Executive Turntable
Longtime music manager Andrew Goldstone has joined the team at Milk & Honey as head of electronic music, the company’s CEO and founder Lucas Keller announced today (March 24).
With him, Goldstone brings manager Taren Smith along with clients including the dance/electronic artists Kream and Sullivan King.
Goldstone’s long history the electronic music space includes a run at the venerable dance label Astralwerks, where he signed artists including Fatboy Slim. He created his own imprint, F-111 at Warner Brothers before joining Ministry of Sound. After attending law school and serving at a legal firm, he left law and joined the team at Red Light Management, where he worked with dance icon Tiësto and others. Later at YMU, he worked with artists including 3lau, Lloyiso and Sullivan King.
“I’m thrilled to join a management company that’s so clearly focused on the breadth of electronic music,” Goldstone says. “Milk & Honey understands and provides what artists and managers need to thrive in today’s environment.”
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Smith has worked as a manager in the electronic space for more than a decade at companies including YMU and more. In 2022 she was on Billboard’s list of the top women executives in music. She will serve as manager in Milk & Honey’s electronic music department.
Goldstone and Smith will report to Milk & Honey’s head of artist management Dave Frank, along with Keller. The hirings mark Milk & Honey now having electronic music managers at its offices in Los Aneles, New York and London.
“Today is truly a full circle moment for me,” says Frank. “I first worked with Andrew in 2013 and now a decade later I’m thrilled to bring him and Taren Smith to Milk & Honey. Andrew and Taren’s deep and nuanced understanding of the electronic music industry and the artists that drive it is an invaluable asset for Milk & Honey’s continued growth.”
“We’ve been growing our global electronic music management business over the last nine years now and have plans to double our investment this year,” says Keller. “We predict that the genre will have another large acceleration over the coming years, and we’re building one of the best global infrastructures to support it. Milk & Honey clients will be at a huge advantage to have Andrew Goldstone, a seasoned vet in the space, at the helm.”
Milk & Honey’s existing electronic music management clients include Dutch star Oliver Heldens and his Hi-Lo alias, Italian stalwart Benny Benassi and British producer Joel Corry and underground phenoms including J. Worra, Massano and Chris Avantgarde. The company also represents Ian Asher, KAS:ST, Wuki and more in the artist space.
The company says its cross-genre clients will collectively play over 1,500 shows in 2025, with Keller citing the company’s 15-person creative team and A&R access as keys to its ongoing success. Founded by Keller in 2014, Milk & Honey is a global music management and sports agency. Its clients, which include artists, songwriters, producers and more, received a collective 19 nominations at the 2025 Grammys.
The company’s sports clients include Kansas City Chiefs star Travis Kelce and wide receiver Courtland Sutton of the Denver Broncos. The firm entered the sports world three years ago with Jake Presser and Rawleigh Williams alongside Dave Frank and Alex Harrow.
Here we go again with another Executive Turntable, Billboard’s weekly compendium of promotions, hirings, exits and firings — and all things in between — across the music business. There’s a full slate of news this week, so let’s get started.
Warner Music Group expanded Niels Walboomers’ role as president of recorded music and publishing in Benelux to include oversight of legendary dance label Spinnin’ Records. This follows the departure of co-president Ewout Swart after 16 years with the company, having risen from royalties manager in 2009 to chief operating officer in 2016 and co-president in 2023. His exit comes shortly after Roger de Graaf, Spinnin’s co-founder, stepped down in November 2024 after 25 years with the label. Spinnin’ Records will continue to operate independently of WMG Benelux, with Walboomers working closely with Jorn Heringa on A&R activities. Founded in 1999, Spinnin’ has been a key force in the EDM industry, representing artists such as Afrojack, Martin Garrix, Tiësto and Nicky Romero. It also houses notable artist imprints, including Tiësto’s Musical Freedom and David Guetta’s Future Rave, and in 2019 launched Spinnin’ Records Asia. WMG acquired Spinnin’ in 2017, leading to co-founder Eelko van Kooten’s departure and subsequent launch of Ledo, a digital distribution platform. “With new leadership, we’re helping Spinnin’ Records write an exciting new chapter for its artists,” said Simon Robson, president of EMEA recorded music, WMG. “Niels has gone from strength to strength since joining WMG, and with his recent work with Spinnin’ Records, it was an easy decision to expand his role.”
The Ryan Seacrest Foundation, a non-profit organization focused on inspiring youth through entertainment and education, announced new appointments to its industry advisory committee. This committee, composed of pros from music, TV, film and sports, provides expertise and resources to create experiences for young patients in children’s hospitals. New members include Dan Pearson (Lakeside Entertainment Group), Fount Lynch (WMG), Jacki Artis (UTA Foundation), Jennifer Vessio (1220 Entertainment), Jess Anderson (The Lede Company), Lisa Wolfe (Range Music), Lucas Romeo (REPUBLIC), Nicholas Fustor (WWE), Nikki Walsh (Universal Pictures) and Otis Maher (iHeartMedia). They join returning members Debra O’Connell (Disney Entertainment), Devin DeToro (Red Light), Keith Rothschild (RCA) and Scot Fink (Disney Music). The committee plays a crucial role in guiding the foundation’s initiatives, bringing talent visits to Seacrest Studios, securing behind-the-scenes content and aiding in fundraising.
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SiriusXM Holdings announced the appointment of Anjali Sud as a new independent director on its board of directors, filling the vacancy left by James E. Meyer, who resigned this week. Sud, an accomplished executive in media and technology, is currently the CEO of Tubi, Fox’s free streaming service. She previously served as CEO of Vimeo, where she took the company public. Jennifer Witz, CEO of SiriusXM, praised Sud’s track record and expertise, highlighting her potential to contribute to the company “as we look to maintain our strong standing and to position ourselves for future growth.” Meyer, who joined SiriusXM in 2004 and served as CEO from 2012 to 2020, expressed pride in the company’s achievements and confidence in its future. “I am extremely proud of all that SiriusXM has accomplished since I first arrived over two decades ago, of the unparalleled audio entertainment the company delivers to listeners across North America and the value it brings to its stockholders,” he said. Witz thanked her predecessor for his commitment and contributions over the years, wishing him the best.
Chris Martignago // Credit: Taylor Christian Jones
Chris Martignago has been promoted to vp of A&R at independent publisher Prescription Songs. Based in Nashville, he works with artists like Trent Dabbs, Anderson East, JT Daly, Nick Lobel and Tony Esterly. With over 14 years of A&R experience, Martignago began his career at Atlantic Records, where he rose to director of A&R and research, before joining Prescription Songs in 2021 as a senior A&R. Over the years, he has contributed to gold and platinum-certified hits for artists such as Paramore, Marshmello, Shinedown, Ingrid Michaelson and Saweetie, among others. Additionally, he founded HELL YES!, an online community supporting emerging songwriters, and actively volunteers with local schools and art programs. Rhea Pasricha, Prescription Songs’ head of A&R for the West Coast, praised his leadership, saying he has been instrumental in shaping the company’s roster by championing diverse talent.
