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Vive Latino celebrates its 25th edition March 15 and 16, cementing its status as “the father of all festivals in Mexico” and one of the capital city’s favorites. For the second year in a row, and thanks to an agreement with Amazon Music, the shows will be streamed for free on the digital platform in a nonstop broadcast lasting over 10 hours, the company announced on Thursday (March 13).
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With an eclectic lineup and multiple activities, Mexico’s longest running festival returns to its original venue, the Estadio GNP Seguros (formerly Foro Sol), after hosting its annual edition in 2024 at the Curva 4 of the Autódromo Hermanos Rodríguez — which annually hosts the Formula 1 and festivals such as Corona Capital and Arre — due to renovations.
Since its inception in 1998, the Festival Iberoamericano de Cultura Musical, better known as Vive Latino, has maintained a rebellious personality that breaks stigmas: It was the first to include pop, reggaeton, cumbia and regional Mexican artists in its lineup; it once expanded to a four-day event; it incorporated Anglo bands while remaining the ultimate celebration of Spanish-language rock; and it became the first Latin American festival to launch an edition in Spain.
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“El Vive,” as its fans lovingly call it, debuted on Nov. 28-29, 1998, at the Foro Sol, located in eastern Mexico City. Since then, it has been held annually, except in 1999, 2002, and 2021 — the last due to the COVID-19 pandemic.
This year, the festival will introduce a new offering called “Música para mandar a volar” (Music to let go), described as “an unprecedented act of heartbreak.” It will feature prominent figures from Mexican rock such as Saúl Hernández (Caifanes) and Leonardo de Lozane (Fobia), alongside pop stars from yesterday and today including Belinda, Yuri, Daniela Romo and Napoleón.
Here’s everything you need to know about the Vive Latino 2025, including who’s performing, where to get tickets and how to watch the festival remotely.
When and Where
In its 25th anniversary, the Vive Latino festival will take place on Saturday (March 15) and Sunday (March 16) at the GNP Seguros Stadium in Mexico City.
Who’s Performing
This year’s eclectic lineup is headlined by major acts including Caifanes, Scorpions, Aterciopelados, Keane, Molotov, Mon Laferte, Edén Muñoz, Los Ángeles Azules, Zoé and Duncan Dhu, among others. Below is the full list of artists and bands announced, sorted alphabetically, by day.
Saturday, March 15:
Alto Grado
Arde Bogotá
Caifanes
Ckovi
Caloncho
Clubz
Daniel Me Estás Matando
Dillom
Drims
Duncan Dhu
El Gran Silencio
Él Mató a Un Policía Motorizado
Foster The People
Ginebras
Happy-Fi
Iseo & Dodosound
Jesse Baez
León Benavente
Little Jesus
Los Ángeles Azules
Lospetitfellas
Macario Martínez
Molotov
Meme Del Real
Nortec: Bostich + Fussible
Pressive
Royal Republic
The Guapos
Robot95
Scorpions
Usted Señálemelo
Sunday, March 16:
Astropical
Aterciopelados
Cuarteto De Nos
División Minúscula
Draco Rosa
Easykid
Edén Muñoz
Efecto Pasillo
El Haragán y Cia
El Kuelgue
Jay de la Cueva
Kany García
Los K’comxtles
Kikuo
Keane
La Delio Valdez
La Lupita
La Santísima Voladora
Los Concorde
Los Esquizitos
Los Planetas
Motel
Midnight Generation
Mon Laferte
Mikel Izal
Porter
Rüfüs Du Sol
Sepultura
Vilma Palma e Vampiros
Víctimas del Dr. Cerebro
Zoé
Where to Buy Tickets
Tickets for the Vive Latino 2025 are still available, starting at 2,950 Mexican pesos (around $150) per day. You can purchase them via Ticketmaster.
How to Watch Online
Can’t attend the Vive Latino festival in person? This year, audiences worldwide can stream the performances on the AmazonMusicEnVivo channel on Twitch and Prime Video exclusively — and without a subscription. The broadcast starts at 2 p.m. local time, 4 p.m. ET/1 p.m. PT in the U.S.
