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Catalan rapper Morad began a six-month jail sentence Monday (April 9) for reckless driving offenses committed in 2022. According to multiple Spanish news outlets, the artist known for viral tracks such as “Se Grita” (2023), “Sigue” (2022) and “Bzrp Music Sessions, Vol. 47” (2021) voluntarily entered the Brians 2 penitentiary center near Barcelona. Explore Explore […]

Jesús López, chairman/CEO of Universal Music Latin America and Iberian Peninsula, has received a special honor from the King and Queen of Spain. On Wednesday (April 3), the music executive received the Gold Medal for Merit in the Fine Arts — an award that recognizes individuals and entities who have “excelled” in the field of […]

Expectations are growing as the 68th edition of the Eurovision Song Contest, scheduled for May 11, approaches. This year, Spain will be represented by the duo Nebulossa, formed by singer María “Mery” Bas, 55, and keyboardist and producer Mark Dasousa, 47.
Owners of an electro-pop project with an ’80s touch, Nebulossa has stood out from the start for its unique style, releasing several singles and an album, Poliédrica De Mí — home to songs such as “Anoche,” “Glam” and “Armada Roja” — with which they have been able to tour stages all over Spain.

Although their music career began in 2018, their union as a couple goes back more than two decades, during which time they have formed a solid family with two children and have undertaken other business projects. Specifically, Mark stands out as a recognized producer in the Valencian alternative scene through his company Atomic Studio, while Mery runs an aesthetic beauty clinic that she inherited from her mother.

Trending on Billboard

Since their victory at Benidorm Fest 2024, where they won over the audience with their song “Zorra,” Nebulossa’s rise has been meteoric. The duo never expected to find themselves representing Spain at Eurovision when they started out. However, fate had other plans for them. In fact, Mery submitted the candidacy to Benidorm Fest without telling Mark: “I thought it was a good opportunity, a way to make ourselves known, but I didn’t think that everything that has happened would happen,” she tells Billboard Español.

After their victory at the Benidorm Fest, an unexpected controversy arose around the title of “Zorra,” as many felt that it was inappropriate for Eurovision (zorra in Spanish slang roughly translates to slut). However, María Eizaguirre, director of communication of RTVE (the Spanish radio and television corporation), counters that the song is in accordance with the current regulations — and, in addition, the European Broadcasting Union (EBU) has given it its approval.

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The success of “Zorra” speaks for itself. In a period of almost three months since its release on December 15, 2023, it reached more than 10 million plays on Spotify. “It is very big what is happening with ‘Zorra’ and the controversy is behind us. We are slightly on the margins with the networks and we have been focused on what we had to be; we have not been affected almost at all by the controversy around the song,” adds Mery.

“The song comes from an experience, it’s an emotion that Mery had inside that she wanted to get out, so people got the message and liked it,” adds Mark. “Our intention was simply that, there was no premeditation. When we were selected we decided to go with it and have fun; we still have the same attitude. We are enjoying this, we are of an age now, which is something the song also talks about, ageism, and we take things differently. Everyone is free to have their own opinion.”

Thanks to the success of “Zorra,” Nebulossa teamed up with Gloria Trevi for a new remix of the song that they recorded in Miami and premiered on March 15 at Radio City Music Hall in New York City, in front of 6,000 people, closing the Mexican artist’s show. “The anecdote is incredible, because María tells us: ‘I have managed to get Gloria Trevi to come and record the song tomorrow,’” Mark recalls. “So from one day to the next we set to work to find a studio, Gloria lent herself to this and came, something that was very cosmic, very magical; everything aligned. And so one thing led to another. Then, when we were proposed to go to Radio City Music Hall, we didn’t have to think about it for more than two seconds, obviously.”

Gloria Trevi and Nebulossa perform at New York’s Radio City Music Hall on March 15, 2024.

Great Talent Entertainment

As the Eurovision 2024 date approaches, Nebulossa is preparing to face its biggest challenge yet. With “Zorra” as its introduction letter, the duo is ready to conquer the stage in Malmö, Sweden, and bring their music to international audiences. Throughout April, the pair will travel to London, Amsterdam, Stockholm and Rome as part of the official pre-Eurovision festivities, to which they are eager to see the public’s response. But first, they will pass through Madrid and Barcelona, aware that “it is a tour that many emerging artists would like to live, especially with the people’s acceptance,” says Mark.

