Music

aespa Drop Teaser Trailer For Debut Studio Album, ‘Armageddon’

K-pop girl group aespa posted a teaser trailer for their upcoming debut full-length studio album on Sunday night (April 21). The four-woman act revealed that Armageddon will be released on May 27 in a 30-second clip that opens with ominous keyboard sounds and an overhead shot of a watery, crop circle-like formation featuring a cryptic formation.

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At press time no additional information was available on the collection, which will reportedly be fronted by the first single “Supernova” on May 13.

Before that, KARINA, WINTER, GISELLE and NINGNING will take a trip to the big screen for a limited run of their live film aespa: WORLD TOUR, which will take fans inside the group’s U.K. live debut at London’s O2 Arena during their 2023 Synk: Hyper Line world tour. The 125-minute film directed by Yoon Dong Oh (NCT Nation: To the World) and Hamin Kim that will hit theaters worldwide on April 24 and 27 includes behind-the-scenes interviews alongside performance footage. Tickets are on sale now and fans can find screening details and participating countries at aespaworldtourincinemas.com.

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The group’s label, SM Entertainment, recently revealed that member WINTER, 23, underwent preventive surgery to treat a collapsed lung. In a statement, SM said that the procedure was intended to treat a pneumorthorax, a condition in which air accumulates in the chest, applying pressure on the lungs and possibly leading to collapse. “Winter is recovering from recent pneumothorax surgery. As the disease is prone to recurrence, the decision was made as a preemptive measure based on the opinions of the medical staff after sufficient discussion,” read a statement from the label.

The statement noted that WINTER’s recovery is a priority and that “future schedules will be made with Winter’s recovery status as the top priority.”

To date, aespa have released four mini albums, including their 2021 debut, Savage, as well as Girls (2022), My World (2023) and Drama (2023). They were most recently heard on the  Rebel Moon – Songs of the Rebellion EP, which also features original songs by Jessie Reyez, Tainy, Tokischa, TOKiMONSTA, Black Coffee and Kordhell inspired by Zack Snyder’s Rebel Moon movie series. aespa will kick off a run of SYNK: Parallel Lines tour dates on June 29-30 with two nights in their native Seoul, South Korea.

Check out aespa’s Armageddon album announcement below.

Kid Cudi Apologizes to Fans For Cutting Coachella Set Short After Breaking Foot on Stage: ‘This Is All a Bit Crazy’

Kid Cudi was super keyed-up to play Coachella for the first time since 2019 when he took the Sahara tent stage on Sunday (April 21). But his joy was short-lived, because during the set Cudi spontaneously hopped down off the stage in an attempt to get close to his fans, a sweet gesture that turned sour when Mr. Solo Dolo seriously injured his foot on the way down.

“Hey guys, so I broke my foot today at the show [forehead smack emoji]. just leavin the hospital,” he wrote a bit after midnight on Sunday after incurring the injury during a performance of “Memories” and getting carried off. “Never broken a bone before so this is all a bit crazy. I wanna thank u all for ur concerns and well wishes!! I love yall man. I heard yall still ragin when I was offstage. Made me smile big.”

In a video of the incident, Cudi gingerly steps over the lip of the stage before jumping down into the photo pit, immediately crumpling to the ground and grimacing as he lays down in the dirt. Cudi was added to the second weekend of the Indio, CA festival, and performed two new songs live for the first time during his foreshortened set, “MOON MAN SHIT” and “BLUE SKY,” according to setlist, as well as “Tequila Shots,” “Sad People,” “Up Up & Away,” “Superboy” and “Electrowavebaby 2.0” before the injury during a cover of David Guetta’s remix of “Memories.”

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At press time the extent of the injury was unknown, but Cudder will seemingly have plenty of time to heal and rest up before the kick-off of his upcoming Insano world tour. The 43-date outing with Pusha T, EARTHGANG, Jaden Smith, Chelsea Pastel and Siena Bella is slated to launch on June 28 with a show at the Moody Center in Austin, TX.

See Cudi’s tweet and fan footage of the fall below.

