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In celebration of Black Music Month, Andra Day will be bringing her luscious vocals to Los Angeles for a concert, which will be broadcasted live courtesy of Amazon’s Rotation. Explore Explore See latest videos, charts and news See latest videos, charts and news The powerful singer will hit the Warwick stage on Friday night (June […]

During Pride Month 2023, La Cruz went from an independent artist trying to make his mark to an empowering gay voice in reggaeton music. The rising Venezuelan star went viral among the online LGBTQ+ community thanks to his sexy music video “Quítate La Ropa,” which showed guys perreando, or twerking, for him in a locker room. La Cruz has since manifested that gay fantasy into a blossoming music career with co-signs from giants in the genre like Karol G, Young Miko and Danny Ocean.

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“I feel [Pride Month] is necessary to see how far we’ve come and where we can go next,” La Cruz tells Billboard over Zoom. “Honestly, I’m proud of who I am all year long. I talk openly about my sexuality all year long because for me that’s normal.”

Puerto Rican trap artist Kevin Fret pioneered representation for gay men in música urbana before his murder in January 2019. Since then, there has been a notable increase of LGBTQ people in reggaeton, with women like Young Miko and Villano Antillano leading the way. Now, La Cruz is becoming a leading gay artist in reggaeton. Growing up as Alfonso La Cruz in La Guaira, Venezuela, he listened to the music of reggaeton pioneers like Ivy Queen and Arcángel. La Cruz sings a bit of the latter’s love song “Mujer Maravillosa” while noting the lack of gay perspective in the genre back then.

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“That song is for a woman but when I was in love with my first boyfriend and I listened to it, I felt I could relate,” he says. “I would have loved to hear a song that expressed exactly how I felt. Within a genre that I’ve listened to all my life, I had never heard a song where I could say, ‘Wow! I experienced what happened in that song.’”

Due to the ongoing economic crisis in Venezuela, La Cruz decided to move to Madrid to pursue his dreams of a music career. In 2018, he became known throughout Spain for competing on the reality singing competition Operación Triunfo. After the show, La Cruz was courted by a few record labels. One was ready to sign him under the condition that he would not mention gender in his songs. La Cruz instead went the independent route and rounded up a small team who believed in his vision.

“I didn’t sign any contract that would make me unhappy or that I couldn’t relate with,” he recalls. “I’ve had obstacles in my career, and they’ve been more on the industry level musically speaking with A&Rs, labels and music streaming platforms. I’ve seen myself in uncomfortable situations, but I’ve taken all that as a sign to keep going.”

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In 2022, La Cruz started pushing the boundaries of reggaeton with his music videos for “Desnudx,” “Boulevard,” and “Te Conocí Bailando,” which showed him in love with (or lusting after) other men. Throughout his debut album Hawaira, which is named after his Venezuelan hometown, his objects of affections are clearly identified with male pronouns. The album’s songs have collectively registered 2.5 million official on-demand U.S. streams, per Luminate.

“Sometimes as gay people we limit ourselves a lot from achieving our dreams because we believe they won’t happen on the basis of being gay,” he says. “That’s something that we need to get out of our heads. I love being a reference for those kids who want to make music but don’t do it because they’re afraid. The fear only stops you. You have to go for it.”

In June 2023, La Cruz made the jump into international stardom thanks to his follow-up single “Quítate La Ropa.” In the sultry reggaeton romp, he sang about wanting to lose his clothes with a lover. In the music video, La Cruz was surrounded by hunky, shirtless men that were perreando in a gym locker room. The song went viral on TikTok during Pride Month with gay men embracing a reggaeton anthem they could twerk to in videos of their own.

“The idea for the ‘Quítate La Ropa’ video came to me in a gym,” he says with a laugh. “I knew it had to involve some twerking. It’s something that a gay boy sometimes imagines in a locker room. That was me showing the world that other things exist. That song basically changed my life.”

La Cruz’s “regayton,” which is what his fans playfully call his music, has caught the attention of artists like Omar Apollo, Young Miko, Villano Antillano and Venezuela’s top reggaeton artist Danny Ocean. The latter recently featured La Cruz in his music video for “Cero Condiciones,” which talks about “coming out of the closet” to live a free and truthful life. After DMing for several months with Colombian superstar Karol G on Instagram, she invited La Cruz to meet her at her concert in Caracas last March.

