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Coinciding with its Black Music Month celebratory focus on jazz this year, Apple Music and award-winning artist/producer Robert Glasper have partnered for the exclusive release of his latest album Let Go. (The Grammy- and Emmy-winning artist’s latest project is available on Apple Music now.)
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In a release about the new partnership, Apple Music global editorial head of hip-hop and R&B Ebro Darden said, “At Apple Music, we understand that jazz is not only foundational to Black music, but all popular music. So making sure we lean in and do more with jazz had to be a priority.”
As its title implies, Let Go is intended to help people recalibrate mentally in a world rife with challenges. Among the album’s few vocal moments is the track “Breathing Underwater,” which features a guest turn by artist/bassist Meshell Ndegeocello. Moving forward, the exclusive partnership between Apple Music and Glasper will include additional albums, a radio show and a live performance by the musician.
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“My whole career, everybody’s been saying my music is meditative,” Glasper said of Let Go in Apple Music’s announcement. “People say they study to my music, pray to my music, do yoga to my music; they just zone out. People have wanted me to do this for a long time. I wouldn’t call it the ‘meditation project’ or nothing like that, but it’s something you can put on that helps you find your center. It’s just something that quiets the world and allows you to see what’s within.”
Among the musicians who worked on the album’s instrumental tracks are drummer Kendrick Scott, bassist Burniss Travis and guitarist Chris Sholar, of whom Glasper noted, “The musicians are very, very important because they have to have that same flow and that same center. [For example], the drummer is a water sign. Everything he plays is water. He feels like water. And that’s what I wanted for this. I wanted it to be liquid.”
In honor of Juneteenth (June 19), Apple Music’s jazz focus will be supplemented by Freedom Songs 2024. The playlist of original songs and covers is performed by next-gen jazz musicians such as Lakecia Benjamin, Theo Croker, Savannah Harris, J. Hoard, Alexis Lombre, Endea Owens, Joel Ross, Cisco Swank, Kamasi Washington and Immanuel Wilkins. Apple is also offering curated collections of music spotlighting the role that jazz has played – and continues to play – in other genres like hip-hop, rock, R&B/soul, dance and electronic music through albums, playlists and radio episodes saluting the heroes of jazz then and now.
Glasper’s last formal release was 2022’s Black Radio III. The set featured a diverse mix of artists from R&B, hip-hop and jazz such as the aforementioned Ndegeocello, Esperanza Spalding, Killer Mike, Q-Tip, H.E.R. and Gregory Porter. The album won the Grammy for best R&B album last year.
Latto got the girls in the booth with her as she recruited Megan Thee Stallion and Flo Milli for the remix of “Sunday Service,” which arrived Friday (June 7). They teased the remix a day prior, with Meg posting footage of her, Latto and Flo twerking backstage during her Hot Girl Summer Tour with GloRilla. […]
Three months after she debuted the song during her show-stopping 2024 Brits performance, RAYE has finally unveiled “Genesis,” a thrilling seven-minute epic, the lead-off to a four-track EP that stands as her first piece of new music this year.
At the top of the year, RAYE made history at the 2024 Brits when she broke the record for most wins (6) and nominations (7) for an artist in a single year. In addition to picking up the trophies for best new artist, best R&B act, British artist of the year, and songwriter of the year, RAYE also triumphed in British album of the year for her acclaimed debut LP My 21st Century Blues — which reached No. 58 on the Billboard 200 — and song of the year for the 070 Shake-assisted “Escapism,” which peaked at No. 22 on the Billboard Hot 100.
In a May 31 Instagram post, RAYE described “Genesis” as “a 7 minute labour of love [she has] been working on since 2022.” Produced by two-time Grammy winner Rodney “Darkchild” Jerkins, “Genesis” unfolds across three acts through which RAYE delivers some of her most visceral and confessional songwriting to date. From stirring strings and triumphant horns to influences that include big band jazz, hip-hop, R&B, gospel and pop, “Genesis” reveals itself to be more than a standard radio single. Giving her embattled past one last survey before she prepares for the road ahead, RAYE’s new single is a grand introduction to her next era.
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“I see a sad little sinner, in the mirror/ The devil works hard, like my liver/ I don’t wanna be alive, but I don’t wanna die/ A fist full of pills and rivers in my eyes,” she croons in the chorus. “I’ve nothin’ left to lose, dear God in the sky/ Hear my cry, hear my cry/ When it’s too dark to see/ Let there be light, let there be light.”
Since her Brits performance, RAYE has steadily teased her new song across special pop-up activations and subsequent live sets. She performed “Genesis” at the final shows of her My 21st Century Blues Tour as well as her Saturday Night Live musical guest debut (April 6). The “Prada” singer officially announced the single’s release date on May 17. Earlier this week (June 3), she hosted the Genesis Exhibition in New York City to further promote the new song.
The official music video for “Genesis” will premiere on YouTube at 10 a.m. ET on June 7.
Stream RAYE’s “Genesis” now.
Bon Jovi is back! The band dropped its 16th studio album, Forever, on Friday (June 7). The album comes four years after 2020, which was released, as the title suggests, in 2020. The album peaked at No. 19 on the Billboard 200 albums chart upon its release. Frontman Jon Bon Jovi chronicled his difficult journey […]
Jung Kook is back! The BTS superstar unveiled his latest single, “Never Let Go,” on Friday (June 7). According to HYBE, the new track is dedicated to BTS’ beloved fans, affectionately called ARMY, and conveys “a sincere message to never let go of each other.” “Never Let Go” is Jung Kook’s first solo music since the […]
Kaytranada is ushering everyone outside this summer with his new album Timeless, which dropped Friday (June 7) via RCA Records. The 17-track LP includes the previously released singles “Lover/Friend” (featuring Rochelle Jordan, who’s featured on another song called “Spit It Out”) and the Channel Tres-assisted “Drip Sweat” as well as other star-studded collaborations with his brother […]
When Snowd4y, a Toronto parody rapper, released the track “Wah Gwan Delilah” featuring Drake via Soundcloud on Monday (June 3), it instantly went viral.