Mary J. Blige Is ‘Beyond Grateful’ For 2024 Rock and Roll Hall of Fame Induction

Mary J. Blige was beside herself when the news came down on Sunday night (April 21) that she will be inducted into the Rock and Roll Hall of Fame with the rest of the class of 2024 in October. “Beyond grateful!!!!!! This is incredible!!!,” Blige wrote just after the news was announced on Sunday’s episode of American Idol.

“God always has the final say!!!! Thank you to my fans all over the world!!!! Tears of Joy!!!! @rockhall #rockhall2024 ?????? ? ?? ??????????,” Blige added alongside a sizzle real of her rocking the stage throughout her nearly four-decade career. “To all my fans who have rocked with me from the beginning, thank you,” read the script over the brief clip.

Blige, 53, got the good news alongside the rest of the 2024 inductees: Peter Frampton, Cher, Dave Matthews Band, Foreigner, Kool & the Gang, Ozzy Osbourne and A Tribe Called Quest; Jimmy Buffett, MC5, Dionne Warwick and Motown songwriter/producer Norman Whitfield will be inducted in the Music Excellence Award category. The musical influence category will celebrate three guitar trailblazers, the late Alexis Korner, one of the founding fathers of British blues; 90-year-old legend John Mayall of John Mayall & the Bluesbreakers and “Big Mama” Thornton, an R&B pioneer whose larger-than-life personality, unique guitar tone and brash vocals helped shape early rock. Former Motown exec Suzanne de Passe will receive the Ahmet Ertegun Award.

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The powerhouse vocalist got plenty of props from her fellow A-listers, including actress Taraji P Henson, who commented, “YAAAAAASSSS SIS!!!! CONGRATS!!!! #ICON #LEGEND #QUEEN ???❤❤❤?????? #GODIS,” while Kandi Burress and Bell, Biv DeVoe’s Ronnie DeVoe and others offered up big congratulations to the R&B queen.

The good news for Blige came on “Rock & Roll Hall of Fame Night’ on Idol, with this year’s RRHOF induction ceremony to be held on Oct. 19 at the Rocket Mortgage Fieldhouse in Cleveland, streaming live on Disney+ with a special to air later on ABC.

Check out Mary J’s post below.

Taylor Swift Set to Sweep U.K. Singles Chart With ‘Tortured Poets’

The Swift Sweep, the Taylor Takeover. Call it what you will, just expect Taylor Swift to dominate the U.K. charts with The Tortured Poets Department.

When the Official U.K. Singles Chart is published Friday, April 26, Swift will add to her tally of 26 U.K. top 10 singles, and is forecast to nab a fourth No. 1, after “Look What You Made Me Do” (from 2017), “cardigan” (2020) and “Is It Over Now? (Taylor’s Version)” (2023).

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Based on early sales and streaming data crunched by the Official Charts Company, Swift’s collaboration with Post Malone, “Fortnight,” the opening track and first official single from Tortured Poets, is in pole position, ahead of the title track and “So Long, London,” respectively.

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Swift’s 11th studio album, The Tortured Poets Department is already a global record-beater.

As previously reported, the pop superstar’s latest effort on Friday (April 19) became the first album in the streaming service’s history to accumulate more than 300 million streams in a single day.

Earlier, in less than 12 hours after its release, Tortured Poets, became Spotify’s most streamed album in a single day in 2024 so far. The 31-track double album bested the previous record-holder, Beyoncé’s Billboard 200-topping Cowboy Carter, which ultimately earned 300.41 million on-demand official streams in its first full week of release.

Also, “Fortnight,” co-written by Swift, Malone and Jack Antonoff, and co-produced by Swift and Antonoff. became Spotify’s most streamed song in a single day.

In the U.K., Tortured Poets will be expected to set the pace in the chart race. Swift currently has 11 No. 1 albums there. She’s the first and only artist this century to rack up 10 U.K. No. 1 albums, the Official Charts Company reports, and only the second female artist ever to do so, following Madonna. If Tortured Poets debuts at No. 1 later this week, Swift will draw level with Madonna on 12 U.K. leaders.

Sabrina Carpenter, Dua Lipa and Perrie Snag U.K. Top 10 Debuts

It’s another sweet week for Hozier on the U.K. singles chart, while Sabrina Carpenter, Dua Lipa and Perrie Edwards all nab top 10 debuts.

