Music

Travis Scott Brings Out Playboi Carti & More Epic Moments From His Utopia – Circus Maximus Show in L.A.

“I thought we were going to utopia?”

“What makes you say this isn’t utopia?”

“I mean, I don’t know, isn’t it supposed to be some perfect destination?”

SoFi Stadium in Inglewood, Calif., was the perfect destination for Travis Scott to make history Sunday (Nov. 5) during his latest Utopia – Circus Maximus Tour stop. But the multi-sensory experience — replete with flames spontaneously flying up from his rock-hewn stage design and heating up the entire 70,000-capacity stadium as well as an infinite amount of sweaty mosh pits — transported fans to the wonderful world of utopia he gradually built over the years.

Scott’s current tour is an on-going celebration of his latest album, Utopia, which he released on July 28 via his own label, Cactus Jack, and Epic Records. The album debuted at No. 1 on the Billboard 200 with 496,000 equivalent album units, capturing the largest week for any R&B/hip-hop or rap album in 2023; it remained atop the chart for four weeks. All 19 songs on the album debuted on the Billboard Hot 100, pushing Scott’s total from 93 to 111 total charted songs in his career, thus making the rapper the 15th artist in the chart’s 65-year history to log 100-plus career entries on the survey.

But that’s not the only history Scott’s made lately: His SoFi stop marks his biggest headline show to date and makes him the first rapper to play and sell out the stadium. “I never thought of this dream coming true. … This night has given me beyond chills,” he reflected with his ravenous fans before performing his 2016 hit “Goosebumps” from his sophomore album, Birds in the Trap Sing McKnight.

But Scott didn’t savor his victory lap by himself, as tour opener Teezo Touchdown and Playboi Carti joined him onstage to perform their Utopia collaborations. Meanwhile, the rapper’s 5-year-old daughter, Stormi Webster, made a cute cameo.

Check out Billboard‘s five best moments from Travis Scott’s sold-out SoFi Stadium tour stop below.

32 Spanish-Language Female Rappers Elevating the Movement

Despite men dominating the Latin hip-hop scene, the women do not fall behind. From Farina to Nicki Nicole, and beyond, check out the list of raperas killing the game.

Latin hip-hop is a movement that has undeniably been a boys club historically. From its roots in the vibrant neighborhoods of the Bronx, New York to its explosive growth across Latin America and beyond, male artists have often taken center stage. Rappers like Tempo, C-Kan, Akapellah, Residente and many more have been at the forefront of it.

This year, the Latin Grammys nominations for best rap/hip-hop song include just two women, 18-year-old Dominican newcomer J Noa and Argetina’s Nicki Nicole (Meanwhile, eleven male songwriters are nominated in that category). These talented female MCs not only deserve the recognition they are receiving but also deserve to be celebrated for their contributions to the genre, as they are part of our list of 32 Spanish-language female rappers who are, or have been, making waves in the Latin hip-hop scene — whether they stay true to the rap style or go beyond.

Behind the scenes and increasingly in the spotlight, Latina rappers have too played a fundamental role in Latin hip-hop’s journey, infusing it with their unique perspectives, lyrical prowess and a fierce determination to break down gender barriers. In Chile, Ana Tijoux rose from the underground hip-hop scene of Santiago in the ’90s, first as an emcee in the group Makiza to achieving international stardom as a solo act. Across the Atlantic, Mala Rodriguez climbed the ranks of Spain’s thriving hip-hop scene, bolstered by lyrics as bold as her personality. Emerging names like BB Trickz, Eli Almic and more are also shattering stereotypes, while highlighting their stories, struggles and triumphs.

On this list, Billboard Latin and Billboard Español dive into the contributions of 32 Latina artists, acknowledging their vital role in shaping a genre today. Through their music, these trailblazing women have challenged the status quo, paving the way for future generations of female Latin hip-hop artists. Here are 32 Spanish-language female rappers, in alphabetical order, who are (and in some cases have long been) elevating the movement.

ENHYPEN Unveils ‘Orange Blood’ Tracklist

ENHYPEN‘s album rollout for its forthcoming album, Orange Blood, continues. The K-pop stars added one more piece to the puzzle of its release on Sunday (Nov. 5), sharing the album’s tracklist on X (formerly known as Twitter).

