) I’m playing them like I was in a folk club again.”
Stewart connected with Dylan around 1985, when he was producing the self-titled debut album for former Undertones frontman Feargal Sharkey. “The phone rang and it was the receptionist in the studio, and she said, ‘Bob Dylan’s on the phone for Dave Stewart,’” he recalls. “I thought it was (Sharkey) just messing about, ’cause he knew I was a massive Bob Dylan fan. So I picked up the phone and went, ‘Feargal….’ And then (Dylan) started talking, and nobody could imitate that voice.”
Dylan proposed a meet-up and that evening he joined Stewart at nearby Thai restaurant for food and sake, then took him to a private Mexican club south of Los Angeles. “We sat there and we were talking in there for ages, and then Bob suggested, ‘Why don’t we make a (video) tomorrow?’” Stewart says with a laugh. “It was already, like, one in the morning, but I rang some people and pulled a thing together at a church right on Highland and we shot ‘Emotionally Yours.’ And then we did another one and we became friends.”
Stewart went on to film other videos for Dylan and also played on 1986’s Knocked Out Loaded. “We had jam sessions,” Stewart explains. “I have recordings of me and him around the kitchen table in my house in London, at one in the morning or something. To get to witness that happening, making up words on the spot and playing acoustic guitar and drinking tequila or whatever, those are experiences I’ll never forget — especially to have been a kid listening to (Dylan’s) record with a broken leg and my mom leaving home, there was a particularly sort of poignant feeling about it, and so I feel very privileged.
“I don’t know why or how it happened,” Stewart continues. “For some reason people find (Dylan) quite sort of reserved or whatever…but he wasn’t with me at all. At the time you think, ‘Oh, this is wild,’ but now, looking back as I’m older…you go, ‘God, yeah, I had that experience, and many other kinds of experiences with these incredible talents, and I’ll never forget them.’”
Stewart — who filmed an episode of Recorded Live at Analog that will premiere during July on PBS — says there’s a possibility of the other 10 Dylan songs he recorded turning into a second volume of Dave Sings Dylan, perhaps adding more to the pile. “It wasn’t very difficult to record, so, yeah, I may do that,” he says. “With an artist like Bob Dylan people say, ‘What’s your favorite song?’ and it’s impossible. I’ve got, like 99 favorite songs, so it wouldn’t be very hard to do more.”
As for A Complete Unknown, Stewart says that “Timothée Chalamet did a great performance along with the rest of the cast. For me, I felt that it only scratches the surface of Dylan as a songwriter — the spark that set the world on fire, and to this day, has not been equaled in his influence. Nothing since The Canterbury Tales has created such a paradigm shift in people’s idea of what songwriting can or could be.”
Big Sean was faced with a difficult decision when he was asked to pick between his two favorite rappers, Eminem and Lil Wayne. In an interview with Uproxx, Sean Don covered a wide array of topics. However, he became immediately stressed out when he was forced to choose between Tunechi and fellow Detroit rap legend […]
“What is rightness? What is stupidity? I’ll show you what they are!”
Ado’s song “Usseewa” that begins with these lyrics made a huge impact not only on the Japanese music scene but also on society as a whole at the time. The explosive vocals of the then-17-year-old, the way she led a kind of rebellion on behalf of the people by voicing their frustrations, and her style of never showing her face were all new to listeners, and the mystery singer shot to superstardom. The now-22-year-old songstress voiced the songs for the character Uta in the blockbuster anime movie ONE PIECE FILM RED in 2022, which recorded 31.9 billion yen (approx. $214 million) in global box office revenue, and the film’s theme song “New Genesis” became another domestic mega-hit that later spread around the world.
The enigmatic vocalist, who has quickly grown to become one of Japan‘s leading acts, is set to unleash her first greatest-hits album, aptly titled Ado’s Best Adobum, an exhaustive collection featuring songs from her electrifying debut in October 2020 to the present day. Ado is also about to kick off an unprecedented tour that will take her to 33 cities around the world and draw over 500,000 fans, the biggest global trek by a Japanese artist ever. For more information on the tour, click here.
What has left the biggest impression on you since your major label debut?
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I remember so many things, but I think my show at the Saitama Super Arena in 2022 was definitely a highlight. Performing there had been a dream of mine, so that day made big impact on my life.
Ado’s Best Adobum includes two new tracks, “Bouquet for Me” and “ROCKSTAR.” Could you tell us a bit about them?