“This has to be AI,” one commenter wrote about the song. It was a sentiment shared by many others, particularly given the track’s ridiculous lyrics and the off-kilter audio quality of Drake’s vocals.
To date, the two rappers have not confirmed or denied the AI rumor. Though Drake posted the track on his Instagram story, it is hardly a confirmation that the vocals in question are AI-free. (As we learned during Drake’s recent beef with Kendrick Lamar, the rapper is not afraid of deep-faking voices).
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To try to get to the bottom of the “Wah Gwan Delilah” mystery, Billboard contacted two companies that specialize in AI audio detection to review the track. The answer, unfortunately, was not too satisfying.
“Our first analysis reveals SOME traces of [generative] AI, but there seems to be a lot of mix involved,” wrote Romain Simiand, chief product officer of Ircam Amplify, a French company that creates audio tools for rights holders, in an email response.
Larry Mills, senior vp of sales at Pex, which specializes in tracking and monetizing music usage across the web, also found mixed results. He told Billboard the Pex research and development team “ran the song through [their] VoiceID matcher” and that “Drake’s voice on the ‘Wah Gwan Delilah’ verse does not match as closely to Drake’s voice…[as his voice on] official releases [does], but it is close enough to confirm it could be Drake’s own voice or a good AI copy.” Notably, Pex’s VoiceID tool alone is not enough to definitively distinguish between real and AI voices, but its detection of differences between the singer/rapper’s voice on “Wah Gwan Delilah” and his other, officially released songs could indicate some level of AI manipulation.
A representative for Drake did not immediately respond to Billboard’s request for comment.
How to Screen for AI in Songs
There are multiple types of tools that are currently used to distinguish between AI-generated music and human-made music, but these nascent products are still developing and not definitive. As Pex’s Jakub Galka recently wrote in a company blog post about the topic, “Identifying AI-generated music [is] a particularly difficult task.”
Some detectors, like Ircam’s, identify AI music using “artifact detection,” meaning they detect parts of a work that are off-base from reality. A clear example of this is seen with AI-generated images. Early AI images often contained hands with extra or misshapen fingers, and some detection tools exist to pick up on these inaccuracies.
Other detectors rely on reading watermarks embedded in the AI-generated music. While these watermarks are not perceptible to the human ear, they can be detected by certain tools. Galka writes that “since watermarking is intended to be discoverable by watermark detection algorithms, such algorithms can also be used to show how to remove or modify the watermark embedded in audio so it is no longer discoverable” — something he sees as a major flaw with this system of detection.
Pex’s method of using VoiceID, which can determine if a singer matches between multiple recordings, can also be useful in AI detection, though it is not a clear-cut answer. This technology is particularly helpful when users take to the internet and release random tracks with Drake vocals, whether they’re leaked songs or AI deepfakes. With VoiceID, Pex can tell a rights holder that their voice was detected on another track that might not be an official release from them.
When VoiceID is paired with the company’s other product, Automatic Content Recognition (ACR), it can sometimes determine if a song uses AI vocals or not, but the company says there is not enough information on “Wah Gwan Delilah” to complete a full ACR check.
Parody’s Role in AI Music
Though it can’t be determined without a doubt whether “Wah Gwan Delilah” contains AI vocals, parody songs in general have played a major role in popularizing and normalizing AI music. This is especially evident on TikTok, which is replete with so-called “AI Covers,” pairing famous vocalists with unlikely songs. Popular examples of this trend include Kanye West singing “Pocket Full of Sunshine” by Natasha Bedingfield, Juice WRLD singing “Viva La Vida” by Coldplay, Michael Jackson singing “Careless Whisper” by George Michael and more.
Most recently, AI comedy music took center stage with Metro Boomin‘s SoundCloud-released track “BBL Drizzy” — which sampled an AI-generated song of the same name. The track poked fun at Drake and his supposed “Brazilian Butt Lift” during the rapper’s beef with Lamar, and in the process, it became the first major use of an AI-generated sample. Later, Drake and Sexyy Red sampled the original AI-generated “BBL Drizzy” on their own song, “U My Everything,” lifting “BBL Drizzy” to new heights.
No need to beg! Sabrina Carpenter unveiled her latest single, “Please Please Please,” on Thursday (June 6) alongside a cinematic music video. “Please, please, please don’t bring me to tears when I just did my makeup so nice,” the pop star muses on the track, which features a high-action, Bardia Zeinali-directed visual starring Carpenter’s boyfriend, […]
Tems‘ debut album Born in the Wild has finally arrived on Friday (June 7) via RCA Records and Since ’93. The 18-track project contains collaborations with Asake (“Get It Right”) and J. Cole (“Free Fall”) as well as previously released singles “Love Me JeJe” and “Me & U,” the latter of which she premiered during […]
Maluma and Blessd’s bromance is further stamped in their first-ever joint EP called 1 Of 1, out Thursday (June 6). The six-track production that includes the title track, “Call Me,” “Oe Bebé,” “Manrique,” “Sisas Nada” feat. Hades66, and “Goyard/GTA” was co-produced by MadMuscik and The RudeBoyz, and best represents Medallo’s reggaetón, swagger, and vibrant culture. […]
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