Wasserman Music announced three new hires: Tim Beeding, Chloe Garcia and Doug Singer. Beeding spent 20 years at CAA and will co-lead Wasserman’s fairs and festivals division with Shannon Casey. Los Angeles-based Singer, previously partner at WME, joins Wasserman Music as vp of its global agent team. Finally, Los Angeles-based Garcia joins as director of tour marketing following a tenure as tour marketing agent at WME. Wasserman Music president Lee Anderson: “Each of them is a highly regarded leader in their area of expertise, and all of them are exceptional humans we’re proud to call colleagues and partners.” –Dave Brooks
Big Yellow Dog Music, a Nashville-based independent publishing and media rights company, announced a trifecta of promotions across its team. Jonah Gordon has been elevated to manager of sync, expanding his role in placing songs across film, TV, advertising and media. Alana Morgan steps up to coordinator of A&R, where she will focus on talent scouting and development, helping grow the company’s diverse artist and songwriter roster. Brannen Carter has advanced to catalog administrator/coordinator of label services, taking on greater responsibilities in publishing administration and label marketing. CEO and co-owner Carla Wallace praised their growth, stating, “each of these three has shown exceptional expertise, and we look forward to their contributions in 2025.” Big Yellow Dog Music boasts a catalog featuring hits performed by Meghan Trainor, Kacey Musgraves, Maren Morris, The Jonas Brothers, Jennifer Lopez, Hozier, Demi Lovato and more, while its sync division has secured placements with Target, Apple and more.
Chelsea Blythe exited her role as executive vp of A&R at UMG Nashville on March 14, having joined the label in 2023. On social media, she expressed gratitude for the opportunity to work in Nashville, highlighting her love for country music, but that it was “time to go back to California.” Blythe thanked now-former CEO Cindy Mabe, who departed the Nashville label last month, along with artists, managers, producers, publishers and colleagues, for their support. Before UMG Nashville, Blythe was senior vp of A&R at Def Jam, leading efforts for artists like Armani White and 26AR. She began her career at Interscope Records, working with Kendrick Lamar and Rae Sremmurd, and later moved to Columbia Records, signing Symba and Baby Keem, and developing Polo G and The Kid LAROI.
AEG Presents appointed Lisa Mart as the regional general manager of indigo at The O2 and Watford Colosseum. With over 15 years of experience in live events and venue management, Mart will oversee the commercial and operational success of both venues. This role supports AEG Presents UK’s expansion of its mid-size venue portfolio, including the reopening of Watford Colosseum in 2024 and the launch of the Olympia Music Venue in 2026. Mart previously held leadership roles at ATG Entertainment and was most recently venue director at Swansea Building Society Arena. Stuart Dorn, AEG Presents UK’s group venues operations director, welcomed Mart, saying “she brings a wealth of experience, which will help with both the establishment of Watford Colosseum and the continued growth of indigo at The 02” — which is set to host over 200 show this year.
Lauren Camp // Courtesy Image
Creed Media wants to pack more punch in the U.S., appointing Lauren Camp as head of strategic partnerships in its expanding Los Angeles operation. Camp is tasked with driving new business opportunities, building partnerships with agencies and influencers, and enhancing long-term value as Creed scales in North America. With over a decade of experience in music, entertainment, tech and sports, Camp founded On Record in 2017 to support independent artists and creatives. Her firm has collaborated with hundreds of artists, brands and labels, offering counsel in branding, media relations and crisis management. She has worked with Brent Faiyaz, FNZ, Pink Sweat$, and corporate clients like Stem and LVRN. She also manages R&B artist Kyle Dion and previously held leadership roles at FYI Brand Group and Hiltzik Strategies. Based in Stockholm with branches in New York, London and elsewhere, Creed Media has orchestrated campaigns for artists like Post Malone, Beyoncé and Dua Lipa.
The Country Music Association announced a big round of promotions and hirings. Ben Balch has been promoted to vp, accounting and finance; he joined the CMA in 2013 as a senior accountant and previously worked at Tractor Supply Company. Aaron Hartley has been promoted to sr. director, business affairs, while April Edman joins as director, accounting and finance. Edman previously served as sr. director, finance at the Sarah Cannon Research Institute. Jason Rost joins as director, ticketing and premium experiences; he previously served as assistant athletic director, ticket initiatives and customer relations at Penn State University. Kevin Coffey has been promoted to director, brand partnerships development, while Meredith Goucher has been promoted to director, international relations and development. Isabel Baldinger has been promoted to marketing manager, while Anthony Sinnott has been hired as CRM Manager and Cailey Parker has been bumped up to full-time as finance operations specialist. –Jessica Nicholson
NASHVILLE NOTES: SMACK backed Mak Symmonds as director of marketing. She’ll lead strategic campaigns across the company’s management, label and publishing arms to boost the visibility of artists and songwriters like Walker Hayes and Shane McAnally. Symmonds brings seven years of experience from Piedmonte & Co., where she excelled in elevating artists’ profiles through major releases, events, partnerships, and marketing campaigns … Stem is bolstering its Nashville operations by naming Courtney Daly as director of artist and label strategy. Daly, who previously worked at Big Machine Label Group, brings nearly ten years of expertise in digital strategy, e-commerce, and DSP relations.
Brad Banducci, the former CEO of Woolworths Group, was appointed chief executive officer of TEG, while Geoff Jones is transitioning to chairman after 14 years as CEO. Banducci, with three decades of leadership in retail and consumer sectors, follows his passion for live events in this new role. Jones, awarded the Order of Australia Medal, played a key role in transforming TEG into a global leader in ticketing, live entertainment and technology. Before joining TEG in 2007, Jones held roles at IMG, Foster’s, and served in the Australian Defence Force. TEG is owned by Silver Lake, a private equity firm focused on technology investments.
ATC Group promoted Ric Salmon to the new role of chief growth officer. Based in London, Salmon has been with ATC for a decade, managing artists like Laura Marling, Glen Hansard, and Trevor Horn. He also co-founded Driift, a BAFTA-winning livestream company now part of ATC Services. Before ATC, Salmon managed global artists such as Seal and Morrissey and held senior A&R roles at Sony Music, Ministry of Sound, and Warner Music International, working with artists like Eric Prydz, Rod Stewart and The Corrs. In his new role, Salmon will focus on expanding ATC’s full-service model through acquisitions and partnerships. ATC Group, which saw a 107% revenue increase in 2024, manages artists like Nick Cave and PJ Harvey and books shows for over 570 acts.
Round Hill Music founder and CEO Josh Gruss is opening Round Hill Music Co., a hybrid music store in Greenwich, Conn., at 398 Greenwich Ave. this May. The store is designed as a spot for musicians, collectors and fans of all stripes, blending tasty guitars, curated vinyl, apparel and other goods into an immersive environment. Conceived as a personal passion project by Gruss, the store aims to bridge the gap between serious musicians and casual listeners. Located a couple minutes from the Greenwich train station, it features listening stations and what it describes as an “inviting layout for effortless music discovery.” Gruss, who moonlights as guitarist in the rock band Rubikon, said he was inspired by his favorite music stores as a kid, including the sadly-gone block of instrument shops on 48th Street in NYC and record shops like Tower Records and Long Island Sound. Round Hill Music Co. will also feature a live performance stage for small concerts and events.
Josh Gruss’ shop in Greenwich.