The set will contain a total of five original tracks — “Mortal,” “Sweet Venom,” “Still Monster,” “Far” and “Orange Flower (You Complete Me).” The release will also include an English version of “Sweet Venom” and a digital only remix of “Sweet Venom” featuring Bella Poarch (“Build a B—h”).

In addition to the tracklist’s release, track mood samplers with members Heeseung, Jay, Jake, Sunghoon, Sunoo, Jungwon and Ni-ki were shared to YouTube Monday. The videos feature instrumentals of the songs on Orange Blood and the guys posing amid hazy bright lighting and in matching white outfits.

ENGENEs will have plenty more to look forward to leading up to Orange Blood‘s arrival. The album preview and music video teasers will roll out between Nov. 11-16, concluding with the video and album release on Nov. 17 and a special showcase, EN-CONNECT Night, on Nov. 18.

Orange Blood serves as the follow up to ENHYPEN’s May release, Dark Blood. The previous mini album earned the K-pop stars its highest charting release to date, peaking at No. 4 and spending a total of 10 cumulative weeks on the Billboard 200 in June.

See the tracklist and track mood teasers for Orange Blood below.

Richie Sambora Says a Reunion With Bon Jovi Could Happen: ‘It’s Time To Do It’

It’s been a decade since Richie Sambora rocked alongside Jon Bon Jovi in the band the two co-founded in Sayreville, N.J. in 1983. But to hear Sambora, 64, tell it, the time might be just right for a reunion to celebrate the beloved group’s 40th anniversary.

“There’s a documentary that’s being done about the band and stuff that I’ve participated in, and people want to come see us play, and it’s going to make everybody happy,” the Bon Jovi co-founder told People. “I mean, essentially, that’s why you do it at this point.” Sambora suggested that some talks have been taking place about him returning to the group he left in 2013 in the middle of a tour.

And though the details behind the split have never officially been hashed out in public, Sambora sounded very confident that time might heal old wounds. “So yeah, it definitely could happen,” he said of a possible reunion. “It’s just a question of when everybody’s ready to go do it. It will be a big, massive kind of undertaking.” In 2020, Sambora told People that he had no regrets about stepping aside from his main gig to focus on his relationship with his daughter Ava, now 26. “It wasn’t a popular decision by any means, obviously, but there was really almost no choice about it,” he said at the time.

At press time Sambora said there was no additional information or timeline for a possible rapprochement, adding, “it’s time to do it, though… this is our 40th anniversary, but I feel younger than ever. I’m having a ball.” A spokesperson for Jon Bon Jovi could not be reached for at press time for a comment on Sambora’s interview.

Sambora co-founded BJ with singer Jon Bon Jovi, original bassist Alec John Such, keyboardist David Bryan and drummer Tico Torres and he co-wrote some of the band’s most iconic hits, including “You Give Love a Bad Name” and “Livin’ on a Prayer.” Following his departure, Sambora was replaced by guitarist Phil X, who continues to tour and record with the group.

Though singer Bon Jovi has not publicly discussed a potential reunion, this isn’t the first time Sambora has expressed an interest in rejoining the band. Back in 2018 when Howard Stern inducted the Jersey giants into the Rock and Roll Hall of Fame and they appeared together on stage, Sambora said “everybody falls back into place… it feels great to see everybody. We already rehearsed and it was wonderful, it wasn’t awkward.”

Jon Bon Jovi will be honored as the 2024 MusiCares Person of the Year at the annual benefit gala, to be held at the Los Angeles Convention Center on Friday, Feb. 2, 2024 — two nights before the 66th annual Grammy Awards at the adjoining Crypto.com Arena..”

Taylor Swift Has Girls’ Night Out With Selena Gomez, Gigi Hadid, Sophie Turner & Brittany Mahomes: Photos

Baby, they’re the new romantics, the best people in life are free. Taylor Swift is living her 1989 2.0 era, stepping out for dinner in New York City over the weekend with Selena Gomez, Gigi Hadid, Sophie Turner and Brittany Mahomes.

