Music

Olivia Rodrigo Hops on Leather Trench Coat Trend: Here’s How You Can Shop the Look for Less

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Trend alert! Olivia Rodrigo is feeling the fall vibes in a stylish, brown leather trench.

The “Vampire” singer was spotted in New York on Friday (Nov. 3) wearing a double-breasted leather trench from Coach, which she paired with black pants and a white shirt.

The $1,800 lamb leather coat features slip pockets, buttons down the front and an adjustable belt. The coat is available at Coach.com in sizes XS-XL.

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Coach

Coach Leather Trench

Rodrigo has worn other Coach looks recently, including a lavender mini dress from the Spring 2024 collection that she rocked while appearing on Jimmy Kimmel Live! on Oct. 24.

The “Vampire” singer also sported Coach Silver Leather Loafers ($225) during an appearance at the Grammy museum last month. And she apparently loves a long coat (who doesn’t?) because she was spotted wearing a Reformation houndstooth trench coat ($398) on Monday (Nov. 6).

The 20-year-old singer jetted to New York for the 2023 Rock Hall of Fame last Friday. She performed with Sheryl Crow during the ceremony.

And she’s not the only celebrity loving the long leather coat look. Hailey Bieber, Lori Harvey, Anna Wintour, Emily Ratajkowski and Billie Eilish’s brother Finneas have hopped on the leather trench coat trend.

The Coach leather coat is almost out of stock online, but we added a few alternative options below.  

Rebecca Minkoff Faux Leather Belted Maxi Coat

$113.99

$298

62% off

This faux leather, Rebecca Minkoff trench looks similar to the Coach jacket for a fraction of the price. The coat is on sale for $113 at Saks Fifth Avenue (available in mahogany, navy and black).

Revolve

Bardot Faux Leather Trench Coat

A faux leather coat looks and feels “so expensive” according to customer reviews. The Bardot Faux Leather trench snagged 4.6 out of 5-stars on the Revolve website. Get it in chocolate or black (sizes XS-XL).

Neiman Marcus

Alice + Olivia Elicia Strong-Shoulder Vegan Leather Trench Coat

This Alice & Olivia coat from Neiman Marcus is less than half the price of the Coach trench and just as sleek. The belted, double-breasted coat is made from soft, vegan leather and features slanted side pockets with a storm flap in the back. Save up to $650 off at NeIman Marcus with code: NOVSAVE.

Nearly Half of All Albums Sold in the U.S. Last Week Were Taylor Swift’s ‘1989 (Taylor’s Version)’

Taylor Swift’s 1989 (Taylor’s Version) debuts at No. 1 on Billboard’s Top Album Sales chart (dated Nov. 11), selling a whopping 1.359 million copies in the U.S. in the week ending Nov. 2, according to Luminate. As previously reported, that marks the biggest sales week of 2023, the largest sales week of any album since 2015, and the sixth-biggest sales week for an album since Luminate began electronically tracking sales in 1991.

1989 (Taylor’s Version) is Swift’s 13th No. 1 on Top Album Sales.

The first-week sales of 1989 (Taylor’s Version) were so large, they accounted for 43.8% of all albums sold in the U.S. in the tracking week: 1.359 million of the total 3.102 million sold. Further, focusing just on the physical copies of the album Swift sold (CD, vinyl and cassettes), 1989 (Taylor’s Version) sold 1.261 million copies – representing 46.9% of all physical album sales last week (2.689 million physical albums were sold across all titles in the U.S.).

The sales of 1989 (Taylor’s Version) were enhanced by its availability in 15 collectible physical formats: five color vinyl variants, eight CD editions and two cassette editions. Of the five vinyl variants, Target carries a color variant that includes one bonus track (“Sweeter Than Fiction”). The album is also available to buy in two digital download editions: a standard 21-song version and a deluxe 22-song version (which adds a re-recorded version of the album’s “Bad Blood,” featuring Kendrick Lamar).

So far in 2023, Swift’s catalog of albums, across all of her titles, have sold 4.531 million copies – which accounts for 5.4% of all albums sold this year by all artists combined (83.758 million sold year to date). Swift is by far the year’s top-selling act by total album sales. Her collected albums have sold six times more than the year’s No. 2-selling act, Stray Kids, with 753,000 sold.