Ramón Ayala has revealed the date for his final concert, marking the end of a successful career that began in the 1960s. The final show of the norteño music legend will take place on Sept. 13 at the Arena Ciudad de México, as announced on his social media.
“After 60 years of career, the King of the Accordion is bidding farewell to his audience in style with two concerts on the ‘Historia de un Final’ tour,” the post reads, also referencing his show scheduled one day earlier at the Arena Monterrey. It was in that city where the musician began his journey alongside Cornelio Reyna, with whom he formed Los Relámpagos del Norte, before continuing with his own group, Ramón Ayala y los Bravos del Norte.
In February 2024, Ayala announced the tour El Principio de un Final, which was not completed due to differences with the promoter. Instead, he began that March the ‘Historia de un Final’ trek, with which he has toured dozens of cities in Mexico and the U.S.
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In an exclusive interview with Billboard Español ahead of the tour, Ayala conveyed last May the excitement he felt about going on with his career after more than half a century on the road. “Knowing that there’s a large audience that follows us both in Mexico and in the United States, that fills our concerts and is awaiting our new music, motivates me,” he said.
Ayala’s musical journey began when he was just five years old and he accompanied his father playing the accordion to bring money home in his native Monterrey, Nuevo León, cradle of one of the three strands on which regional Mexican music is based: norteño, mariachi and banda sinaloense.
Throughout his long-lasting career, he has recorded over 100 albums, two of which reached No. 1 on the Billboard Regional Mexican Albums chart: Arriba El Norte (1991) and Antología De Un Rey (2004). He’s also placed 12 songs on Hot Latin Songs, including “Del Otro Lado del Portón”, at No. 12, and “Quémame los Ojos”, at No. 19. And he’s received two Grammy Awards and two Latin Grammys, among other accolades.
An undisputed icon of regional Mexican music, many contemporary artists of the genre often include Ayala classics, like “Tragos de Amargo Licor,” in their concerts — among them Edén Muñoz and Alfredo Olivas, whom the veteran musician has cited among his favorites of the new generation.
Sebastián Yatra surprised his nearly 30 million fans on social media when he appeared in a video with Tom Hanks.
The short clip, published on Wednesday (March 12) and captioned “hey @tomhanks,” shows Yatra and the Hollywood actor having a conversation. “Hey, Tom. What song do you think would go good on these videos?” Yatra asks him.
“That’s not even a question … ‘La Pelirroja,’” Hanks replies, cuing a snippet of Yatra’s upcoming single of the same name.
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The promo video features some of the Oscar-winning actor’s timeless movie clips, including Forrest Gump, Apollo 13, Toy Story, Cast Away, The Terminal, Saving Private Ryan and A Man Called Otto, to name a few, as a preview of Yatra’s heartfelt ballad about an unattainable love plays in the background.
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“It’s a story that took me a long time to finish,” Yatra previously told Billboard. “The song never mentions ‘the redhead,’ but it has a bit in common with ‘Tacones Rojos’ in terms of the lyrics, which is that romanticism with a bit of naughty lyrics.”
Noting that no specific lady inspired the song, the Colombian singer shared that it’s very sentimental. “It’s one of those songs you put on and it sets the soundtrack to your life,” he said. “It’s one of those songs you literally play and you feel like your life is flashing before your eyes. The redhead represents that person we’ve all had in life, the one we like, but she’s with someone else.”
“La Pelirroja,” out on March 20, is part of Yatra’s upcoming studio album, which he confirmed to Billboard will be very pop and a “celestial experience.”
Watch the teaser with Hanks below:
In the words of its members, Los K’comxtles is “a living tribute” to the evolution of rock in Mexico. Led by Rubén Albarrán of Café Tacvba, the rockabilly supergroup is a multigenerational project that “bridges the past and the present to project it into the future,” the sextet’s vocalist tells Billboard Español.
In addition to Albarrán, Los K’comxtles is comprised of veteran musicians Rafael Acosta (Los Locos del Ritmo) and Rafael Miranda (Los Sleepers), both of whom were part of the famed Mexican rock scene of the 1950s and ’60s; Gato Rockabilly and Christian K’comxtle (Los Gatos) from the ’80s; and Choco Cizaña (La Cizaña) from the ’90s.
