Latin
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It’s a tight race for album of the year at the Latin Grammys, where both commercially and critically acclaimed albums are vying for the award. This year, the 10 nominated LPs are Bolero by Angela Aguilar; Camilo’s Cuatro; Xande Canta Caetano by Xande De Pilares; Karol G’s Mañana Será Bonito (Bichota Season); García by Kany […]
Colombia has a new reggaeton anthem at the helm of genre giants Karol G, J Balvin, Maluma, Feid, Blessd, and Ryan Castro titled “+57” out Thursday (Nov. 7).
Named after the area code in Colombia, the sensual, mid-tempo futuristic perreo finds the Colombian powerhouses singing about a girl from Medellín who’s all-that, fierce, unstoppable, and the center of attention—even though she’s in a relationship. “They ask her if she has a boyfriend, it depends,” says part of the lyrics.
Helmed by Latin Grammy-winning hitmaker and Karol’s longtime producer, Ovy on the Drums, “+57” was co-written by all of the artists alongside Keityn and newcomer DFZM, who’s signed to Keityn’s management hub, La Creme. It was recorded in one session in Los Angeles after Ovy presented the song to Karol and she ultimately gathered her colleagues for the statement-making collab—none of them aware of the song until they met at the recording studio.
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“It’s a dream that I assure you that neither I, nor my team, nor my family could have imagined. We always saw ourselves as super big but we never imagined it would happen so quickly,” singer-songwriter DFZM, who originally penned the track with Keityn before presenting it to Ovy, tells Billboard exclusively. “For me it’s very important to be representing the Valle del Cauca, Buenaventura, those young people with dreams and talent. Representing black people, the culture, it’s very nice for me to be able to be part of history.”
Ovy was the first to tease the track, posting a short video on Instagram where fans can hear Balvin shouting out all the collaborators. Meanwhile, Ovy and Karol are dancing along to the reggaetón beat.
A couple of days later, a group photo in the recording studio was shared by each of the artists on social media, hinting that something major was dropping on November 7. The title was also revealed in the description.
Listen to “+57” below:
The winner of the best new artist category at the Latin Grammys this year is almost impossible to predict. The 10 nominees reflect a wide-ranging group of acts who are eclectic, offering a fresh breath of air in the Latin music scene. From Mexican trio Latin Mafia, to girl band Darumas, Spanish phenomenon Íñigo Quintero […]
With its first Latin Grammy nomination, the Mexican rock trio The Warning crowns 2024 as a great year after several proven achievements. The group’s latest album, Keep Me Fed, consolidated the Villarreal Vélez sisters on the international scene; in addition, it managed to debut on multiple Billboard charts, and embarked on an ambitious tour through Europe and the U.S.
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Furthermore, Paulina Villarreal received the Drumeo Award for the best rock drummer, at only 22 years old.
“These achievements are the reaffirmation that as a Mexican I can also make a rock band and I can take it internationally,” Paulina says excitedly to Billboard Español. “It doesn’t have to stay only in my country, only in my community; I can explore new facets, meet new people, and I can have an international career. And for us to have achieved this, sometimes we don’t believe it!
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Their first Latin Grammy nomination, in the category of best rock song for the single “Qué Más Quieres”, represents a significant achievement in the history of the group –- also made up of vocalist and guitarist Daniela Villarreal and bassist Alejandra Villarreal — as it symbolizes the pride of singing in Spanish, their native language.
The Warning’s repertoire is mostly in English, their second language, since the band is originally from Monterrey, a city bordering the U.S.
“Singing in Spanish has always been fundamental to our musical and personal identity, and this nomination celebrates our dedication to keeping that connection with our roots alive,” Daniela says.
“Qué Más Quieres” was co-written by Anton Curtis Delost, Far and Crosses guitarist Shaun López, Kathryn Ostenberg, Mónica Vélez and The Warning. In it, the band captures the strength and energy that characterizes it.
The single is included on Keep Me Fed, The Warning’s fourth full-length album, recorded in Monterrey and released at the end of last June. In the words of the band’s vocalist: “It is the result of our rawest emotions and the most meaningful connections with the people we have met and worked with in recent years.”
With Keep Me Fed, The Warning has established itself on the international rock scene, debuting on a variety of Billboard charts, including No. 1 on Emerging Artists, No. 2 on Top Rock Albums, No. 4 on Top Hard Rock Albums and No. 6 on Top Album Sales. On sharing a rock band as sisters, Daniela says that it has been a pleasant experience, with many funny and enjoyable moments.