Elsewhere in the top 10 of the new Top Album Sales chart, the latest releases from SEVENTEEN, Grateful Dead and Duran Duran debut.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new Nov. 11, 2023-dated chart will be posted in full on Billboard‘s website on Nov. 7. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

At No. 2 on Top Album Sales, SEVENTEEN’s SEVENTEENTH Heaven: 11th Mini Album arrives. It’s the sixth top 10-charting effort for the Korean pop group. The set bows with 98,000 copies sold, effectively all from CD sales, bolstered by its availability across 16 collectible CD variants.

The Rolling Stones’ Hackney Diamonds falls 2-3 in its second week, with 33,000 sold (down 65%).

Grateful Dead’s latest archival live album release, Dave’s Picks, Volume 48: Pauley Pavilion, UCLA, Los Angeles, CA, 11/20/71, debuts at No. 4 with 19,000 sold. It’s the 38th top 10-charting set for the band since Top Album Sales launched in 1991.

TOMORROW X TOGETHER’s chart-topping The Name Chapter: Freefall dips 3-5 with 15,000 sold (down 48%).

Duran Duran’s new Danse Macabre debuts at No. 6 with 14,000 sold. It’s the fourth top 10-charting title on the 32-year-old Top Album Sales chart. The album’s sales were bolstered by its availability in five different vinyl iterations (adding up to a little over 5,000 sold), but its CD was its best-selling format, as its singular available CD sold nearly 6,000 copies.

Rounding out the new top 10 on Top Album Sales are four former No. 1s from Swift: Midnights (rising 8-7 with 13,000; up 48%), Lover (6-8 with 13,000; up 28%), Speak Now (Taylor’s Version) (11-9 with nearly 13,000; up 74%) and Folklore (9-10 with 12,000; up 43%). With five Swift titles in the top 10 concurrently, it’s the second time Swift held at least half of the top 10 in the same week. She previously did it on the July 22-dated chart, with six titles.

In the week ending Nov. 2, there were 3.102 million albums sold in the U.S. (up 75.5% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 2.689 million (up 88.9%) and digital albums comprised 413,000 (up 20%).

There were 1.233 million CD albums sold in the week ending Nov. 2 (up 105.1% week-over-week) and 1.434 vinyl albums sold (up 76.8%). Year-to-date CD album sales stand at 29.245 million (up 0.8% compared to the same time frame a year ago) and year-to-date vinyl album sales total 38.585 million (up 18.4%).

Overall year-to-date album sales total 83.758 million (up 5.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 68.296 million (up 10.1%) and digital album sales total 15.462 million (down 10.1%).

Chrissy Teigen to Star Alongside David Chang in New Series ‘Chrissy & Dave Dine Out’

Chrissy Teigen is coming to a television screen near you.

On Monday (Nov. 6), Hulu announced that Teigen will star in the new unscripted show Chrissy and Dave Dine Out, in which she and co-stars David Chang and Joel Kim Booster will hit up restaurants in Los Angeles for a series of foodie endeavors and engaging conversations.

According to a press release, the trio “will take viewers to must-try restaurants in Los Angeles that are unexpected and, at times, off the beaten path. While David gets his hands dirty in the back of house with the restaurant’s chef, Chrissy and Joel will hold court in the front of house, hosting an always loose, unexpected and entertaining dinner party with undeniably delicious food and great conversation.”

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Teigen, Chang and Booster will handpick celebrity guests to feature in the show’s conversation segments, with the first episode taking the trio to Pizzeria Bianco. Jimmy Kimmel will appear on the premiere alongside his wife, writer Molly McNearney. John Legend, Teigen’s husband, will also guest star in addition to appearances from Kumail Nanjiani, Regina Hall, Simu Liu and other celebrities.

Teigen previously starred in Chrissy’s Court for a total of 30 episodes, with the series running from 2020 to 2022. She also doubles as an executive producer Chrissy and Dave Dine Out. Chang is a restaurateur and author who founded the Momofuku restaurant group. Booster is an actor and writer who wrote, produced and starred in Hulu’s 2022 rom-com Fire Island.

Chrissy and Dave Dine Out will premiere on Hulu on Jan. 24 at 10 a.m. ET. See the first teaser for the series in the video below.



Katy Perry & Orlando Bloom’s Daughter Daisy Dove Makes Public Debut at Vegas Residency Finale

Sure, Prince Harry and Céline Dion both showed up to the final performance of Katy Perry‘s Play Las Vegas residency, but the most adorable high-profile appearance had to be from Perry and Orlando Bloom‘s daughter Daisy Dove.

