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Peter Frampton Reacts to Rock Hall of Fame Induction, Reveals Who He Wants to Perform With During the Ceremony

Peter Frampton says news of his long-awaited Rock and Roll Hall of Fame induction “hasn’t really sunk in yet.” But he’s still thrilled that the honor is upon him after 52 years of eligibility as a solo artist.

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“I think I’m a little bit in shock, and speechless,” Frampton tells Billboard with a laugh from his home in Nashville. “I never expected this. People always said, ‘You should be in.’ I said, ‘Eh, what is to be,’ y’know? So mixed emotions, because it’s something that I just never expected, whereas other people did for me. (laughs) It’s wonderful.”

Frampton is particularly stoked that he also finished second in the fan vote with 528,000 — second only to the Dave Matthews Band. “You never quite know how you are regarded,” Frampton explained. “I don’t think about that; I just do my thing. But ending up in the number two position blew me away, actually. It’s an honor people regard me in this way. I’m just honored and blown way.”

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Of course, Frampton did his part, too; during his most recent concert tour he spoke about the nomination, putting a QR code up on the video screen to take fans to the voting site in real time.

“That was wonderful,” he recalls. “Every night when I said, ‘I got this phone call a couple months ago…and my managers told me I’m being nominated for the Rock….’ I never got out ‘Fame’ — they just went berserk, the audience, every night, and it made me feel like, ‘Well, they think I deserve to be in.’ So that was very, very nice from the word go. It’s quite uncanny we would be touring during the public voting, so every night I could hopefully get a few hundred out of the couple of thousand, three thousand that were in the audience. And it made a difference.”

Frampton regards the 2024 Rock Hall lineup as “a wonderful class to be involved with,” with many personal connections. He and Foreigner founder Mick Jones, for instance, go back to sessions for French singer Johnny Hallyday when Jones was his musical director and songwriter; Jones subsequently played on “All I Want To Be (Is By Your Side)” on Frampton’s 1972 debut album, Wind of Change. And Foreigner’s lineup included Rick Wills, who also played bass in Frampton’s Camel. “I was hoping they would get in, too,” Frampton says. “I figured they would, but you never know, so I’m thrilled.”

In the musical influence category, meanwhile, Frampton played with Alexis Korner during the mid-‘60s and was also a fan of John Mayall. “I was in the front row at the Flamingo and all the clubs, watching Eric (Clapton) and so many other guitar players — Peter Green, Mick (Taylor) from the (Rolling) Stones, so that means a lot to me,” Frampton notes. “It’s just amazing that (Mayall) was a spawning ground for so many great English guitar players.”

Frampton – who began as a teen star in England before achieving worldwide fame in the band Humble Pie and especially with his Frampton Comes Alive album in 1976 — has begun thinking loosely about the induction ceremony night on Oct. 19 in Cleveland, though with no concrete plans yet. “I’m thinking about people to invite to play with me and all that kind of stuff he says,” noting that number one on the list will be Sheryl Crow, who “championed” Frampton by including him in her induction performance last year in Brooklyn.

Meanwhile, Frampton — who continues to work in defiance of the degenerative inclusion body myositis (IBM) disorder he’s been battling during the past six or so years — is continuing with his other work. He’s planning a trip to England during June as well as a filmed concert performance for the career documentary he’s been working on. He’s also writing songs for a new album, his follow-up to 2021’s instrumental set Frampton Forgets the Words. “It’s just got to be the best one I’ve ever done,” he says. Another leg of touring is also a possibility, he says, “but I don’t know when that’s going to be at this time. We’re still looking at availabilities and things like that.”

Ozzy Osbourne Says His Solo Rock Hall Induction ‘Feels Big’

All is sweetness and light between Ozzy Osbourne and the Rock and Roll Hall of Fame as the Prince of Darkness prepares for his second induction — this time as a solo artist.

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Osbourne, you may remember, tried to get Black Sabbath taken off the 1999 nominations list, calling the nod “meaningless.” But he happily went in with the band in 2006, and he tells Billboard via email that to become one of the Rock Hall’s multiple inductees “feels big. I’m more than honored.”