“It started with the idea of creating a rock n’ roll group, perhaps as an antidote to all the music we hear on the radio nowadays, which is basically the same and sounds identical — pasteurized, digitized, everything driven by an electronic click,” explains Albarrán. “Our approach leans more toward something organic, more natural, something that moves and vibrates the way only rock n’ roll can. That was the core idea.”
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The band emerged in 2022, during the COVID-19 pandemic, and has since released four singles on digital platforms. Among them is a reimagined version of a classic by Los Sleepers written 64 years ago, “Ojos de Araña,” as well as original songs — the most recent being “Mar de Amor,” whose music video premieres Friday (March 14). The video was filmed in Acapulco, in the Mexican state of Guerrero, which was devastated by the powerful Hurricane Otis in October 2023. “Mar de Amor” is described by the sextet as “a tribute to its beaches, sunrises, sunsets, human warmth, courage and a recognition of its people who fight and persevere.”
These and other songs can be heard live Sunday (March 16), when Los K’comxtles makes its debut at the Vive Latino festival, where the group will perform on the Carpa Intolerante stage. “Vive Latino is a huge showcase, and it’s a great opportunity for us to show off our rock n’ roll heart,” says Miranda.
For Albarrán, this musical project also represents an opportunity to honor the work of musicians such as Acosta and Miranda, who, alongside their bands Los Locos del Ritmo and Los Sleepers, confronted a conservative, “authoritarian and repressive” Mexican society. In their youth, these “martyrs of rock n’ roll,” as he calls them, endured criticism for the way they dressed, the type of songs they wrote and the rebellious spirit with which they chose to live, despite all obstacles.
“They confronted that society with great freedom and determination, committed to making music and living in a way they believed was transforming society — and they truly did transform it with their art and their way of being, to the point where we now enjoy many freedoms that we sometimes take for granted,” says the vocalist.
For Miranda, rock n’ roll has always been an act of resistance and a musical genre that has accompanied youth in their social struggles and artistic expressions.
“When we started out (in the ’60s), we were chased by the police for having long hair, wearing leather jackets, or playing this style of music,” he recalls. “We overcame those adversities, and others that came our way, but we were always convinced that rock n’ roll was our life. And here we are, still going strong.”
The 2025 Baja Beach Fest lineup has been announced with J Balvin, Don Omar, and Maluma joining this year’s festival as headliners. They will be performing at the beachfront event on Friday, Saturday, and Sunday, respectively. Returning to Rosarito Beach, Mexico from August 8 to 10, Natanael Cano and some of his artist friends are also scheduled for a special performance on Sunday.
The festival’s 2023 edition marked a pivotal moment, as the festival, initially dedicated to música urbana, embraced regional Mexican music, spotlighting Tijuana’s own Grupo Firme. Last year, Peso Pluma, Fuerza Regida, and Xavi made waves at the festival—the former two as headliners.
This year, a wave of Música Mexicana stars have already been confirmed including Tito Double P, Oscar Maydon, and for the first time at the fest, Los Tucanes de Tijuana.
Also making her Baja Beach debut this year is Anitta, who’s part of the lineup that includes El Alfa, Wisin, Arcangel, Young Miko, Myke Towers, Danny Ocean, Rels B, and Blessd. Newcomers Cris MJ, Yerimua, and De La Rose also form part of the festival that embodies the slogan “Menos hate, Más perreo” (less hate, more twerking).
Since its inception in 2018 by founders Aaron Ampudia and Chris Den Uijl, Baja Beach Fest 2025 continues to build on its legacy as a must-attend event, especially for Southern California residents, with Rosarito being a 45-minute drive south of San Diego, Calif.
For ticket sales and more information, visit the Baja Beach Fest website here, and check out this year’s full lineup below:
The Abbey Road Institute is set to launch its newest campus in Los Angeles this summer, it was announced Tuesday (March 11). The state-of-the-art facility will be led by Grammy-winning engineer, mixer, producer and musician Rafa Sardina.
Designed to provide students with a unique professional experience, the West Coast campus will feature the institute’s renowned curriculum along with a faculty of Los Angeles-based producers, engineers and musicians, including Alan Meyerson, Barry Rudolph, John Boylan and Vanessa Garde.