Regardless of the competition’s outcome, the duo from Alicante, Spain is grateful for the experience. “We already feel like the winners of hearts of so many people who have told us that they identify with our message. I think the song itself is already a winner,” Mery reflects. Mark adds, “Whatever position we finish in, we would like it to be the best, especially for all the people who are putting their enthusiasm in this, both from RTVE and the audience. We are happy. If we land in a good position, even better, if not, nothing will tarnish us.”

With a steadily growing fan base, they are both ready to continue captivating audiences with their music and unmistakable style. While they have concerts and festivals already booked for the upcoming months, Nebulossa is also poised to drop their EP, Virturrosismo, containing new songs that they had planned to release before Benidorm Fest. But for now, all the focus is on the May 11th date in Malmö.

Back in the 1980s and even the 1990s, Spanish artists like Raphael, Julio Iglesias and Camilo Sesto were hugely popular both in Latin America and among U.S. Latin audiences — a situation replicated in the 1990s and 2000s by the likes of global superstars like Mecano and Alejandro Sanz, both of whom hailed from Spain. […]

Spain‘s recorded music industry enjoyed revenue of nearly 520 million euros ($567 million) in 2023, marking the third consecutive year of double-digit growth. The industry witnessed a notable 12.33% increase from the previous year, with music sales contributing 465 million euros ($507 million), according to the latest report from PROMUSICAE, an association representing over 95% of the Spanish recording sector.
The growth is attributed to a robust digital market, which now accounts for 86% of music consumption in Spain, with streaming services leading the charge. Remarkably, nearly 99% of digital sales, amounting to 398.6 million euros ($435 million), came from streaming, with audio platforms generating 330 million euros ($360 million) and video accounting for the remainder. This trend underscores the continuing shift towards digital consumption, with physical sales also seeing an uptick, particularly in the vinyl segment, which experienced a 19% revenue increase and commanded over 56% of the physical market’s turnover.

The report highlights the increasing embrace of premium subscription models, with over 6 million Spaniards opting for such services in 2023, a 15% jump from the previous year. This reflects a growing willingness among consumers to pay for enhanced music experiences, although Spain still lags behind other markets in terms of premium subscriber shares.

Trending on Billboard

PROMUSICAE’s president, Antonio Guisasola, reflected positively on the industry’s achievements in 2023, underscoring the pivotal role of the streaming model in providing consumers access to a vast array of recorded music at a modest price. He credited this success to the collective talent of artists and the concerted efforts and investments of the recording industry. “We make a very positive assessment of the 2023 year’s closure, with big hopes in the reasonable advance of the streaming model that brings to the consumer at a modest price all recorded music created thanks to the sum of artists’ talent and the work, effort, and investment of all the recording industry of our country,” he said in a press release. However, he acknowledged the industry’s ongoing journey to recover and reach the pre-piracy-crisis levels of 2001 when revenue was 37% higher than it was last year.

Guisasola advocates for comprehensive support from the public sector and continued investment in artist development to reach and surpass the revenue levels seen before the piracy crisis, with the aim of Spanish music having a stronger presence on the international stage. “These aids, combined with the recording industry’s enormous commitment — investing over 30% of its benefits in marketing and developing its artists, and with worldwide investments exceeding 7.1 billion dollars as per IFPI details, spanning all facets of phonographic production and the commercialization and promotion of works — shall allow us to take the definite plunge and overcome,” said Guisasola. He claims this will allow the Spanish recording industry to surpass all-time revenue highs, as has been achieved in other countries.

Top 10 albums in Spain by revenue in 2023:

Quevedo, Donde Quiero Estar

Karol G, Mañana Será Bonito

Bad Bunny, Un Verano Sin Ti

Bad Bunny, Nadie Sabe Lo Que Va a Pasar Mañana

Aitana, Alpha

C. Tangana, El Madrileño

Rauw Alejandro, Saturno

Taylor Swift, 1989 (Taylor’s Version)

Feid, Feliz Cumpleaños Ferxxo Te Pirateamos el Álbum

Mora, Paraiso

Top 10 songs in Spain by revenue in 2023:

Bizarrap x Shakira, “Shakira: BZRP Music Sessions, Vol. 53”