The A-list group, which blends O.G. members of Swift’s “squad” (Gomez and Hadid) with a couple of the pop star’s newer friends (Turner and Mahomes), was spotted together in Manhattan. After grabbing some Japanese cuisine at BondST, Swift swift exited the restaurant holding hands with Mahomes and linking arms with Gomez. (The restaurant even shared an Instagram Story about the outing on its account.)

Coincidentally, as fans on Twitter pointed out, four of the five women have at some point been romantically linked to a Jonas brother: Gomez dated Nick Jonas in 2008, while Swift and Hadid both dated Joe Jonas before he married Turner in 2019. The “Anti-Hero” singer and Game of Thrones star have been spotted hanging out in public since the actress split from Jonas earlier this year.

Meanwhile, Swift and Mahomes have sparked up a friendship amid the 12-time Grammy winner’s romance with Travis Kelce, who plays alongside the former soccer player’s husband, Patrick Mahomes, for the Kansas City Chiefs. The two women are often seen cheering on the NFL stars side by side from a private box suite at Arrowhead Stadium.

With nods in 20 categories, Swift is the leading finalist at the 2023 Billboard Music Awards. You can watch the BBMAs at BBMAs.watch, and via Billboard or the BBMAs social media channels on Nov. 19.

See a photo from Swift’s girls’ night out with Gomez, Mahomes, Hadid and Turner below:

brittany Mahomes, Taylor Swift, Selena Gomez

(L-R Front) Brittany Mahomes, Taylor Swift, Selena Gomez (L-R Back) Gigi Hadid and Sophie Turner are seen in NoHo on Nov. 4, 2023 in New York City.

Gotham/GC Images

Boy George Set to Join the Broadway Cast of ‘Moulin Rouge’ in 2024

Looking for a magnificent, opulent, tremendous, stupendous, gargantuan, bedazzlement, a sensual ravishment? Look no further than Moulin Rouge! The Musical on Broadway, where ’80s superstar Boy George is set to light up the stage in 2024.

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During his latest appearance on the TODAY show on Monday (Nov. 6), George revealed that he would be joining the cast of the Tony Award-winning musical in the role of Harold Zidler, the enigmatic and fabulous owner of the titular club, starting on Feb. 6, and running until May 12.

Speaking with hosts Hoda Kotb and Jenna Bush Hager, George said that he was particularly excited to be joining an ensemble cast, something he prefers when it comes to live performing. “Just being part of an ensemble is really fun,” he said. “You can’t have an ego, because there’s too many people. It’s about fitting in, especially because everyone’s been doing this show for a while. So, hopefully, they’re going to teach me.”

Moulin Rouge! will not mark Boy George’s first time on the Great White Way. Back in 2003, the singer debuted his original musical Taboo, which told the story of his life in conjunction with the founding of his band Culture Club and the New Romantic club scene in London. The show was nominated for four Tony Awards in 2004, including best original score for George’s music.

In the meantime, George is currently promoting his new autobiography Karma, described as a story recounting “the drama, the music, his journey of addiction and recovery, surviving prison,” and much more. During his appearance on the TODAY show, George reminisced about the massive success of “Karma Chameleon,” the desire for himself and his band to find success in the U.S., and how he was sure from a young age that he would be famous. He said, “I guess I just knew I wasn’t going to play football and climb trees.”

Peso Pluma Set to Perform at the 2023 Billboard Music Awards

Mexican star Peso Pluma is set to perform at the 2023 Billboard Music Awards, taking place Sunday, Nov. 19. The música Mexicana singer-songwriter will perform “Rubicón,” a corrido — powered by prickly guitars — from his chart-topping album Génesis.

The performance will include a special guest appearance by boxing legend Mike Tyson, who is a self-declared Peso Pluma superfan. Over the summer, Tyson posted a video promoting Génesis, saying, “Ahhh, it’s my sh–!” when one of the songs starts playing.

Peso Pluma is a Billboard Music Awards first-time finalist, and is up for five total awards, including top new artist, top Latin artist, top Latin male artist and top Latin album for Génesis, which peaked at No. 3 on the Billboard 200 and spent 15 weeks at No. 1 on the Top Latin Albums chart, the most for a regional Mexican album. He’s also a finalist in the top Latin song category with two entries there: “Ella Baila Sola” with Eslabon Armado and “La Bebe” with Yng Lvcas. Peso was a top winner at October’s Billboard Latin Music Awards, taking home eight awards, including artist of the year, new.