The honor comes after his wife and manager Sharon Osbourne called out the Rock Hall last year for not considering Ozzy as a solo artist even though he’s been eligible since 2006. Osbourne began that career after leaving Black Sabbath acrimoniously in 1979 and scoring eight consecutive multi-platinum albums starting with Blizzard of Ozz in 1980. On his own he’s also released iconic songs such as “Crazy Train,” “Flying High Again,” “Bark at the Moon,” “Shot in the Dark” and “No More Tears.”

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“I definitely wouldn’t say I was confident” about solo success, says Osbourne, adding that the 2021 induction of Randy Rhoads, his late songwriting partner, in the musical excellence category “made me feel we could be on to something. With every new music venture there’s always a certain amount of surprise that comes when you see the fans embrace it, because no one wants to make a record and have it flop. I feel like I was invited to a party in 1980, and it hasn’t stopped. Not bad for a guy who was fired from his last band.”

Comparing this induction to Sabbath’s “feels different,” Osbourne says, “because my solo career, it’s been a much larger part of my overall music career as a whole.” And after finishing fourth in the fan vote with more than 480,000 votes “feels more special, and I’m sure I’m not the only one that feels that way.”

The big question, of course, is whether Osbourne will perform at the induction ceremony on Oct. 19 in Cleveland. Though he’s effectively retired from touring due to a variety of health issues, including Parkinson’s disease, Osbourne continues to speak about performing again in some capacity. Could it be a two- or three-song set for the Rock Hall? “You never know,” he says, only promising that his outfit that night “will most certainly be black.”

Osbourne has remained prolific as a recording artist, meanwhile, releasing two albums so far this decade — Ordinary Man in 2020, Patient Number 9 in 2022 — and is intending to do more. “I’m not putting a timetable on it,” Osbourne says, “but I plan to start working on a new album sometime in the near future.”

Rock & Roll Hall of Fame Class of 2024 Revealed on ‘American Idol’

What’s more rock n’ roll than American Idol? Well, a few things, but the Sunday (April 21) episode of the long-running singing competition series found Ryan Seacrest and Rock & Roll Hall of Famer Lionel Richie revealing which artists constitute the Rock Hall of Fame’s Class of 2024. (The episode featured the 12 remaining contestants singing classics from previous Rock Hall inductees.)

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Queen of Hip-Hop Soul Mary J. Blige, stalwart pop icon Cher, roots rock jam band Dave Matthews Band, stadium rock hitmakers Foreigner, guitar pro Peter Frampton, funky R&B legends Kool & the Gang, metal god Ozzy Osbourne and alt hip-hop progenitors A Tribe Called Quest are all entering the Rock & Roll Hall of Fame this year in the performers category.

But there will actually be quite a few more people entering the Rock Hall’s ranks when the ceremony goes down on Oct. 19 at the Rocket Mortgage Fieldhouse in Cleveland, Ohio. Three guitar-slinging blues trailblazers will be inducted in the musical influence category: the late Alexis Korner, one of the founding fathers of British blues; John Mayall, the 90-year-old blues-rock legend whose outfit John Mayall & the Bluesbreakers fostered some of the biggest names in rock history; and “Big Mama” Thornton, an R&B pioneer whose big personality, guitar tone and brash vocals helped shape early rock n’ roll.

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Four more artists make it into the Rock Hall in the musical excellence category: Jimmy Buffett, the standard bearer of laid-back, good-time rock until his death last September; MC5, the political firebrand proto-punk outfit; elegant, sophisticated pop hitmaker Dionne Warwick; and Motown Sound songwriter and producer Norman Whitfield.

And finally, Suzanne de Passe, a former Motown exec who brought the Jackson 5 to Berry Gordy and oversaw numerous music-related TV specials, will be given the Ahmet Ertegun Award.

The Rock & Roll Hall of Fame’s 2024 ceremony will stream live on Disney+ on Oct. 19, be available on Hulu the following day and air in edited form on ABC at a later date.

The Starting Line Reacts to Taylor Swift’s ‘The Black Dog’ Lyric About the Band’s Song Being ‘Intertwined’ in Her Relationship

The Starting Line, the group behind the 2003 pop-punk classic “The Best of Me,” got a name-check on Taylor Swift’s The Tortured Poets Department album and posted a response to the pop star after hearing the song.

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Swift references The Starting Line on the emotional ballad “The Black Dog,” found on one of four deluxe editions of her Tortured Poets physical release, and as track No. 17 on Swift’s complete 31-song The Tortured Poets Department: The Anthology, made available on streaming services and via digital download on April 19.

