Music

Taylor Swift Accepts Her Own ‘Fortnight’ Challenge by Sharing Cute Video of Travis Kelce Kiss, Her Cat Benjamin Button & More

Swifties might need at least a fortnight to recover from Taylor Swift‘s new YouTube Shorts video.

On Friday night (April 19), after the premiere of her “Fortnight” music video from her just-released Tortured Poets Department album, Swift took to the video-sharing platform to encourage fans to share their “fortnight recap” with the hashtag #ForAFortnightChallenge. A fortnight is 14 days, so the point of the video challenge is for fans to show highlights from a two-week span of time.

Swift herself got the ball rolling with her own #ForAFortnightChallenge video, and she shared quite a few fun glimpses into her life — both personal and professional. From the “Fortnight” set, we see a mirror video of her Post Malone face tattoos as well as a tongue-out selfie with co-star Ethan Hawke.

Highlights of the YouTube Short include a video of her cooking with boyfriend Travis Kelce as he steals a kiss and a belly-up shot of Swift’s youngest cat, Benjamin Button.

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We also see her jamming out in the studio, signing autographs, working out, sewing floral fabric, icing cinnamon rolls, playing pickleball with a Kansas City Chiefs paddle while wearing a lavender tennis skirt, blowing out a smoke bubble on an elaborate cocktail and cheersing Aperol spritzes on a boat.

All in all, there are 14 individual scenes – one for each day of her song’s titual fortnight.

Watch the YouTube Short below:

Swift released her 11th studio album, The Tortured Poets Department, first thing Friday (April 19), following up the initial 16 tracks with 15 brand-new songs at 2 a.m. ET, for a surprise double album. Find Billboard‘s ranking of all 31 tracks here.

‘Swift’s Pen Floats on Lyrics Sharp to the Touch’: ‘The Tortured Poets Department,’ Reviewed by TikTok Star Jake Shane

Jake Shane, who has nearly 3 million followers on TikTok thanks to his viral comedy videos under the handle @octopusslover8, is reviewing albums for Billboard with exclusive new essays and videos. Find his latest Billboard album review below, for Taylor Swift’s just-released The Tortured Poets Department album.

Taylor Swift, known for her vulnerability, has never been so vulnerable.

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First thing Friday (April 19), Swift welcomed us into The Tortured Poets Department, her earth-shattering 11th studio album. Except, upon arrival, listeners discovered it was more a graveyard than a classroom. The air is cold and filled with tension from ghosts of relationships past — each step inviting the listener  closer and closer into stories frozen in time. The end result is an album that feels like pages ripped from Swift’s diary loosely scattered across a frosty gravesite — each tomb sharing its own story of grief, loss and, in some instances, love.

Tortured Poets is undoubtably Swift’s most personal album to date — which, for Swift is a hard feat to beat. Through classic Jack Antonoff and Aaron Dessner production, Swift’s pen floats on lyrics sharp to the touch. This is especially true on the Dessner-produced track 5, “So  Long, London.” In it, Swift says goodbye to a relationship she gave everything for, but received no ROI. “My spine split from carrying us up the hill,” Swift proclaims; this is Swift at her very best, painting a photo of heartbreak so vivid that it almost feels like our bones are breaking too. Close listeners will notice the beginning of the track sounds similar to Swift’s love song “Call It What You Want” off her sixth studio album Reputation. Perhaps the most cutting lyrics, though, on “So Long, London” come in the second verse, when Swift admits her regret for holding on to the “sinking ship” that the relationship was: “I’m pissed off you let me  give you all that youth for free.”  

One of Swift’s defining talents is how she builds a cohesive narrative throughout her albums, and here, that ability has never been more on display. On Tortured Poets, Swift walks the listener through a barren graveyard filled with withered bones and torn memories, only to finally reach sunlight — on the final two tracks of the album (not including the extra 15 songs that dropped at 2 a.m. ET), Swift has once again found love. On “The Alchemy,” Swift sings of a love so undeniable, she is returning to her old, pre-tortured ways: “I haven’t come around in so long. But I’m making a comeback to where I belong.”

As always, Swift’s lyricism shines bright (arguably brighter than ever before). This is notable on the absolutely devastating “The Smallest Man Who Ever Lived,” where Swift looks in the rearview of a past relationship with more questions than answers. “You hung me on your wall. Stabbed me with your push pins. In public, showed me off. Then sank in stoned oblivion.” Swift’s pen is pointed, but, then again, when is it not? She doesn’t want to talk to said “man,” but she wants a message delivered: “You didn’t measure up in any measure of a man.”  