“Bouquet for Me” is a song written by HoneyWorks as a collaboration with Georgia (Coca-Cola Japan). I’d like you to listen to it in the morning, before going to work or school, when you want a little oomph. It’s a lovely song full of energy that’s sure to encourage you, and I hope people of all ages will listen to it.
The other song, “ROCKSTAR”, was written by a music producer I’ve worked with a lot, jon-YAKITORY. This one was a collaboration with Marubeni, and is still being featured in the corporation’s commercials. jon-YAKITORY has written songs for me in the past and I’ve been featured in theirs, and I’m so grateful to work with him again because when I think of rock music, I think of jon-YAKITORY. There’s a scene in the commercial where I sing “ROCKSTAR” onstage, and it’s a cool song that looks great performed live that will fill your heart with excitement when you listen to it. I’m really looking forward to performing it live one day.
What do you feel has changed or that you’ve grown over the past five years in terms of music production and live performances?
My way of thinking has changed a lot. I’ve become more objective about myself and my career. I have a wider perspective now, and recently have had more opportunities to re-evaluate not only myself but also my fans, the staff who support me, and the environment I am in, and to work through my activities and the many opinions I receive from everyone. I think I’m a lot more put-together now than I used to be.
I also think that my live performances have improved. I feel like I was a bit more awkward when I first debuted. Thankfully, I’ve been able to do a lot of shows and have grown through my experiences. I think my concerts are more impressive now. On the other hand, there are elements of youth and inexperience that can only be felt in my shows in the past, perhaps my fans can find entertainment in my growth as well.
Which of the songs on the album you would like to share with yourself from back when you first made your major-label debut and why?
It’s quite hard to choose, but the 20th track on Disc 2 called “Sakura Biyori and Time Machine with Hatsune Miku” is one I’d like to share with myself when I was just starting out. It’s that kind of special song for me. Mafumafu, one of my favorite “utaite” (cover artists), wrote it for me, and I’d never be where I am without the Vocaloid songs that have supported me, so singing it with my idol Hatsune Miku was like returning to my roots. If I were to listen to it back then, it would blow me away. I might keel over from the thrill.
How has your attitude towards singing changed?
Around the time I made my major-label debut—and even before then—I really wanted people to listen to my songs and see my thoughts, ideas, and who I am. I used to express emotions like anger very directly, but as I sang more and more songs, I began to notice that each one felt different depending on the lyrics and how much I empathized with them. Now, there are more moments when I confront various emotions by reflecting on my own views on life or by applying my personal experiences to the songs. While I still value both input and output, lately I’ve been feeling more and more drawn to singing a variety of songs in different kinds of “languages”. “Elf,” in particular, is sung in a way that invites more people to enjoy Ado’s music.
What’s your current dream?
My current dream and concrete goal is to win a Grammy. Another goal and dream of mine is to someday do a world tour that will be even bigger than my upcoming Hibana tour.
And you’ll be kicking off that Ado WORLD TOUR 2025 “Hibana” Powered by Crunchyroll, from April.
It’ll be my second world tour, and will also be an unprecedented scale as a Japanese artist, so I’m really looking forward to it. As a Japanese “utaite” and artist, I want to convey the appeal and culture of Japan and the strength of Japanese music to people around the world through performances in over 30 cities. I hope that this world tour will be like its title, “Hibana” (spark), like a small flame that sparks a bigger fire.
Tell us what you’re looking forward to on this tour and what you remember from your previous one, Ado THE FIRST WORLD TOUR “Wish.”
I’m particularly looking forward to Italy on this tour. I really look forward to seeing with my own eyes the scenery that I’ve only seen in books, films and textbooks. I had time to do some sightseeing in Europe on my last world tour, and really enjoyed France. I visited the Sainte-Chapelle in Paris, then walked to the river Seine, and after visiting the Louvre, I went to the Chanel flagship store. I have a lot of respect for Coco Chanel, and after seeing the famous staircase where fashion shows were held, I walked along the main street to the Arc de Triomphe. I was wearing stylish boots with heels, so it was hard work climbing the hundreds of steps at the Arc de Triomphe. I remember walking a total of 30,000 to 40,000 steps that day.
Send a message to your fans.
It’s a bit of a shock to think that five years have passed since I made my debut with “Usseewa.” Five years may not be such a long time, but I’m truly grateful that I’ve been able to continue my activities for so long and that so many people know about Ado. I’m supported by everyone who listens to my music, as well as the media that features me and staff who work with me. Thank you all so much.
—This interview first appeared on Billboard Japan
