Music

Tate McRae Set as Musical Guest on ‘Saturday Night Live,’ Jason Momoa to Host

Aquaman star Jason Momoa will host Saturday Night Live for the second time on Nov. 18, while the rising star that is Tate McRae will make her musical guest debut.

McRae, the Canadian singer and songwriter, is riding a wave with “Greedy,” which caught fire on TikTok before crossing over on charts around the globe.

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The single has a No. 14 peak on the Billboard Hot 100, and has cracked the top 10 in the U.K. (No. 3) and Australia (No. 2).

Despite being just 20 years of age, the Calgary native has a few hits in her bag of tricks. She scored a top 20 Billboard Hot 100 hit in 2020 with “You Broke Me First,” while singles like “She’s All I Wanna Be” and the Regard/Troye Sivan collaboration “You” also made their impacts felt at top 40 radio.

“I think I have a pretty good grasp on what my fans like to hear and what they enjoy,” McRae told Billboard in a recent interview. “But I don’t think you ever really know. I was like, ‘This is a big risk for me as an artist’ — turning 20, I felt like I had to make a big change in my life and my sound. And you can only see so much on TikTok. You never know which direction it’s gonna go, or if it’s going to translate. So it’s been pretty special.”

Momoa, who has portrayed Duncan Idaho in Dune, played the lead in Conan The Barbarian, and the fearsome Khal Drogo in Game of Thrones, got his first taste of hosting SNL in December 2018.

As previously reported, Timothée Chalamet will host SNL for a second time on Nov. 11, while the women of boygenius make their show debut on the same evening.

In addition to the broadcast on NBC, SNL streams live on Peacock (11:30 p.m. ET/8:30 p.m. PT).
SNL is produced in association with Broadway Video. The creator and executive producer is Lorne Michaels.

Garth Brooks Talks Making New Album, ‘Time Traveler,’ Why He Worried He Would Sound ‘Corny or Bad’

In many ways, Garth Brooks made Time Traveler — or at least one particular song on his 14th studio album — for an audience of one.

Gentle ballad “St Paul/Minneapolis (A True Story)” — a rare solo write by Brooks that shares a wistful, nostalgic feel with Brooks’ standards “Every Now and Then” and “What She’s Doing Now” — is about a random encounter he had in the Twin Cities with a women for whom he felt an instant connection. “I don’t have a clue who she is. It’s the weirdest thing. It was the easiest thing I’ve ever done. When she started talking, there was something in me that unlocked. In my dream of dreams, I’d love to run into her again and see if that easy feeling was really that or am I just imagining things,” he tells Billboard.

Brooks says he’s told no one, including his wife Trisha Yearwood, specifics about the chance meeting “because if this person is going to show up, then she’ll know the details that nobody else does and I’ll know I’m talking to the right person.” He’s not even sure if she recognized him, but stresses in the song he isn’t trying to disrupt his life or hers: “Now I’m not looking for relation/ And I don’t wanna change your life,” he sings.

One of the few people who has heard the song before its release is Brooks’ musical hero James Taylor. “I texted him and said, ‘Hey man, would you ever think about producing a song and he said, ‘I’d love to!’ and I was on Cloud 9.” But when Taylor heard the record, he declared it was perfect just the way it was. “Getting that kind of confidence boost, it was just nice to hear from a musical god of yours, “ Brooks says, then laughs self-deprecatingly at the blatant celebrity call-out, adding, “I tell you what, the older you get, the more names you get to drop.”

That’s not the only big name that comes up around the Brooks-produced, 10-track Time Traveler, which is part of The Limited Series, a seven-disc set available exclusively through Bass Pro Shops starting Tuesday (Nov. 7). The $29.99 set also includes Brooks’ three studio albums since he came out of retirement — 2014’s Man Against Machine,  2016’s Gunslinger and 2020’s Fun — and the previously released three-disc Triple Live concert set. 