On “I Can Do It With a Broken Heart,” Swift is at her most bare, detailing the heartbreak-turned -depression she faced while performing the biggest tour of her career (and perhaps of all time). “She’s having the time of her life there in her glittering prime. The lights refract sequin stars off her silhouette every night. I can show you lies,” Swift croons over a synth beat. Swift calls back to folklore’s “mirrorball” by proving once again that she can be anything we want her to be, even if it’s not true. It is one of the first times Swift has broken the third wall since the start of the record-breaking tour, and it is almost reassuring to listeners and fans alike. Taylor is human, too, even when her stardom questions the laws of physics.

One of the greatest tales Swift tells is that of heartbreak to healing; she did it on Reputation, and on Tortured Poets she has done it once more — this time, though, with more maturity and the clarity only age can bring. At the end of the album, Swift has once again found love and  forgiven heartbreak. It might not be her true love, but she’s happy — oh, and she’s Taylor Swift. Who can argue with that?

You can find Shane’s review of Beyoncé’s Cowboy Carter here.

Morgan Wallen Responds to Chair-Throwing Arrest: ‘I’m Not Proud of My Behavior’

Nearly two weeks after he was arrested for allegedly throwing a chair off the roof of a Nashville bar, country superstar Morgan Wallen has posted a statement on his X account addressing the incident.  

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In a two-part response, the country superstar tweeted, “I didn’t feel right publicly checking in until I made amends with some folks. I’ve touched base with Nashville law enforcement, my family, and the good people at Chief’s. I’m not proud of my behavior, and I accept responsibility…. I have the utmost respect for the officers working every day to keep us all safe. Regarding my tour, there will be no change. -MW”

Wallen was arrested and briefly jailed on April 8 after allegedly throwing the chair off the sixth-floor roof of Eric Church’s newly opened bar Chief’s, located on Nashville’s Lower Broadway. According to reports, the chair landed just feet away from two Metro Nashville police officers. Wallen was arrested and booked just after midnight and charged with three felony counts of reckless endangerment and one misdemeanor count of disorderly conduct, posting a $15,250 bond to secure his release around 3:30 a.m. 

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Wallen’s attorney, Worrick Robinson of Worrick Robinson Law, confirming the arrest, told Billboard in a statement,  “At 10:53p Sunday evening Morgan Wallen was arrested in downtown Nashville for reckless endangerment and disorderly conduct. He is cooperating fully with authorities.” 

The incident came just days after Wallen, 30, kicked off his 2024 One Night at a Time tour. The tour resumes Saturday night (April 20), at Oxford, Mississippi’s Vaught-Hemingway Stadium. The singer’s next court date in the incident is May 3; he is slated to play Nashville’s Nissan Stadium on May 2nd and 3rd.

Chief’s official Instagram account responded April 9, sharing a photo of a new sign outside the nightclub that read: “Our pigs fly, our chairs don’t.” 

Taylor Swift Unveils ‘Fortnight’ Video — Along With Her Face Covered in Post Malone’s Tattoos

In case you’ve always wondered what Taylor Swift would look like with Post Malone‘s face tattoos, “Fortnight” is the video for you.

On Friday night (April 19), Swift unveiled the video for “Fortnight,” featuring Malone. It’s the first visual from her brand-new 11th studio album, The Tortured Poets Department, and it goes alongside the project’s first single, co-written by Swift, Malone and Jack Antonoff and co-produced by Swift and Antonoff.

In the trippy video, Post’s tattoos end up on Taylor’s face as she appears to wipe her face clean, only to reveal a face full of ink instead. In apparent flashback scenes, both of the musicians are fresh-faced, as Swift runs into the arms of a tattoo-free Malone.

Echoing the song’s lyrical references to institution (like the opening line: “I was supposed to be sent away/ But they forgot to come and get me”), the video shows Swift’s character going through electrotherapy and trying to break out of an all-white room.

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Watch the video below:



Swift announced “Fortnight” as the first single early Thursday, the day before the album’s arrival. “The first single from The Tortured Poets Department is…………. Fortnight featuring @postmalone,” Swift wrote on X. “I’ve been such a huge fan of Post because of the writer he is, his musical experimentation and those melodies he creates that just stick in your head forever. I got to witness that magic come to life firsthand when we worked together on Fortnight.”

Shortly after Swift announced The Tortured Poets Department at the 2024 Grammys in February, Malone was revealed to be one of only two features on the track list (the other being Florence + The Machine on “Florida!!!”). Last year, before their collaboration had been announced, Malone recalled running into Swift in an interview with Howard Stern and exchanging compliments. “We were just passing by and she was like, ‘Oh my God! Nice to see you. “Better Now” is f—in’ amazing!’” Malone said Swift told him. “And I was like, ‘What? That’s f—in’ crazy, you’re a great f—in’ songwriter! Thank you so very much.’”

