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Becky G has officially dropped her first single of 2025 — and it’s a complete contrast to the Música Mexicana era she’s been in for the past two years. 
Reeling in Colombian sensation Manuel Turizo, “Que Haces” is a merengue/bachata hybrid produced by Nup and Ciey. Lyrically, the song is flirty, cheeky and, in Becky’s own words, “atrevida” (daring), narrating the story of two people who like each other and have the urge to start dating.

“It really encompasses how romantic relationships are nowadays,” Becky G tells Billboard over a Zoom interview. “We can be super casual and get married tomorrow. The freedom of it is not just in the lyrics, but in the feeling: you can hear me smiling when you’re listening to it. There’s something very contagious about this record, I describe it as serotonin in a song.”

Trending on Billboard

Marking her first collaborative effort with Turizo, the Mexican-American artist expresses she “definitely slid into his DMs” after the tune was done.

“As soon as I finished doing my thing, I remember thinking that there was only one person who could make this song be what it could be, and that’s when I reached out to Manuel,” she elaborates. “We were both so hands on with it. It’s the perfect synergy for sure.”

The music video, directed by Joey & Joey in the heart of Miami’s Hialeah neighborhood, celebrates the kind of puppy love that grows old together. But beyond the feel-good, romantic, and nostalgic elements found in the song and video, “Que Haces” represents an evolution for Becky. 

“Coming out of [my música mexicana albums] ‘Esquinas’ and ‘Encuentros,’ I can confidently say that I’m a genre-less artist,” she notes. “This song is an evolution of me as an artist and a woman. I’m not rebranding or abandoning anything, I’m building something. Moving forward, my main focus is that no matter what music I make, Becky is going to be Becky.” 

Watch the music video for “Que Haces” below: 

Lil Nas X may be a modern-day fashion icon in the making, but it turns out he doesn’t look back on every one of his risk-taking sartorial choices fondly.
Stopping by The Jennifer Hudson Show on Thursday (May 8), the rapper reflected on nearly baring it all at the Met Gala in 2023.

“There are definitely moments where I’m just like, ‘OK, I love that I did that; I don’t want to see it ever again,” he told Hudson as a compilation of his most editorial ensembles from over the years flashed on screen. Case in point: “The one from the Met Gala like two years ago where I’m, like, kind of naked and covered in crystals.

“I cannot explain to you how it feels walking up to Bad Bunny, like, ‘Hi Bad Bunny’ and just talking, and then walking away knowing that he’s seeing your ass covered in crystals,” Lil Nas confessed before covering his face in embarrassment.

Even still, the rapper managed to defend his jaw-dropping look, telling an amused Hudson, “I don’t regret it. I don’t regret it, I don’t want you to think that. But it was like, ‘I want to get out of my comfort zone, I want to feel good about my body,’ and I just wanted to step out there. And then just looking back, going, ‘Damn, everybody saw my ass covered in, like, silver crystals…”

“Well it was a good ass!” Hudson retorted, to which Lil Nas gamely replied, “Yeah, I love it! One of my favorite asses: mine.”

That year, the dress code for the annual gala organized by Anna Wintour was “in honor of Karl,” to pay tribute to late Chanel creative director Karl Lagerfeld, who was also the subject of the Costume Institute’s 2023 exhibition: “Karl Lagerfeld: A Line of Beauty.” While the Billboard Hot 100 record-holder dazzled in his pearl-encrusted birthday suit for the A-list event, Bad Bunny rocked a breathtaking, backless all-white suit and floral train by Jacquemus on the famed steps of the Met.

Elsewhere during the sit-down, Lil Nas X also opened up about unlocking his “feminine energy” on new single “Hotbox,” teased his upcoming album Dreamboy and more. Watch the rapper’s chat with Hudson below.