The 3-year-old made her public debut at her mom’s grand finale — and got to hear how she inspired the multimillion-dollar-grossing show — on Sunday night. Fan-captured footage from the elaborate performance shows the “Roar” singer shouting out her baby girl. “Daisy! I love you so much,” Perry exclaimed. “You’re my best friend. I’m so glad you’re here.”

Daisy — who sported a precious red-and-white polka-dot dress and sat alongside her father — was born three years ago, just two days before the release of Perry’s fifth album Smile. The album peaked at No. 5 on the Billboard 200 and housed the Billboard Hot 100 top 20 hit “Never Really Over.”

The “Witness” singer’s set featured a plethora of heartwarming moments for her family. During a spirited rendition of “Hot N Cold,” Perry quipped, “Mommy was a little bit wild back then!” The lighthearted vibes continued as Bloom and his daughter showed off their moves as Perry performed “Chained to the Rhythm.”

In accordance with this being the final Play show, Perry delivered an emotional speech detailing the show’s inspiration. “I created this show after the birth of my daughter, Daisy Dove,” she said while fighting tears. “When I met her, it was like all the love I was ever searching for finally showed up. She made me whole and she healed me, and she showed me how to play again. So this show is for everyone’s inner-child and for the hope that maybe if we could all see life through the eyes of a child, we would be free. ‘Cause never forget love is and will always be the key.”

Perry has sent three albums to the top of the Billboard 200 and earned nine chart-toppers on the Hot 100, including “Teenage Dream,” “Dark Horse” (with Juicy J) and “Firework.”

Check out some fan-captured footage of the final Play show:

The Beatles’ ‘Now and Then’ Debuts at No. 1 on Digital Song Sales Chart

After less than one day of availability, The Beatles’ “Now and Then” bounds in at No. 1 on Billboard’s Digital Song Sales chart dated Nov. 11.

In the Oct. 27-Nov. 2 tracking week, “Now and Then” – with all of its sales in that span logged Nov. 2, after it premiered at 10 a.m. ET – sold 16,000 downloads in the U.S., according to Luminate.

The song also starts at No. 1 on Rock Digital Song Sales, and is The Beatles’ first leader on each retail ranking. (The band’s digital catalog was first made available in the iTunes Store in November 2010.)

As previously reported, “Now and Then” concurrently opens at No. 37 on Rock & Alternative Airplay with 1.1 million audience impressions on reporting rock radio stations in its first day. Among all formats, the song drew 2.6 million in audience Nov. 2.



Elsewhere, “Now and Then” starts at Nos. 7 and 11 on the multi-metric Hot Rock Songs and Hot Rock & Alternative Songs charts, respectively, with its sales and airplay also augmented by 2.3 million official U.S. streams Nov. 2.

The song starts at No. 5 on the Billboard Hot 100’s Bubbling Under chart, which ranks the top 25 titles that have not yet hit the Hot 100.

Plus, the track opens at No. 152 on the Nov. 11-dated Billboard Global 200, with 6.4 million streams and 30,000 sold worldwide, again, all tallied Nov. 2.

“Now and Then” is billed as the final Beatles song, first recorded as a demo in 1977 by John Lennon and initially meant for the band’s The Beatles’ three-edition Anthology series in the mid-‘90s before being shelved by the surviving members of the band. It was completed and released this year after new technology helped extract Lennon’s vocals from the original demo while also using guitar recordings from George Harrison from the initial attempt to finish the song.

Notably, The Beatles released two new Anthology singles, each of which opened at No. 5 on the then-active Hot Singles Sales chart, which tracked physical singles before downloads became songs’ main sales currency in the 2000s. “Free as a Bird” began with 59,000 copies sold in its first week (Dec. 30, 1995) and “Real Love,” with 67,000 (March 23, 1996).

The first full week of activity, including physical copies, for “Now and Then” – whose official video premiered Nov. 3 at 9 a.m. ET – will be reflected on Billboard’s Nov. 18-dated charts, including the streaming-, airplay- and sales-based Hot 100 (encompassing activity tracked Nov. 3-9).

All Billboard charts dated Nov. 11 will update on Billboard.com on Tuesday, Nov. 7.

Sheryl Crow Gave Olivia Rodrigo This Simple But Important Piece of Life Advice

Sheryl Crow is all about supporting young artists, and the Rock & Roll Hall of Fame inductee opened up about working with 20-year-old Olivia Rodrigo, who performed with Crow during the ceremony and participated in presenting her with the honor.

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“It’s really cool,” Crow told ET of working with Rodrigo. “I mean, you know, I got to sort of lift her up a little bit, because she’s got a new record [out]… I know how hard the second record is, the sophomore. You’re competing with the success of your first record, and she nailed it.”