Mandisa Remembered as ‘A True Beacon of Light’ by Paula Abdul, Taylor Hicks, Danny Gokey & More

On Thursday, the music world lost an irreplaceable voice. In a statement to Billboard, a representative for Grammy-winning Christian contemporary music artist and American Idol alum Mandisa confirmed that the singer passed at age 47 in her home.

“We can confirm that yesterday Mandisa was found in her home deceased,” read the statement. “At this time, we do not know the cause of death or any further details. We ask for your prayers for her family and close-knit circle of friends during this incredibly difficult time.”

A contestant on season 5 of American Idol, Mandisa went on to find considerable success in the Christian music industry. All six of her studio albums reached the Billboard 200, with half of those LPs reaching No. 1 on the Top Christian Albums chart: 2007’s True Beauty, 2013’s Overcomer and 2017’s Out of the Dark. She has also sent several songs onto Hot Christian Songs, including the chart-toppers “Stronger” and “Overcomer,” the latter of which spent a whopping 10 weeks atop the ranking.

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In 2014, Mandisa won her first and only Grammy, taking home best contemporary Christian music album for Overcomer. In addition to her five career Grammy nominations, the star accumulated 15 GMA Dove Award nominations, including a win for pop/contemporary album of the year for Overcomer.

On Friday (April 19), Billboard Hot 100 chart-topper Paul Abdul, who served as a judge during Mandisa’s Idol season, called the late vocalist a “true beacon of light.” In a statement to People, she said, “Her warmth and unwavering kindness towards everyone, even in the face of harsh criticism, was truly unmatched. Not only was she a beautiful person, but she was also a true powerhouse performer.”

“I still think of her taking the stage during American Idol to perform her rendition of Chaka Khan‘s ‘I’m Every Woman’ and absolutely brought the house down,” she continued. “I’ll always remember her poise, grace and dignity — and how could anyone forget those incomparable vocals!”

Read on for more tributes to the late Mandisa, including messages of love and remembrance from fellow American Idol alums like Danny Gokey and season 5 champ Taylor Hicks.

Fans Are Loving Taylor Swift’s ‘The Tortured Poets Department’

Taylor Swift’s The Tortured Poets Department class is finally in session, as the superstar dropped the project in the form of a surprise double album on Friday (April 19).

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“An anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time – one that was both sensational and sorrowful in equal measure,” Swift wrote of the track upon its release via Instagram. “This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it. And then all that’s left behind is the tortured poetry.”

The Tortured Poets Department 31-song tracklist features two major collaborations: Post Malone, whose name is billed on the lead single, “Fortnight,” as well as Florence + The Machine on track eight, “Florida!!!”

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Following the release of the album, Swifties flooded social media with positive reactions and messages of support for the “Karma” singer. See some of the best fan reactions below.

Benson Boone’s ‘Beautiful Things’ Hits No. 1 on Pop Airplay Chart

Benson Boone’s “Beautiful Things” rises to No. 1 on Billboard’s Pop Airplay chart (dated April 27).

Boone lands his initial leader on the survey. He previously charted two songs on Pop Airplay: “Ghost Town” (No. 24 peak in March 2022) and “In the Stars” (No. 36, September 2023).

Plus, with the track on Night Street/Warner Records, Warner has promoted two consecutive Pop Airplay No. 1s for the first time, as “Beautiful Things” replaces Teddy Swims’ “Lose Control,” on SWIMS Int./Warner, after two weeks on top.

Additionally, with “Beautiful Things” at No. 1 and “Lose Control” at No. 2, Warner claims the top two titles on Pop Airplay simultaneously for the time.

(The Pop Airplay chart, which began in October 1992, ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate.)

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“Beautiful Things” has ruled the Billboard Global Excl. U.S. chart for eight weeks and the Billboard Global 200 for seven frames (through charts dated April 20). It leads Adult Pop Airplay for a second week. On the Billboard Hot 100, it has reached a No. 2 high.



“Beautiful Things,” which Boone co-wrote, is on his debut LP, Fireworks & Rollerblades, released April 5. The set launched at No. 6 on the April 20-dated Billboard 200 chart.

“I wrote it on my piano,” the Washington native recently told Billboard of the song’s origin. “I’d just moved to L.A., and I’d moved my grandma’s old piano to my living room. I couldn’t sleep one night, and I didn’t know what to do, so I came downstairs and started playing the piano. That’s when I wrote the melodies.