As predicted, Hozier reigns over the Official U.K. Chart for a second consecutive week with “Too Sweet” (Island). Last week, “Too Sweet” became Andrew John Hozier-Byrne’s first U.K. No. 1, and saw him become the first Irish solo artist to top the national chart since Ronan Keating in 2002, according to the Official Charts Company.

“Too Sweet” rakes in 72,000 chart units, a 17% week-on-week gain, the OCC reports, and it’s the most-streamed track in the U.K. over the latest cycle, with 7.9 million streams.

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Meanwhile, British producer and artist Artemas’ “i like the way you kiss me” (Parlophone) gains 5-3 for a new career high.

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The top debut this week belongs to U.S. singer and actor Sabrina Carpenter with “Espresso” (Island), which shoots to No. 6 on debut. It’s her first U.K. top 10 appearance, and fourth top 40 after “feather” (No. 19), “Skin” (No. 28) and “nonsense” (No. 32).

Country continues to swing in the U.K. as Dasha’s “Austin” (Warner Records) lassos a new chart peak, up 8-7.

Dua Lipa achieves her 16th U.K. top 10 single with “Illusion” (Warner Records), new at No. 9. “Illusion” is the third straight top tier single from her forthcoming third album Radical Optimism, following “Houdini” (No. 2) and “Training Season” (No. 4).

Little Mix star Perrie gets her solo career underway with a top 10 start, as “Forget About Us” (Columbia) bows at No. 10.

Natasha Bedingfield returns to the chart, this time through a collaboration with producer Badger for a remix of “These Words” (Cheeky), new at No. 35. “These Words” topped the Official Singles Chart for two weeks in 2004. The British singer returned to the top 20 earlier this year with her 2004 single “Unwritten,” which enjoyed a bump from its sync to the romcom Anyone But You.

And finally, Grammy Award-winning South African artist Tyla earns a second U.K. top 40 with “Jump” (Since 93/RCA) featuring Gunna and Skillibeng. It’s new at No. 38. It follows Tyla’s “Water,” which peaked at No. 4 on the U.K. chart and went on to win best African music performance — a new category — at the 2024 Grammys.

James Tastes ‘Yummy’ No. 1 In U.K.

After 42 years, James finally lands a U.K. No. 1 studio album with Yummy.

The leader at the midweek point, Yummy (via Nothing But Love Music) completes the chart week at No. 1.
It’s the second leader for Tim Booth and Co., following their 1998 career retrospective The Best Of, and 19th U.K. top 40 appearance.

Beyoncé’s former leader Cowboy Carter (Columbia/Parkwood Ent.) holds at No. 2 while Dire Straits frontman Mark Knopfler enjoys a No. 3 entry with One Deep River (EMI). That matches Knopfler’s solo career high, which he achieved with 2015’s Tracker, and becomes his ninth top 10.

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As a member of Dire Straits, Knopfler scooped four No. 1s and 11 top 10s.

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Linkin Park lands a first top 5 album in seven years, and first since the death of frontman Chester Bennington, with Papercuts (Singles Collection 2000-2023) (via Warner Records), new at No. 4, while British rock outfit Kris Barras Band nab a career high with Halo Effect (Earache), new at No. 5.

Meanwhile, Leeds, England four-piece English Teacher nabs a top 10 entry at the first attempt with This Could Be Texas (Island), their debut recording. It’s new at No. 8. Also, Glasgow, Scotland rock act GUN blasts to a first top 10 LP in 30 years with Hombres (Cooking Vinyl), new at No. 10. According to the Official Charts Company, GUN last hit the top 10 back in 1994 with Swagger, which peaked at No. 4.

Future and Metro Boomin just miss out on a second top 10 in under a month. The U.S. hip-hop stars’ latest collaborative album We Still Don’t Trust You (Epic/Freebandz/Republic) bows at No. 11, following the release last month of the collab We Don’t Trust You, which peaked at No. 2 on the March 29 chart.