The song begins with Swift’s realization that her former flame forgot to disable location tracking on his phone. It goes on to set the scene of what she imagines is playing out without her at a London pub.

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“I just don’t understand/ How you don’t miss me in The Black Dog/ When someone plays The Starting Line/ And you jump up, but she’s too young/ To know this song that was intertwined/ In the magic fabric of our dreaming,” Swift sings on the chorus of “The Black Dog.” “Old habits die screaming.”

Later, Swift’s hurt turns to anger as her words shift to “And I hope it’s shitty in The Black Dog/ When someone plays The Starting Line/ And you jump up, but she’s too young/ To know this song that was intertwined/ In the tragic fabric of our dreaming/ ‘Cause tail between your legs, you’re leavin’.”

In a note posted on The Starting Line’s Instagram account on Friday, the band wrote: “Dear Taylor, we heard the song, thank you for name checking our band. We feel flattered and humbled by the reverberations of love that have come back to us as a result. It’s an honor to have TSL memorialized on such a lovely song. You didn’t have to do that, but you did, and we appreciate it wholeheartedly. Respect!”



Although Swift doesn’t name the song by The Starting Line she’s hearing in her head on “The Black Dog” — nor does she identify the romantic interest the song is about — her lyric could be alluding to “The Best of Me,” the lead single from TSL’s debut album, Say It Like You Mean It.

The 1975’s Matty Healy — who by all appearances Swift briefly dated in 2023 after also briefly being linked together a decade ago — happened to play a snippet of “The Best of Me” live on tour in New Zealand on April 21, 2023, and again on May 3, in the Philippines. On May 5, Healy was spotted attending Swift’s Eras Tour in Nashville. This was the first of several times he was photographed around or with her during the time period, sparking dating rumors for the pair.



“Shout-out to people in their 30s,” Healy said with a smile after his short “The Best of Me” cover, as seen in the clip above from The 1975’s show a year ago.

Fans have pointed out signs indicating Healy as the possible muse of title track “The Tortured Poets Department,” among other songs, on Swift’s latest release.

“Tell me what you thought about when you were gone/ And so alone/ The worst is over/ You can have the best of me,” The Starting Line’s Kenny Vasoli sings on the group’s “The Best of Me.” “We got older/ But we’re still young/ We never grew out of this feeling that we won’t give up.”

See the band’s thank-you letter to Swift for the shout-out on “The Black Dog” below.

Future & Metro Boomin’s ‘We Still Don’t Trust You’ Debuts at No. 1 on Billboard 200

Future and Metro Boomin’s second collaborative album, We Still Don’t Trust You, debuts at No. 1 on the Billboard 200 chart (dated April 27), with 127,500 equivalent album units earned in the U.S. in the week ending April 18, according to Luminate. It’s the sequel project to the pair’s We Don’t Trust You, which opened at No. 1 on the April 6-dated chart (with 251,000 units in its first week).

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With We Still Don’t Trust You arriving atop the Billboard 200 only three weeks after We Don’t Trust You debuted at No. 1, that marks the shortest gap between new No. 1s by an artist since Future replaced himself at No. 1 in 2017 in successive weeks with his self-titled album (March 11, 2017, chart) and HNDRXX (March 18, 2017), both of which debuted at No. 1.

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On the latest Billboard 200, We Don’t Trust You rises 4-3 with 83,000 equivalent album units earned (down 17%). In the last 20 years, there have only been seven instances of acts charting two albums in the top three at the same time. Prince did it twice following his death in 2016 (The Very Best of Prince and the Purple Rain soundtrack on the May 7-14, 2016 charts), Future did so once in 2017 with his back-to-back No. 1s (Future and HNDRXX on the March 18, 2017, chart), Taylor Swift achieved the feat three times (Dec. 26, 2020, with Evermore and Folklore; and Dec. 9 and 23, 2023, with 1989 [Taylor’s Version] and Midnights) and now Future and Metro Boomin on the latest chart with We Don’t Trust You and We Still Don’t Trust You.

Future’s total No. 1 count on the Billboard 200 now rises to 10, while Metro Boomin collects his fifth leader. Only 10 acts have earned at least 10 No. 1s: The Beatles (a record 19), Jay-Z (14), Drake and Swift (13 each), Bruce Springsteen, Barbra Streisand and Ye (formerly Kanye West) (11 each), Eminem, Future and Elvis Presley (10 each).