Heading into Thursday night’s (May 8) 2025 ACM Awards, country rookie Ella Langley leads the nominations pack with a whopping eight nods — and she picked up three prizes before the show even started. But we’ll have to wait and see who will emerge from the Ford Center at The Star in Frisco, Texas, the night’s biggest winner after tonight’s Prime Video livestream, starting at 8 p.m. ET/5 p.m. PT.
Langley is followed by Cody Johnson, Morgan Wallen and Lainey Wilson with seven nominations; Chris Stapleton with six; Langley’s “you look like you love me” duet partner Riley Green and Post Malone with five; and Kelsea Ballerini with four, including her first nod for entertainer of the year.

You can follow along with Billboard all night as we update our ACM Awards winners list live below:

Entertainer of the Year

    Kelsea Ballerini

    Luke Combs

    Cody Johnson

    Jelly Roll

    Chris Stapleton

    Morgan Wallen

    Lainey Wilson

Female Artist of the Year

    Kelsea Ballerini

    Ella Langley

    Megan Moroney

    Kacey Musgraves

    Lainey Wilson

Male Artist of the Year

    Luke Combs

    Cody Johnson

    Jelly Roll

    Chris Stapleton

    Morgan Wallen

Duo of the Year

    Brooks & Dunn 

    Brothers Osborne 

    Dan + Shay 

    Muscadine Bloodline

    The War and Treaty

Group of the Year

    Flatland Cavalry

    Little Big Town 

    Old Dominion 

    Rascal Flatts

    The Red Clay Strays

New Female Artist of the Year

    Kassi Ashton

    Ashley Cooke

    Dasha

    WINNER: Ella Langley

    Jessie Murph

New Male Artist of the Year

    Gavin Adcock

    Shaboozey

    WINNER: Zach Top

    Tucker Wetmore

    Bailey Zimmerman

New Duo or Group of the Year

    Restless Road

    WINNER: The Red Clay Strays

    Treaty Oak Revival

Album of the Year

Awarded to artist(s)/producer(s)/record company–label(s)

    Am I Okay? (I’ll Be Fine) – Megan Moroney; producer: Kristian Bush; Columbia Records / Sony Music Nashville

    Beautifully Broken – Jelly Roll; producers: BazeXX, Brock Berryhill, Zach Crowell, Devin Dawson, Charlie Handsome, Ben Johnson, mgk, The Monsters & Strangerz, Austin Nivarel, SlimXX, Ryan Tedder, Isaiah Tejada, Alysa Vanderheym; BBR Music Group / BMG Nashville / Republic Records

    Cold Beer & Country Music – Zach Top; producer: Carson Chamberlain; Leo33

    F-1 Trillion – Post Malone; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records

    Whirlwind – Lainey Wilson; producer: Jay Joyce; BBR Music Group / BMG Nashville

Single of the Year

Awarded to artist(s)/producer(s)/record company–label(s)

    “A Bar Song (Tipsy)” – Shaboozey; producers: Sean Cook, Nevin Sastry; American Dogwood / EMPIRE

    “Dirt Cheap” – Cody Johnson; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville

    “I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records

    “White Horse” – Chris Stapleton; producers: Dave Cobb, Chris Stapleton, Morgane Stapleton; Mercury Nashville

    “you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records

Song of the Year

Awarded to songwriter(s)/publisher(s)/artist(s)

    “4x4xU” – Lainey Wilson; songwriters: Jon Decious, Aaron Raitiere, Lainey Wilson; publishers: Louisiana Lady; One Tooth Productions; Reservoir 416; Songs of One Riot Music; Sony/ATV Accent

    “The Architect” – Kacey Musgraves; songwriters: Shane McAnally, Kacey Musgraves, Josh Osborne; publishers: Songs for Indy and Owl; Sony/ATV Cross Keys Publishing

    “Dirt Cheap” – Cody Johnson; songwriter: Josh Phillips; publishers: Warner-Tamerlane Publishing; Write or Die Music; Write the Lightning Publishing

    “I Had Some Help” – Post Malone, Morgan Wallen; songwriters: Louis Bell, Ashley Gorley, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters, Ryan Vojtesak; publishers: Bell Ear Publishing; Master of my Domain Music; Poppy’s Picks; Sony/ATV Cross Keys Publishing; Universal Music Corporation