“Rodeo Man,” the album’s rollicking first single, out today, is a duet with Brooks & Dunn’s Ronnie Dunn trading his usual singing partner Kix Brooks for a different Brooks. “He’s one of the greatest voices in country music ever,” Brooks declares of Dunn. 

The two icons were swapping songs back-and-forth when Dunn sent Brooks “Rodeo Man,” which he co-wrote with Phil O’Donnell. “I texted him back that it was a smash,” Brooks says of the song that fits right into country’s ’90s music resurgence. Brooks had a few suggestions to add some fiddles and pedal steel and then recorded it to show Dunn the changes he would make after promising him “I’m not going to steal your song.”

Dunn was so happy with Brooks’ version, he suggested they duet on it. “He was very sweet to let me in the door. What we did was combine his track with our track,” Brooks says. Big Machine Label Group will promote the song to radio, as it did Brooks’ 2007 Country Airplay  No. 1, “More Than a Memory.” Unlike the rest of the album, it will also be available for streaming on Amazon, Brooks’ exclusive streaming outlet. 

Garth Brooks

Brooks is joined by Kelly Clarkson, who sings backing vocals on the loping “The Ship and the Bottle,” a bittersweet ballad written by Nicolle Galyon, Chase McGill and Jon Nite that Brett Young included on his 2018 album Ticket to L.A., but didn’t release as a single. The song envisions one member of a romantic couple as a bottle and the other as the enclosed ship. The bottle may have to break to allow the ship to be free and pursue her dreams. “The text was simple: ‘Hey, I’ve got a song. It’s not a duet. I would love to hear your voice on it,  but I know you’re slammed,” Brooks says of his outreach to Clarkson. “And three seconds later came back in all capitals: ‘YES.’ With exclamation points. It made an older artist feel very good that this younger artist would want to sing along on one of these records.” 

The other cover on Time Traveler is “The Ride,” David Allan Coe’s 1982 swampy classic about a hitchhiker who gets picked up by the ghost of Hank Williams. “The story [of Williams] haunted me my entire life,” says Brooks, who added a verse to flesh out what the characters talked about on their trip from Montgomery to Nashville, though he doesn’t take a songwriting credit on the  tune written by Gary Gentry and J.B. Detterline Jr. “I’m an a–hole in a lot of different ways, but I just can’t be that guy,” he says.

The song also features Brooks’ first attempt at spoken word. He admits he was scared how it would turn out. “I was like ‘Is this going to sound corny or bad? But when I heard it, I thought, ‘That’s scary.’ I liked it.”   

On the rowdy “Neon Neighborhood,” longtime fans of Brooks’ will no doubt recognize a tip of the hat to his raucous “Friends in Low Places,” with a boisterous chorus made up of his band and crew singing along as they did on the 1990 classic. Brooks first enlisted an audience at a show during his current two-year Las Vegas residency at Caesars Palace to sing and then brought the smaller contingent into the studio to make the words clearer.

As Brooks, the top-selling solo artist in the U.S., according to the RIAA, gets ready to open his own bar — naturally titled Friends in Low Places — on Nashville’s Lower Broadway, he hopes the song will find its own audience. “I’m not going to push it,” he adds. “We’ll see what kind of life it gets on its own. But I can tell you I just love the whole groove of it and it just feels so good especially when the band just takes off and plays.” 

Brooks titled the album Time Traveler because of the different eras of country music it pays homage to and the styles he’s been rediscovering as he programs The Big 615, one of a suite of seven stations that makes up Brooks’ Sevens Network for global streaming platform TuneIn. “What I love about the Big 615 and curating it is that it forces you to listen to the stuff that you didn’t have the time to listen to before and I think that’s really, really good,” he says.

The album includes “Only Country Music,” the song that kicked off The Big 615 when it launched in June and marks the first time Brooks and Nashville writing powerhouse Ashley Gorley have written together. The two were brought together by the song’s co-writer Matt Rossi. “While we’re writing, I tell [Ashley], ‘Man, before this session, I don’t know if it was jealousy or envy, but I’m like  ‘60 No. 1s! How is that possible?’ But when you write with this kid he is so far ahead of you the whole time. It’s like, ‘Holy cow. How do you do that?’ And then he leaves and probably goes and does it two more times that day. But he totally carried that session. No offense to Matt Rossi. No offense to myself.”