Taylor Swift is the top finalist at the 2023 BBMAs with nods in 20 categories. Morgan Wallen and SZA are runners-up, with 17 entries each. They are followed by The Weeknd (16); Drake and Zach Bryan (14); Luke Combs (10); 21 Savage, Metro Boomin and Miley Cyrus (nine each); Beyoncé and Rema (seven each); Bad Bunny and Peso Pluma (six each); and Ariana Grande, David Guetta, Eslabon Armado, Karol G, NewJeans and Selena Gomez (five each).

The 2023 Billboard Music Awards Presented by Marriott Bonvoy — which will be produced by dick clark productions — will have a first-of-its-kind collaboration with Spotify “Fans First,” which will bring fans up close and personal with their favorite artists. Performances and awards will roll out across the BBMAs and Billboard social channels, as well as via BBMAs.watch on Sunday, Nov. 19. Billboard Music Awards performers will be revealed daily on BBMAs social channels, starting today.

CMA Awards 2023 Predictions: Who Will Win the Top Honors?

The 57th annual CMA Awards will take place Wednesday (Nov. 8) at Nashville’s Bridgestone Arena with returning hosts country superstar Luke Bryan and legendary NFL hall of famer Peyton Manning. For the second consecutive year, Lainey Wilson leads all nominees with nine nominations, followed by Jelly Roll with five and Luke Combs and HARDY landing four.

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Chris Stapleton and Carrie Underwood are both seeking  their first entertainer of the year award after multiple nominations. Stapleton, Brothers Osborne and Old Dominion will see if their multi-year streaks for male vocalist, vocal duo and vocal group, respectively, continue. This year also includes some surprises, including Tracy Chapman receiving her first nomination for a 35-year-old song, and Wilson swiftly ascending to entertainer of the year category from winning best new artist only a year ago.

The eligibility period for the 2023 show, which will air live on ABC at 8 p.m. ET,  is July 1, 2022-June 30, 2023. According to CMA rules, “singles, albums, music videos and qualified music products for the annual show must have been released or reached peak national prominence during the eligibility period.” More than 7,300 members of the country music industry vote for the nominees and winners through three rounds of voting.

Here are Billboard’s predictions in select categories on who will emerge victorious, from Melinda Newman (executive editor, West Coast and Nashville), and Jessica Nicholson (staff writer, Nashville). So they wouldn’t influence each other, the two did not compare notes on their picks.

Entertainer of the year

Luke Combs

Chris Stapleton

Carrie Underwood

Morgan Wallen

Lainey Wilson

Newman: It’s only been a year since Wilson earned her first CMA Awards nominations (and wins), so her ascent into the entertainer category feels, perhaps, a tad speedy. The other four nominees have been here before, including last year, with Combs prevailing. This year marks Stapleton’s and Underwood’s seventh and sixth nominations in the category, respectively, yet neither has won the award, and, despite strong touring efforts in 2023, it feels like they will go home empty-handed again. This year is a race between Combs, who is seeking his third crown, and Wallen, who is after his first. Both have ascended to stadium-act status, and both have had unbelievably successful years at radio. If there was ever a year for a tie, this might be it, but Combs made the leap to multi-continent international touring sensation this year, so he has a slight advantage.

Will win: Luke Combs

Nicholson: While each of the nominees has had an incredible year, it seems that Combs and Wallen are the front-runners in this race. Both have battled it out in the upper echelons of the Billboard Hot 100 (with Wallen’s “Last Night” spending 16 weeks atop the chart, and Combs’s “Fast Car” reaching No. 2). Combs is already a two-time winner and the reigning champ in this category, while Wallen’s One Thing at a Time has dominated the Billboard 200 this year, with 16 weeks atop the chart. Both have had major stadium runs this year, with tours that have taken them to overseas markets as well as domestic shows. Wallen’s 2023 tour began with shows in Australia and New Zealand, and included stops in Canada, but Combs’s 2023 trek visited Australia, Canada and multiple countries in Europe, which might give him the edge here.