Round Hill Music Co.
The Core Records appointed Zach Siegal-Eisman as head of audience development and insights. With over 15 years of experience in entertainment marketing, Los Angeles-based Siegal-Eisman will focus on digital strategy, audience growth and fan engagement for the label’s artists. He has worked with acts like Nickelback, John Fogerty and HARDY, holding leadership roles at Artist Network Management, Crowd Surf and Big Loud Rock, among other companies. Co-founders Chief Zaruk and Simon Tikhman praised his expertise in artist development, asserting “it will be instrumental in maximizing fan engagement and artist impact.” Founded in 2019 with Live Nation, The Core Entertainment represents artists such as Bailey Zimmerman, Nickelback and Nate Smith. In 2023, it launched The Core Records with Universal Music to develop and support new talent using UMG’s global reach.
Jeremy Heffner launched Third Generation Music Group (TGMG), a new music company that includes a record label, music publishing, and artist management. With a decade of experience at Universal Music Group’s UMe division and ABKCO Music & Records, Heffner oversaw physical production, digital releases, and licensing. TGMG aims to partner with artists rather than operate as a traditional label, focusing on amplifying creative voices. The initial roster features Texas-born singer-songwriter Bennett Woolsey, indie folk/pop artist Clint., and Brooklyn-based rock band Thesaurus Rex. Heffner stated, “Our hope is to help our artists get their voices heard, aid the creative process and have the world recognize their efforts.”
Quinn Kaemmer launched communications, creative consulting and media relations firm The Quinntessential. Kaemmer previously led the communications department at Big Machine Label Group, spearheading efforts for artists including Riley Green and Jackson Dean. Prior to joining BMLG in 2022, Kaemmer rose through the ranks at BBR Music Group, working with artists including Lainey Wilson and Parmalee. –J.N.
ICYMI:
Kramer and Zimmer
David Kramer will become CEO of UTA in June, succeeding co-founder and longtime leader Jeremy Zimmer. Zimmer, who has served as CEO since 2012, will transition to a role as board member and executive chairman. Paul Wachter will continue as chairman of the board … Audacy unveiled several executive changes, appointing Kelli Turner as president and CEO, Chris Oliviero as chief business officer, and Bob Philips as chief revenue officer. [Keep Reading]
Last Week’s Turntable: Shaboozey Co-Manager Finds Home at Range
In a changing of the guard at one of Hollywood’s biggest talent agencies, UTA says that David Kramer will take over as CEO in June, succeeding longtime leader Jeremy Zimmer.
Zimmer, the UTA co-founder who has been CEO of the talent agency since 2012, is shifting to a role as board member and executive chairman. Paul Wachter will remain chairman of the board of UTA.
“We are thrilled to announce David as UTA’s next CEO. He is stepping into this role at an exciting time of growth, with UTA at the center of some of the most pivotal cultural moments across media, sports, and entertainment. We are confident that his leadership and client-centric approach will position the Company for continued success,” said Wachter in a statement. “I’ve known Jeremy and UTA for almost 30 years and have been impressed with Jeremy’s entrepreneurial nature and vision. It’s been remarkable how much the Company has grown and succeeded over that period. Jeremy’s years of dedicated service have left a strong and dynamic foundation for the Company’s future.”
The new role for Kramer is not completely unexpected, with the company describing the move as part of a long-planned succession process. Kramer was elevated to president of UTA in 2022.
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“These 35 years at UTA have been so incredibly rewarding,” said Zimmer in a statement. “While transition is never easy, this particular moment feels very right. David has been my chosen successor for many years and I’m certain that he will continue to uphold our great culture, support our amazing colleagues, and honor the privilege of serving our clients.”
“I am honored to be named UTA’s next CEO. We are all deeply grateful to Jeremy for his passion and dedication to this team and for helping to make UTA into one of the premier global talent agencies in the world,” Kramer added. “His vision and guidance were key to building our foundation and broadening our business to offer clients world-class capabilities across filmed entertainment, music, sports, the creator economy, and advisory services.”
Zimmer led UTA through a significant expansion period, completing some 19 acquisitions, per the company, and partnering with companies like Klutch Sports Group. UTA also secured private equity investment from EQT, in a bid to further turbocharge its growth.
In a note to staff obtained by The Hollywood Reporter, Kramer indicated that he intends to continue following that path.
“UTA has consistently taken chances, entered into new spaces, and defined categories with our work,” Kramer wrote in a memo to staff Monday. “Our focus will continue to be on nurturing and empowering that entrepreneurialism, and the unique strengths and capabilities that have allowed us to win in each category. Together, we will make sure that we foster real collaboration across our platform so that we can leverage our ability to see what’s next in culture to unlock greater opportunity for both our clients and the company as a whole.”
As for Zimmer, he will continue as executive chairman through 2025, telling employees in a note that “for the next several months I will be completely available to help transition divisions and relationships to the colleagues who will assume new responsibilities. I will also be available for lunches, laughs, and any sort of questions or concerns that I can be of help with.”
Though he added that he won’t be leaving the entertainment business entirely.
“I have been an agent for 45 years, and it’s now or never to see what else I will do. I’ve always been a builder, and I want to take the time to create something meaningful in this next chapter of my career,” he wrote. “Let’s be honest, the chances that I’m going to start an aluminum company in Alaska or a cement company in Cleveland are pretty slim. So this is not goodbye. I will remain on the board, and I will always be a friend, a supporter, and a fiercely loyal champion of this great company we’ve built together and that I love.”
You can read Kramer’s full email to UTA staff below.
TO: All Employees
FROM: DK
SUBJECT: Leadership Update
Team,
I’d like to start by saying that I am honored to be named UTA’s next CEO. We are all deeply grateful to Jeremy for his passion and dedication to this team and for helping to make UTA into one of the premier global talent agencies in the world. His vision and guidance were key to building our foundation and broadening our business to offer clients world-class capabilities across filmed entertainment, music, sports, the creator economy, and advisory services.
There is a reason that UTA has been my home for my entire career – I am incredibly fortunate to work alongside such a talented and dedicated team, and experience the impact our work has for our clients.
UTA has consistently taken chances, entered into new spaces, and defined categories with our work. Our focus will continue to be on nurturing and empowering that entrepreneurialism, and the unique strengths and capabilities that have allowed us to win in each category. Together, we will make sure that we foster real collaboration across our platform so that we can leverage our ability to see what’s next in culture to unlock greater opportunity for both our clients and the company as a whole.
UTA’s greatness isn’t just defined by the strength of our individual contributions or our ever-expanding scale; it’s our shared commitment to putting clients first and our relentless pursuit of discovering, creating and sustaining opportunity for great talent and brands. This will always be the foundation of our success and what differentiates us.
I’m excited to collaborate with each of you as we leverage the strength of the businesses we’ve built and guide this company into a new era of growth and innovation.
I look forward to spending time over the following weeks meeting with all of you and talking further about priorities ahead.
Please join me once again in thanking Jeremy for his incredible vision and leadership. And thank you for all you do to make UTA the company it is today.
Regards,
DK
This story was originally published by The Hollywood Reporter.
Audacy has announced a slate of executive changes, with Kelli Turner appointed as president and CEO, while Chris Oliviero has been named chief business officer, and Bob Philips named as chief revenue officer.