“I told her I was very nervous because I’m a big fan of hers,” he recalls. “She told me, ‘No! I’m also a big fan of yours!’ That was a beautiful moment because she’s one of my idols. Knowing that she listens to me and likes what I do, that’s incredible. She supports my message and my concept and told me, ‘Keep it up.’ I feel like I made a spiritual connection with her.”

La Cruz’s recent singles such as “Easy Boy,” his reggaeton ode to casual sex, are being distributed by Sony Music Entertainment España. He is also hard at work on his second album. With a bigger team and the support of the LGBTQ+ community, La Cruz wants to continue to break down barriers for queer artists like himself.

“To have a community of people that identify with my music and they can relate to those experiences, that’s the most beautiful thing,” he says. “With my music, I want to give visibility and normalize a lot of things on a social level that are looked down upon. It’s the people consuming my music who are making things happen [for me] and I’m having a great time with them.”

After netting his first No. 1 record with “Not Like Us,” Mustard is dropping his first album since 2019’s Perfect Ten. The Los Angeles producer announced his new album Faith of a Mustard Seed on social media where he posted a trailer along with the message, “FAITH OF A MUSTARD SEED SUMMER 2024 A GIFT […]

“I realized that music alone is not a good enough reason; you must have cultural incentives to improve your sound.” Ntitled may have been the one to utter this take during his interview with Billboard Arabia, but the four other young Saudi stars gracing the cover of the May 2024 issue might as well share the sentiment. Looking at their collective huddle on the cover, one might think the five artists are close peers, but in reality, their journeys in the music industry have little in common. Each of them has taken a unique path and shaped a unique experience. From genres and musical taste to breakthroughs, plans and projects, each of the five Saudi talents has gone his or her own way.

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Perhaps the only common factor in their journey is their identity as young individuals who grew up in the same culture and witnessed the recent historical shift in Saudi Arabia. Just as the five artists launched into their careers, new horizons for arts, media and society as a whole were opening up in Saudi Arabia at an unprecedented scale. Though this change impacted the lives and experiences of the entire Saudi society, we could trace in our conversations with these young artists the specificity of this impact on the path that each one of them chose to make music that influences and is influenced by Saudi culture.

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While the spark for Abdulaziz Mane and Jori Kattan’s music careers were talent shows, their determination to prove their strong sound and unique talent is what got them to stardom. Now they stand before a different kind of challenge: using their sound and talent to deliver delightful pop music experiences. As they launched their first releases, new horizons opened up to them. Soon after Jori composed her first track a few years back, she found herself yearning to pour herself into the melodies again and compose her own music. For his part, the young Abdulaziz Mane’s experience in theater quickly made him realize the versatility of his artistic identity.

The same goes for Hams Fekri, who won the first season of Saudi Idol, where she dazzled the giants of Arabic pop music with every performance. When we delve into Hams’ journey, we understand that her path to stardom was inevitable, what with the incredible talent of her mother, Amani Al-Shafei, running in her veins. And, like her mother, Hams is a master of the Shaabi pop genre. Today, whichever genre Hams chooses to embrace, she imbues with her original voice and that refined sound of artists rooted in the melodies of their environment.

For Ntitled and Tamtam, the challenge lay not in singing tarab or following the rules of Arabic composition to reach the masses. Instead, they went for a more diverse experience, delivering local sounds wrapped in international genres. They are not afraid to pepper their tracks with a dash of English, or other languages, even, says Tamtam, who plans on mixing in some Spanish in one of her upcoming tracks, before carrying on with what she describes as her year of Arabic releases.

Besides music, Tamtam finds joy in writing. As in her debut, Gender Game, many of the singer-songwriter’s tracks revolve around similar themes (empowering women to raise their voices and conveying her own experiences), her writing style a testament to her bold and rebellious personality. Tamtam cares more about her growth as an artist than the size of her discography or the long stretches of time between her releases.

Ntitled, for his part, has successfully etched his name on the Saudi hip-hop scene, despite his young age. In a short period of time, he has established strong partnerships in the regional music scene, including “Ween Yabu” with Dafencii, “Adan” with Moayad & Kali-B, and “LkLk” with the producer Khayyat, as well as several experiments of his own as a producer. His talent caught the attention of Swizz Beatz during one of his first visits to Saudi Arabia, who discussed his collaboration with Ntitled in an interview with Billboard Arabia, which Ntitled confirmed in his interview will be released soon.