“Abbey Road Institute Los Angeles is the culmination of a long-held dream,” said Sardina — who has worked with Stevie Wonder, Rosalia, Alejandro Sanz, Dr. Dre, Camila Cabello, Lady Gaga and more — in a statement. “I want to share the invaluable professional experiences of my closest musical colleagues and myself with outstanding new generations of mixers, producers, and other music and music business professionals. I can’t wait to welcome our first students and witness the beginning of their exciting career journeys.”
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Luca Barassi, CEO of Abbey Road Institute London, added: “We are thrilled to be working with Rafa and his team as we continue expanding our educational footprint in the U.S. Rafa has a strong affinity with how we teach, and an ambition to pass on his expertise to the next generation. Establishing our second U.S. campus in Los Angeles — a creative, dynamic, and globally influential city — will provide students with an immersive experience at the heart of a thriving international music scene.”
The program offers intensive and immersive education in a small, focused-learning environment, emphasizing hands-on, apprenticeship-style training to equip graduates with the skills necessary to thrive in the music industry. Graduates will earn a diploma in music production and sound engineering. Additional diplomas in audio post-production for film and TV & music business will be offered in the future.
“We are incredibly proud of the success of Abbey Road Institute graduates,” Universal Music Group COO and Abbey Road board member David Sharpe added. “Some of them have earned multiple Grammy and Billboard awards, along with numerous Grammy and Latin Grammy nominations. Bringing Abbey Road Institute’s world-class education to Los Angeles will provide aspiring producers and engineers with the training they need to make a strong entrance into the music industry.”
The campus’ exact inauguration date and location will be announced soon.
In celebration of his 31st birthday on Monday (March 10), Bad Bunny released new music video “La Mudanza,” which further emphasizes his everlasting affection for his homeland and family heritage.
The song, which is the outro track of his latest album, Debí Tirar Más Fotos, tells the story of Benito, a man who grew up in Vega Baja, Puerto Rico, as the eldest of six siblings and worked hard from a young age, driving trucks like his father and grandfather, despite his dream of becoming an engineer.
The video begins by showing a nostalgic collection of old photos of his ancestors. Soon after, the visual depicts the birth of baby Benito. Halfway through, a the infant appears in a car seat, singing along to the song against a robust salsa rhythm. “Calle Sol, Calle Luna, estoy en la noche oscura/ Yo no canto reggae, pero soy cultura,” the baby spits, referencing Puerto Rican reggae band Cultura Profética.
The video transitions to a scene where the present-day Bad Bunny is seen running through a field, proudly waving the Puerto Rican flag, before arriving at a local community gathering. “A mí me quieren como a Tito y soy serio como Cotto/ Lugia, Ho-Oh, cabrón, hoy soy legendario,” he raps, drawing parallels between himself and revered Puerto Rican boxers Tito Trinidad and Miguel Cotto, while also invoking Lugia and Ho-Oh from the Pokémon series.
Debí Tirar Más Fotos reached No. 1 on multiple all-genre charts, including the Billboard 200 and Top Streaming Albums. Benito told Billboard a few weeks after releasing the album, “This project isn’t mine. It belongs to many people: everyone who worked with me, it belongs to Puerto Rico, my friends, my family. This project belongs to all of us who feel proud of being from Puerto Rico and being Latin.”
The Puerto Rican superstar is set to embark on a historic residency in Puerto Rico, which is expected to boost the island’s economy.
Check out the video for “La Mudanza” below:
Tito Fuentes, vocalist and guitarist of the Mexican rock band Molotov, is taking some time off to deal with health issues. The musician announced that he is undergoing physical and mental rehabilitation, without going into details.
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“I am in a process of both physical and mental rehabilitation that has led me to be absent from the stage during the last Molotov concerts,” he said in a statement on social media Monday (March 10). “Putting my health as a priority, I have decided not to return to play until I am 100%.”
Fuentes will be replaced by Jay de la Cueva, leader of the defunct band Moderatto and former member of Molotov, for the group’s upcoming scheduled performances.