Brooks will talk about the album further tonight, as he and Bass Pro Shops CEO Johnny Morris appear on live internet shopping platform TalkShopLive in partnership with Bass Pro Shops for an exclusive album release event at 7 p.m. E.T. (viewable via the above link). In addition to availability in the 177 Bass Pro Shops across the U.S. (including 82 Cabela’s), fans can also pre-order The Limited Series through the sporting goods retailer’s online site. 

Brooks played Bass Pro’s 50th  anniversary birthday party last fall, which led to the collaboration. “He talked to me about water conservation,” Brooks says of Morris, a devoted conservationist. “I said it was like the songwriters, how they’re just getting squeezed out and squeezed out” by low streaming rates and the focus on singles instead of albums. “And he said ‘Well, what can we do about that?’ and I said, ‘I’m looking for a partner for my last limited boxset [and] he was sweet enough to step up.”

The first The Limited Series came out 25 years ago in 1998, and was followed by a second The Limited Series with different content in 2005. The second edition was available exclusively through Walmart. Both series were limited to one million box sets each with one-way buys by the retailers.

The Limited Series arrives two weeks before Brooks plays a free show at the grand opening of Friends in Low Places on Nov. 24. Tickets were available only via Brooks’ The Big 615 station with more than 3 million entries received. The concert will also air live at 7 p.m. E.T. on Amazon Prime and Twitch as the latest in the Amazon Music Live series, which has previously featured Ed Sheeran and Feid. 

‘A Celebration of Taylor Swift’ Night Coming to ‘Dancing With the Stars’

Dancing With the Stars will devote an entire night to Taylor Swift later this month during the Nov. 21st “A Celebration of Taylor Swift” episode. This season’s six remaining couples will take the dance floor for an evening of hot-stepping to Swift’s music when the Taylor-focused episode airs at 8 p.m. ET; the show will be simulcast live across both ABC and Disney+ in local time zones and the next day on Hulu.

One of the special guests on hand for the show will be Mandy Moore, longtime Dancing With the Stars choreographer and the lead choreographer of Swift’s massive Eras Tour. Moore will serve as a special guest on the episode, with the couples and their dance styles to be announced soon.

Fans can vote during the live simulcast in the Eastern and Central time zones, with online voting available to fans in any time zone in the U.S., its territories and Canada here. Live viewer votes will be combined with the judges’ scores on each episode to determine which couples could be facing elimination.

Billboard broke the news about the Swift night last month, when pro dancer Peta Murgatroyd exclusively revealed the plans to for the Taylor-themed episode. “We will be having a Taylor Swift week here,” Murgatroyd said, before adding, “Am I allowed to say that?”

Pro dancer Artem Chigvintsev had previously hinted at a Swift-themed DWTS night during an episode of The Nikki & Brie Show, in which his celebrity partner, Charity Lawson, revealed that she had wanted to use one of Swift’s songs for a dance, only to have her request rejected.

Swift has some DWTS history, celebrating the release of her 2010 album Speak Now on the show with a performance of “Mine” as well as throwback of her Fearless track “White Horse.”

Swift is the leading finalist with nods in 20 categories at the 2023 Billboard Music Awards. You can watch the BBMAs here, and via Billboard and the BBMA’s social media channels on Nov. 19.

Celine Dion Makes Rare Appearance at Final Night of Katy Perry’s Las Vegas Residency

Just a week after making her first public appearance in more than three years amidst a battle with Stiff-Person Syndrome, Celine Dion ventured out again on Saturday night to take in the final date of Katy Perry‘s Las Vegas residency.

Dion was in the audience at the Resorts World Theatre amid a group of other A-listers on hand to help Perry salute the end of her two-year Play residency, including Prince Harry and Meghan Markle, Cameron Diaz and husband Benji Madden and Zoe Saldana, among others. In fact, among those others was none other than Perry’s three-year-old daughter, Daisy Dove, who made her first public appearance during an on-screen segment of Saturday’s show.