A handful of new releases impact the latest Official U.K. Albums Chart, published Friday, April 19, including Maggie RogersDon’t Forget Me (No. 12 via Polydor), Nia Archives’ Silence Is Loud (No. 16 via Island) and Girl in Red’s I’m Doing It Again Baby (No. 37 via Columbia).

Taylor Swift’s ‘The Tortured Poets Department’: 10 Saddest Lyrics That Will Have You ‘Down Bad’

“Come one, come all, it’s happening again.” Taylor Swift‘s sad lyrics invade The Tortured Poets Department in a way that will have listeners down bad, crying in the gym (or wherever they are), right alongside the poet herself.

Swift asks “Am I allowed to cry?” nine songs into the album. What does it say about you if you only make it to track four and your eyes are already welling up?

On The Tortured Poets Department, Swift opens with a line about her stint as a “functional alcoholic,” goes mad over her typewriter-toting tragic hero, and declares her name is hers and hers alone to disgrace as she pleases, damn it! Melodrama aside, her sad lyrics are most striking when her pen plummets into the illusions of love and the heartbreak she’s needed to write about over the past couple years. Themes of escapism and longing bring on the misty-eyed moments.

“This writer is of the firm belief that our tears become holy in the form of ink on a page,” Swift wrote as she set free The Tortured Poets Department and its sad lyrics on April 19. “Once we have spoken our saddest story, we can be free of it.”

The album was originally announced as a 16-song set, plus four bonus tracks across different physical editions. But two hours after its release, there was much more material to unravel. As Swift explained, “I’d written so much tortured poetry in the past 2 years and wanted to share it all with you, so here’s the second installment of TTPD: The Anthology. 15 extra songs. And now the story isn’t mine anymore… it’s all yours.”

It’s time to grab some tissues and — if it’s your thing — a bottle of wine and have “a hell of a time,” as Swift’s duet partner Florence Welch sings on the cathartic album track “Florida!!!” Here are 10 of the saddest lyrics from the Swift’s album, out of all 31 tracks from the prolific singer-songwriter’s full The Tortured Poets Department: The Anthology edition.

Rock Hall Says Don’t Forget About the ‘Rock’ With Surprising 2024 Inductions: Critic’s Take

If you’ve noticed one trend with the artists the Rock and Roll Hall of Fame has officially let through its doors this decade, it’s probably been the institution drifting away from the classic rock artists (mostly bands, mostly all-male) that defined its ranks for decades, and towards a broader genre view rewarding artists (often solo and female) of wide cultural iconicity.

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Artists like Whitney Houston, Carly Simon, Lionel Richie, Pat Benatar, Missy Elliott, Kate Bush and Dolly Parton did not fit the traditional mold of artist the Rock Hall would have looked towards in past decades — as evidenced by the fact that all of them except Missy had to wait at least a decade from their earliest eligibility until their induction. But of course, music has continued to progress further and further away from the late period traditionally considered the classic rock era, while modern audiences have come to place significantly less emphasis on rock as the sun that the world of Serious Music revolves around. It makes sense that Rock Hall voters would end up emphasizing game-changing pop, country and hip-hop artists whose relevance has endured into the 21st century over 20th century radio rock leftovers with little bearing on contemporary popular music.

And so of course, the 2024 inductees for the Rock Hall include Peter Frampton, Foreigner and the Dave Matthews Band.

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Now, that snarky comment isn’t totally fair to either the Rock Hall voters or the artists inducted. For one, there are still two artists from this year’s recently announced class that absolutely fit the newer brand of Rock Hall inductees in Cher and Mary J. Blige: both unquestionably iconic artists with rich, expansive legacies and subsequent generations of major artists that their impact can be traced through. Neither is traditionally rock — Cher dabbled in the genre and likely would’ve gone further with it than she did had she been allowed the artistic agency more frequently afforded today’s pop stars, while Blige’s intersections with the genre have been mostly incidental — but you can’t properly tell the story of the period of popular music the Rock Hall covers without either, so their presence is hard to argue with.