Turner had been serving as interim president and CEO since January, after former Audacy chief David Field stepped down, and has served on the Audacy board since September 2024. Turner most recently served as managing director and CFO for Sun Capital Partners, and previously served as president and COO for Blackstone-owned music licensing and rights management SESAC Holdings. She has also served in various executive and leadership roles in the investment and media industries, including RSL Group, Martha Stewart Living, Time Warner, Allen & Company and Citigroup.
Oliviero was most recently market president for Audacy New York, and Philips was president of Audacy Networks and multi-market sales.
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“On behalf of the Audacy board, we are delighted that Kelli Turner has agreed to take on the permanent President and CEO role and lead Audacy through its next phase of reinvention and growth,” Michael Del Nin, chairman of Audacy, said in a statement. “She is an exceptional media executive who, along with Chris Oliviero and the rest of the Audacy team, will ensure we continue to invest in high-quality content to engage our audiences and provide best-in-class solutions to our partners.”
“It’s a privilege to lead Audacy at this exciting moment in its impressive history and the evolution of audio,” Turner added. “This is one of the most dynamic businesses in media and entertainment, and I am looking forward to partnering with Chris Oliviero and all of our teams to build on our momentum with audiences, creators and advertisers. I’m especially excited by the appointments of Chris and Bob, who know Audacy’s businesses inside out and whose track records in management, programming and sales are second to none.”
Oliviero has served as market president in New York since 2020 and previously spent over 23 years at CBS Radio (which became part of Audacy in 2017). Philips joined CBS Radio in 1996 and later took on the role of CRO for CBS Radio and Entercom. After Entercom’s rebranded as Audacy in 2021, Philips transitioned into his most recent role.
Audacy has also announced several departures, including COO Susan Larkin, chief digital officer J.D. Crowley, chief marketing officer Paul Suchman and executive vp and general counsel Andrew Sutor.
Mike Dash, who has been with Audacy’s companies for nearly 20 years, has been named executive vp and general counsel, and will succeed Sutor, who will stay on for a transition period.
Well, wouldn’t you know, it’s another Executive Turntable, Billboard’s weekly compendium of promotions, hirings, exits and firings — and all things in between — across the music business. There’s a full slate of news this week, so let’s get started.
Peermusic expanded Elizabeth Rodda‘s role to president of US Latin, Latin America and global society relations. Reporting to CEO Mary Megan Peer, Rodda will now oversee Latin initiatives and new signings in the US and Puerto Rico, as well as her prior remit in South America, Mexico and Central America. The US Latin creative team will report to Rodda, who remains based in Miami. She’ll also represent Peermusic to global collection societies, optimizing revenue growth and rights flow for songwriters. Rodda will manage Peermusic’s offices in Argentina, Brazil, Chile, Colombia, Mexico, Peru and Venezuela, and administer territories including Belize, Bolivia, Costa Rica, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Nicaragua, Panama, Paraguay and Uruguay. She collaborates with local managing directors to sign new talent and oversee digital and synch activities. Recent signings include Vladi Cachai, Foudeqush and NanQ, among others. With over 20 years of experience, Rodda previously served as ASCAP’s senior vp of international affairs before joining Peermusic as president of Latin America and GSR in 2023. Pre-ASCAP, Rodda gained footing in music publishing and licensing at Planet Records and Caribe Sound and Music Publishing, and she also worked as an independent consultant.
CEO Peer praised Rodda’s development of Latin operations, “supporting the creative work and growing the income of peermusic songwriters throughout the region,” adding that “in expanding her role to lead our US Latin initiatives, we are recognizing the close ties between the US Latin and Latin American and increasing the opportunities for our Latin writers globally.”
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Meanwhile…
Round Hill Music hired Jeff Bunder as its global chief financial officer and James King as its chief capital officer. Bunder, based in Nashville, has nearly 40 years of private equity experience, including leadership roles at EY and Lindsay Goldberg. He’ll oversee finance, accounting, tax, valuation and investor relations at RHM. Londoner King joins from Cavendish and has clocked over 25 years of corporate finance and private equity experience. He will focus on expanding RHM’s investor base in the UK and Europe. Round Hill, which sold off its public fund to Concord in 2023, continues to operate its private fund, Round Hill Music Royalty Partners, in which it has limited partners like the Swiss-based private equity fund Partners Group. Round Hill’s portfolio of roughly 200,000 is worth an estimated $900 million and includes rights to songs performed by Whitney Houston, Bruno Mars, Morgan Wallen, Madonna and more, according to the company.
The Apollo appointed Joy Profet as chief growth officer and Tysus Jackson as chief development officer, expanding its executive team amid a historic theater renovation. Profet, formerly a product marketing lead at Amazon Prime Video Advertising, will work to boost global impact, brand influence and revenue partnerships. Jackson, most recently assistant director of advancement at the National Museum of African American History and Culture, will lead philanthropic efforts, including the Apollo Rising 2.0 campaign. Apollo president and CEO Michelle Ebanks praised their expertise, “from Joy’s innovative business approach and growth mindset, to Tysus’ exceptional ability to inspire and mobilize donors around worthy causes.”
Electric Feel, the multi-dimensional music company (not to be confused with the MGMT banger), recently expanded its global presence to Nashville. The company, which encompasses management, publishing, a record label, studios and a ventures wing, celebrated this expansion with a launch event at their new state-of-the-art studio in Music City on Thursday, March 13. Key executives involved in the opening include Austin Rosen, CEO; Danielle Engen, director of facilities and studios; Nick McMullen, chief engineer and technical director; Chandler Nicole Sherrill, senior director of creative; and John Bradley, country A&R.
AEG Presents announced a slew of senior vice president promotions within its global partnership division, following Andrew Klein’s appointment as president of global partnerships. Andrew Bersch has been promoted to svp of finance and administration, where he’ll oversee financial strategy and operations. Holli Branam, Bret Heiman and Alex McArthur have been elevated to svp of sales, leading efforts to drive sponsorship revenue and create brand partnerships across AEG venues and festivals, including Coachella and Stagecoach. Samantha Fernandez was named svp of festival activations, managing over 350 brand partnerships across 15 music festivals annually, while Brianne Grimley is now svp of venue activations, overseeing regional and national strategic partnerships within AEG’s North American network. Finally, Eric Kohler has been upped to svp of global partnerships, leading AEG’s American Express partnership. Klein praised “this group of industry leading individuals,” adding, “they have each been instrumental in helping grow and innovate with our family of global partners and music assets.”
Abas Pauti, co-manager of Shaboozey and Paul Russell, joined Range Music as a full-time manager and vp of artist development earlier this year. After graduating from Mizzou in 2020, Pauti headed out West to Los Angeles where he met one Collins Chibueze (aka Shaboozey), resulting in Shaboozey’s project Cowboys Live Forever, Outlaws Never Die, which blends western, Americana and hip-hop. Shortly after, in 2022, Pauti discovered Cornell grad Paul Russell and a year later partnered with Range Music’s Jared Cotter to co-manage both Russell and Shaboozey. Together, Pauti and Cotter have helped Shaboozey and Russell deliver breakout hits with the former’s record-tying 19-week Billboard Hot 100 No. 1 smash, “A Bar Song (Tipsy),” and the latter’s viral hit “Lil Boo Thang,” which tipped at No. 14 on the big pop chart.