Perry appeared to shout out Dion, 57, at one point, saying, “Katy Perry if you’re wondering. I’m not Celine Dion. That show is coming up next!” The appearance was notable because Dion has been out of the public eye since her diagnosis three years ago. She made her first public appearance in years at an NHL game at the T-Mobile Arena in Las Vegas a week ago to see a game between her hometown team, the Montreal Canadiens, and the Las Vegas Golden Knights, joined by her three sons.

Dion revealed her Stiff-Person Syndrome diagnosis in December 2022, sharing that she was suffering from the rare condition marked by uncontrolled and severe spasms, which she said has sometimes caused difficulties walking and using her vocal cords appropriately. The condition caused Dion to push back or cancel all her 2023 tour dates to 2024.

According to People, just before Perry sang her 2008 hit “Hot n Cold,” she took a break to acknowledge the child she welcomed in 2020 with fiancé actor Orlando Bloom. “Daisy! I love you so much,” Perry said in video posted by fans on X (formerly known as Twitter) in which the adorable tot — wearing a red and white polka dot Minnie Mouse-style dress and pink headphones — waved to her mom from the crowd. “You’re my best friend, I’m so glad you’re here.”

Perry also shouted out her partner, Bloom, praising the actor for being an “incredible support system” and “amazing father,” while also praising Daisy Dove for helping to inspire the long-running show. “I created this show after the birth of my daughter, Daisy Dove,” she said. “When I met her, it was like all the love I was ever searching for finally showed up. She made me whole, and she healed me, and she showed me how to play again. So this show is for everyone’s inner child and for the hope that maybe if we could all see life through the eyes of a child, we would be free.”

Watch Perry’s shout out to Daisy and Celine below.

Paul McCartney on Completing Beatles’ ‘Last’ Song ‘Now And Then’: ‘It Was Kind of Magical’

Paul McCartney is more active than most folks a quarter of his age. The 81-year-old two-time Rock Hall inducted singer and songwriter dropped a “new” Beatles song last Thursday, its official music video on Friday, and completed a stadium tour of Australia on Saturday, produced by Frontier Touring. Add-in a 12-minute Beatles mini-film and media commitments, and McCartney has seemingly managed to be everywhere, all at once.

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Speaking with BBC Radio 1, McCartney revealed that “Now And Then” is more than an ambitious passion project. The single, which took more than 40 years to complete, had a touch of magic about it.

“When we were in the studio we had John’s voice in our ears so you could imagine he was just in the next room in a vocal booth or something and we were just working with him again so it was joyful,” he says, “it was really lovely you know, because we hadn’t experienced that for a long time obviously and then suddenly here we were working with ol’ Johnny.”

The track was originally a demo, written and sung by John Lennon into a tape recorder at New York’s Dakota Building back in the 1970s. McCartney, George Harrison and Ringo Starr attempted to resurrect the recording in the 1990s, but the audio quality was beyond help. That was, until Get Back director Peter Jackson and his team at WingNut Films developed the MAL audio technology, powered by artificial intelligence, which could separate the stems.

Completed with a string arrangement, written by Giles Martin, Paul and Ben Foster, and featuring contributions from all four Beatles, it’s pitched as the “last” Beatles record.

“It was kind of magical doing it,” McCartney adds.

The single has blasted out of the gates in the United Kingdom. According to the Official Charts Company, “Now And Then” leads the race for the chart crown, by outselling the rest of the top 5 combined.

“Now And Then” was completed with the assistance of AI, a story thread that arguably sidetracked the message around the announcement. Technology always intrigued the Beatles, McCartney notes.

“The first time we heard a tape go backwards by mistake we went ‘Oh what’s that?’ and we wanted to put that on our record, whereas other people would just go ‘Oh come on get the tape on the right way and let’s get on with it’,” he explains. “But we always grabbed little things like that so Peter Jackson, he’s organized it so it’s magic. It’s very special for me to be singing with John again.”