She also revealed the piece of advice she gave the “Vampire” singer. “I said, you know, ‘If you can, just write down one sentence every day, of what happened during that day, because you will someday look back [at] this, and try to remember all the things.’”

“The other thing [I told her] is to just stay in the work and stay out of the chatter,” she continued. “That’s a major thing.”

After performing “If It Makes You Happy” with Crow at the Rock & Roll Hall of Fame ceremony, Rodrigo appeared in a video montage about Crow’s career that featured Stevie Nicks and Maren Morris. In the clip, the “Get Him Back!” singer praised Crow’s lyricism, and especially the line “scrape the mold off the bread and serve you French toast again” from “If It Makes You Happy.”

“Nobody could say that besides Sheryl. She says things I would have never thought of in the most beautiful way,” Rodrigo said. The love is mutual, with Crow naming Rodrigo “the real deal” on The Tonight Show Starring Jimmy Fallon the night before.

After her onstage moment with Crow, Rodrigo described the experience in a statement to Billboard. “It was an honor to join Sheryl on stage and I am so excited for her to be inducted into the RRHOF! I am a massive fan of hers and her incredible songwriting. She’s equally as kind as she is talented and I feel so lucky that I was able to be part of celebrating such a legend.”

Machine Gun Kelly Reacts to Backlash Over Viral Formula 1 Interview: ‘My Anxiety Has Won’

Machine Gun Kelly attended his first Formula 1 event with the Brazilian Grand Prix over the weekend, but the “Bloody Valentine” rocker came under fire on social media following an awkward interaction with Sky Sports reporter, Martin Brundle.

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In the short grid-walk interview, MGK is visibly uncomfortable as he seemingly struggles to hear Brundle over the sounds of the crowd and racetrack. When Brundle asked what’s currently going on in his career, the musician simply replied, “I don’t think about my career.”

After a series of awkward questions and responses, MGK eventually asks Brundle to play air piano to accompany his air guitar. When Brundle confused, Kelly gave the camera a thumbs down and left the interview, to which Brundle joked that he won’t be making the rocker’s Christmas card list this year.

The tense interview was met by mixed reactions online, with fans calling out MGK for being rude to Brundle and having the “worst” vibe. “My vibe is ‘the worst’ how?” Machine Gun Kelly responded on Twitter on Sunday (Nov. 5). “Because someone put a microphone in my face essentially forcing me to do a random interview when I was just trying to enjoy an event? Because car engines were so loud I couldn’t hear him? Please tell me more about why I’m the worst.”

He followed up by asking another Twitter user why they “posted this pointless video” of the interview. The “I Think I’m Okay” star concluded his thoughts with an insight into how he’s doing mentally. “My anxiety has won. I hate being in public,” he wrote. See below.

Taylor Swift’s First-Week Sales on Every ‘Taylor’s Version’ Re-Record (And How They Compare to The Originals)

Few artists will ever reach the sales numbers that Taylor Swift has racked up over the course of her career — and even fewer will ever do it two times over.

What started as a passion project to reclaim her master recordings is now a cultural phenomenon. Supported symbiotically by her blockbuster Eras Tour — which reportedly made the pop star a billionaire in October 2023 — the “Taylor’s Version” re-recording project both caters to the nostalgia of O.G. Swifties while roping in new ones, breathing a second commercial life into albums that were already wildly successful upon their original releases between 2006 and 2017.

Kicking off in April 2021 with the release of Fearless (Taylor’s Version), Swift’s years-long project has raked in millions in sales and billions in streams, while also affecting the value out of the original editions of her first six albums. The undertaking has been so successful, in fact, that major labels are actively working to avoid becoming the next “Big Machine,” with Billboard reporting that outlets like Universal Music Group, Sony Music Entertainment and Warner Music Group have started overhauling contracts for new signees and demanding that artists wait an unprecedented 10, 15 or even 30 years to re-record releases after departing their record companies.

Part of Swift’s secret formula for scoring so big with each Taylor’s Version is her inclusion of “From The Vault” tracks, or songs that she initially wrote for each album but ultimately left off of their final track lists. These previously unreleased time-capsule songs have given the superstar a second chance at topping the charts, as well as more opportunities to collaborate with other artists, be it Phoebe Bridgers on Red (Taylor’s Version)‘s “Nothing New,” Paramore’s Hayley Williams on Speak Now (Taylor’s Version)‘s “Castles Crumbling” or a litany of country stars on Fearless.

Keep reading to see the first-week traditional album sales of every “Taylor’s Version” re-record (so far), plus how they compare to their original counterparts below:

Taylor Swift Charts All 21 Songs From ‘1989 (Taylor’s Version)’ on the Hot 100

Taylor Swift returns with another massive week on Billboard’s charts (dated Nov. 11), as all 21 songs from the standard edition of her latest re-recorded album, 1989 (Taylor’s Version), land on the latest Billboard Hot 100.

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The set debuts at No. 1 on the Billboard 200, her 13th leader, with 1.653 million equivalent album units earned in its opening week (Oct. 27-Nov. 2), according to Luminate. That’s not only the largest one-week total of 2023, but the biggest week for any album since the opening week of Adele’s 25 in November 2015 (3.482 million). Of the new set’s 1.653 million units, 1.359 million are from album sales, marking Swift’s largest sales week for a title to date.

Of Swift’s 22 total entries on the Hot 100 – all 21 from the new set, plus “Cruel Summer” (which falls to No. 6 after two weeks at No. 1) – 19 debut and two re-enter: “Wildest Dreams (Taylor’s Version)” and “This Love (Taylor’s Version),” at Nos. 20 and 43, respectively, both new highs. Her re-recorded “Wildest Dreams” charted for one week at No. 37 in October 2021, after it appeared in the trailer for the 2021 DreamWorks Animation film Spirit Untamed, while the new version of “This Love” spent one frame, at No. 50, on the chart in May 2022, after its appearance in the trailer for the Amazon Prime Video series The Summer I Turned Pretty.

Here’s a look at all of Swift’s songs on the Nov. 11-dated Hot 100, all of which are debuts except where noted.

Taylor Swift on the Nov. 11-dated Hot 100:

  • No. 1, “Is It Over Now? (Taylor’s Version) (From the Vault)”
  • No. 2, “Now That We Don’t Talk (Taylor’s Version) (From the Vault)”
  • No. 3, “Slut! (Taylor’s Version) (From the Vault)”
  • No. 5, “Say Don’t Go (Taylor’s Version) (From the Vault)”
  • No. 6, “Cruel Summer” (down after two weeks at No. 1)
  • No. 7, “Bad Blood (Taylor’s Version)”
  • No. 9, “Style (Taylor’s Version)”
  • No. 10, “Suburban Legends (Taylor’s Version) (From the Vault)”
  • No. 12, “Blank Space (Taylor’s Version)”
  • No. 14, “Welcome to New York (Taylor’s Version)”
  • No. 16, “Out of the Woods (Taylor’s Version)”
  • No. 19, “Wildest Dreams (Taylor’s Version)” (re-entry; new peak)
  • No. 20, “All You Had to Do Was Stay (Taylor’s Version)”
  • No. 28, “Shake It Off (Taylor’s Version)”
  • No. 29, “New Romantics (Taylor’s Version)”
  • No. 30, “Clean (Taylor’s Version)”
  • No. 31, “I Wish You Would (Taylor’s Version)”
  • No. 36, “I Know Places (Taylor’s Version)”
  • No. 39, “Wonderland (Taylor’s Version)”
  • No. 40, “How You Get the Girl (Taylor’s Version)”
  • No. 42, “This Love (Taylor’s Version)” (re-entry; new peak)
  • No. 43, “You Are in Love (Taylor’s Version)”



With 18 debuts, Swift brings her total to 230 Hot 100 hits in her career, the second-most after Drake’s 321. She also ups her counts to 31 top five hits (passing The Beatles, Mariah Carey and Madonna for the second-most after Drake’s 41); 49 top 10s (second after Drake’s 76); 85 top 20 titles (second after Drake’s 132); and 137 top 40 entries (second after Drake’s 199).

Meanwhile, this is just the fourth week in which an artist has tallied at least eight songs in the Hot 100’s top 10 simultaneously. Here’s a look at every such instance.

Most Simultaneous Entries in the Hot 100’s Top 10:

  • 10, Taylor Swift, chart dated Nov. 5, 2022
  • 9, Drake, Sept. 18, 2021
  • 8, Drake, Nov. 19, 2022
  • 8, Taylor Swift, Nov. 11, 2023

As “Is It Over Now? (Taylor’s Version) (From the Vault)” debuts at No. 1, Swift ups her total to 11 career Hot 100 No. 1s, breaking out of a tie with Janet Jackson and Stevie Wonder to tie Whitney Houston for the eighth-most of all time (dating to the chart’s 1958 start). The Beatles lead all acts with 20 No. 1s, followed by Mariah Carey (19), Rihanna (14), Drake (13), Michael Jackson (13) and Madonna (12) and The Supremes (12).