    “you look like you love me” – Ella Langley, Riley Green; songwriters: Riley Green, Ella Langley, Aaron Raitiere; publishers: Back 40 Publishing International; Langley Publishing; One Tooth Productions; Sony/ATV Tree; Warner-Tamerlane Publishing Corp

Music Event of the Year

Awarded to artist(s)/producer(s)/record company–label(s)

    “Cowboys Cry Too” – Kelsea Ballerini, Noah Kahan; producers: Kelsea Ballerini, Noah Kahan, Alysa Vanderheym; Black River Entertainment

    “I Had Some Help” – Post Malone, Morgan Wallen; producers: Louis Bell, Charlie Handsome, Hoskins; Mercury Records / Republic Records

    “I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producer: Trent Willmon; CoJo Music LLC / Warner Music Nashville

    “we don’t fight anymore” – Carly Pearce, Chris Stapleton; producers: Shane McAnally, Josh Osborne, Carly Pearce; Big Machine Records

    “you look like you love me” – Ella Langley, Riley Green; producer: Will Bundy; SAWGOD / Columbia Records

Visual Media of the Year

Awarded to producer(s)/director(s)/artist(s)

    “4x4xU” – Lainey Wilson; producer: Jennifer Ansell; director: Dano Cerny

    “Dirt Cheap” – Cody Johnson; producer: Dustin Haney; director: Dustin Haney

    “I’m Gonna Love You” – Cody Johnson, Carrie Underwood; producers: Christen Pinkston, Wesley Stebbins-Perry; director: Dustin Haney

    “Think I’m In Love With You” – Chris Stapleton; producers: Wes Edwards, Angie Lorenz, Jamie Stratakis; director: Running Bear (Stephen Kinigopoulos, Alexa Stone)

    WINNER: “you look like you love me” – Ella Langley, Riley Green; producer: Alex Pescosta; directors: Ella Langley, John Park, Wales Toney

Artist-Songwriter of the Year

    Luke Combs

    ERNEST

    HARDY

    Morgan Wallen

    WINNER: Lainey Wilson

Songwriter of the Year

    Jessi Alexander

    WINNER: Jessie Jo Dillon

    Ashley Gorley

    Chase McGill

    Josh Osborne

Producer of the Year

    Dave Cobb

    Ian Fitchuk

    Charlie Handsome

    Jon Randall

    Alysa Vanderheym

Audio Engineer of the Year

    Brandon Bell

    Drew Bollman

    Josh Ditty

    Buckley Miller

    F. Reid Shippen

Bass Player of the Year

    J.T. Cure

    Mark Hill

    Rachel Loy

    Tony Lucido

    Craig Young

Drummer of the Year

    Fred Eltringham

    Tommy Harden

    Evan Hutchings

    Aaron Sterling

    Nir Z

Acoustic Guitar Player of the Year

    Tim Galloway

    Todd Lombardo

    Mac McAnally

    Bryan Sutton

    Ilya Toshinskiy

Piano/Keyboards Player of the Year

    Dave Cohen

    Ian Fitchuk

    Billy Justineau

    Gordon Mote

    Alex Wright

Specialty Instrument Player of the Year

    Dan Dugmore

    Jenee Fleenor

    Josh Matheny

    Justin Schipper

    Kristin Wilkinson

Electric Guitar Player of the Year

    Kris Donegan

    Jedd Hughes

    Brent Mason

    Sol Philcox-Littlefield

    Derek Wells

Casino of the Year – Theater

    Deadwood Mountain Grand – Deadwood, S.D.

    Foxwoods Resort Casino – Mashantucket, Conn.

    Harrah’s Cherokee Casino Resort – Cherokee, N.C.

    The Theater at Virgin Hotels – Las Vegas, Nev.

    Yaamava’ Theater – Highland, Calif.

Casino of the Year – Arena

    Golden Nugget Lake Charles – Lake Charles, La.