McCartney also recounted his latest, hits-laden performance at Glastonbury Festival 2023, in June of this year. “Well you know Glastonbury is special,” he enthuses. “We’d done an American tour to get up to speed with the band, we were excited to do Glastonbury just ’cause it’s Glastonbury and then you get that many people singing something like ‘Hey Jude’ and you know, in this world today when the news is so often bad, it’s just so great to see all these humans with such a loving vibe that you get at Glastonbury. No, it was great to do and I’m glad we pulled it off.”

Stream the interview here.

Jon Nite, Josh Hoge, Christian Stalnecker, Sony Music Publishing Win Big at SESAC 2023 Nashville Music Awards

One of the Nashville music industry’s most festive, star-studded weeks got underway on Sunday evening (Nov. 5) in the walkup to Wednesday’s CMA Awards, with SESAC’s Nashville Music Awards celebrating the writers and music publishers behind many of the year’s most-performed country and Americana songs.

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Following a cocktail hour where more than 400 of Nashville music industry denizens schmoozed, Megan Moroney started the ceremony by performing an acoustic, husky-voiced rendition of one of the celebrated songs of the evening, “Tennessee Orange.” The ballad, which Moroney co-wrote, is nominated for song of the year during the CMA Awards (Moroney is also up for new artist of the year).

SESAC executives including chairman/CEO John Josephson, president/COO Scott Jungmichel, chief creative officer Sam Kling, senior VP/head of Nashville creative Shannan Hatch, and Lydia Schultz Cahill and ET Brown (senior directors, creative services), guided the evening’s festivities and led the charge in honoring the writers’ and publishers’ accomplishments.

“We have a hugely talented group of creators here tonight,” Jungmichel said. “Supporting you continues to be our focus.”

“What an amazing year it has been for country and Americana songwriters,” said Hatch, noting songwriter Rafe Van Hoy’s recent induction into the Nashville Songwriters Hall of Fame earlier this year. “Also, more Nashville writers were honored than ever during the SESAC [all-genre] Awards earlier this year.”

SESAC writers Josh Hoge and Christian Stalnecker contributed to writing “Thank God,” recorded by Kane Brown and his wife Katelyn Brown. The song became a No. 1 Billboard Country Airplay chart hit and on Sunday evening, was named SESAC’s song of the year during the Nashville Music Awards. The gratitude-filled ballad is also up for musical event of the year at Wednesday’s CMA Awards. Brown was on hand to help present Hoge and Stalnecker with the honor.

Sony Music Publishing was named publisher of the year, after earning seven awards throughout the evening, for the company’s role in publishing sterling country radio hits including “Thank God,” “Tennessee Orange,” “Dancin’ in the Country,” “You Didn’t,” and “Pick Me Up.”

The SESAC Heritage Award celebrated the legacy of “I’ll Fly Away” songwriter Albert E. Brumley and recognized SESAC’s 80-year partnership with the song and Brumley. Betsy Brumley accepted the heritage award on his behalf. Jamey Johnson was also on hand to perform a gorgeous acoustic version of the song.

Other SESAC-affiliated songwriters honored throughout the evening included Margo Price, Jeremy Ivey, Justin Ebach, Casey Brown, Dillon Carmichael (who earned his first industry award that evening and took the stage to perform a rendition of his song “Son of a A”) and Kelsey Waldon.

The evening concluded with the coveted songwriter of the year trophy, which went to Jon Nite, in recognition of his work in composing songs including “Dancin’ in the Country” (recorded by Tyler Hubbard), “You Didn’t” (Brett Young), and “Pick Me Up” (Gabby Barrett). Video tributes for Nite came from Keith Urban, Tyler Hubbard, Gabby Barrett, songwriter-producer Ross Copperman, Sony Music Publishing’s Josh Van Valkenburg, as well as tributes from Nite’s family.

“I don’t deserve this; this is unbelievable,” Nite said after taking the stage, first thanking his family and his Sony Music Publishing champions.