And while they cannot compare with artists like Cher or Mary J. Blige in terms of enduring pop culture ubiquity, those aforementioned rockier acts have legacies of their own that at least elbow their way into the discussion of Rock Hall worthiness. Peter Frampton had one of the biggest rock albums of the ’70s and a tremendous amount of peer respect for his work solo, as well as in prior group Humble Pie and as a sideman. Foreigner were among the biggest hitmakers in any genre for a solid decade from the late ’70s to late ’80s, with a handful of songs that remaining enduring staples on classic rock radio, movie soundtracks and even on singing competition reality shows. And for 30 years, Dave Matthews Band have been the model for a beloved jam-band also thriving as a massively successful recording act, scoring No. 1 albums and alternative radio hits and even a major pop crossover or two.

In an older Rock Hall class, you might not have looked askance at the three of them getting in. Even now, you might not think it that strange for any of the three of them to get in on their own. But for all three of them to get in the same year is fairly surprising, especially considering some of the names shut out. That includes Mariah Carey, one of the most accomplished and longest-lasting pop superstars of all time, and Sinéad O’Connor, a genre-blending star whose stardom was curtailed by artistic risks she took on and off record, but whose legacy feels even more vital and timely in 2024 (sadly following her death in 2023) than it even did at her commercial peak three-plus decades ago. By modern Rock Hall standards, both would feel like obvious picks; both will nonetheless remain on the outside for at least one more year.

And it’s not just the rockers among the less-expected inductees for 2024. Kool and the Gang, funk hitmakers of the ’70s and ’80s who had been picked up as something of a cause in recent years for their longtime Rock Hall snubbing, have been granted entry on their first nomination. Meanwhile, the third time proves the charm for A Tribe Called Quest — among the most beloved and celebrated groups in hip-hop history, but one that never achieved the massive crossover success of recently inducted rappers like Missy, Jay-Z and Eminem. For those two groups to get in not just over Carey and O’Connor, but more traditional rock and roll flag-wavers like Oasis and Lenny Kravitz, is also something of a shock. (The eighth and final 2024 inductee not yet mentioned was this year’s most predictable: Ozzy Osbourne, who satisfies both classic rock cred and solo star recognizability and prototypicality.)

Nonetheless, the recognition of that trio of long-eligible 20th century rock acts (and male ones, as six out of this year’s eight artists inducted are) suggests that as much as the Rock Hall has shifted towards a less hemmed-in, genre-specific institution over the years– an evolution likely necessary for its continued relevance — there are still plenty of voters primarily concerned with rock representation. DMB were likely helped by their continued presence within the industry, while Foreigner were doubtless boosted in no small part by the celebrity campaigning on their behalf by insider’s insider Mark Ronson (stepson of the band’s guitarist and founder Mick Jones). But the recognition of Frampton in particular — who we pegged as having the second-lowest chances of induction among this year’s 15 years — feels indicative of pushback against the Rock Hall’s broadening definitions.

If there is more of a unifying theory to the new inductees to the Rock Hall this year, though, it might have to do with the breakdown of longstanding critical preconceptions in evaluating said artists. Of the eight artists granted entry this year, only A Tribe Called Quest could really be considered in any way to be critics’ darlings. Of the seven others, several (Dave Matthews Band, Cher, Foreigner) existed as critical punching bags at their commercial peaks, and others (Kool & The Gang, Mary J. Blige, solo Ozzy Osbourne) were largely shrugged at by rock critics outside their home genres. Perhaps the expulsion of Jann Wenner from the Rock Hall’s Board of Directors last year has also served as the final severing of the institution’s adherence to classic critical canons, in favor of a slightly more updated perspective less beholden to the received wisdom of previous generations.

In any event, the 2024 class makes it clear that while the Rock Hall’s constituency may be forever evolving in their tastes and priorities, the musical values of decades past have not yet been completely lost to time. We will have to wait and see from the next few years’ classes whether this year’s represents the beginning of a pendulum swinging back to more traditional rock hall definitions for voters, or a final emptying of the bench for the classic rock faithful.

Robert ‘Kool’ Bell, Suzanne de Passe & More React to Rock Hall of Fame Induction News

“Honestly, I broke into tears when they told me,” says longtime Motown executive Suzanne de Passe about the moment she learned that she would be receiving the Ahmet Ertegun Award at this year’s Rock and Roll Hall of Fame induction ceremony, taking place Oct. 19 in Cleveland.