Also in the top 10 of the new Billboard 200, Linkin Park’s first hits compilation, Papercuts, debuts at No. 6, marking the 11th top 10-charting effort for the rock band.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 27, 2024-dated chart will be posted in full on Billboard‘s website on April 23. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of We Still Don’t Trust You’s first-week unit sum of 127,500, SEA units comprise 124,500 (equaling 162.57 million on-demand official streams of the set’s 25 tracks), traditional album sales comprise 2,500 (the album was only available to purchase as a digital download) and TEA units comprise 500.

A CD configuration of We Still Don’t Trust You is due for release on April 26, while its vinyl is scheduled to drop in July. We Don’t Trust You, meanwhile, was issued on CD on April 19, while its vinyl is also due in July.

Beyoncé’s Cowboy Carter slips to No. 2 after spending its first two weeks atop the Billboard 200. It earned 98,000 equivalent album units in its third week (down 24%). Morgan Wallen’s former No. 1 One Thing at a Time rises 5-4 with 71,000 (down 1%). Noah Kahan’s Stick Season jumps 8-5 with 51,000 (up 14%), following the release of the Stick Season (We’ll All Be Here Forever) deluxe edition across four vinyl variants and on CD. The deluxe set was originally released on June 9, 2023, as a digital download and streaming album.

Linkin Park’s first hits compilation album, Papercuts, debuts at No. 6 with 44,000 equivalent album units earned. Of that sum, SEA units comprise 23,000 (equaling 32.04 million on-demand official streams of the set’s 20 songs), album sales comprise 20,500 and TEA units comprise 500. The album’s sales were bolstered by its availability across eight vinyl variants, as well as a CD, cassette and digital download.

Papercuts boasts 14 of the band’s 19 top 10s on Billboard’s Alternative Airplay chart, including 10 of its 12 No. 1s on the list.

In total, Link Park has achieved 11 top 10s on the Billboard 200 albums chart: Hybrid Theory (No. 2 in 2002), Reanimation (No. 2, 2002), Meteora (No. 1, 2003), MTV Ultimate Mash-Ups Presents: Collision Course (with Jay-Z, No. 1 in 2004), Minutes to Midnight (No. 1, 2007), A Thousand Suns (No. 1, 2010), Living Things (No. 1, 2012), Recharged (No. 10, 2013), The Hunting Party (No. 3, 2014), One More Light (No. 1, 2017) and Papercuts (No. 6, 2024).

Benson Boone’s Fireworks & Rollerblades skates 6-7 in its second week with 43,000 equivalent album units earned (down 25%). Three former No. 1s round out the top 10, as SZA’s chart-topping SOS rises 10-8 with just over 40,000 (up 1%), Morgan Wallen’s Dangerous: The Double Album climbs 11-9 with 40,000 (up 1%) and Ariana Grande’s Eternal Sunshine falls 7-10 with nearly 40,000 (down 17%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Fans Choose Taylor Swift’s ‘The Tortured Poets Department’ as This Week’s Favorite New Music

Taylor Swift‘s The Tortured Poets Department has topped this week’s new music poll.

Music fans voted in a poll published Friday (April 19) on Billboard, choosing the pop superstar’s new double album as their favorite new music release of the past week.

The Tortured Poets Department brought in nearly 75% of the vote, beating out new music by DJ Snake featuring Peso Pluma (“Teka”); Nicki Minaj featuring Travis Scott, Chris Brown and Sexyy Red (“FTCU (Remix)”); Pearl Jam (Dark Matter); and Cloud Nothings (Final Summer).

The Tortured Poets Department is Swift’s eleventh studio album and her her first release of new music since 2022’s Grammy-winning Midnights. The 31-track double album features collaborations with Florence + the Machine and Post Malone, as well as writing and production contributions from Jack Antonoff and Aaron Dessner.

On Instagram, Swift described the project as “an anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time – one that was both sensational and sorrowful in equal measure. This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.”

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Although The Tortured Poets Department is Swift’s first album of new music since Midnights, she has steadily pumped out her re-recorded Taylor’s Version albums in the interim. In between the two aforementioned albums, Swift topped the Billboard 200 with both Speak Now (Taylor’s Version) and 1989 (Taylor’s Version), the latter of which became the star’s record-extending sixth album to debut with over one million pure sales in its first week.