Jim Ryan, Audacy’s senior vp of programming and lead programmer at NEW 102.7 (WNEW-FM) in NYC, will leave the company in April to focus on his consultancy, Jim Ryan Media, full-time. Originally planning to depart in December, he extended his tenure due to Nielsen’s new three-minute qualifier rule. April marks his 15th anniversary at Audacy. Ryan, known for programming stations like WLTW, WNEW, and WCBS-FM, solidified his reputation as a top radio programmer. He will continue working with national radio personality Delilah and other talents. Ryan praised colleagues Susan Larkin and Chris Oliviero for their support and confirmed his successor — whom he helped pick — will be announced soon. He expressed confidence in passing the baton to a respected industry professional. You can reach him at him at Jim@JimRyanMedia.com.
David Fanning launched Off Road Records in partnership with Reservoir Media with expressed goals to empower music creators and develop sustainable careers. Fanning serves as president, with Jamie Graves as svp of marketing and promotion. The Nashville-based label has signed its first artist, singer-songwriter Dylan Davidson, who released his debut single, “Wine Night,” today (March 14). O Double R will distribute and market music through Reservoir’s label platform, Reservoir Recordings, which will also provide additional label services. Reservoir president Rell Lafargue praised Fanning’s ability to identify rising talent — “and drive it straight to the top.” He added, “This investment is also a great opportunity to continue growing Reservoir’s recorded music business together with creators we believe in.”
Universal Music UK made some tweaks to its artist relations team. Led by Shiarra Bell, with Hannah Lamb and Ali Golembo, the team will work closely with artists, managers, UMG labels, and the wider company to offer multifaceted support, including bespoke events, well-being programs and other artist-centric experiences. Shiarra Bell, promoted to director of artist relations, has a diverse background in music management and events, working with artists like Eminem and Lady Gaga. Hannah Lamb, now head of artist relations, has been with the team for 10 years, starting as an intern. Ali Golembo, promoted to artist relations manager, began as a promotions intern at EMI. The team will report to Rebecca Allen, president of the audience and media division at Universal Music UK, who now oversees artist relations. “With Shiarra at the helm, and Hannah and Ali by her side, this future-facing team are set to bring a new level of creativity and support to our artists and label teams,” said Allen.
BOARD SHORTS: Universal Music Group announced that non-executive director Manning Doherty will retire from its board of directors on March 21. The board acknowledged his valuable contributions since joining in 2021. Doherty, managing director at GIC, leads the Infrastructure Group (North America) and has extensive experience in equity research, private equity and special situation investing. Previously, he held senior roles at Mount Kellett Capital and Oaktree Capital Management … AMPOLLO, the newly launched music collaboration platform, announced an advisory board featuring top industry figures, including Andy Saunders, Emily White, Colin Barlow, Karl Nielsen and Charlie Rapino. Chaired by Saunders, the board will support co-founders CEO Yoram Ben-Israel, CMO Mark Alexiou, and Rebekah Pennington in expanding AMPOLLO’s international presence, driving innovation, and developing new revenue streams through fan engagement.
Universal Music Australia announced key leadership changes at BRING, its creative agency specializing in connecting brands with music culture. Brooke Pilton has been promoted to general manager of partnerships, while James “Griff” Griffiths has been elevated to general manager of creative. These appointments aim to strengthen BRING’s role in aligning brands with artists and music culture. CEO Sean Warner praised their “shared vision for the future of the agency.” BRING has executed successful campaigns for brands like Coca-Cola and Vodafone, earning multiple Clio Music awards. The agency will continue to develop creative partnerships, supporting UMA’s artists and promoting Australian music on a global scale.
AWAL appointed Aniket Parpillewar as head of India & South Asia, based in Mumbai. Parpillewar will lead efforts to empower independent artists in the region, offering services like marketing, sync licensing, promotion, distribution and real-time music analytics. He joins from Amazon India and will report to Paul Hitchman, AWAL’s COO, and Vinit Thakkar, managing director of Sony Music Entertainment India. Following its 2023 acquisition of OKListen, AWAL is fast-expanding in India with support from Sony Music Entertainment India, with new signings including Zanai Bhosle, Anumita Nadesan, Dino James and others. CEO Lonny Olinick highlighted AWAL’s global outlook and the significant step in extending their model to artists in India and South Asia, adding that “Aniket brings a wealth of music experience in the Indian market to the AWAL team and has hit the ground running.”
NASHVILLE NOTES: Public relations company Sacks & Co. promoted Catherine Snead to senior director in its Nashville office. The firm also touted the mid-2024 hire of Jessica Vandergriff as an associate. Snead moved to Nashville in 2017 and began working with Sacks & Co.’s roster of artists, while Vandergriff moved to Music City in 2020, working at Post Hill Press, followed by a stint at 117 Entertainment … Black River Publishing elevated Sarah Hudspeth from coordinator to creative manager … Peachtree Entertainment added two executives: Marty Elliott joined as vp of university relations following a run at Ready Room Collective, and Andrew Goldberg took over as vp of strategic partnerships following his work at Danny Wimmer Presents.
Mike Sherwood, a veteran of the majors, launched Sparks Street Entertainment, a new music management and consultancy company. With over 25 years of experience, Sherwood aims to empower artists, managers and labels in the global music market. Sherwood’s career includes key positions at Warner Music Group, where he worked with legendary artists like Green Day, Tom Petty, and Linkin Park, and helped launch stars like Dua Lipa and Zach Bryan. Most recently, he served as executive vp at Universal Music Group’s Capitol Records, supporting successful campaigns for artists such as The Beatles, Katy Perry, Sam Smith and Ice Spice.
Pieter van Bodegraven joined CTM Publishing as a creative consultant in early February. With decades of experience in the Benelux music publishing industry, he’s worked with major artists, composers and producers through roles at BMG/Talpa Music, Cloud 9 Music, and more. Van Bodegraven said he values CTM’s “atmosphere and mindset” in their handling of copyright administration and royalty distribution. Jitze de Raaff, president of CTM Publishing, praised Van Bodegraven’s extensive knowledge, experience and “extraordinary” national and international network.
PRG, a provider of concert production elements, announced key promotions within its corporate events division. Matt Hohmann has been promoted to senior director of production services, recognizing his contributions to process enhancement and operational excellence since starting as a lighting intern. Additionally, Eric Hanson, Justin Juriga, Wendy Coop, James Oyler and Walker Harris have been appointed as new technical directors. Reporting to Ariane Coldiron, PRG’s senior vp of corporate events, the team will work closely with external partners and internal stakeholders to ensure PRG’s solutions align with project needs, enhancing collaboration and efficiency.
Viamedia, the digital and cable advertising company, promoted Justin Johnston to senior vp of finance following the retirement of Sherri Bradshaw. Johnston, who joined Viamedia in 2023 as assistant controller and later became controller, will oversee financial operations. Johnston previously worked at Blackhawk Mining in financial analysis and spent six years at Breeding Henderson & Hord conducting audits. Viamedia recently became the first U.S. ad sales firm to represent over 100 video service providers.