Marshmello x Manuel Turizo, “El Merengue”

Vicco, “Nochenterai”

Manuel Turizo, “La Bachata”

Yandel x Feid, “Yandel 150”

Karol G x Shakira, “TQG”

Quevedo x Myke Towers, “Playa Del Inglés”

Quevedo, “Columbia”

Rosalía x Rauw Alejandro, “Beso”

Myke Towers, “Lala”

As the summer break comes to an end, the Spanish recorded music industry is celebrating a remarkable first half of 2023. PROMUSICAE (Productores de Música de España), representing over 95% of the Spanish recording industry, has just unveiled the numbers — and they are looking positive. The recorded music industry has generated a total revenue of 214.3 million euros ($229.2 million) during this period, reflecting an impressive growth rate of 11.53% compared to the same period in 2022 when the income stood at 192.1 million euros ($205.4 million).

Antonio Guisasola, president of PROMUSICAE, expressed his optimism regarding the industry’s performance in 2023. “To keep presenting growth figures over the world average is a satisfaction to us and encourages the Spanish recording companies to continue investing in Spanish talent, so that our artists succeed within and out our borders,” said Guisasola in a press release.

The digital market continues to be a driving force behind this growth, with a substantial increase of 12.82% compared to the same period last year. Digital formats now account for 88% of the industry’s turnover, totaling 188.6 million euros ($201.7 million). That’s nearly all streaming, which captured 87.8% of the total market and generated revenues of 188.2 million euros ($201.4 million) — up 13.26% compared to the first half of 2022.

Audio streaming represented 84.32% of all consumption and contributed 156.9 million euros ($167.9 million) to the industry. Video streaming, while representing over a third of total music consumption time, accounted for 29.1 million euros ($31.1 million).

Guisasola adds, “Numbers are not deceptive and consumption of recorded music is via streaming, though Spanish fans still want to have a bond with their favorite artists through vinyl, a format that follows the path of sales growth, offering very well cared for products that provide an added value to consumers.”

The physical market has also shown resilience in the first half of 2023, maintaining its share of the total market at 12% and experiencing a growth rate of 2.91% compared to the same period in 2022.

Sales of vinyl, in particular, have outperformed CDs, constituting 56.2% of physical sales and generating revenues of 14.4 million euros ($15.4 million) — up 6.32%. CD sales, meanwhile, declined 1.32%, contributing 11 million euros ($11.8 million), making up 42.9% of the physical market revenues.

Guisasola concludes in the press release, “Support the Spanish recording industry so that it does not lose its own boost and can seize the great momentum experienced by Latin music to consolidate its growth in our country and abroad.”

Courtesy Photo

Recorded-music revenue hit an all-time high in Spain last year, growing by double digits over 2021, reports Productores de Música de España (Promusicae), the association that represents 95% of the country’s recording industry.

In 2022, Spain’s recorded music market earned a total of 462 million euros ($494.5 million), marking an increase of 12.4% over the 411 million euros ($440 million) in revenue achieved the year prior, Promusicae reported Monday (March 13).

Eighty-seven percent of last year’s total revenue number — or 402 million euros ($429 million) — was generated by music sales, up 9.3% from 2021. The digital market accounted for nearly 86% of music consumed in Spain last year at 345 million euros ($370 million), 98% of which, or 340 million euros ($364 million), came from streaming. Meanwhile, physical sales, which generated 56 million euros ($60 million) in revenue, continued to decline despite growth in the vinyl market.

In the digital sphere, consumption of both audio and video music streams grew by 13% and 16%, respectively, compared to 2021. That translates to 17 million Spaniards using audio streaming platforms in 2022, with 5.2 million of those listeners holding premium subscriptions — up 18% over the previous year. Overall, nearly 36% of the Spanish population used audio streaming platforms in 2022.

Courtesy PROMUSICAE

The physical music market continued to shrink despite another strong year for vinyl, which grew 15% and generated 29 million euros ($31 million) in sales, compared to 26 million euros ($29 million) generated by CD sales. In units, more CDs are still being bought than vinyl (2.6 million units compared to 1.7 million vinyl records were shipped in 2022), even as more-expensive vinyl surpassed CDs in revenue terms. Rosalía‘s Motomami was Spain’s top seller on vinyl last year, though Promusicae did not provide sales numbers for the title.