    Hard Rock Live at Etess Arena – Atlantic City, N.J.

    Harveys Lake Tahoe – Stateline, Nev.

    Mystic Lake Casino Showroom – Prior Lake, Minn.

    Turning Stone Resort Casino – Verona, N.Y.

Festival of the Year

    C2C Country to Country – London

    CMC Rocks – Ipswich, Queensland

    Stagecoach Festival – Indio, Calif.

    Two Step Inn – Georgetown, Tex.

    Windy City Smokeout – Chicago

Fair/Rodeo of the Year

    Calgary Stampede – Calgary, Alberta

    California Mid-State Fair – Paso Robles, Calif.

    Cheyenne Frontier Days – Cheyenne, Wy.

    Minnesota State Fair – Falcon Heights, Minn.

    Houston Livestock Show and Rodeo – Houston

Club of the Year

    Billy Bob’s Texas – Fort Worth, Tex.

    Brooklyn Bowl – Nashville

    Cain’s Ballroom – Tulsa, Okla.

    Georgia Theatre – Athens, Ga.

    Joe’s on Weed St. – Chicago

Theater of the Year

    The Caverns – Pelham, Tenn.

    MGM Music Hall at Fenway – Boston

    The Met Philadelphia – Philadelphia

    The Rave/Eagles Club – Milwaukee, Wisc.

    Tennessee Theatre – Knoxville, Tenn.

Outdoor Venue of the Year

    BankNH Pavilion – Gilford, N.H.

    CMAC – Constellation Brands Marvin Sands Performing Arts Center – Canandaigua, N.Y.

    Saint Augustine Amphitheatre – St. Augustine, Fla.

    The Wharf Amphitheater – Orange Beach, Ala.

    Whitewater Amphitheater – New Braunfels, Tex.

Arena of the Year

    Dickies Arena – Fort Worth, Tex.

    Moody Center – Austin, Tex.

    TD Garden – Boston

    Thompson-Boling Arena at Food City Center – Knoxville, Tenn.

    Van Andel Arena – Grand Rapids, Mich.

Don Romeo Talent Buyer of the Year

    Deana Baker

    Bobby Clay

    Gil Cunningham

    Weston Hebert

    Stacy Vee

    Taylor Williamson

Promoter of the Year

    Brent Fedrizzi

    Alex Maxwell

    Patrick McDill

    Anna-Sophie Mertens

    Rich Schaefer

    Aaron Spalding

The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Clipse continue to tease their highly anticipated fourth album Let God Sort Em Out thanks to a new video from Pusha T. The Virginia Beach rapper posted a video of himself getting ready for the 2025 Met Gala on Tuesday (May 7), featuring a snippet of an unreleased song seemingly titled “So Far Ahead.” The […]

Ye (formerly Kanye West) attempted to release his new song titled “Heil Hitler,” but he claims the controversial track was taken down by streaming platforms and is banned by DSPs.

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West has been teasing the single for some time and he uploaded his new track to SoundCloud on Thursday (May 8), but it’s since been removed from the platform.

“Heil Hitler by Ye has been banned by all digital streaming platforms,” Ye wrote on X before pointing out the double standard he sees in streaming censorship. “While Rednecks by Randy Newman remains streamable They’re literally keeping the n—-s down.”

Trending on Billboard

The track finds Ye addressing his custody issues over his four children with ex-wife Kim Kardashian, while also claiming that banks are freezing his accounts and rapping about his nitrous use. “With all this money and fame, I still can’t get my kids back/ With all this money and fame I still can’t see my children,” he raps.

West also repeats the titular phrase on the song’s refrain and claims he “became a Nazi yet b—h, I’m the villain.” The horn-tinged outro features a portion of a German speech from Adolf Hitler.

Billboard has reached out to reps for Ye as well as SoundCloud and Spotify.

The song has been teased by Ye in recent weeks as various clips showed on Sneako’s stream while he was working on the song, which followed his series of antisemitic X tirades praising Hitler.