Hindsight is 20/20. Just ask Ray J, who recently opened up about the cultural impact of his infamous 2007 sex tape with Kim Kardashian. In an interview with Club Shay Shay posted Wednesday, the singer said he thinks “everything would be different” if the tape had never been made. “We would all be different,” he […]

Josh Groban is set to host the 15th annual Jimmy Awards, which are sort of like the Tony Awards for promising high school theater arts students. The awards are set to take place Monday, June 24, at the Minskoff Theatre in Manhattan.
The National High School Musical Theatre Awards (the formal name of the awards) celebrate individual talent in vocal, dance and acting performance. Named for the late Broadway impresario James M. Nederlander, the Jimmy Awards has been the catalyst for more than $6 million in educational scholarships.

“I am excited to be the host for the 15th annual Jimmy Awards!,” Groban said in a statement. “The dedication and immense talent of these nominees are truly inspiring. Arts education holds a dear place in my heart, and its profound impact is clearly showcased through these young talents each year at the Jimmy Awards.”

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“…We are thrilled to have [Josh] join us in celebrating the achievements of, and giving inspiration to, high school musical theatre students across the country, including the over 100 student nominees performing on stage that night,” Jason Laks, interim president of The Broadway League, said in a statement.

(The Broadway League is also a co-presenter of the annual Tony Awards, along with the American Theatre Wing.)

Tickets for the Jimmy Awards start at $75 and go on sale to the general public on Monday, June 10 through BroadwayDirect.com.

The show will stream for free online beginning at 7:30 p.m. ET on Monday, June 24 via the Jimmy Awards Facebook and YouTube channels. The ceremony will remain available online for three days afterwards, through Thursday evening, June 27.

Groban co-hosted the Tony Awards six years ago with Sara Bareilles. The stars each received two Primetime Emmy nominations for their efforts – outstanding variety special (live) and outstanding original music and lyrics for co-writing the special-material song “This One’s for You” with Shaina Taub.

Groban is a two-time Tony nominee for best performance by a leading actor in a musical, for Natasha, Pierre & The Great Comet of 1812 (his Broadway debut) and Sweeney Todd, the Demon Barber of Fleet Street. Groban also received a Grammy nod for the Sweeney Todd cast album, which was nominated for best musical theater album at the ceremony held on Feb. 4.

Groban, 43, is also an active arts education philanthropist and advocate. His Find Your Light Foundation helps enrich the lives of young people through arts, education, and cultural awareness.

Twenty One Pilots and Bring Me the Horizon score new No. 1s on Billboard’s rock album charts dated June 8, with the former’s Clancy debuting atop the Top Rock Albums survey and the latter’s Post Human: Next Gen entering atop the Top Hard Rock Albums list.

Clancy bows with 143,000 equivalent album units earned in the U.S. in the week ending May 30, according to Luminate. The sum largely encompasses 113,000 album sales and 29,000 streaming-equivalent units. The week is the biggest in units for any title on Top Rock Albums in 2024 and the best since Zach Bryan’s self-titled LP started with 200,000 on the Sept. 9, 2023, survey.

Clancy marks Twenty One Pilots’ fourth Top Rock Albums leader. The duo first led with Blurryface in 2015, followed by 2018’s Trench and 2021’s Scaled and Icy.

The new set also begins at No. 2 on Top Rock & Alternative Albums and Top Alternative Albums, where Billie Eilish’s Hit Me Hard and Soft reigns for a second week (145,000 units).

On the all-genre Billboard 200, Clancy debuts at No. 3, the act’s third top three entry.

The entirety of Clancy’s 13-song tracklist reaches the Hot Rock & Alternative Songs chart, led by “The Craving” at No. 20 with 5.9 million official U.S. streams, 3.9 million radio audience impressions and 1,000 downloads sold. The song, the latest promoted single from the LP, concurrently debuts at Nos. 23 and 40 on Alternative Airplay and Pop Airplay, respectively. Lead single “Overcompensate” peaked at No. 2 on Alternative Airplay in May.

Bring Me the Horizon’s Post Human: Next Gen starts at No. 1 on the Top Hard Rock Albums chart with 19,000 units. It’s the band’s second leader, following That’s the Spirit for a week in 2015.

Post Human: Next Gen also begins at No. 10 on Top Rock & Alternative Albums, marking the Oli Sykes-fronted act’s sixth top 10, all logged since 2010’s There Is a Hell Believe Me I’ve Seen It. There Is a Heaven Let’s Keep It a Secret.