Will win: Luke Combs

Single of the year

Award goes to artist(s), producer(s) and mix engineer(s)

“Fast Car” – Luke Combs (Producers: Luke Combs, Chip Matthews, Jonathan Singleton, Mix Engineer: Chip Matthews)

“Heart Like A Truck” – Lainey Wilson (Producer: Jay Joyce, Mix Engineers: Jason Hall, Jay Joyce)

“Need A Favor” – Jelly Roll (Producer: Austin Nivarel, Mix Engineer: Jeff Braun)

“Next Thing You Know” – Jordan Davis (Producer: Paul DiGiovanni, Mix Engineer: Jim Cooley)

“wait in the truck” – HARDY (feat. Lainey Wilson) (Producers: HARDY, Joey Moi, Jordan Schmidt, Derek Wells, Mix Engineer: Joey Moi)

Newman: It’s a little surprising that Morgan Wallen’s “Last Night,” which spent a staggering 16 weeks at No. 1 on the Hot 100, didn’t get a nod here, but voters leaned toward heavier fare for the most part, favoring murder ballad “wait in the truck,” Jelly Roll’s redemption-seeking “Need a Favor” and Combs’ poignant remake of Tracy Chapman’s “Fast Car.” Davis was a runner-up last year with “Buy Dirt” and this year’s entry, “Next Thing You Know,” mines the same family-oriented theme, while Wilson’s “Heart Like a Truck” is pleasing, traditional country. All were hits, reaching the top 2 of Billboard’s Country Airplay chart, but the meaty songs here resonated strongest this year, with “wait in the truck” hitting the hardest thanks to HARDY and Wilson’s gravitas-filled vocals.

Will win: “wait in the truck”

Nicholson: This year’s category is packed with hits, including a double-header of chart songs from Wilson (“Heart Like a Truck” and “wait in the truck” with HARDY). Jelly Roll’s rock-infused plea “Need a Favor” is here, as is Jordan Davis’ quieter chart hit, the sentimental “Next Thing You Know.” In terms of chart successes, Combs’s rendition of the Tracy Chapman classic “Fast Car” has been a sales juggernaut, reaching No. 2 on the Billboard Hot 100 and spending five weeks atop the Country Airplay chart. This crossover hit was inescapable this year, which leans the odds in Combs’ favor.

Will win: “Fast Car”

Song of the year

Award goes to the songwriters

“Fast Car” — Songwriter: Tracy Chapman

“Heart Like A Truck” — Songwriters: Trannie Anderson, Dallas Wilson, Lainey Wilson

“Next Thing You Know” — Songwriters: Jordan Davis, Greylan James, Chase McGill, Josh Osborne

“Tennessee Orange” — Songwriters: David Fanning, Paul Jenkins, Megan Moroney, Ben Williams

“wait in the truck” — Songwriters: Renee Blair, Michael Hardy, Hunter Phelps, Jordan Schmidt

Newman: The same songs nominated for single of the year are competing here except for “Need a Favor,” which has been replaced by “Tennessee Orange.” It would be something if Chapman won for “Fast Car,” a song that is as heartbreaking today as it was upon its initial release 35 years ago, but that seems unlikely. Other than “Fast Car,” the artists all had a hand in writing the songs they performed and that emotional  investment reverberates here. “Tennessee Orange” served as a beguiling introduction to Moroney, while “Heart Like a Truck”  showed the vulnerable side of Wilson. “Next Thing You Know” felt like Davis has found his lane that celebrates family and “wait in the truck” refused to pull its punches as it shined a harsh light on domestic violence. The winning song doesn’t need to necessarily make a statement, but “wait in the truck’s” fearlessness in embracing the darkness feels like an achievement worth heralding.

Winner: “wait in the truck”

Nicholson: Most of the same songs nominated in the single of the year category repeat here, including “Fast Car,” “wait in the truck,” “Next Thing You Know” and “Heart Like a Truck.” Wilson’s collaboration with HARDY and her solo “Heart” followed similar chart trajectories this year. “Heart Like a Truck” was named song of the year at the industry-voted NSAI Nashville Songwriter Awards, and it could very well follow that up with a win in this category.