The Promusicae report also notes that revenue from intellectual property rights has been booming for record labels, increasing by 42% last year to 56 million euros ($60 million). The report cautions, however, that the increase is distorted somewhat by a return to normal activity in sectors like hospitality and nightlife following pandemic-era restrictions.

Courtesy PROMUSICAE

Meanwhile, Spanish-language music further solidified its dominance in the country, with Bad Bunny, Rosalía and C. Tangana outpacing Anglo artists like Harry Styles and Taylor Swift in overall sales (see charts below).

“Closing 2022, maintaining a sustained growth in the last five years — despite the slowdown of the pandemic — is great news that rewards the effort, work and investment of the entire recording industry in our country,” Promusicae president Antonio Guisasola says in a statement. “It opens a window of hope to reach levels of the previous decade.” 

Guisasola adds that other European countries, such as the United Kingdom or Italy, “are achieving great benefits that redound to the brand and culture of the country through music, and ours cannot be left behind in this highly competitive environment in which we have the strategic asset of the Spanish language.”

Courtesy PROMUSICAE

On the downside, piracy continues to be a problem in Spain. Promusicae notes that according to the IFPI Engaging With Music 2022 report, 32% of Spaniards use unauthorized or unlicensed methods to listen to or download music. The percentage is even higher for individuals between 16 and 24 years old, with 49% of that age demographic listening to pirated music.

Top 10 albums by revenue in 2022:

Bad Bunny, Un Verano Sin Ti 

Rosalía, Motomami

C. Tangana, El Madrileño

Harry Styles, Harry’s House

Rauw Alejandro, Vice Versa

Sebastián Yatra, Dharma

Bad Bunny, YHLQMDLG

Manuel Carrasco, Corazón y Flecha

Taylor Swift, Midnights

Mora, Microdosis 

Top 10 songs by revenue in 2022:

Bizarrap x Quevedo, “Quevedo: BZRP Music Sessions, Vol. 52”

Manuel Turizo, “La Bachata”

Rosalía, “Despecha”

Bad Bunny, “Tití Me Preguntó”

Sebastián Yatra, “Tacones Rojos

Bad Bunny, “Me Porto Bonito” feat. Chencho Corleone

Rauw Alejandro, “Desesperados” feat. Chencho Corleone

La Pantera, Quevedo Juseph, Cruz Cafune, Abhir Hathi “Cayó La Noche (Remix)”

Shakira, “Te Felicito” feat. Rauw Alejandro

Bizarrap x Tiago PZK, “Tiago PZK: BZRP Music Sessions, Vol. 48”

Spain’s PROMUSICAE (Productores de Música de España), which represents 90% of the national and international activity of the Spanish recorded music industry, released its 2022 year-end report Thursday (Jan. 26), unveiling Bad Bunny as the “absolute leader” last year thanks to his record-breaking album Un Verano Sin Ti.

According to the report by PROMUSICAE, which represents more than 100 member companies, the Puerto Rican star was the No. 1-selling artist in the albums category for 23 consecutive weeks in the country.

Meanwhile, Spanish artist Rosalía crowned the list of top 100 vinyl releases of 2022 with her genre-bending Motomami, which won album of the year at the Latin Grammys. The “Despechá” singer came in second place after Bad Bunny on the overall album sales list.

Furthermore, the top 100 songs list was led by Bizarrap and Quevedo‘s global smash hit “QUEVEDO || BZRP Music Sessions #52,” also known as “Quédate,” which scored both artists their first entry on the Billboard Hot 100. Currently, the song has more than 400 million views on YouTube.

The report also notes that vinyl sales increased by 6% in 2022, CD sales decreased by 13% and streaming represented 85% of music consumption in the country. Sebastián Yatra‘s “Tacones Rojos” had the most radio airplay, while the most popular international artists in the country last year were Harry Styles, Rauw Alejandro, Taylor Swift, Camilo and Feid, among others.

“Throughout very difficult years, our music continues to show its ability to accompany us in more moments of our lives than ever,” said Antonio Guisasola, PROMUSICAE’s president. “This allows our market to return to the spotlight, while incorporating new styles and new ways of creating music that penetrates inside and outside our borders.”

See all of PROMUSICAE’s 2022 year-end reports here.