“Top 10 Statues That Cried Blood,” the new album’s latest radio single, concurrently debuts at No. 1 on Hot Hard Rock Songs with 2.6 million streams and 266,000 airplay audience impressions. It also starts at No. 39 on Mainstream Rock Airplay.

Just in time for Father’s Day, Luke Combs will release the new album Fathers & Sons on Friday, June 14.
On Instagram, Combs shared news of the album along with cover art for the project and the track list. He captioned the photo: “I can’t wait for y’all to hear the full album next week and hope y’all love this project as much as I do.”

The album is led by Combs’ new song “The Man He Sees in Me,” which he previously teased on social media.

Combs himself is a father to two sons. He and wife Nicole welcomed their oldest son, Tex Lawrence Combs, on Father’s Day in June 2022. Last year, their second son, Beau Lee Combs, was born in August. In revealing the release of “The Man He Sees in Me,” Combs shared a carousel of photos on Instagram, giving fans a glimpse into his role as a dad, while Nicole commented on the photos, “Our living room looks like a daycare & I wouldn’t have it any other way.”

Judging by the titles of some of the songs on the project, including “Ride Around Heaven,” “Front Door Famous,” “Remember Him That Way” and “All I Ever Do Is Leave,” it seems as though some are sure to be tear-jerkers.

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Combs also previewed the familiarly titled “Take Me Out the Ballgame” in April, playing the song during his two-concert stint at American Family Field in Milwaukee, Wisconsin.

The project follows Combs’ 2023 album Gettin’ Old, which was nominated for album of the year at the CMA Awards, and his 2022 project Growin’ Up, which earned a Grammy nomination for best country album.

See the full track list for Combs’ Fathers & Sons below:

Front Door FamousIn Case I Ain’t AroundHuntin’ By YourselfLittle Country BoysWhoever You Turn Out to BeRemember Him That WayThe Man He Sees In MeAll I Ever Do Is LeavePlant a SeedRide Around HeavenMy Old Man Was RightTake Me Out to the Ballgame

Kelly Clarkson admittedly crashed and burned when she attempted to sing Jon Bon Jovi‘s “Blaze of Glory” on the latest edition of Kellyoke on Thursday (June 6). And to make matters worse, the Bon Jovi frontman himself was in the building and witnessed the entire thing. In a new blooper reel from The Kelly Clarkson […]

Before January 2024, Reneé Rapp publicly identified as bisexual. However, she made a last-minute decision when appearing in a sketch for Saturday Night Live to come out as lesbian — thanks to a sweet introduction from comedian Bowen Yang.

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However, the journey of coming out was a long one. Rapp sat down for a recent interview with Them, where she opened up about accepting her identity as a lesbian. The “Tummy Hurts” singer referred to the viral Tumblr guide, Lesbian Masterdoc, as helping her back in December. “I’m sure for some people it doesn’t feel right,” she explained. “I don’t know all the nuances to the conversation. However, for me, it was really beneficial.”

Rapp also attributed her self-realization to a new group of queer friends.  “All of a sudden, I had these people around me who were either nonbinary people, trans friends, or lesbians, and I was like, ‘I feel so happy when I’m with you guys. And I also really want to call myself a lesbian when I’m around you,’” she said.

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The 24-year-old singer continued of the “lesbian” label, “When you’re bisexual, you almost want to prove yourself, so I thought it was kind of that. But it came to be that, no, I’m actually just gay like that.”

When it came time to perform on SNL, Rapp was set to appear in a sketch in which Yang was originally supposed to introduce her as “our little bisexual intern Reneé.” Before the show, Rapp ended up asking one of the show’s writers, Celeste Yim, to change “bisexual” to “gay”. She recalled, “I didn’t want to do it and be like, ‘Oh my God, I’m not using the word ‘bisexual,’ and make bisexual people feel s—ty. I also didn’t want to be like, ‘OK, I’m ‘gay’ and have all the lesbians be like, ‘Say you’re bisexual, then.’ I felt so wrapped up and scared.”

However, “gay” still didn’t feel right. Rapp ended up calling a friend, who told her, “I think it would be really f—ing sick if you came out as a lesbian on SNL.” Ultimately, she was introduced by Yang as “our little lesbian intern,” officially coming out.

“I stayed off my phone for a couple days because I was so f—ing terrified and felt so s—ty but then it was just, like, a thing, and it felt good,” she said.

Read the full interview here.