Nite recalled moving to Nashville over two decades ago, with $500 to his name. He offered advice to any aspiring songwriters: “Keep writing the songs that are part of your life—those are the only ones that work.” He noted the intense work ethic and long-term vision required for forging success within the industry, saying, “I wrote 1,000 songs before I got one cut.” He ended on a note of gratitude, and a bit of incredulousness, for being able to live out his dreams, saying, “It’s unbelievable that SESAC pays us to do what we do…what we love.”

See a full listing of the year’s SESAC Nashville Music Awards honorees below:

“Thank God”

Written by: Josh Hoge, Christian Stalnecker

Published by: Blunts and Bonfires Music, Feels Like Friday, Sony Music Publishing, Chorus 2 Music, RMM 416 Publishing

Recorded by: Kane Brown and Katelyn Brown

“DANCIN’ IN THE COUNTRY”

Written by: Jon Nite

Published by: Cuts Like A Nite Music, Sony Music Publishing

Recorded by: Tyler Hubbard

“TENNESEE ORANGE”

Written by: Megan Moroney

Published by: Georgiamo, Sony Music Publishing

Recorded by: Megan Moroney

“YOUR HEART OR MINE”

Written by: Justin Ebach

Published by: Phat Racoon, Universal Tunes

Recorded by: Jon Pardi

“YOU DIDN’T”

Written by: Jon Nite

Published by: Sony Music Publishing

Recorded by: Brett Young

“PICK ME UP”

Written by: Jon Nite

Published by: Cuts Like A Nite Music, Sony Music Publishing

Recorded by: Gabby Barrett

“GIRL IN MINE”

Written by: Casey Brown

Published by: Track & Feels, Warner Chappell Music, Tape Room Tunes

Recorded by: Parmalee

“WATER UNDER THE BRIDGE”

Written by: Chris LaCorte

Published by: Card Tables Music, Hang Your Hat Hits, Concord Tunes

Recorded by: Sam Hunt

“BURY ME IN GEORGIA”

Written by: Josh Hoge

Published by: Blunts and Bonfires Music, Chorus 2 Music, Sony Music Nashville

Recorded by: Kane Brown

“OUT IN THE MIDDLE”

Written by: Ben Simonetti, Zac Brown

Published by: Simonetti Music Publishing, Day For The Dead Publishing

Recorded by: Zac Brown Band

“Y’ALL LIFE”

Written by: Josh Jenkins, Pete Good

Published by: Follow Me Where I Go, SMACKWORKS Music

Recorded by: Walker Hayes

“SON OF A”

Written by: Dillon Carmichael

Published by: Riser House Tunes, Sony Music Publishing

Recorded by: Dillon Carmichael

“PARTY MODE”

Written by: Jared Keim

Published by: Twelve6 Sequoia, Warner Chappell Music

Recorded by: Dustin Lynch

“CHANGE OF HEART”

Written by: Margo Price, Jeremy Ivey

Published by: Peach Pit, Fisheye, RMM 416 Publishing, Good Songs We Love

Recorded by: Margo Price

“THAT KIND OF LIFE (THAT KIND OF DAY)”

Written by: Jim Lauderdale

Published by: Wudang Mountain Songs, Critter City Music

Recorded by: Jim Lauderdale

“TALL AND MIGHTY”

Written by: Kelsey Waldon

Published by: MyKaintuck Publishing, Do Write Music

Recorded by: Kelsey Waldon

“DON’T LET THE DARKNESS”

Written by: Ed Jurdi

Published by: Three Pisces Music

Recorded by: The Band of Heathens

“ALL I REALLY WANNA DO”

Written by: Henry Brill

Published by: Kobalt Group Publishing

Recorded by: Devon Gilfillian

The Beatles’ ‘Now and Then’ Heading For U.K. No. 1

The Beatles’ “last” song “Now And Then” is on track for the U.K. chart title.

Based on sales and streaming data captured from the first 48 hours in the chart week, “Now And Then” is in pole position, outselling the rest of the top 5 combined, the Official Charts Company reports.