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De la Cueva “is not only a great musician and dear friend, but Jay is also one of the founding members of the band, and I am sure it will be a great show to see him with them at Vive Latino,” said Fuentes, adding, “I hope to return soon.”
The announcement comes just days after the iconic Mexican band began an extensive tour with dates in Latin America and Europe to celebrate its 30th anniversary, a series of shows that includes the group’s participation in the 25th edition of the Vive Latino festival Saturday (March 15) at the GNP Seguros Stadium in Mexico City.
Billboard Español reached out to Molotov’s team for additional comment.
Jay de la Cueva, considered one of the most versatile musicians in the Mexican rock scene for his participation with various groups and projects, was a founding member of Molotov in 1995, along with Fuentes and Micky Huidobro (bass).
For three decades, Molotov — which also includes Paco Ayala (guitar) and Randy Ebright (drums) — has been a reference in Latin rock music. Songs such as “Gimme the Power,” “Frijolero” and “Voto Latino” have become the soundtrack for their followers through political and social changes, while denouncing issues such as racism, corruption, bureaucracy and abuse of power.
On the Billboard charts, the band has placed four titles both in Top Latin Albums and Latin Pop Albums, including two top 10s of the latter: Dance and Dense Denso in 2003, and Agua Maldita in 2014.
A seven time Latin Grammy-winner, Molotov has also sparked controversy on several occasions. One of the most memorable occurred in 1997, when the band released the Gustavo Santaolalla-produced album ¿Dónde Jugarán Las Niñas?, whose cover caused it to be removed from record stores for being considered offensive to morals in Mexico. The cover featured a photograph of a girl in a high-school uniform with her panty at mid-thigh.
The band’s song “Puto” has been labeled as homophobic by LGBTQ advocacy groups, something the band has denied on several occasions, arguing that the title is just a popular Mexican expression.

A few weeks after revealing his plans to sell a custom 2022 Lamborghini Urus won from its previous owner, superstar Shakira, in a giveaway, Colombian-American artist Michael Mejía was involved in a car accident while driving the luxury vehicle on Thursday (March 6).
“I was simply hit. It wasn’t me who crashed,” Mejía told Billboard on Tuesday (March 11). “I was about to cross a street when a car came speeding, and the driver was probably distracted. It was quite a scary moment. Fortunately, I wasn’t injured, but it was a very [tough] moment. The car is being restored. Thankfully, I had good insurance, so the car will be as good as new.”
An Instagram video posted on Sunday (March 9) by Spanish-language reality series ¡Siéntese Quien Pueda! showed the purple Lamborghini damaged in Miami.
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In February, during an interview with El Gordo y la Flaca, the contest winner talked about receiving the car from Shakira and his intention to sell the car — worth $280,000 — for potentially $1 million because of the steep maintenance costs. Shakira had provided him with an extra $90,000 to cover various expenses such as taxes, the car’s title transfer, legal fees and six months of insurance payments.
He previously explained the financial challenges involved, facing about $95,000 in federal taxes at the end of the year, monthly insurance costs exceeding $2,000 and more expenses related to the luxury vehicle. And now, he tells Billboard, he’s also facing backlash from the pop superstar’s fans for needing to sell the Lamborghini.
“The reality of all this is that I am an artist — I earned this car with my art,” he tells Billboard. “I’ve had a super lovely experience receiving that recognition from Shakira. What’s happening now is that all of Shakira’s fans — who initially supported me — are hating me because I decided to sell the car, since it is very costly. So, to them, it’s like, ‘This man is an opportunist. How can he take advantage and sell the prize?’ They see it as potentially disrespectful towards Shakira. I mean, the reality is that the car is very expensive. All the monthly costs are too much, and I just can’t keep up with them.”
The artist — known for his work in fine art, murals and body painting — won the prize based on the merit of his artistic contributions. He adds to Billboard: “A car doesn’t define an artist; let [fans] not forget why I won that car.”
Corridos bélicos pioneer Luis R Conriquez is set to hit the road with his Trakas HDSPM U.S. Tour, Billboard can announce. The Live Nation-produced stint will kick off April 25 in New York at the UBS Arena and will visit major cities across the country, including San Antonio and Las Vegas before wrapping up Oct. […]