ICYMI:
SiriusXM
SiriusXM thinned its ranks with a new round of layoffs, primarily in the company’s product and technology group. The satellite radio giant did not specify the number of employees affected … OpenPlay hired former Dubset Media exec Bob Barbiere to lead a new service offering … ARIA COO Lynne Small will step down next month … and surprise! the landscape for top music executives remains overwhelmingly white and male, according to a new report by USC. [Keep Reading]
Last Week’s Turntable: SiriusXM Changes Ad Wizards
OpenPlay, the back-office technology company that Universal Music, BMG and others use to manage their catalogs, said on Tuesday it hired former Dubset Media executive Bob Barbiere to lead a new service offering.
Called OpenPlay Reach, the new offering will launch in the second quarter this year and it aims to give its thousands of label and publisher clients more control over the distribution and monetization of their catalogs, and delivery of tracks to the streaming platforms, the company says.
With more than 100,000 new tracks uploaded to music platforms every day, and video assets with music components becoming more powerful generators of streaming revenue than in recent years, managing the thousands and millions of songs major music companies and publishers have in their catalogs has never been more complicated.
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At the same time, record labels and publishers are looking to automate back-office functions to save money and focus staff resources on finding new artists and talent.
“[OpenPlay] Reach is both well-conceived and uniquely timed,” Barbiere said in a statement. “Labels and publishers are not only trying to keep up with the growing use of their catalog and rapidly expanding number of consumer touch points, they are being fiscally challenged to get more accomplished with less. While OpenPlay now powers the back office of thousands of labels and publishers, it’s been one of music’s best kept secrets. With the introduction of Reach, it will not be a secret much longer.”
OpenPlay says it not only helps clients house their catalogs, but also distribute their songs. The OpenPlay dashboard shows effectively everything Spotify, Apple Music and other digital service providers require: rights, audio information, secondary contributors, everything associated with an individual ISRC or composition, basic publishing information, lyrics, expanded metadata and more. OpenPlay’s tools also provide distribution services like creating secure, trackable playlists to send promoters, a tool that automatically creates electronic press kits, and a dashboard for label groups to approve or reject releases from across label groups.
Its clients include all the majors — Universal Music Group, Sony Music Entertainment, Warner Music Group — as well as BMG, Concord, HYBE, Netflix, Disney Music, Big Machine, MNRK and others, according to the company.
A veteran of music technology and digital rights clearances, Barbiere previously co-founded ClearBeats, a startup aimed at solving hassles in licensing derivative works, and was an executive at Pex, which tracks music usage and modified audio. He joins OpenPlay as executive vice president and general manager of OpenPlay Reach.
OpenPlay co-founder and chief client officer Edward Ginis says the expanded new tools further “our vision to give rights owners the independence to take asset management decisions with complete control. Bob Barbiere’s leadership will be key in driving this expansion forward and ensuring that content can be managed, delivered and monetized at scale.”
Welcome to the latest Executive Turntable, Billboard’s weekly compendium of promotions, hirings, exits and firings — and all things in between — across the music business. There’s a full slate of personnel news this week, so let’s get started.
John Trimble, the longtime chief advertising revenue officer of SiriusXM — and Pandora before that — announced his departure after 16 years at the satellite/digital radio giant. Reflecting on his journey, he highlighted the twists and turns of his tenure, from Pandora’s start-up phase in the late aughts to its public offering and integration into SiriusXM in 2019. “Each step was defined by the risk-takers, colleagues who were truly teammates, and teammates who became friends,” he said on LinkedIn. “We built a high quality and sustainable revenue organization that can withstand the ups, downs and twists of crazy ad markets while being an integral part of the digital audio market.” Trimble, who lasted through seven CEOs and Pandora’s acquisition by SiriusXM, said he felt the company is in good hands and that it’s “time to go chase my growing bucket list.” Trimble joined Pandora in 2009 following stints at Glam Media and Fox Interactive. His successor as CARO is Scott Walker, previously the senior vp of the SiriusXM-owned ad platform AdsWizz. In a chat with Adweek this week, Walker said he aims to expand the company’s reach and improve its measurement and attribution capabilities.
Adrian Pope is the new executive vice president of digital business and global partner relations at Virgin Music Group. Based in London, he will connect VMG with its independent clients and digital partners globally. Pope previously served as chief digital officer at [PIAS] and managing director of its distribution and services business [Integral], collaborating with top indie labels and artists. He was instrumental in integrating [Integral] into Virgin following Universal Music Group’s acquisition of [PIAS] in 2024. With over 20 years in the digital music industry, Pope’s experience includes roles at Music Week and consultancy Understanding & Solutions. JT Myers, co-CEO of Virgin Music Group, praised Pope’s contributions to both [PIAS] and [Integral]. “We know his relationships and expertise will be important in our continued growth and success around the world and are grateful to have him play a key role on Virgin’s global leadership team,” said Myers.
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Jordan Fasbender, executive vp, chief legal officer and secretary of iHeartMedia, announced this week that she’ll resign by the end of the month to take a position outside the company. According to a new SEC filing, her resignation is not due to any disagreement with the company. The NYC-based legal executive joined iHeartMedia in mid-2019 as deputy general counsel and rose to her current role in November 2024 after signing new agreement extending her role through at least 2026. She previously served as senior vp and associate general counsel at 21st Century Fox and began her career as an associate at Weil, Gotshal & Manges LLP. Fabender’s replacement has not been announced, nor has she said where she’s headed next.
BMG is merging its Sync and Production Music teams into a unified global Sync Services structure to streamline operations and enhance services for clients in TV, film, advertising, gaming and tech. As part of this restructuring, Amberly Crouse-Knox and Scott Doran have been appointed senior vice presidents of Sync Services & Partnerships. Crouse-Knox will oversee North America and Latin America from Los Angeles, while Doran will lead UK and Asia-Pacific from London. Both will report to Johannes von Schwarzkopf, BMG’s chief strategy officer, and join Allegra Willis Knerr and Caspar Kedros in the global sync leadership team. Crouse-Knox has been with BMG since 2014, playing a key role in integrating X-Ray Dog Music. Doran, who joined in 2016, previously co-owned Altitude Music. This restructuring aims to strengthen the bridge between creators and clients, matching catalog cuts with impactful opportunities.
SharpTone Records appointed Jackie Andersen as its new head of label, succeeding Shawn Keith. With over 20 years in the industry and five years at SharpTone, Andersen has played a key role in the label’s growth. Her background in artist management has helped create supportive environments for musicians. She says “our commitment to empowering artists and connecting fans with cutting-edge music remains stronger than ever.” As part of the transition, Sal Torres has been promoted to head of A&R, bringing experience from Hopeless and Fearless Records. Founded in 2016, SharpTone, under the Nuclear Blast and Believe umbrella, continues to evolve. Nuclear Blast CEO Marcus Hammer and Believe Germany’s Managing Director Thorsten Freese praised Andersen’s vision, with Freese highlighting her “vision and expertise will foster even greater synergies across our network, allowing SharpTone to capitalize on Believe’s unique distribution, and audience development capabilities and global presence.”
Jody Williams Songs (JWS) promoted Nina Jenkins Fisher to vp/general manager and Tenasie Courtright to creative director. Fisher, with JWS since its inception in 2020, has signed and managed a diverse group of writers, including developing and major label artists, writer-producers and songwriters. She also oversees the company’s partnership with Warner Chappell Music. Courtright joined JWS in 2022 as creative coordinator and was later elevated to creative manager. Under Fisher’s supervision, Courtright now plays a key role within the company. JWS represents songwriters such as Andy Austin, Ashley McBryde and Vince Gill, and is a joint venture with Warner Chappell Music. Founder Jody Williams praised Fisher’s leadership in helping her launch the company from scratch and called Courtright an “innate communicator” who “offers creative ideas and solutions like a seasoned pro.”
Lauren Kilgore joined Sony Music Nashville and Provident Entertainment as senior vp of legal and business affairs. In this role, effective immediately, she oversees legal activities for both labels and collabs with business leaders to develop and implement legal, business and operational strategies. Kilgore reports to Taylor Lindsey, chair & CEO of Sony Music Nashville, and Ken Robold, president and COO. Recognized as one of Billboard‘s top music lawyers, Kilgore has spent her entire legal career in Nashville. She most recently served as a shareholder at Buchalter, where she handled various transactional entertainment matters.
Shore Fire Media promoted Chris Brudzinski to senior vp of business affairs and Dan Mansen to business operations specialist, reflecting the company’s growth since joining the Dolphin collective of marketing companies. Brudzinski, with 26 years at Shore Fire, will continue reporting to founder/CEO Marilyn Laverty. His role has expanded since joining as office manager in 1998 to include business development, accounting and human resources. He played a key role in adapting accounting practices after Shore Fire became a Dolphin subsidiary, collaborating with Dolphin CFO Mirta Negrini and overseeing a 50% increase in staff. Mansen, who started as mailroom coordinator in 2016, advanced to assist Brudzinski and became office manager in 2022. He led return-to-office procedures post-pandemic and managed Brooklyn HQ operations. In his new role, he’ll oversee accounts payable, sales order entry, and monthly accounting closings.
Global concert promoter Peachtree Entertainment added Marty Elliott as vp of university relations, and Andrew Goldberg as vp of strategic partnerships. Elliott has over 27 years of experience in venue management, business development and booking. Goldberg has previously held roles at Danny Wimmer Presents, Live Nation and Vinik Sports Group. –Jessica Nicholson
Musicians On Call, which brings music to the bedsides of patients in health care facilities, announced 11 internal promotions. Katy Epley is now chief operating officer, Elizabeth Black is senior vp of operations, and Nicole Rivera is vp of innovation. Other promotions include PJ Cowan (director of programs), Tarah Duarte (director of corporate partnerships), Melinda LaFollette (director of PR and events), Alli Prestby (creative director), Torianne Valdez (director of artist relations), Audrey Jadwisiak (senior program manager), Lia Okenkova (senior development manager) and Sasha Arnkoff (program manager).
NASHVILLE NOTES: Rachel Whitney is taking a sabbatical from her role as Spotify‘s head of editorial in Nashville, the company confirmed … Capitol Christian Music Group senior vp of A&R Josh Bailey left the company with plans to create his own firm involving both Christian and country music … Hsquared Management expanded its team with Kimberly Hopkins, who will serve as the day-to-day manager for Provident Label Group artist Lizzie Morgan and other clients.
New music streaming platform HIO is launching with an artist-first model designed to ensure a transparent path to compensation. Unlike traditional platforms, HIO’s per-user engagement model pays artists directly based on individual listener activity. HIO is led by CEO and founder Ryder Havdale, an indie label executive and musician, who envisioned the platform as an alternative to legacy streaming services. Arthur Falls, chief marketing officer, brings expertise from DFINITY Foundation and ConsenSys, while Galen Hogg, product lead, is a music industry veteran and NFT entrepreneur. The artist outreach team includes musician Eamon McGrath and Sheila Roberts, former director of marketing for PUMA Canada. “This isn’t about unpacking what traditional streaming services do or don’t do—it’s about proving there’s a better way,” said Havdale. “We built HIO because we believe artists deserve transparency, real engagement with their fans, and a revenue model that actually works for them.”
Chrysalis Records, part of the Reservoir group, appointed Colin Rice as director of catalogue marketing. Based in London, the former Sony executive will report to James Meadows, senior vp of marketing. He’ll focus on developing marketing strategies for the label’s catalog artists in the UK and internationally, collaborating with the US marketing team. Rice previously worked at Sony Music’s commercial music group division, overseeing international marketing for artists like Jimi Hendrix, Pink, Celine Dion. His achievements include international No. 1s for Mariah Carey’s “All I Want For Christmas” and campaigns for iconic albums by Pearl Jam, the Clash and others. Rice’s career began at Sanctuary Records, followed by roles at we7/Blinkbox music and Union Square Music. Meadows and Alison Wenham of Chrysalis Records praised Rice’s extensive experience and reputation.
Sound Talent Group promoted Sarah Pederson to director of finance, overseeing all accounting and finance operations for the agency. She began her entertainment career as founder and president of Family Tree Presents in Anchorage, promoting shows for bands like 36 Crazyfists. Through this work, she connected with STG co-founder Dave Shapiro, who invited her to join STG in San Diego as controller in 2020. Pederson, a metal fan, is excited about shaping STG’s future. Shapiro added: “She has been an integral part of our growth over the last 5 years and we look forward to many more years to come.”
Key Production Group, Europe’s leading bespoke physical music and packaging manufacturing broke, launched Key Intel, a new product development division led by strategy director John Service. This expansion includes entering the Irish market with newly hired consultant Ann Marie Shields. Key Intel will manage the ideation, creation and release of new products across the company’s subsidiaries. Upcoming innovations with sustainability in mind include a multi-disc boxset series, 3D packaging and a “100 % recycled alternative to shrink wrap.”
Iron Mountain Media and Archival Services appointed Andrea Kalas as vp to lead its expanded division. With over 20 years of experience, Kalas previously worked at Paramount, where she built a valuable film archive and preserved over 2,000 films, including The Godfather. She has also held roles at DreamWorks, Discovery and the British Film Institute. A former president of the Association of Moving Image Archivists, she is a member of the Academy of Motion Picture Arts and Sciences and founded the Academy Digital Preservation Forum Initiative.
ICYMI:
Julie Greenwald
Mercury Records promoted Tyler Arnold to chairman/CEO and Ben Adelson to president/COO of the label, home to Post Malone and Noah Kahn … Street Mob Records hired veteran music executive Gustavo López as its new president … Richard Vega and Stephen Schulcz were promoted to partners in WME’s music division … and former Atlantic Music Group boss Julie Greenwald is now an executive-in-residence at the Clive Davis Institute of Recorded Music at NYU’s Tisch School. [Keep Reading]
Last Week’s Turntable: EMPIRE Hires MD of Europe
Mercury Records has promoted Tyler Arnold to chairman/CEO and Ben Adelson to president/COO of the label, the company announced Wednesday (March 5). Arnold previously served as president while Adelson served as general manager at the label, which they relaunched in 2022.