If it holds its spot, “Now And Then” will become the Fab Four’s 18th U.K. chart-leader, and their first in 54 years, since “The Ballad of John and Yoko” topped the weekly tally back in 1969.

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“Now And Then” actually debuted at No. 42 in the U.K. last week based on just 10 hours of sales, but is now expected to jump 41 places to the top of the Official Singles Chart when chart is published this Friday, Nov. 10.

The crown would cap a remarkable journey for “Now And Then.” The track began life as a demo written and sung by John Lennon, was later developed and worked on by Paul McCartney, George Harrison and Ringo Starr, and now completed by Paul and Ringo, the surviving members of The Beatles, more than 40 years after the group began work on it.

The late Lennon’s vocals and piano part were recorded to tape at New York’s Dakota Building in the 1970s, and remained there until film director Peter Jackson and his team at WingNut Films developed the MAL audio technology, powered by AI, which could separate the stems. The result is a lush production, with a string arrangement, written by Giles Martin, Paul and Ben Foster, and featuring contributions from all four Beatles.

On the day of its release last Thursday (Nov. 2), “Now And Then” was named as BBC Radio 1’s Hottest Record. The song is all-love, McCartney told Radio 1’s Clara Amfo. “Just a loving feeling,” he says of the recording, “because that’s often what we were trying to do with our records, we were trying to spread love. And in this one it is very poignant. It’s John talking about ‘I miss you’ and stuff like that so, I think emotion, that would be the key word for people to take away from it, ‘emotion’.”

Jackson helmed the official music video for “Now And Then,” which dropped last Friday.

The closest competition on the First Look chart, according to the Official Charts Company, is BTS star Jung Kook’s “Standing Next To You,” which is eyeing a No. 2 start. That would be the K-pop artist’s highest peak of his solo career in the U.K. Jung Kook has three U.K. top 10s to his name, with a best of No. 3 for 2023’s “Seven” featuring Latto.

Taylor Swift ‘1989 (Taylor’s Version)’ Debuts at U.K. No. 1 With ‘Massive’ Sales

Taylor Swift buries her rivals under a mountain of sales and streams in the U.K. as 1989 (Taylor’s Version) debuts at No. 1.

Swift’s latest release, the fourth of her six recording projects, clocks up a “massive” 184,000 chart units, the Official Charts Company reports, more than double that of the original 1989’s opening-week sales of 90,000, accumulated following its release in 2014.

That opening result crushes the previous record holder for 2023, Lewis Capaldi’s Broken By Desire to Be Heavenly Sent, which scored 95,000 chart units in its week one.

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The runaway leader at the midweek stage, 1989 (Taylor’s Version) outperforms the rest of the top 10 combined during the latest cycle, and is the fastest-selling vinyl release of the year, with 62,000 copies sold, according to the OCC.

It’s Swift’s 11th chart-topping U.K. album, extending her own record as the woman with the most U.K. leaders this century, and the female artist with the 11 consecutive No. 1 albums in the briefest timeframe, at 11 years.

Among female artists, only Madonna has more — with 12. It’s only a matter of time before TayTay catches up with the Queen of Pop.

With Swift’s “Vault” cut “Is It Over Now? (Taylor’s Version) reigning over the national singles survey, TayTay collects another chart double.

It’s by no means the only new release to make its impact felt on the latest albums tally. Veteran electronic act Orchestral Manoeuvres in the Dark snag a highest-charting studio album across a career spanning 45 years, with Bauhaus Staircase (100 Percent Records), new at No. 2. That equals the peak position of OMD’s 1988 hits compilation The Best of OMD, one of their eight U.K. top 10s.

Rolling Stones’ latest leader Hackney Diamonds (Polydor) drops 1-3, while Rock And Roll Hall of Fame inducted pop-rock band Duran Duran earn a 12th U.K. 10 with Danse Macabre (BMG), their Halloween-themed 16th studio album.