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That reflected the many reactions coming from inductees after the Rock Hall’s Class of 2024 was revealed on Sunday (April 21) night’s episode of American Idol on ABC. Joy, exultation and even some surprise was expressed by those headed into the Rock Hall this year, whether in the voted-on performers category or those receiving this year’s musical excellence awards.

Robert “Kool” Bell is happy to explain why Kool & the Gang, an R&B band with several pop hits, belongs in the Rock and Roll Hall of Fame. Speaking to Billboard via Zoom, with bottles of his branded champagne sitting alongside to presumably, er, celebrate the induction, Bell says that “I did 48 shows with Van Halen, 10 shows with Kid Rock, opened for the Dave Matthews Band, Elton John, Rod Stewart. I also worked with Foreigner…If you’re gonna call it a Rock & Roll Hall of Fame then, yeah, I guess you could say that I feel like a rock n’ roller.”

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Bell is, of course, the last remaining member of Kool & the Gang’s original lineup and says his departed bandmates, including his brother Ronald Bell, would be pleased with the Rock Hall honor. “We’ve been to a lot of different ones,” Bell notes, including a 2018 induction into the Songwriters Hall of Fame. “It’s great to finally be inducted into the Rock & Roll Hall of Fame. All the guys would love it.” Kool & the Gang’s Rock Hall honor comes 60 years after the band’s formation in New Jersey, and 55 years after its self-titled debut album.

Ozzy Osbourne, who was inducted with Black Sabbath in 2006, tells Billboard via email that being honored for his solo career “feels big. I’m more than honored.” He says the induction for his own work, which began with the Blizzard of Ozz album in 1980 “feels different than with Sabbath because my solo career, it’s been a much larger part of my overall music career as a whole…I feel like I was invited to a party in 1980, and it hasn’t stopped. Not bad for a guy who was fired from his last band.” Osbourne, who’s effectively retired from touring due to a variety of health issues, including Parkinson’s disease, says he’s not sure about performing at the ceremony but will be there, in attire that “most certainly will be black.”

Peter Frampton tells Billboard that he’s “a little bit shock, and speechless” after learning the news of his induction. He was also stoked about finishing second behind the Dave Matthews Band in the fan vote, with 528,000. “It’s an honor people regard me in this way. I’m just blown away,” said Frampton, who had encouraged fan voting during his recent tour by flashing a QR code for the vote on the video screen at his concerts. “It’s quite uncanny we would be touring during the public voting, so every night I could hopefully get a few hundred out of the couple of thousand, three thousand that were in the audience. And it made a difference.”

Foreigner founder Mick Jones told Billboard in an exclusive interview that, “It’s a great honor to be included amongst all these great artists that have been inducted over the years.” He added that despite waiting more than 20 years since the band became eligible, “I certainly haven’t been overly consumed by it. Every year was the same thing, so eventually I didn’t really worry about it…I’ve had a great career, and this is like the whipped cream and cherry on top.”

Jones, who’s battling Parkinson’s disease, was also “very grateful” to son-in-law Mark Ronson’s video campaign on Foreigner’s behalf, which enlisted luminaries such as Paul McCartney, Slash, Jack Black, Chad Smith of the Red Hot Chili Peppers and others to express their surprise and indignation that Foreigner hadn’t already been inducted. “I wasn’t totally aware of the extent to which he saw this through…I had a good laugh seeing Paul’s Instagram post.” Jones added that he plans to attend the ceremony in October but hasn’t decided if he’ll play or not. Original Foreigner frontman Lou Gramm previously told Billboard that he plans to be there and expects to perform the Billboard Hot 100 topper “I Want to Know What Love Is” and one other song.

The MC5’s musical achievement Award is “bittersweet” in the wake of co-founder Wayne Kramer’s death on Feb. 2 at the age of 75, according to his widow, Margaret Saadi Kramer. “Perhaps even the exact right thing at precisely the wrong time,” noted Kramer, who manages MC5 affairs and co-founded the Jail Guitar Doors initiative with her husband. “Yet I’m certain he would have landed in gratitude for this recognition and received it like the beautiful free radical he was, an underdog victorious.” Three other MC5 members — Rob Tyner, Fred Smith and Michael Davis — have also passed, leaving only drummer Dennis “Machine Gun” Thompson.