Will win: “Heart Like a Truck”

Album of the year

Ashley McBryde Presents: Lindeville, Ashley McBryde

Bell Bottom Country, Lainey Wilson

Gettin’ Old, Luke Combs

One Thing At A Time, Morgan Wallen

Rolling Up the Welcome Mat, Kelsea Ballerini

Newman: From Kelsea Ballerini’s intensely personal statement of reclaiming her own life after her divorce to Ashley McBryde’s vivid imaginary community in Lindeville, all the nominees here created works that connected with fans and advanced their artistry. Luke Combs’ set is the companion to last year’s winner, Growin’ Up, that celebrates the singer/songwriter embracing middle age. Lainey Wilson graduated to budding superstar status with Bell Bottom Country, which felt like a mission statement as she grew more confident in her delivery and message. It already seemed like Wallen couldn’t rise higher, but One Thing at a Time topped the Billboard 200 for 16 weeks, the most since Adele’s 21 in 2011-12. All will stand the test of time as high-water marks for each artist, but McBryde brought us into a world in an innovative, original way that felt uniquely immersive.

Will Win: Ashley McBryde Presents: Lindeville

Nicholson: This category celebrates an array of styles, from Wilson’s hippie-country Bell Bottom Country project to Ballerini’s heart-on-her-sleeve Rolling Up the Welcome Mat album, Combs’s hit-filled Gettin’ Old album, and McBryde’s collaborative, creative Lindeville project, which featured John Osborne, Brandy Clark, Caylee Hammack, Aaron Raitiere, Benjy Davis and more.

The undeniably red-hot hit project of the bunch has been Wallen’s One Thing at a Time, which has spent 16 weeks atop the Billboard 200. Still, this is a category where voters have often awarded creative impact over commercial success, so McBryde and her Lindeville cohorts could pick up the win here.

Will win: Ashley McBryde Presents Lindeville

Female vocalist of the year

Kelsea Ballerini

Miranda Lambert

Ashley McBryde

Carly Pearce

Lainey Wilson

Newman: The same vocalists as last year are competing except for Carrie Underwood, whose slot is filled by a deserving Kelsea Ballerini. Given that she’s been nominated, or won, 16 out of the last 17 years, it’s odd not to see Underwood’s name here, but she’ll definitely be back. Lambert’s been on a bit of a break since parting ways with Sony Nashville, so this is more of a four-way race between the other women. All have had strong years, but Wilson feels unbeatable for the second year in a row.

Will win: Lainey Wilson

Nicholson: Lambert is the winningest nominee in the category, with seven prior wins. Though every nominee here had a stellar touring/performing year, on the recording front, Lambert and Pearce had relatively quieter years. Pearce teamed with Chris Stapleton for the ballad “We Don’t Fight Anymore,” and Lambert paired with Leon Bridges for “If You Were Mine.” Ballerini released one of her most personal, expressive albums to date with her divorce record, Rolling Up the Welcome Mat. Wilson is the reigning champ in this category, and seemed to be ubiquitous this year, thanks to heavy touring, a trio of songs surging up the charts, awards show appearances and a campaign with Wrangler. Wilson seems to be a lock in this category.

Will win: Lainey Wilson

Male vocalist of the year

Luke Combs

Jelly Roll

Cody Johnson

Chris Stapleton

Morgan Wallen

Newman: Jelly Roll replaces Eric Church in this year’s list of finalists and it’s hard to overstate the year he’s had, but the same could be said for all the contenders, including second-time nominee Wallen, who won the title at the ACM Awards in May. Either Stapleton or Combs has taken home the award the past eight years, with Stapleton winning a record-setting six times. Despite Stapleton’s once-in-a-generation voice, it’s undeniably Wallen’s turn.

Will win: Morgan Wallen

Nicholson: This is a stacked category, with Combs, Jelly Roll, Cody Johnson, Stapleton and Wallen all vying for the honor. Wallen, Jelly Roll and Johnson are all hoping to pick up their first wins, against veteran winners Stapleton (six times) and Combs (twice). Stapleton is a perennial favorite in the category, and Combs, Jelly Roll and Johnson have all had solid years, but given Wallen’s juggernaut touring in addition to the chart success of “Last Night” and One Thing at a Time, it looks like this could be the year he cinches a win.