It’s been a turbulent week for West, who stormed off the set of a combative interview with Piers Morgan on Tuesday (May 6) within minutes of it beginning after the Uncensored host got Ye’s follower count on X wrong.

“You’re not gonna take inches off my di–, bro.” the Chicago native said before he left the interview. “I’m a gift, bro. Why do all you people in media act like you haven’t played my songs at your weddings, or graduations or at funerals or when your child was born?”

He continued: “You take someone like that’s living, like a [John] Lennon or a Michael Jackson. That nuance right there is idiotic. It just shows the hate that you put out for people that put out love. There’s so much love in the art that I put out. This is what you get for now, we can circle back when you can count.”

John Lydon took an unexpected swipe at The Rolling Stones during an appearance on a British morning show Wednesday (May 7).
Appearing on the U.K.’s Good Morning Britain to promote his upcoming tour with Public Image Ltd., the former Sex Pistols frontman brought his fellow veteran rockers into the conversation while defending his own career longevity. “If I just sat back and retired, that’s just not me. I’m not that kind of person,” the artist formerly known as Johnny Rotten said before musing, “By all means, The Rolling Stones should retire.”

As the program’s hosts burst into laughter, Lydon couldn’t resist making another jab, saying, “I’m not short of a song idea or two, so there’s a difference.” However, quick to acknowledge his comments had the potential to cause a stir, he jokingly added, “Hold on, I’ve offended music lovers!” while screwing his face up into a cheeky scowl.

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“I’m not sure that you’d worry about causing offense, would you?” host Charlotte Hawkins pressed, to which the 69-year-old firebrand replied, “Certainly not! I mean, to compare music lovers with The Rolling Stones is absurd!”

Trending on Billboard

As the hosts tried to pivot to a different topic, Lydon laughed off his comments by making a giant pot-stirring motion and saying, “Give me a big spoon!”

Of course, the Stones last released new music with their 2023 album Hackney Diamonds, which was notable for serving as the band’s first full-length of original material in nearly two decades. The LP, which featured lead single “Angry” as well as Lady Gaga collab “Sweet Sounds of Heaven,” debuted at No. 3 on the Billboard 200 and No. 2 on the Top Rock Albums chart. (It also topped the chart in the band’s native U.K. and eventually took home the Grammy for best rock album the following year.)

Meanwhile, Lydon and the rest of Public Image Ltd. also unveiled their eleventh studio set, End of World, in 2023, which bowed at No. 33 on the U.K.’s Official Albums Chart.

Watch a clip of Lydon’s pot-stirring chat on Good Morning Britain below.

He brought ‘Anarchy to the UK’ nearly 50 years ago, but after sadly losing his wife Nora in April 2023, and his best friend and manager just 8 months later, former Sex Pistol John Lydon thought he’d never tour again.But two years on, the pioneering godfather of punk is back… pic.twitter.com/Nr7oN6WBSZ— Good Morning Britain (@GMB) May 7, 2025

John Summit will play his biggest solo headlining set to date this fall in Boulder, Colo. The show will happen on October 18 and the city’s 50,000-capacity Folsom Field, the football stadium located on the University of Colorado Boulder campus. The show is being presented by AEG Presents Rocky Mountains in partnership with CU Boulder, with general tickets […]

Vic Mensa has come out in support of Kehlani after the singer has seen two of their live shows canceled in recent weeks.
The Chicago rapper shared an open letter on Instagram to the Bay Area singer about her recently canceled SummerStage Central Park.

“Dear Kehlani,” his Wednesday (May 7) post began. “Few artists, and even fewer at your level of success, have chosen to center humanity and courage as boldly and uncompromisingly as you have, let alone at the peak of their popularity. Although newer to religion, I have a deep seated belief that God, or the universe, or however you categorize the all-powerful presence of the divine, is taking note — of every selfless action, of every sacrifice, of every time we jeopardize our security to do what’s right. I toe the line with you.”

He continued on by sharing that he sometimes has been reluctant to speak up because he didn’t want to lose opportunities.