“Obviously sometimes we argue, but we work very well together,” she says. “We started music from a very young age, so we grew up with a mentality of taking care of ourselves and knowing how to work together for the goals that we want to achieve for all of us. We are very attentive to taking care of ourselves and our feelings.”
Recently, The Warning performed in October at the 2024 Aftershock Festival in Sacramento, California, where the group shared the bill with icons from the metal scene such as Iron Maiden, Pantera, Slipknot and Mastodon. They also opened shows for Evanescence in Canada.
In Mexico, tickets for their Feb. 6 and 11, 2025 shows at the capital’s Auditorio Nacional sold out in 48 hours. They will also perform on Feb. 13 at the Telmex Auditorium in Guadalajara, and on Feb. 22 in Monterrey, at the Citibanamex Auditorium.
The 2024 Latin Grammys are a week away, and in celebration of its 25th annual ceremony this year, Billboard has curated a timeline of notable winners at the ceremonies throughout the years.
The first annual awards, which took place on Sept. 13, 2000 at the Staples Center in Los Angeles, was co-hosted by Gloria Estefan, Jennifer Lopez, Antonio Banderas, Andy Garcia, and Jimmy Smits. Luis Miguel, Santana, and Maná were the top winners of the night, taking home three gramophone’s each. The former of the three nabbed album of the year for Amarte es un Placer, and the latter two won record of the year for their collaboration “Corazón Espinado.”
Emilio Estefan Jr. was named The Latin Recording Academy’s first-ever person of the year. He has since been joined by prestigious titleholders Julio Iglesias, Shakira, Alejandro Sanz, Rubén Blades, and Laura Pausini, to name a few. Carlos Vives has been named the 2024 person of the year.
Over the years, the Latin Grammys has hosted its gala in different locations — including Miami, Houston, Las Vegas, and most recently abroad in Seville, Spain for its 2023 edition.
As the 2024 awards approach, take a look back at the top winners including record of the year, album of the year, song of the year, and best new artist, as well as person of the year of the last 25 years in the timeline below.
The 25th annual Latin Grammy Awards will air at 8 p.m. ET/PT on Nov. 14 via Univision, Galavisión and ViX. Preceding the telecast will be the Latin Grammy Premiere, where the winners in most categories will be announced. To see the complete list of nominees, click here.
2000
From October 14 to 18, 2024, the Fillmore Miami Beach came alive with the return of Billboard Latin Music Week, celebrating its 35th Anniversary in style. This year’s event showcased over 70 artists, reinforcing its position as the premier gathering of Latin artists and industry executives globally. Since its inception, it has highlighted the growth and cultural impact of Latin music in the U.S.
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The vibrant lineup featured exclusive panel discussions, electrifying performances, and a range of workshops that engaged both fans and industry professionals. Attendees gained valuable insights from industry leaders and participated in events that celebrated the rich culture of Latin music.
A standout element of this year’s celebration was Chevron’s Re-Fuel Zone. Guests were able to refuel their devices at a charging station, helping them continue capturing special moments throughout the week.
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Additionally, fans had the opportunity to pose in front of a Chevron-themed car for a fun photo moment, creating lasting memories of the event. Attendees enjoyed a selection of snacks, refreshing beverages, and delightful paletas, keeping everyone energized. Plus, stylish branded tote bags were given away as keepsakes from the event.
One of the week’s highlights was the special appearance by Latin GRAMMY Award-winning artist Luis Figueroa. Chevron Rewards members had a special opportunity to meet and greet with him, and he participated in a rapid-fire interview, sharing captivating stories about his tour experiences and life as a rising star.
Singer-songwriter Luis Figueroa has merged his innate musical talents with his Puerto Rican heritage to become an up and coming force in the Latin music scene.
As Billboard Latin Music Week continues to evolve, this year’s celebration not only honored the rich history of Latin music but also set the stage for its vibrant future. If you weren’t able to join us in Miami, stay tuned to Billboard.com and Billboard’s socials for more content from the 35th anniversary of Billboard Latin Music Week.
Chevron is a paid sponsor of Billboard Latin Music Week.