Will win: Morgan Wallen

New artist of the year

Zach Bryan

Jelly Roll

Parker McCollum

Megan Moroney

Hailey Whitters

Newman: Bryan and Jelly Roll are already bonafide headlining arena acts, so it seems strange to even see them in this category, since their stars have ascended so quickly. Additionally, Bailey Zimmerman has dominated the charts in recent months with three Country Airplay No. 1s, so his omission is glaring. McCollum, Moroney and Whitters look like they’re all headed toward long, bountiful careers with Whitters snagging the top new female trophy at the ACM Awards. If voters are going by the numbers, it’s hard to deny Bryan or Jelly Roll, but, if like me, voters feel like they are both past the point of winning this award, Moroney could be the surprise winner.

Will win: Megan Moroney

Nicholson: Bryan is far and away the biggest success story of this crop of newcomers. He’s selling out stadiums nationwide and regularly notching songs and albums to the upper echelons of the all-genre Billboard charts. But Bryan’s comments following last year’s CMA Awards, could have deterred some CMA voters. “Handle on You” hitmaker McCollum, “Everything She Ain’t” singer Whitters and “Tennessee Orange” crooner Moroney have all made strides over the past year, but recent Billboard cover star Jelly Roll has been one of the biggest breakout artists, earning two No. 1 Country Airplay hits this year (including the four-week Country Airplay chart-topper “Need a Favor”) and currently enjoying a top 10 hit on the chart with his Wilson collab “Save Me.” Add in a top headlining tour, and this one is Jelly’s to lose.

Will win: Jelly Roll

Vocal duo of the year

Brooks & Dunn

Brothers Osborne

Dan + Shay

Maddie & Tae

The War And Treaty

Newman: Maddie & Tae are competing for the ninth time without a win, and they will likely go home empty-handed again, given Brothers Osborne have snagged the trophy five of the last seven years and Dan + Shay grabbed it the other two. Brooks & Dunn, who last won in 2006, are legends, of course, but it seems odd that they are even plunked into this category, since they exist primarily as an occasional touring act. The War And Treaty are a strong addition, but they likely can’t stop the momentum that the excellent Brothers Osborne continue to have.

Will win: Brothers Osborne

Nicholson: This year, 14-time category winners Brooks & Dunn face off against five-time category winners and reigning champs Brothers Osborne, as well as two-time winners Dan + Shay, Maddie & Tae and newcomers to the category, husband-and-wife duo The War And Treaty. Dan + Shay, Brothers Osborne and The War And Treaty all released new studio projects this year. Brothers Osborne scored a top 25 Country Airplay hit with “Nobody’s Nobody,” released their self-titled album and played a string of headlining shows, while Dan+Shay made media waves leading up to the release of their 2023 album Bigger Houses by revealing they nearly broke up, and earned a top 20 Country Airplay hit with “Save Me The Trouble.” Brothers Osborne’s labelmates The War And Treaty also scored a major chart hit this year with their Zach Bryan collaboration “Hey Driver” (which reached the top 20 on the all-genre Billboard Hot 100). They’ve been opening tour dates on Chris Stapleton’s All-American Road Show (in addition to a string of overseas headlining tour dates) and have been ubiquitous on awards show appearances this year. All of these high-profile appearances could give W&T the edge.

Will win: The War And Treaty

Vocal group of the year

Lady A

Little Big Town

Midland

Old Dominion

Zac Brown Band

Newman: The nominations in this category have remained static for the past five years with the same acts vying for the title, with the exception of 2020, when a dissolving Rascal Flatts took Zac Brown Band’s spot. They are all worthy contenders, but, as with vocal duo, the category could benefit from some new blood or have voters pay a little attention to who else is making noise, like Parmalee, whose “Take My Name” was Billboard’s 2022 Country Airplay Song of the Year. Old Dominion continues to grow both creatively and commercially, so expect them to take home their sixth consecutive trophy in this category, tying Little Big Town’s six wins.

Will win: Old Dominion

Nicholson: Old Dominion has arguably been the most visible of this year’s nominees, thanks to to their album Memory Lane and their Country Airplay top 10 hit of the same name. Zach Brown Band earned a top 20 Country Airplay hit with “Out in the Middle,” but Old Dominion seems to be on track to extend their five-year winning streak.