Also new to the top 10 are albums from James Blunt (Who We Used to Be at No. 5 via Atlantic), CASISDEAD (Famous Last Words at No. 7 via XL Recordings) and Alfie Boe (Open Arms – The Symphonic Songbook this week at No. 10 via BMG).

Taylor Swift Scores Third U.K. No. 1 With ‘Is It Over Now? (Taylor’s Version)’

Taylor Swift is having her way on the U.K. charts, as “Is It Over Now? (Taylor’s Version)” bows at No. 1 on the national singles survey, and its parent LP arrives at the summit of the albums chart.

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“Is It Over Now? (Taylor’s Version)” starts atop the Official U.K. Singles Chart, published Friday, Nov. 3, with a market-leading 4.9 million streams, the Official Charts Company reports.

Swift now boasts three career chart leaders in the U.K., a list that includes a “Look What You Made Me Do” (in 2017) and “Anti-Hero” (2022).

“Is It Over Now? (Taylor’s Version) is one of three new TayTay tracks from the “Vault” which crash the top 10, as “Now That We Don’t Talk (Taylor’s Version)” starts at No. 2 and “Slut!” (Taylor’s Version) bows at No. 5.

The top five is completed by Casso, Raye, D-Block Europe’s “Prada” (down 2-3 via Ministry of Sound) and Kenya Grace’s “Strangers” (down 1-4 via FFRR).

Halloween is done and dusted for 2023, but the spooky celebration makes its impact felt on the U.K. singles survey. Danny Elfman’s “This is Halloween” (No. 14 via Walt Disney) from The Nightmare Before Christmas, Michael Jackson’s “Thriller” (No. 20 via Epic), Ray Parker Jr.’s “Ghostbusters” (No. 21 via Arista) and Bobby “Boris” Pickett’s “Monster Mash” (No. 29 via TheMonsterMash.com) all power into the top 40 on the latest tally.

Meanwhile, there’s new chart peaks for Drake, Sexyy Red and SZA’s “Rich Baby Daddy” (up 17-15 via OVO/Republic Records), Chase & Status, Hedex and ArrDee’s “Liqour & Cigarettes” (up 20-18 via EMI), Doja Cat’s “Agora Hills” (up 28-26 via Ministry of Sound), and Tems’ “Me & U” (up 36-34 via Since 93/RCA).

Further down the list, Wheatus’s breakthrough number “Teenage Dirtbag” (Columbia) reenters the U.K. Top 40 at No. 38, for its first top flight appearance since 2001. “Teenage Dirtbag” peaked at No. 2 that year.

Fans Choose Jung Kook’s ‘Golden’ as This Week’s Favorite New Music

Jung Kook‘s Golden tops this week’s new music poll.

Music fans voted in a poll published Friday (Nov. 3) on Billboard, choosing the pop icon’s re-recorded album as their favorite new music release of the past week.

Golden brought in 88% of the vote, beating out new music releases from Olivia Rodrigo, The Beatles and more.

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See latest videos, charts and news

Jung Kook is the final member of BTS to release a full-length solo album. Golden, featuring the singles “Seven” (with Latto) and “3D” (with Jack Harlow) among its tracklist, arrived on Friday.

In a new interview with British GQ, the K-pop star spoke about recording without his bandmates by his side: “While working on the album by myself, and performing on stage alone, [I noticed] things about myself that I was unaware of — the good points and the areas I’m lacking in,” Jung Kook said. “In terms of music, I found myself realizing, ‘Oh I can do these kinds of things as well, huh?’ or ‘Ah, this is something I can work on.’ I found myself missing the members [of BTS] quite a bit.”

He noted that ARMY will likely love the song “Standing Next to You.” While recording the track, he says, “it was so tiring that I did feel my soul almost leaving my body, but the process itself was extremely fun.”

Trailing behind Golden on the poll is Rodrigo’s “Can’t Catch Me Now” off of The Hunger Games: The Ballad of Songbirds and Snakes original motion picture soundtrack, with 6% of the vote.

See the final results of this week’s poll below.