Taylor Swift Makes History With Top 6 Songs, All From ‘1989 (Taylor’s Version),’ on Billboard Global 200 Chart

Taylor Swift’s “Is It Over Now? (Taylor’s Version) [From the Vault]” soars in at No. 1 on the Billboard Global 200 songs chart (dated Nov. 11). Swift claims the top six songs on the survey – a first in the chart’s three-year-plus history. She one-ups the prior mark, which she also held, as she swept the top five on the Global 200 dated Nov. 5, 2022, when her album Midnights made its chart start.

The top six songs on the latest Global 200 are from Swift’s newest rerecorded album, 1989 (Taylor’s Version), which bounds in atop the Billboard 200 chart, becoming her 13th No. 1 set, extending her mark for the most among women.

Swift also becomes the first artist to score new Global 200 No. 1s in consecutive weeks, as her new leader follows the coronation of her “Cruel Summer” a week earlier.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



Six-cess: Swift Scores Record on Global 200

“Is It Over Now? (Taylor’s Version) [From the Vault]” premieres at No. 1 on the Global 200 with 63.7 million streams and 7,000 sold worldwide in its first week (Oct. 27-Nov. 2). Swift earns her fourth No. 1 on the chart, following “Cruel Summer” a week ago and two songs that, like her latest, debuted on top: “Anti-Hero” led for four weeks beginning in November 2022 and “All Too Well (Taylor’s Version)” reigned for a week in November 2021.

Swift breaks out of a tie with Olivia Rodrigo for the most Global 200 No. 1s among women. Overall, she ties Bad Bunny for the most among all soloists; among all acts, their four each trail only BTS’ seven.

As noted above, “Is It Over Now? (Taylor’s Version) [From the Vault]” leads six songs from 1989 (Taylor’s Version) in the Global 200’s top six spots. Here’s a recap of their ranks, and worldwide streaming totals in the tracking week:

  • No. 1: “Is It Over Now? (Taylor’s Version) [From the Vault],” 63.7 million streams worldwide
  • No. 2: “Now That We Don’t Talk (Taylor’s Version) [From the Vault],” 55.9 million
  • No. 3: “Slut! (Taylor’s Version) [From the Vault],” 55 million
  • No. 4: “Say Don’t Go (Taylor’s Version) [From the Vault],” 53.4 million
  • No. 5: “Style (Taylor’s Version),” 52 million
  • No. 6: “Bad Blood (Taylor’s Version),” 46.3 million

Swift additionally starts at No. 9 on the Global 200 with “Blank Space (Taylor’s Version),” also from 1989 (Taylor’s Version), led by 45.2 million streams.

With seven new top 10 Global 200 hits, Swift ups her count to 24 top 10s since the chart began. She passes Bad Bunny (19) and ranks behind only Drake (35) for the most.

(Among the onslaught of Swift’s new top 10s, “Cruel Summer” falls to No. 11 on the Global 200.)



Quintero Continues Atop Global Excl. U.S.

Iñigo Quintero’s “Si No Estás” spends a second week at No. 1 on the Global Excl. U.S. chart, with 51.6 million streams (down 5%) and 1,000 sold (down 9%) outside the U.S. Oct. 27-Nov. 2. The piano-pop song is the first entry on the ranking for the Spanish singer-songwriter.

Jung Kook’s “Seven” featuring Latto keeps at No. 2 following nine weeks at No. 1 on Global Excl. U.S. beginning in July; Tate McRae’s “Greedy” is steady at its No. 3 high; and Doja Cat’s “Paint the Town Red” rebounds 5-4, following two weeks on top starting in September.

Plus, Swift debuts three songs in the Global Excl. U.S. top 10, all from 1989 (Taylor’s Version): “Is It Over Now? (Taylor’s Version) [From the Vault],” at No. 5 (32.1 million streams outside the U.S.); “Style (Taylor’s Version),” at No. 7 (30.7 million); and “Now That We Don’t Talk (Taylor’s Version) [From the Vault],” at No. 10 (27.9 million).

Swift now boasts 14 Global Excl. U.S. top 10s, moving her closer to Bad Bunny’s record 18 since the chart began.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Nov. 11, 2023) will update on Billboard.com Tuesday (Nov. 7). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.