 Will win: Old Dominion

Travis Kelce Is Now the Leading Receiver in Chiefs History: Here’s How Taylor Swift Reacted

Travis Kelce became the Kansas City Chiefs’ all-time leading receiver after helping his team triumph over the Miami Dolphins — and Taylor Swift is all for it.

Amid the pair’s buzzworthy romance, the 33-year-old pop star “liked” a post from People on Instagram about Kelce’s new feat. The post cited stats from The Athletic, which totaled Kelce’s updated career receiving yards at 10,941 — one yard more than Hall of Famer Tony Gonzalez’s previous record of 10,940 yards, making the 34-year-old tight end the new all-time leading receiver in franchise history.

Fans in the comments section were quick to notice that the post celebrating Kelce had earned a double-tap from the pop superstar, who’s become a frequent guest at his games. In fact, it’s been reported that the Ohio native actually plays better when Swift is watching from her usual spot next to Brittany Mahomes or Donna Kelce in a private box suite, something he recently said was “hard for me to wrap my head around.”

The “Anti-Hero” singer’s attendance, however, had nothing to do with Kelce’s most recent overseas victory against the Dolphins in Frankfurt, Germany. Swift was very much in New York City over the weekend — she was spotted out with an A-list group of friends including Selena Gomez, Gigi Hadid and Sophie Turner Saturday night (Nov. 4).

@taylorswift you liked this post hmmm? ?” commented one fan on People‘s post, while another wrote: “The queen @taylorswift is here supporting a king ??”

In other “Tayvis” news, Kelce was recently asked at a press conference whether he was “in love” with the 12-time Grammy winner. “I’m going to keep my personal relationship personal,” he responded, although he did divulge, “The latest status is I got to see her last week. That’s the latest status right there.”

As for Swift, she’s the lead finalist for the 2023 Billboard Music Awards with 20 nominations. The event will stream Nov. 19 on the BBMAs and Billboard‘s social channels, as well as on BBMAs.watch.

Lauryn Hill Starts Late in Los Angeles, Tells Fans, ‘Y’all Lucky I Make It on This… Stage Every Night’

Ms. Lauryn Hill has developed a reputation for hitting the stage after her appointed time. She was tardy again on Saturday night for her show in Los Angeles at the Kia Forum celebrating the 25th anniversary of her landmark The Miseducation of Lauryn Hill solo album and according to video by fans, she had something to say about her lateness.

“You’re saying’ ‘She’s late. She’s late a lot.’ Yo, y’all lucky I make it on this blood ras stage every night,” Hill said. “I don’t do it because they let me do it. I do it because I stand here in the name of God and I do it. God is the one who allows me to do it, who surrounded me with family and community when there was no support.”

Hill then went on to articulate what sounded like a lingering distaste over what she described as her limited musical options in the wake of Miseducation‘s smash success, which included more than 20 million in sales and five Grammy awards. “When the album sold so many records, and no one showed up and said, ‘Hey, would you like to make another one?’ So I went around the world, and I played the same album over and over and over and over again,” Hill said during the first of two shows at the venue, where she was once again joined by her Fugees bandmates Wyclef Jean and Pras for a portion of the show. “Because we’re the survivors, and we’re not just survivors, we’re the thrivers.” 

Hills has never released another solo studio album in the wake of 1998’s Miseducation, which was followed-up in 2002 with the uneven MTV Unplugged No. 2.0 and a handful of non-charting one-off singles.

Hill had to hit pause on the tour last week, postponing a show in Fort Worth, TX after she said doctors ordered vocal rest after earlier postponing the third date on the run — in Philadelphia — due to similar issues. “As you may know, I’ve been doing my best to overcome a serious case of vocal strain/injury over the past week or so,” Hill wrote in a tweet just hours before curtain for the Fort Worth show. “I fought through the last couple shows, pushing my voice, and masking the injury with medication. This isn’t safe or sustainable. I woke up this morning hoping to have enough voice to get through tonight, but I can barely talk let alone sing or rap.”

Watch Hill’s statement about lateness below.