Deezer has appointed Pedro Kurtz as director of operations for the Americas, Billboard can exclusively announce today (Nov. 7). Kurtz—who joined the company in 2020 as head of music in Brazil and served as director of content for LATAM—will be based at Deezer’s Brazil headquarters in São Paulo and report directly to the global team […]
WK Records has appointed Azucena “Azu” Olvera as GM, the company tells Billboard. According to the label, which was founded in 2020 by executive Walter Kolm, Olvera will leverage her “extensive expertise in talent relations, A&R, global marketing and strategic partnerships to further WK Records’ mission of cultivating groundbreaking music and elevating Latin artists on […]
Los Temerarios were initially supposed to play two shows in Chicago as part of their Hasta Siempre farewell tour, but it quickly expanded to a total of five nonconsecutive shows at the Allstate Arena. Chicago wasn’t the exception. The number of shows in big Latin markets, including Los Angeles, Dallas and Houston, doubled or tripled soon after the tour was announced. It’s something that David Zamora, CEO of Zamora Live – the trek’s promoter – had prepared for.
“When we were routing the tour, we held multiple dates with the assumption that, since it is the farewell tour, we would be adding shows,” explains Zamora. “I think all this shows how much the fans love Los Temerarios and how much they will be missed. These are memories to last a lifetime.”
On Wednesday (Nov. 6), the Mexican band – led by brothers Adolfo and Gustavo Ángel – performed the second of its string of shows at the Allstate where thousands of fans gathered to see Los Temerarios one last time together. Gustavo and Adolfo, who founded the group in the 80s, announced last year they were separating after more than four decades together, and a total of 41 entries on Billboard’s Hot Latin Songs chart and 46 entries on Top Latin Albums — more than any other Latin act in history.
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On this particular night, the crowd skewed older millennial, many decked out in Temerarios merch. They were there to celebrate a band whose music has helped heal many broken hearts. “It takes me back to when I was a teen and I’d be sad in my room because my boyfriend had just broken up with me. Those are the songs I’d listen to,” says Yvette, who was there with a group of friends. “Their music means so much to me. It’s nostalgia, it’s Mexico,” adds her friend Lucia, who gets almost emotional.
As concertgoers filled every single seat of the arena — that has a capacity of nearly 20,000 people — the show kicked off at 8:30 p.m. with Adolfo, on keyboards, and frontman Gustavo taking the stage with their five-member live band in tow. The crowd, on their feet for most of the nearly three-hour show, roared at the sight of the brothers, who gave each a high five before embarking on the nostalgia-filled journey.
“What a beautiful welcome,” Gustavo said. ”We are very blessed to have you here tonight. It is the type of support you have shown us for so many years. We have so many memories here in this city, where we’ve performed since 1985.”
Los Temerarios performed its signature romantic love songs that have made zealous fans swoon over and over again, including “Mi Vida Eres Tú,” “Eres Un Sueño,” “Como te Recuerdo,” “Dímelo,” “La Mujer Que Soñé,” “La Mujer de Los Dos” and “Ven Porque Te Necesito,” just to name a few from the packed setlist. From cumbia grupera to rancheras and pop ballads, Adolfo and Gustavo showcased their vast catalog singing all the big hits for their last hoorah.
The brothers mainly stayed in place. Adolfo, who occasionally flashed shy smiles to his loyal followers, behind the keyboards and Gustavo being the charismatic frontman who knows exactly what to say and do to rile up the crowd. Both are perfectly in synch, after all they’ve been doing those for many years.
“My heart is feeling very emotional,” Adolfo added at one point. “I’m sorry if you suddenly feel that I’m overcome with emotion, but my heart overflows with gratitude. We are going to play all the songs you want. Our shows are usually last two hours long, but today we are going to play for three hours. We hope you have an unforgettable night. We will never forget you. Thank you, always.”
Worthy of a farewell show, Los Temerarios delivered an epic set, one that didn’t need for elaborate bits, complex choreographies or even a bombastic production. It was just Adolfo and Gustavo doing what they do best: sing from the heart the songs that have soundtracked Hispanic multigenerational homes for decades.
Los Temerarios’ Hasta Siempre Tour continues with three additional shows in Chicago from Nov. 7-9, and stops in Portland, Anaheim, Calif., and two BMO Stadium concerts in Los Angeles. On tour since February 2023, the Mexican band will end the trek in Mexico City in December.
Ten tracks are contenders for the coveted Song of the Year category at the 25th annual Latin Grammy Awards. The nominees include Daymé Arocena and Vicente García’s “A Fuego Lento”; Maura Nava’s “A La Mitad”; Elena Rose, Danny Ocean, and Jerry Di’s “Caracas En El 2000”; Jorge Drexler‘s “Derrumbe”; Shakira and Grupo Frontera‘s “(Entre Paréntesis)”; Gian Marco […]