“I lost a lot,” he wrote. “I’ll be honest. But, perhaps out of necessity, I have to choose to believe that when the smoke clears, I’ll look at my past with pride; I wasn’t perfect, but I forged myself out of fire. I took the hard road. I’ve been awe inspired by the way you’ve stood up. Especially at a time when I fell back and I asked myself, ‘Although, I need to feed my son, what kind of man do I want to inspire him to be?’”

Vic then brought up his Muslim faith and commended Kehlani for their sacrifice and bravery. “The highest form of sadaqah, or charity, is that which is given in health, and with much loved wealth,” he wrote. “When we give, not what we don’t need, but what we need most, the reverberation is supreme.”

He added, “I have often thought about your choices over the last 18 months. Wished I was more brave and more self sufficient. The truth is, your people love you. Not because of an opportunity provided to you by a booker here, or a city there, but because they cherish the depth of your soul. None of this can change that. As long as you have them you can never lose. The powers that be may be great, but I do believe we can all agree — there is a greater power.”

In response to Cornell University canceling their show, Kehlani reiterated that she isn’t antisemitic or antisemitic — she’s anti-genocide. When it came to the SummerStage cancellation, the musician responded with “lol” on Instagram Stories and added that they found out about the cancellation on IG.

The “Afterhours” artist has been open about her support for Palestine in the Israel-Hamas war. In 2023, they — along with numerous other musicians called for a ceasefire when signing the Artists Against Apartheid letter. Her 2024 music video for “Next 2 U” also featured dancers waving Palestinian flags.

After weeks of speculation, J.I.D. has announced his new album, God Does Like Ugly, and confirmed it’s dropping later this year. On Thursday (May 8), J.I.D. shared God Does Like Ugly will be released on Aug. 8. The Dreamville rapper had previously dropped off his new single “WRK” on April 18. The new track was […]

Rick Ross and Drake have remained at odds since exchanging jabs on a series of diss tracks last year, but Rozay is open to ending the beef with his “Stay Schemin” collaborator.
The Biggest Boss joined Bootleg Kev for an interview Wednesday (May 7), during which they discussed the Kendrick Lamar and Drake battle, something Ross saw as “necessary” for the rap game.

The conversation then switched to spotlight the root of Rozay’s issues with Drake, which Bootleg Kev theorized came from Drake’s treatment of French Montana on a track.

Trending on Billboard

“I spoke on that on the record I released. Like I said, ‘F–k that s–t,’” Ross said. “Was it something really deep? Nah, f–k that, though. But if you p—y, you p—y. If it’s real, it’s real.”

Now, it’s unclear if Ross is being 100 percent serious, but the Florida rapper says he’d be open to squashing his feud with Drizzy.

“You never know,” he began. “If a n—a send me a bottle of Luc Belaire, especially the white one. That go for any of these young n—-s out here … Send me a white Belaire and I’ll take a picture with you.”

Drake sent shots at Ross on his April 2024 “Push Ups” diss track, and Rozay returned the favor with “Champagne Moments.” Ross accused Drizzy of getting a nose job and referred to the OVO rapper as the “white boy” while continuing to troll the 6 God on social media.

Rick Ross and Drake have teamed up for a handful of anthems over the years, including Rozay’s three top 10 hits on the Billboard Hot 100: “Lemon Pepper Freestyle,” “Money in the Grave” and DJ Khaled’s “I’m On One.”

Last year, Ross joined Yung Miami for an episode of Caresha Please, which saw him reflect on being at odds with Drake.

“He mentioned my name, and that’s a no-no,” he said. “Don’t do that, especially when it ain’t about no real s–t. But when you do that, OK then: this is how we gonna play. I can wake up every day and say ‘BBL Drizzy’ or some old s–t, while I’m smoking a joint, listening to the waterfalls and all that s–t, looking at the birds fly off. That s–t easy for me. I don’t know. It depend on how I feel. I ain’t losing no sleep over none of that.”

Watch Rick Ross talk to Bootleg Kev about his Drake feud below: