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From being a virtually unknown mariachi singer, Deyra Barrera has gone on to headline international news as the surprise Spanish voice that opens Kendrick Lamar‘s GNX album. “Siento aquí tu presencia/ La noche de anoche/ Y nos ponemos a llorar,” she sings soulfully at the beginning of “Wacced Out Murals,” reappearing again in the middle of the song.
And her sweet, penetrating voice resonates in two more tracks: “Reincarnated,” a tribute to the late Tupac Shakur, and the closing song “Gloria,” with SZA. The LP has been No. 1 on the Top Rap Albums, Top R&B/Hip-Hop Albums and all-genre Billboard 200 charts for last three weeks.
“I didn’t expect it because I didn’t know what was going to happen,” Barrera tells Billboard Español about her appearance on the album after what had already been reported: in late October, she was invited to sing at the Dodger Stadium in tribute to her late friend, the Mexican baseball player Fernando Valenzuela. Lamar — “or his team,” she’s not sure — heard her, and a few days later they contacted her.
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Everything happened very quickly, and the interest in the artist has grown in ways previously unimaginable for her, but Deyra Barrera is not a rookie. Originally from Villa Juárez, Sonora, Mexico, the singer — who arrived in Los Angeles at the age of 17 and has spent more than half her life in the U.S. — has been trying to make her way in music for decades on both sides of the border.
“I was first in [the singing competition] La Academia in Mexico City in 2010. And then I was in La Reina de la Canción on Univision,” she shares. “I also returned to La Voz México in Mexico City in 2021, during the pandemic. It was tough. As I tell you, I’ve been knocking on doors for many years.”
“It’s a very difficult career but well, this is what I love to do. Since I live here, I live off music,” she adds, detailing that she has been in various regional Mexican female bands, including Las Adelitas and Mariachi Divas. More than 10 years ago she formed the quartet Corazón de México, which was reduced to the current Trío Corazón, made up with her sister Verónica and Cynthia Reifler Flores. “We work a lot at parties,” Barrera says.
Now that she’s the talk of the town — far beyond Mexican or Latin music — she reflects that what she is experiencing at this moment is owed to her great friend Valenzuela.
“I was always joking with him and telling him, ‘Oh, take me to sing at Dodgers,’ and finally he took me when they retired his number in August 2023,” she explains. “Thanks to that, they called me after [he died] to sing at the tribute along with my friend Julián Torres, who is another ranchera music singer whom I admire very much and who is the one who always sings at the stadium.”
Barrera confessed to Billboard Español that up until now she didn’t follow rap music, and spoke about her newfound appreciation for Lamar and his work, her gratitude for the cultural bridges he has built by inviting her to be part of his project, and her own future plans and prospects.
To start, what did you feel when you hit play and the first thing you heard was your voice on Kendrick Lamar‘s album?
I got goosebumps. It was a surprise for me. I didn’t expect it, because I didn’t know what was going to happen. Then I got a call from Rolling Stone magazine, and that’s how I found out.
And you’re not on just one song, you’re on three! What DID you know when you recorded your parts?
I’m not allowed to talk much about it. The only thing, and what everyone already knows, is that I was at a baseball game where they invited me to sing in a tribute to Fernando Valenzuela. He [Lamar] was there, or his team. Then they contacted me. I went and recorded without thinking it was going to be something so big. I didn’t imagine it.
Did you get to meet Kendrick in the studio?
Yes, he came quickly and left. But it was something magical, like a dream.
Have you spoken to him since his album came out?
No.
Have you thought about the possibility that he might take you on his next tour with him?
Well, I have all my prayers. I have it well visualized in my mind; whatever comes next for me, then let it be. I have many years in this music career looking for opportunities, throwing in the towel, picking it up again. So God’s timing is perfect. A moment in my life that I never expected — always wanting to collaborate with artists of my own genre, I never imagined that I would collaborate with the No. 1 American rapper in the world. I mean, rap music! And that it would take me to something so big.
Did you listened to rap music or followed Kendrick Lamar’s career before?
No, I honestly don’t listen to much rap music. Obviously, I knew who he was, he has many hits. And yes, I like the music… but I am 100% Mexican. I’m always listening to mariachi music, regional Mexican music.
Have you heard more of Kendrick’s discography as a result of this collaboration?
Yes, of course. I have looked at everything he has done and wow, he is so great. Everything he does — I understand why, on this new album, he put his genius mark, like putting my voice on three of the songs as an introduction.
Why do you think he did it?
He loves giving those surprises, from what I’ve read. But more than anything to unite cultures, and that is what I appreciate the most. I’m super happy that he loves our music and wants to unite our cultures, our music with his.
Did he tell you anything about Mexican music?
No, I didn’t talk [about that] with him. It was just “Hello, thank you, goodbye.” That was all. But I thank him for that, for uniting us. I never imagined that I would now have so many fans of rap music. I mean, the little bit that I sang, they tell me so many beautiful things, they flatter me. They say, “What a beautiful voice.” It’s wonderful that we have united our cultures.
It’s exciting to see a female regional Mexican music singer being highlighted in this way, as they are a minority in a genre traditionally dominated by men.
Yes, believe me, I have also been so emotional and also in carrying the name of so many women, raising the Mexican flag in representation of so many women of our mariachi music. There is so much talent, so many beautiful voices, and I feel blessed to have been the one chosen to be here at this moment.
What did your Trio Corazón bandmates say when they found out about this?
They couldn’t believe it. I couldn’t say anything until it came out. And wow, they are super proud. Now I have to work hard to make the most of this moment and let people know who Deyra Barrera is.
What doors has this experience opened for you? Have any record labels contacted you?
We’re working on that, yes. But imagine, it’s the Anglo-Saxon people, the American people, everyone is talking! Sometimes I listen to myself in the car and I hear [on the radio] that they are still talking about this. Then I see reaction videos of people who listen to pure rap music and they’re like, “What? What is this?” And yes, I feel that many doors have been opened and that’s why I want to keep working, fighting for my dreams. What life is giving me now, what I always asked God for, he sent it to me like this.
What are you hoping for in 2025?
¿Qué esperas para el 2025? ¿En qué estás trabajando?
I want to record.
Do you write your own music?
Unfortunately, that hasn’t happened for me. Although the parts I sang for Kendrick, I wrote them. I’m already enrolled to record songs. Why not!
If you had Kendrick Lamar in front of you today, what would you say to him?
Thank you. Thank you for respecting our music. For listening. For inviting me to this new album. And may God bless him and may we unite more. Music is universal. Music can unite so much in everything, it can unite cultures.
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Andrew Schulz still has his sights on Kendrick Lamar. The comedian has labeled the rapper the Taylor Swift of Rap.
As reported by Rap-Up, the media personality is not letting up on the “Not Like Us” MC. During the most recent episode of the Brilliant Idiots podcast, Andrew Schulz had a very hot take on Kung-Fu Kenny. “Kendrick really is the Taylor Swift of Hip-Hop. No matter what he does, he’s still the victim,” he explained. “You know how Taylor is always the victim? She’s the biggest in music in history, yet she’s a victim to the label, she’s a victim to Scooter, she’s a victim to her boyfriends. Yet, she’s still the biggest in the world. Somehow Kendrick is the victim here.”
His commentary follows a recent creepy statement he made after Kendrick Lamar took a shot at him on “wacced out murals” about the comedian’s criticism of Black women. “Kendrick’s people and the gang affiliate, you know, everybody, his security, they will kill me, they will destroy me,” he added. “They’ll find me in the street, they’ll f**king cut me up, they’ll shoot, they’ll do whatever, I’m not a tough guy … But just Kendrick? I would make love to him and there’s nothing he could do about it. Just Kendrick Lamar? I would make love to him. And the only thing that he could do is decide if it’s consensual or not.”
You can hear Andrew Schulz’s explain his comparison of Kendrick Lamar and Taylor Swift below.
Comedian Andrew Schulz reveals Kendrick Lamar’s team contacted Charlamagne Tha God to “clarify” things and thinks Kendrick is playing the victim like Taylor Swift in their beef. pic.twitter.com/pOEf9Qyldu
— Wiztohfem Unplugged (@wiztohfem) December 16, 2024
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Lil Wayne went public to voice his frustration and disappointment in not getting named as the halftime show performer for the upcoming Super Bowl in his hometown of New Orleans. Sitting with longtime friend Skip Bayless, Lil Wayne discusses the Super Bowl snub, Kendrick Lamar, and more.
Lil Wayne joined Bayless on the host’s eponymously named YouTube program to discuss the upcoming Super Bowl LVIII featuring Kendrick Lamar and expressed his thoughts once more at being passed over for the opportunity. Bayless, who shared his disappointment in the Young Money honcho not getting the look, opened the lane by asking Wayne his thoughts on the matter.
“So generally, I just believe that, for whatever reason, it’s over my head,” Lil Wayne begins, sharing why the NFL passed him over for the show. “Meaning, I don’t know why. Obviously, I believe it’s perfect but I do not know why.
Wayne continues, “Personally, the person I am, I straight look at it like ‘you ain’t there yet, you gotta get there.’”
Bayless doubled down on his disappointment, mentioning that Wayne should get the look to rock in front of the New Orleans crowd as a native son and mentioned there could be other politics and happenings at play.
Later in the conversation, Bayless shared K-Dot’s bars about Wayne in the track “wacced out murals” from the Compton rapper’s GNX album and asked Tunechi to react after he said this was his first time hearing the lyrics.
“I think he meant, I think he saw what everybody else saw, how much it meant to me,” Wayne answers. “He can’t control that. I’ve spoken to him and I wished him all the best.”
Check out the clip of Lil Wayne chatting with Skip Bayless below.
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2024 has been a very busy year for Kendrick Lamar as he gave the Hip-Hop culture some new classic diss records and racked up all kinds of accolades as a result.
Looking to close out the year on a high and positive note, Kung Fu Kenny will be taking part in Top Dawg Entertainment’s 11th annual TDE Christmas Concert & Toy Drive along with some of his TDE family members such as SZA, Ab-Soul, Jay Rock and up and coming sensation, Doechii amongst others. Going down on Thursday (Nov. 12) at 1:00pm, the concert is sure to have a horde of fans lining up as the entry fee will be an unwrapped present for the toy drive.
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People will certainly buy a present just to get to see some of their favorite artists do their thing on stage.
While we don’t know how many songs each artist will get to perform or which ones they’ll be, we’d be gobsmacked if Kendrick didn’t perform “Not Like Us” as it’s been the biggest hit of his career thus far.
Aside from the concert and the toy drive, the second day of the event (Dec. 13) will also feature some family friendly activities along with a raffle for gift giveaways, a job fair that’ll offer employment opportunities on site and free haircuts amongst other cool things.
TDE out here doing much good for the community. Props.
Will you be heading to the TDE Christmas Concert & Toy Drive this week? Let us know in the comments section below.
SZA is giving fans something to look forward to with a teaser for her new SOS deluxe release.
Arriving on Monday, Dec. 9, two years to the day since the original release of SOS, SZA shared a video to social media accompanied by an as-yet-unnamed song which samples the Isley Brothers’ “Voyage to Atlantis”.
The clip itself shows SZA in the woods as she squats by a stream to pee. It closes with overlaid text which sees “Lana” appearing above the words “SOS Deluxe”. The video is captioned with the words, “Clock starts now. Happy anniversary.”
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The mysterious nature of the clip has already sent fans of SZA into overdrive as they attempt to decipher a number of unanswered questions. Firstly, despite telling her followers that the “clock starts now”, it’s unclear when the countdown ends and the project ostensibly arrives.
Some fans have pointed out on Reddit that SZA’s shirt features the number five, while a dark section of dirt also appears to highlight the same number. Speculation has therefore seen a potential release date of Dec. 13 entering the conversation, though no official announcement has been made.
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Secondly, confusion is also reigning in regards to whether SZA’s long-awaited Lana project is now arriving as the previously-announced deluxe edition of her SOS album. Previously, Lana had been confirmed as such before being detailed as an entirely separate project, including in a recent interview with British Vogue.
In the same interview, SZA explained that the music she had recorded for Lana was something of a “welcome shift”.
“I think I am making music from a more beautiful place. From a more possible place versus a more angsty place,” she explained. “I’m not identifying with my brokenness. It’s not my identity. It’s shit that happened to me. Yeah, I experienced cruelty. I have to put it down at some point. Piece by piece, my music is shifting because of that, the lighter I get.”
In late November, SZA appeared on Kai Cenat’s livestream where she claimed a “whole new project” was up her sleeve, admitting it “will be out before the year is over”.
More recently, SZA and Kendrick Lamar announced the co-headlining Grand National tour, which will see the pair performing 21 dates over two months.
The Grand National Tour is slated to kick off in Minnesota on April 19, and then rumbles through Houston, Atlanta, Charlotte, Philly, the New York area, Seattle, Los Angeles, San Francisco, Las Vegas, Detroit, Chicago and Toronto before wrapping up in Washington, D.C., on June 18.
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Pusha T doesn’t speak much, but when he does the culture listens. In a recent interview, he gave his opinion on the Drake and Kendrick Lamar beef.
As spotted on Rap-Up, the front man of Clipse was in Miami for Art Basel. The Virginia Beach, Va., MC was a guest on “Saint Sessions Live,” an in person Q&A hosted in front of a live audience. While he discussed a variety of topics regarding his illustrious career it was his take on this very high-profile moment that soon went viral. Journalist Ari Melber asked him his thoughts about Kendrick’s infamous “Yeah, f**k all that pushin’ P, let me see you push a T” line from “Euphoria.” Pusha T made it clear he got what K. Dot was hinting at.
“I guess he was just telling him, you know he needed to address me before it comes back and trying to go at him.” He went on to reveal that he took the reference as a gesture of respect. “I think it was a great time for me. That whole battle was an awesome time. I think that him being a fan of Hip Hop, he saw it as that.” When asked if he also agreed with the people that Kendrick Lamar won the battle against Drake he emphatically replied, “1,000%.” Pusha T added, “I think that Kendrick is a lyricist and a lyricist that talks to your soul.”
You can see King Push discuss the beef below.
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Source: Bernard Smalls / @PhotosByBeanz / O’Shea Jackson Jr.
According to actor O’Shea Jackson Jr., the son of hip-hop icon Ice Cube, Andrew Schulz went too far with his response to Kendrick Lamar.
The Straight Outta Compton star hopped on X and let Andrew Schulz know he did not feel the comedian’s response to Lamar’s bars on the track “Watch Out Murals” off his latest album GNX.
Schulz took things to the extreme when he described, hypothetically speaking, what he would do to the “luther” crafter if they were in jail together.
“Kendrick’s people and the gang affiliate, you know, everybody, his security, they will kill me, they will destroy me. They’ll find me in the street, they’ll f**king cut me up, they’ll shoot, they’ll do whatever, I’m not a tough guy … But just Kendrick? I would make love to him and there’s nothing he could do about it. Just Kendrick Lamar? I would make love to him. And the only thing that he could do is decide if it’s consensual or not,” Schulz said.
He continued his weirdness by adding, “He’s talking a lot of sh*t, but if it came down to it, I could put him on my lap, I could feed him a bottle … and make love to him if I wanted to.”
Terrence “Punch” Henderson, president of Lamar’s former label, TDE, responded to Schulz’s comments saying, “Wait… wait… I know as a Blackman who’s involved in Hip Hop Music, that we are a bit slow and don’t really understand sarcasm and humor… but did my guy say he want to sleep with Dot??”
O’Shea Jackson Jr. Had Time For Andrew Schulz
In a quote post of a clip of Schulz’s podcast Flagrant with Akaash Singh, Oshea Jackson Jr. called Schulz a “weird n***a” for insinuating that he could take advantage of Kendrick Lamar in a one-on-one fight due to the rapper’s height.
Schulz then responded, “Google ‘No Vaseline’ by Ice Cube,” with Jackson clapping back, “A metaphor about getting f**ked business wise by your manager Is not the same homie. He ain’t call you a b**ch. He ain’t say f**k you. Didn’t even say your name. And your response was buck breaking. S**t was just crazy.” He later shared, “My post was from two days ago. He bring up my dad and I can’t respond? Ain’t no beef. I just didn’t like the statement.”
An X user responded to Jackson, telling him to “let it go” because Schulz is a comedian. The Den of Thieves star responded, “My post was from two days ago. He brought up my dad, and I can’t respond? I have no beef. I just didn’t like the statement.”
Social media also had thoughts about the back-and-forth between Jackson and Schulz. You can see those reactions in the gallery below.
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Kendrick Lamar could easily take the next year off, considering the epic year he’s had thus far but that won’t be the case heading into the following year. Kendrick Lamar and frequent collaborator SZA will embark upon the North American 19-city Grand National Tour, kicking off in the spring.
The Grand National Tour was announced on Tuesday (December 3), just over a week since the release of Kendrick Lamar’s first full-length project GNX on his pgLang recording label and entertainment brand. SZA joined Lamar on GNX standout track “luther,” and has recorded hits with the Compton, Calif. native which include crowdpleasers such as “All The Stars,” among others.
It should be assumed that with all the recent fanfare, this will be one of the hottest tickets in town. However, Cash App Visa Card holders will have access to a pre-sale event on Wednesday (December 4) at 10 am local time. Cash App Visa Card holders will also receive 20% off all Grand National Tour merch when purchased with their card during the city stops.
More about the Cash App Visa pre-sale can be found by clicking here. On Friday (December 6) at 10 am local time, the general sale kicks off on www.grandnationaltour.com.
The tour dates and stops for the Grand National Tour are listed below.
Apr 19 – Minneapolis, MN – U.S. Bank Stadium
Apr 23 – Houston, TX – NRG Stadium
Apr 26 – Arlington, TX – AT&T Stadium
Apr 29 – Atlanta, GA – Mercedes Benz Stadium
May 03 – Charlotte, NC – Bank of America Stadium
May 05 – Philadelphia, PA – Lincoln Financial Field
May 08 – East Rutherford, NJ – MetLife Stadium
May 09 – East Rutherford, NJ – MetLife Stadium
May 12 – Foxborough, MA – Gillette Stadium
May 17 – Seattle, WA – Lumen Field
May 21 – Los Angeles, CA – SoFi Stadium
May 23 – Los Angeles, CA – SoFi Stadium
May 27 – Glendale, AZ – State Farm Stadium
May 29 – San Francisco, CA – Oracle Park
May 31 – Las Vegas, NV – Allegiant Stadium
Jun 04 – St. Louis, MO – The Dome at America’s Center
Jun 06 – Chicago, IL – Soldier Field
Jun 10 – Detroit, MI – Ford Field
Jun 12 – Toronto, ON – Rogers Centre
Jun 16 – Hershey, PA – Hersheypark Stadium
Jun 18 – Washington, DC – Northwest Stadium
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Drake’s legal filings against Kendrick Lamar and UMG have earned him some wrath from Uncle Luke, with the Hip-Hop icon calling him soft.
Drake’s latest move in his ongoing feud with Kendrick Lamar – filing legal petitions against the Compton rapper and Universal Music Group – has rubbed many in Hip-Hop and pop culture the wrong way. Count Luther “Uncle Luke” Campbell among them, evidenced in a social media post the Hip-Hop veteran shared over the past weekend.
“I like Drake’s music, I don’t like what he got going on right now but I like his music,” Luke began. “Some things you don’t talk about. You don’t talk about payola, you don’t talk about buying livestreams and you don’t sue after you got dissed, and you done did some dissing.” He’d go on to proclaim that it was a hallmark of this generation. “That’s y’all young people. y’all young people live in a soft society. That’s why I’m glad I’m an OG. All y’all young people soft. Soft, soft, soft. You got rappers that wanna diss somebody, then wanna go get the gun. Why not go and fight?”
The 2 Live Crew founder would go on to share differences between his generation and this one, citing his past beef with Dr. Dre and Snoop Dogg. “One thing that’s off limits, the kids are off limits, girlfriends are off limits, mamas are off limits,” Luke said. His views were mostly met with approval in the comments, with one user writing: “Can’t tell people they wrong anymore without they feelings getting hurt…I just leave everything alone.”
Drake’s pre-action petition claims that Universal Music Group and Spotify were responsible for inflating the streaming numbers for “Not Like Us” using bots on social media and other means. The Certified Lover Boy artist filed the documents shortly after Kendrick Lamar’s latest album, GNX, was released. The move has earned him heavy criticism from others including Joe Budden, who called him a “piece of s—t” on his latest podcast episode, citing the Canadian rapper’s negative actions in the past fueling this karmic retribution.
UMG’s response to the filing was swift, stating: “The suggestion that UMG would do anything to undermine any of its artists is offensive and untrue. We employ the highest ethical practices in our marketing and promotional campaigns. No amount of contrived and absurd legal arguments in this pre-action submission can mask the fact that fans choose the music they want to hear.”
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Kendrick Lamar created what could be explained as a seismic event in his dismantling of Drake, and the embers are still warm even as their feud was largely settled after “Not Like Us” was released. Not content to rest, Kendrick Lamar last week surprised fans and released a new body of work in GNX, a celebratory collection of sounds influenced by West Coast sonics that is less a victory lap than it is a rallying cry.
Most observers find Kendrick Lamar’s image difficult to narrow down, and that seems largely by design. For portions of his career, K-Dot was narrowly framed as an imaginative lyricist who didn’t chase or want mainstream appeal. Lamar’s ability was forged in the flames of battling for respect on street corners and hazy nights in recording studios with other up-and-coming rappers during his time with Top Dawg Entertainment (TDE). For those aware, it was not a shock that Lamar dispatched Drake in their back-and-forth swings with the precision he did, even if the allegations laid forth remain speculative between the pair. In most eyes, Lamar won their battle on both the audio front and moral grounds, creating a divisive line of discussion between their respective fanbases.
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After the Instagram-only release of the track “Watch The Party Die,” the somber tone and messaging suggested a return to a reflective and serene stance that the Pulitzer Prize-winning rapper is noted for, but GNX leans deeper into the gritty aura of Lamar’s native Compton and Southern California culture as a whole. There is even some of the Bay Area’s “slaps” sound among the platters present on the new project, which some report is a mixtape and not a full album.
The project opens with the brooding “wacced out murals,” inspired by a real-life incident where a mural of Lamar was constructed by Gustavo Zermeño Jr. in the rapper’s hometown that was later vandalized. The track also opens with the vocals of mariachi singer Deyra Barrera, who Lamar first encountered during a performance at Game 1 of this year’s World Series with the Los Angeles Dodgers emerging victorious over the New York Yankees.
The relentless nature of “wacced out murals” is bolstered by the production of longtime collaborators Sounwave and Dahi along with Jack Antonoff and is as tone-setting an opening track as any heard in recent times. So much is packed into the track, including a mention of Lil Wayne, who Lamar idolized as a young rapper, and a third verse dedicated to Drake attempting to pay for information on his rival.
Moving on to “squabble up,” the project’s first single which also got the video treatment, Scott Bridgeway, Sounwave, Dahi, Antonoff, and MTech’s production samples “When I Hear Music” by Debbie Deb which embodies the sun-soaked approach of both Northern and Southern California. Wearing its audio lineage proudly on its sleeves, “squabble up” delivers on the promise after it was heard as a teaser ahead of the “Not Like Us” video. Like the song before, Lamar peppers the third verse with shots at Drake, and if any song is indeed a victory lap of their battle, it would be this one.