“It was inspired by a relationship that I had just gotten into,” Boone further mused. “For the first time in my life, I felt like I was extremely out of control of the way this relationship would turn out. Meaning like, in the past, I feel like I’ve always known that I could be the one to end a relationship. This one felt very different. It was the first time that I’d really been actually, genuinely terrified to lose something.”

All Billboard charts dated April 27 will update Tuesday, April 23, on Billboard.com.

Nas & DJ Premier Drop “Define My Name” Track, Hip Hop Xitter Reacts To Album News

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Nas and DJ Premier have made musical magic together throughout their still-ongoing careers, and the promise of a joint album between the pair is seemingly confirmed as fact. The pair connected for the track “Define My Name,” with Nas hinting at the long-awaited collaborative project with DJ Premier.

Fans of Premier know to expect hard drums, heavy basslines, and expert scratching on the hook from the legendary producer and member of Gang Starr. Nas, who has proven to be in great shape lyrically during his recent run with Hit-Boy, hasn’t lost any of that momentum present across all three King’s Disease projects and the Magic trio.

From “Define My Name”:

The definition of my name probably started where/I rode the E train, fingers covered in ink stains/Writin’ was like an escape, excitedly leave the beat flamed/It was Ra, Kane, Kool G and Kris/Few names like Cool James, ‘Face, Cube and Rick

The bar work is exceptional per usual but some fans felt the track from Premier wasn’t strong enough. However, Nas making mention that “it’s album time” near the end of the track caught the interest of Hip-Hop Xitter. The duo have teased this mythical pairing for years and now all signs are pointing to actually happening.

DJ Premier produced three tracks from Nas’ classic debut album, Illmatic, so it’s fitting they’re putting out this new heat today to celebrate three decades of creative excellence.

Also, Nas announced Friday (April 19) that he will embark upon his Illmatic 30-Year Anniversary Tour across Europe and the United Kingdom this fall. Learn more here.

Check out the reactions below along with “Define My Name.”

Photo: Jerritt Clark / Getty

As Heart Prepares to Launch Its First Tour in 5 Years, Ann Wilson Says Band Is Hoping to Write New Music

Five years after its last concert tour, what Nancy Wilson calls “the actual Heart,” with herself and older sister Ann Wilson, is beating its way toward the road — and looking toward making some new music, Heart’s first since its Beautiful Broken album in 2016.

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“The thing that we really hope to achieve is to maybe write some more stuff together,” Ann tells Billboard. She adds, however, “We don’t have plans for that right now. We don’t really plan too far in the future; we’re not calculating like that. We’re just gonna do this tour and see what comes. But I think if a song comes out of a situation, it’ll be a real good one, ’cause it’ll be authentic. It’s just a matter of me and Nancy getting our heads around that.”

There is, however, one new song that Heart’s been working on — “Roll the Dice,” written with longtime collaborator and Lovemongers groupmate Sue Ennis with an eye toward including it in the Royal Flush Tour shows that begin April 20 in Greenville, S.C. Ann says it’s still “a work in process,” which Nancy began when she and Ennis got together “just for songwriting purposes. A lot of times we text with each other and we get on concept ideas and title ideas and lyric ideas. When she finally came to visit me at my house in northern California, we spent about a week together, and we actually recorded some demos.”

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There are no plans for “Roll the Dice” yet beyond playing it at shows, but Nancy says she’s also been trolling through the Rock and Roll Hall of Fame-inducted group’s vaults, listening to unreleased material with the thought of releasing some of that in the near future, too. “There’s a couple unfinished things I’d like to finish off with Ann and Sue,” she says. “There’s one really, really cool song called ‘Sweet Deceiver,’ but the words were never right, so we never recorded it properly. I think I might want to finish that song; I’ve been trying to think of new chorus lyrics ever since I heard the demo. I would love to write some new stuff, too.

“If we have a song or two that comes out of Heart, that would be really great. These days, it’s kind of like one song at a time, but you can still do a whole album, which is cool. I love albums,” she adds. “When I can put on an album in its entirety, in the sequence it was intended, that’s the best to me. The new Kacey Musgraves [Deeper Well] is really great. I love the Post Malone album, Austin. Taylor Swift’s stuff is amazing. So we’ll see.”

In the meantime the Wilsons are happy to have Heart headed back out on tour, with a lineup of mostly new members; only guitarist Ryan Waters was part of the group’s last tour, in 2019, while he and his Tripsitter bandmates — guitarist Ryan Wariner, guitarist-keyboardist Paul Moak, bassist Tony Lucido and drummer Sean T. Lane — have worked with Ann during the interim. The sisters are planning covers-free setlists this time out, focusing on what Nancy says are “songs that mean a lot to a lot of people, that are the Heart songs they know and love that are also the soundtracks to people’s lives.”