The Tortured Poets Department is already off to a stellar start in the U.S. Upon its first day of release on Friday (April 19), the set sold 1.4 million copies in traditional album sales, according to initial reports to data tracking firm Luminate. That marks Swift’s biggest sales week ever for any album in the U.S.

The Tortured Poets Department had also broken numerous Spotify records at press time, including becoming the first album in the streaming service’s history to have more than 300 million streams in a single day. The set’s first single, “Fortnight” featuring Post Malone, also became Spotify’s most streamed song in a single day.

Trailing behind The Tortured Poets Department on the poll is DJ Snake and Peso Pluma’s dance floor hit “Teka,” which dropped just in time for Peso’s performance at Coachella weekend two. The team-up brought in 10% of the vote.

See the final results of this week’s new music release poll below.

Interpol Plays Biggest Show of Its Career in Mexico City: 5 Best Moments

Interpol celebrated the biggest concert of its career with a free show on Saturday (April 20) at the Zócalo in Mexico City, where the band gathered over 160,000 fans, according to figures provided by local authorities.

In the words of vocalist Paul Banks, it was the “most special night” and “a great honor” to perform at a historic site for a country with which they have maintained a very close relationship for two decades. The band — also comprising guitarist Daniel Kessler and drummer Sam Fogarino (who is recovering from surgery and was covered by Chris Broome) — has the visited the country just over 20 times. Banks lived and studied in Mexico when he was 17. This partly explains why he feels like he’s in his “second home,” as he told Billboard Español hours before Saturday’s performance.

After moving to New York for college, the vocalist returned in 2005 to Mexico City and gave one of his most memorable concerts. That night, in the Salón Mexica, he says he felt the “terrifying” beauty of the Mexican audience, when the venue was about to collapse due to the number of people gathered (about 7,000, according to promoter Iguapop).

This time around, at the Zócalo — the main public square in the country and the second largest in the world after Tiananmen in China — everything was impeccable, including the sound, the lights, and the logistics. The Government of Mexico City deployed an operation with hundreds of police officers who watched over the main plaza and surrounding streets, where huge screens were installed so that more people could enjoy the show without venturing into the crowd. Although there was a slight drizzle hours before, spirits did not falter.

Interpol joins a list of international stars who have performed at the Zócalo, including Paul McCartney, Roger Waters, Justin Bieber, Shakira, Rosalía, Café Tacvba, and Vicente Fernández, among others.

Here are some of our favorite  moments from Interpol’s Mexico City concert, including the complete setlist.

Ye Takes Shots at Drake and J. Cole on Fiery ‘Like That’ Remix

Ye is teasing his remix of Future, Metro Boomin and Kendrick Lamar‘s “Like That” diss track.

The superstar rapper, formerly known as Kanye West, stopped by Justin LaBoy’s The Download podcast to premiere his fiery verse on the “Like That” remix, where he takes shots at Drake and J. Cole.

In a clip shared by Ye through Instagram on Saturday (April 20), the 46-year-old rapper is all smiles as he shares a portion of his scorching remix with LaBoy. The track opens with Ye referencing Lamar’s beef with Drake, saying, “You know we had to get the hooligans up here to get these p—y n—as out/ Yo Dot, I got you.”

From there, Ye takes direct hits at both Drake and J. Cole. “Y’all so out of sight, out of mind/ I can’t even think of a Drake line/ Play J. Cole, get the p—y dry/ Play this s— back 130 times.”

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The full version of Ye’s “Like That” remix had not officially surfaced on streaming services at press time on Sunday.

Lamar and Drake’s beef ignited with the Compton rapper’s explosive “Like That” verse that set the rap game on fire and remains at No. 1 on the Billboard Hot 100. On the track — which appears on Future and Metro Boomin’s We Don’t Trust You album — K. Dot throws several volleys, suggestively targeting Drizzy and J. Cole.

“Yeah, get up with me, f— sneak dissing/ ‘First Person Shooter,’ I hope they came with three switches,” Lamar aggressively spews on his guest verse.

“First Person Shooter” was the joint song Drake and Cole released last year on which the latter boasted, “Love when they argue the hardest MC/ Is it K. Dot? Is it Aubrey? Or me?/ We the big three like we started a league.”