Wayne Kramer did finish working on a new MC5 album, Heavy Lifting, which is due out later this year and features guests such as Thompson, Guns N’ Roses’ Slash, Tom Morello (Rage Against the Machine, Audioslave), Living Colour’s Vernon Reid, Alice in Chains’ William DuVall, Rise Against’s Tim McIlrath and Don Was. It will be packaged with a live recording of the all-star MC50 band during 2018 in the MC5’s hometown of Detroit.

Suzanne de Passe, who is still active as a TV and film producer since her days with Motown, said she’s “truly blown away and honored,” and that the Ahmet Ertegun Award means even more to her because she saw her mentor, Motown founder Berry Gordy Jr., receive it back in 1987. “Berry Gordy gave me the opportunity of a lifetime,” says de Passe, whose time at Motown included shepherding the careers of the Jackson 5, Lionel Richie and others as well as producing the Emmy-winning Motown 25: Yesterday, Today, Forever and specials for the company’s 30th and 40th anniversaries. She also produced miniseries about the Temptations and Jacksons as well as Lonesome Dove and other projects.

“I really learned a lot and was able to go out on a limb in some cases and either rise or fall, but never not be in a position of learning and growing,” she says. “I’m very, very grateful for the career I’ve had and the opportunities that have come my way because of that launching pad.”

She’s also happy to be honored alongside Motown songwriter-producer Norman Whitfield, whom she knew well and calls “one of the funniest people I ever met, a born comedian. We worked together a lot and I learned a lot from Norman. He really took me under his wing and taught me a lot about working in the studio. We had a great relationship.”

Berry Gordy issued a statement celebrating the honors for both of his Motown charges on April 21.

“Today marks a moment of intense pride as two members of the Motown Family will be honored at the upcoming Rock & Roll Hall of Fame Foundation Awards, Suzanne de Passe and Norman Whitfield,” reads Gordy’s statement. “I want to congratulate, Suzanne, my protégé and longtime friend, on being selected to receive the prestigious Ahmet Ertegun Award! Suzanne’s vision and passion contributed to Motown’s success. Every task I ever threw at her, she not only accomplished, but exceeded my expectations. Suzanne went from being my creative assistant, helping to launch the careers of Michael Jackson, the Jackson 5, Lionel Richie, the Commodores and more, to co-writing a screenplay for Lady Sings the Blues, for which she received an Oscar nomination. Suzanne has great instincts, a sharp wit, and a creative sense that has made her a formidable player in the entertainment world. I continue to be extremely proud of her.

“I am also so thrilled that Norman Whitfield, whom I consider a true musical genius and one of Motown’s most important creative forces, has been selected for the Rock & Rock Hall of Fame’s musical excellence award. His brilliant body of work was versatile and bold. He had early collaborations like Marvin Gaye’s ‘Pride and Joy’ and the Temptations’ ‘Just My Imagination.’ He had numerous No. 1 hits, including two with the same song, ‘I Heard It Through The Grapevine,’ back to back on two artists – Gladys Knight & the Pips and Marvin Gaye. Then, with his ear to the streets, he took the Temptations and Motown in a whole new direction. Norman’s music reflected the social consciousness of the times with songs like ‘Ball of Confusion,’ ‘War,’ ‘Papa Was a Rolling Stone.’ His incredible body of work makes him one of the most important creative forces of his time.”

Foreigner’s Mick Jones on Making It Into the Rock Hall of Fame & Whether He’ll Perform

Mick Jones could be excused for feeling a bit bitter about the Rock and Roll Hall of Fame ignoring Foreigner for more than two decades of eligibility. But now that the group will be part of the class of 2024 this October, Jones — who put Foreigner together back in 1975 in New York — says he’s feeling “quite the opposite.”

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“I think it means more to me now than perhaps 20 years ago,” Jones tells Billboard exclusively, via email due to a struggle with Parkinson’s disease that he revealed in February. “I’ve had a great career, and this is like the whipped cream and cherry on top. It’s something I will savor over the years. It’s a great honor to be included amongst all these great artists that have been inducted over the years.