“What I really love about Heart and miss about Heart is the flexibility, musically, inside of the band itself,” she notes. “If we wanted to, we could be a Led Zeppelin cover band. Or if we wanted to, we could be a total comedy routine band. We could do all kinds of amazing covers of stuff, but this time, it’s going to be all us.”

Ann adds, “We’re really trying to keep it pure. The whole idea is to do something we have not done before … just a whole set of Heart music from different eras of the band.”

That immersion, meanwhile, has led to some unexpected perspective on Heart’s nearly 50-year recording career.

“I think I was always so busy performing the songs and trying to just be excellent on stage that I never really sank into the true meaning of some of the songs until now,” Ann explains. “The other day at rehearsal they had been working out ‘Dog and Butterfly,’ and I sat down and it was so beautiful and the sentiment was so great and beautiful and tender, and I just teared up right off, even before I sang anything. It was awesome.”

The sisters acknowledge that there are still some differences in their individual views of what Heart is and should be, but they’ve found enough common ground to put the band on tour for the remainder of 2024 in North America and Europe — with opening acts such as Cheap Trick, Jason Bonham’s Led Zeppelin Evening and Randy Bachman’s BTO, as well as three stadium dates this summer supporting Def Leppard and Journey.

“We’re talking. We’re fine together. We just felt it, so why not?” Ann says. “The common ground is that we both want it to be excellent and we both want it to be absolutely Heart. We just basically put it together and said, ‘Let’s go!’” Nancy — who performed with her own Nancy Wilson’s Heart during 2022 and 2023 — adds that “there’s so many things, circumstantially, since 2019 … a lot of it’s just family drama and unavoidable, and just other stuff people wanted to do besides Heart. So we were off doing our own things for a little while, and there was also this little interruption called the pandemic.

“And, y’know, I just turned the big 7-0 [on March 16], so it’s like, ‘Whoa … If I ever want to get a chance to do this amazingly fun thing one more time, now is the time.’”

That said, Nancy, for one, would not mind if Heart’s resumption lasts an even longer time than is currently planned.

“I think this will carry us at least through the year, if not beyond. My fingers are crossed,” she says. “There’s no telling if it’ll run like a well-oiled machine, but I think once we get started it’ll go smooth and steady and rock like the well-oiled machine it knows how to be, and that’s the fun part. The shows can be so elating and so transcendent, and the electric energy is unbelievable. So that’s what we’re here for.

“We’ve built this train,” she adds. “We’ve got the wheels on and we’re putting it on the track, and we’ll see how fast things thing can go — and how far it can go.”

What’s Your Favorite New Music Release of the Week? Vote!

Calling all tortured poets! This week’s round-up of new music is filled with heavy hitters.

Taylor Swift’s long-awaited 11th studio album, The Tortured Poets Department, arrived in the form of a surprise double album on Friday (April 19), which features two major collaborations: Post Malone, whose name is billed on the lead single, “Fortnight,” as well as Florence + The Machine on track eight, “Florida!!!” On Instagram, Swift described the project as “an anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time – one that was both sensational and sorrowful in equal measure. This period of the author’s life is now over, the chapter closed and boarded up. There is nothing to avenge, no scores to settle once wounds have healed. And upon further reflection, a good number of them turned out to be self-inflicted. This writer is of the firm belief that our tears become holy in the form of ink on a page. Once we have spoken our saddest story, we can be free of it.”

Over in the hip-hop world, Nicki Minaj tapped the star-studded trio of Travis Scott, Chris Brown and Sexyy Red to join her for the “FTCU (Sleeze Mix).” In its 18th week on the Hot 100, “FTCU” sits at No. 79 after peaking at No. 15. The Pink Friday 2 track should receive a chart boost thanks to the “Sleeze Mix.”

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In the rock genre, Pearl Jam dropped their 12th studio album, Dark Matter. The album, which arrive via Monkeywrench Records/Republic Records, spans 11 numbers, including the previously-released midtempo cut “Wreckage” and the title track, which powered to No. 1 on Billboard’s Mainstream Rock Airplay and Rock & Alternative Airplay Charts.

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DJ Snake and Peso Pluma also teamed up for the dance floor hit “Teka,” which dropped just in time for Peso’s performance at Coachella weekend two.

With so many great music options available this weekend, we want to know which is your favorite. Check out our Friday Music Guide here, and let us know by voting in our poll below.