Ye’s “Like That” remix follows two recent responses from Drake, who officially dropped his “Push Ups” diss track through steaming services on Friday (April 19) and followed later that evening with “Taylor Made Freestyle” on social media. On “Taylor Made,” the 6 God uses AI verses in the style of Tupac Shakur and Snoop Dogg to further taunt Lamar, who has not yet responded to his “Push Ups” diss.

Fans Choose Julianno Sosa & Pailita’s ‘Carro Re Kl’ As This Week’s Favorite New Music Latin

Julianno Sosa’s “Carro Re Kl” in collaboration with Pailita has topped this week’s new music Latin poll.

In a poll published on Friday (April 12) — in support of the weekly New Music Latin roundup and playlist, curated by Billboard Latin and Billboard Español editors — music fans voted for the Chilean collaborators’ new single as their favorite music release of the past week.

“Carro Re Kl” garnered a whopping nearly 98% of the votes, beating out other new singles such as Ryan Castro’s “El Cantante del Ghetto”; Nicky Jam and Trueno’s “Cangrinaje”; Greeicy’s “KAI”; Rauw Alejandro and Sky Rompiendo’s “Espectacular”; and Brytiado and Anuel AA’s “KILERITO.”

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Produced by Nscar on the Beat and Naxo Raymond, and released independently under Julianno Sosa and Encore Recordings, the winning track is an infectious reggaetón with synth piano melodies that backs up Sosa’s deep vocals and Pailita’s more sugary notes.

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“You left me alone when I was in love/ Everything you did to me one day, left me in a bad state/ Once again I have to be at the bottom/ Go through all this work to forget you,” says part of the lyrics that details someone who’s trying to get over a break up.

Julianno Sosa (real name: Cesar Alejandro Pozo Martínez) and Pailita (real name: Carlos Javier Rain Pailacheo) are part of a fast-growing wave of urban acts in Chile, joining other Chilean newcomers such as FloyyMenor and Cris MJ, who are currently No. 1 on the Billboard Hot Latin Songs chart with “Gata Only.”

See the final results of this week’s new music release poll below.

Spice Girls Reunite for Impromptu ‘Stop’ Performance at Victoria Beckham’s 50th Birthday Party

The Spice Girls reunited for an impromptu performance during Victoria Beckham’s 50th birthday party on Saturday (April 20).

All five members of the legendary 1990s girl group — Beckham, Geri Halliwell-Turner, Emma Bunton, Melanie “Mel C” Chisholm, Melanie “Mel B” Brown — rejoined for a brief dance routine to their 1997 song “Stop” during the celebration, held at the private club Oswald’s in London.

The surprise moment was caught on video by Victoria’s husband, David Beckham. “I mean come on,” the retired soccer star captioned the clip on Instagram.

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Victoria Beckham, who performed as Posh Spice in the group, also shared the video on Instagram. “Best night ever! Happy Birthday to me! I love you all so much!” she captioned the post, adding the hashtag #SpiceUpYourLife.

Mel B (aka Scary Spice) reposted the clip on her Instagram Story, writing, “About last night” and including the hashtag #tourdatescomingsoon.

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The Spice Girls formed in 1994, and had a global phenomenon two years later with their debut single, 1996’s “Wannabe.” The catchy track logged four weeks at the summit of the Billboard Hot 100 in early 1997, and is one of the group’s nine U.K. No. 1 singles. The Brits’ debut LP Spice spent five weeks at No. 1 on the Billboard 200, and 15 weeks at the summit of the Official U.K. Albums Chart (followup Spiceworld logged three weeks at No. 1 in the U.K. in 1997).

The group went on hiatus in 2000, returning in 2007 for a global tour and again in 2018-2019, though without Beckham, who has not participated in the Girls’ activities for more than a decade. The last time all five women shared a performance stage was at the London Olympics in 2012.

In early January, Mel B teased that the Girls were planning yet another reunion this year to mark three decades of empowerment. “I’ve been saying it forever. But now we’re actually going to be releasing some really good news in about a few weeks that involves all five of us,” she said at the time on Today. “It’s going to be the gift that keeps on giving, without saying too much about it. I’m going to get myself into so much trouble.”

See the Spice Girls reunite at Victoria Beckham’s birthday party on Instagram below.