Jones, 79, adds that despite Foreigner fans’ very vocal frustration at the band’s exclusion, he himself has kept a measured perspective about the prospects. “Occasionally it might have entered my mind,” he says. “I certainly haven’t been overly consumed by it. Every year was the same thing, so eventually I didn’t really worry about it. My dear friend Peter Frampton had been passed over all these years; I don’t think he has been overly consumed by it either.”

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Foreigner finished third in the Rock Hall’s fan vote this year, behind the Dave Matthews Band and Frampton, with more than 527,000 total votes. That was partly assisted by a video campaign by Jones’ son-in-law Mark Ronson, who recruited musical friends such as Paul McCartney (“Foreigner? Not in the Hall of Fame? What the f–k?!”), Dave Grohl, Slash, Jack Black, the Red Hot Chili Peppers’ Chad Smith and others expressing disbelief that the group wasn’t yet in.

“I am very grateful for the time and effort Mark has put into this,” Jones says. “I wasn’t totally aware of the extent to which he saw this through. He reached out to a lot of people to post their support on social media. I had a good laugh seeing Paul’s Instagram post.”

Jones isn’t alone, of course, in celebrating Foreigner’s impending induction. Rick Wills, who was Foreigner’s bassist from 1979-1993, tells Billboard, “We’re more than thrilled. It’s been over 20 years since we’ve been waiting for this day. I suppose we were frustrated, to be perfectly honest, but we tried to hide it as best we could because we didn’t want to appear like we were sad people. (laughs). I mean what else could you do but what we’ve done already with our music, and what people have appreciated and enjoyed? We didn’t understand why we didn’t get that recognition.”

And original frontman Lou Gramm told Billboard last month that he “had given up that we would ever be considered” but would happily serve if elected. “I was not feeling good that our peers were in years ago and we were completely neglected…I didn’t even think about it anymore, to be honest with you, so (the nomination) was a big surprise to me.”

Gramm recently brought up past issues with Jones over songwriting credits and financial issues but is looking forward to being with the band and performing at the induction ceremony on Oct. 19 in Cleveland. And Jones says Gramm, with whom he was inducted into the Songwriters Hall of Fame with in 2013, will be welcomed with open arms.

“On a personal level I have no hard feelings toward Lou,” Jones says. “We did perform together at the 40th anniversary concert. It has been so many years now since Lou left Foreigner; I like to think that those ill feelings are in the past. There is power in letting go of hard feelings and getting on with your life. Why carry the burden of hard feelings? It serves nothing in the long run. I do plan to attend,” Jones adds. I’m sure my whole family will be there. As to whether I get up on stage and perform hasn’t really been decided as yet. In some ways it might be nice just to be there to soak up the atmosphere and enjoy being inducted.”

Jones says he deals with his Parkinson’s “day to day. Keeping my chin up and making the best of everything. Fortunately, my Parkinson’s isn’t debilitating like it is for some people. My friend Michael J. Fox has been such an inspiration and advocate to find a cure for this disease. I do hope they find the answer soon. Like any disease it’s a quality-of-life issue. With all the research my family and assistant has done, I’ve been able to stick with a healthy lifestyle and exercise program that I think helps stymie the progression of my Parkinson’s.”

It’s also allowed him to continue working — not on stage with Foreigner, of course, but there may be new material in the offing. “There are a number of songs that are demos I wrote with Lou,” Jones says. “A couple of them are quite promising. Some written with Marti (Frederiksen) are lying around. I’ve been going through cassette tapes of demos; some I think don’t deserve to see the light of day.” Jones adds that he’s also finished mixing and mastering a solo album, Shelter From the Storm, that he hopes to release “at some point soon.”

Foreigner, meanwhile, is in the midst of an open-ended farewell tour that will likely extend into 2025 and may even include occasional performances or residencies after the road work is done. And Jones affirms he’s still comfortable with that decision. “It’s expected that all good things must come to an end. When Foreigner does retire it’s because the guys in the band have given so much of themselves and have reached a time in their lives where they want to have an easier life and spend more time with their families. There are so many demands being in a successful rock band.”