Source: pgLang / phLang
SZA and Lamar have collaborated in times past and they continue their magic on “Luther,” shifting from the hard-driving songs that precede it. Because Lamar is not someone who favors simplicity for the sake of it, the tone of the song suggests the plight and triumph of two lovers giving the other support where it’s needed. With “man at the garden,” Lamar reaches deep into his bag, rapping in a conversational tone while the refrain “I deserve it all” punctuates each stanza. Once more, the song’s third verse suggests that K-Dot is acutely aware of his power to shift perspectives and tell the truth, and it nearly sounds like remorse more than braggadocio.
Mustard, who found himself involved in a hilarious meme trend, shows up for production on the track “hey now,” featuring a show-stealing verse from South Central Los Angeles native Dody6. Much of the first verse is aimed at Drake once more before standard issue trash talk, giving way to a fun back-and-forth swing with Dody6 in the closing verse.
For most listeners and certainly a standout for us, “reincarnated” finds Lamar at the height of his songwriting powers, channeling the flow of the late Tupac “2Pac” Shakur. The song samples 2Pac’s “Made N*ggaz” and finds him reportedly rapping from the reincarnated perspectives of John Lee Hooker and Billie Holiday before turning the lens on himself in the closing verse along with rapping as God and the fallen angel Lucifer, tying the concept of the track together. It is one of Lamar’s most impressive rapping performances across his decades-long career.
Kicking off the halfway mark, “tv off” has captured the attention of the masses by way of Lamar’s exaggerated “Mustard” adlib on the second portion of the track but as he’s done all across GNX, the shots at Drake and anyone else who dares to test are delivered with a knowing sneer that he vanquished any attempts to slander his name and took down one of the biggest artists in the game to boot. And yes, the adlib, co-opted by corporate social media accounts, will have plenty of shelf life especially if Lamar decides to perform the track at next year’s Super Bowl performance.
As the album winds down, “heart pt. 6” is mindblowing for its sampling of SWV’s “Use Your Heart” and telling an autobiographical tale of his come-up and days within the TDE camp. For the first time, listeners are allowed to peer into the tight-knit backrooms of the musical collective, learning from Lamar himself that his former labelmate Ab-Soul was a lyrical inspiration and even revealing that the Black Hippy quartet of Jay Rock, the aforementioned Ab-Soul, ScHoolboy Q and himself didn’t happen because Lamar found other creative interests. It also confirmed that Lamar leaving TDE to begin pgLang was a mutual split and that the love for the crew remains.
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One thing that cannot be discounted is this album also proved to be a showcase for the likes of AzChike, who shows up for “peekaboo” and the project’s title track features Hitta J3, YoungThreat, and Peysoh, all taking advantage of the huge spotlight that comes by way of appearing on a song with one of Hip-Hop’s most revered acts.
At Hip-Hop Wired, we don’t have a scoring system, nor are we interested in ranking the creative works of an artist as that cheapens their vision. Instead, GNX should be appreciated for what it is — a collection of music that showcases the West Coast’s versatility and unification as of late, all spearheaded by Kendrick Lamar taking it straight to the chest of one of the biggest stars in music history.
It isn’t an album full of heavy self-analysis like Mr. Morale & The Big Steppers, nor does it mimic the intentional commercialism of DAMN., and it it is nowhere near the jazzy and pro-Black To Pimp A Butterfly, biographical as shown on good kid, m.A.A.d. city, or freewheeling like Section.80. GNX operates in a singular orbit just as those projects did, however, doing so with such aplomb that the world is anticipating his next stroke of genius with breathless anticipation.
Listen to the album in full below.
GNXhttps://t.co/h9NaZaivRd
— Kendrick Lamar (@kendricklamar) November 22, 2024
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Photo: pgLang