Under Arnold and Adelson’s leadership, Mercury has released hit albums including Post Malone’s F-1 Trillion and The Diamond Collection, Noah Kahan’s Stick Season (Forever) and, via the label’s partnership with Big Loud, Morgan Wallen‘s One Thing At A Time and Dangerous: The Double Album. Most recently, Wallen’s single “I’m the Problem” debuted at No. 1 on Billboard‘s Hot Country Songs chart and No. 2 on the Billboard Hot 100.
Arnold and Adelson will report to REPUBLIC Collective founder/chairman/CEO Monte Lipman and founder/vice-chairman/COO Avery Lipman, who noted in a statement, “Tyler and Ben began their careers at Republic, and we’ve had a front-row seat to their incredible growth. It’s been nothing short of inspiring to watch. With Mercury, they are building a legacy that honors the label’s history by developing, breaking and supporting the next generation of career-defining artists.”
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“The last three years at Mercury have been incredibly special,” said Arnold. “I could not be prouder of our artists, our team and the culture we’ve created. Ben and I set out to build a label that supported artist development with time, patience and a real commitment to A&R and creative marketing. I’m very grateful to Monte and Avery for their continued support of our vision and am so excited for this next chapter of Mercury Records.”
Adelson added, “I am honored to continue building the legacy of Mercury Records. More than anything, I’m most proud of our authentic and dynamic roster and the team we have brought together. Thank you to Monte and Avery for their continued support and guidance.”
New York-based Arnold started as an intern at Republic Records and, after joining the label as an A&R assistant, signed Malone. He ultimately rose to the role of vp. In addition to Malone, he’s also signed such top acts as Metro Boomin and Bo Burnham and partnered with Big Loud to build Wallen into a superstar. He has been named to Billboard‘s Power 100, R&B/Hip-Hop Power Players, Country Power Players and 40 Under 40 lists.
Los Angeles-based Adelson also started at Republic as an intern and was hired as an assistant to Avery Lipman in 2008. He subsequently managed Young the Giant, kickstarting the band’s rise to an arena-level act, before rejoining Republic as director of A&R and rising to become executive vp of A&R in 2018. He has signed artists including Kahan, James Bay, Stephen Sanchez, Conan Gray and Lord Huron. He has been named to Billboard‘s Power 100, Country Power Players and 40 Under 40 lists.
The Mercury Records roster also includes AJR, Chelsea Cutler, Bay, Jeremy Zucker, Huron, Sanchez and ZAYN.
Street Mob Records, the indie label founded by Fuerza Regida frontman Jesus Ortiz Paz (JOP), and which has seen impressive gains on the Billboard charts in the past year, has hired veteran music executive Gustavo López as its new president. The move signals Street Mob’s intention to become “the next big Latin music label,” says JOP, and is part of the label’s significant expansion and its intention to grow further.
In addition to López, Street Mob has also appointed Cindy Gaxiola as its vp of commercial affairs, Niria León as vp of booking and Jesús Amezcua as its vp of marketing. They join an executive team that already included COO Cristian “Toro” Primera and CFO Luis López. Both are partners on Street Mob with JOP, who launched the label as a rookie artist in 2018 and has seen it grow exponentially, especially in the past two years, expanding a roster that now includes Chino Pacas, Clave Especial and Armenta.
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“We got The Avengers,” says JOP quite seriously. “The whole point of this is we’re going to the next level with Street Mob Records. We got the avengers. We got Gustavo Lopez as the president. We got two incredible female senior VPs who are running the company on the touring and management side. That’s why we’re calling it the avengers. Now we have the best of the best.”
Street Mob ended 2024 at No. 6 on Billboard’s year-end Top Latin Imprint chart and the labels’ publishing division — Street Mob Publishing — won publisher of the year at the 2024 Billboard Latin Music Awards. According to López, in this week’s Billboard regional Airplay chart, Street Mob is represented in some way — whether songwriting, producing or artist — in 44% of the chart’s top 25 songs.
For all those successes, bringing in López signals JOP’s seriousness about growing and expanding his business. As part of his long trajectory, López launched maverick reggaetón label Machete Records under Universal in the 2000s, distributing stars like Daddy Yankee and Wisin & Yandel, and was later president of regional Mexican powerhouses Fonovisa and Disa Records. Most recently, he served as CEO of Saban Music Latin until its acquisition by Virgin last year, and launched entertainment company Globalatino Music Partners.
Although López will continue to oversee Globalatino’s overall operation, he will be devoted full time to Street Mob, which is based in Los Angeles. “When I had the opportunity to meet JOP and saw how integrated he is in the business, and how young he is, it was an inspiration for me,” says López. “I thought, ‘If I’m going back to Mexican music, I’m going to do it with the best.’ There’s a lot going on at Street Mob that maybe the industry is not aware of. These guys are more than just the label. And now it’s just formalizing the team.”
JOP founded Street Mob in 2018 “with the hopes of one day being a big record label,” he says. At the time, he was already a fledgling artist, and he wanted to learn how the business worked. In 2020, when things got tough and many in his circle deserted him, Primera and Luis López stayed by his side and JOP made them partners in Street Mob.
“Together with them, we learned the business,” says JOP today. “And little by little, with all our creativity, I think we know. We know how to make a hit.”
Though managed by Street Mob, Fuerza Regida is not signed to the label. Instead, they have a joint venture with indie powerhouse Rancho Humilde and are distributed by Sony.
The group — a juggernaut that won Top Duo/Group at the 2024 Billboard Music Awards, beating international stars such as Blink-182, Coldplay, Linkin Park and Stray Kids — placed three titles in the Top Latin Albums top 10, including Pa Las Baby’s Y Belikeada, which peaked at No. 1 for three weeks.
But since its inception, JOP has been signing new artists, songwriters and producers to Street Mob and has different deals with each, with distribution in place with Cinq, Universal and Warner Music Latina, with whom Street Mob inked an exclusive partnership last year for its artists Armenta, Clave Especial and Calle 24.
Since last year, JOP has been looking for someone to head the label because “it was finally too much for us. But we needed to find the right person. Gustavo is perfect.”
Street Mob currently has 10 artists signed to the label, plus its own publishing company, management and touring division. The company just purchased a 35,000 square foot facility in Rancho Cucamonga, near Los Angeles, with a goal to build an office that will house everybody in the Los Angeles area, says López.
“You can’t mess with the secret sauce,” he says. “The A&R is where it needs to be. We just need to get some finer points aligned and it will continue to expand.”
For JOP, a big part is nurturing artists from the ground up.
“We’re like a school,” he says, citing emerging artist Jorsshh, who started as a writer and now has over nine million listeners on Spotify. “We show them the business and try to open doors for them to go to the next level. We’re trying to make this a big record label within Latin culture.”
Richard Vega and Stephen Schulcz have been promoted to partners in the music divison at WME.
Vega is based out of Miami, where he relocated in 2024 as part of WME’s continued global expansion of the agency’s Latin business. His clients at the agency include Alvaro Diaz, Becky G, Café Tacvba, Humbe, Kevin Kaarl, LP, Saiko, Tainy, Will Smith and Xavi. Vega has worked with super producer TAINY since 2018 and has been one of the main strategists in shifting him into the live space, culminating last year with his first ever sold-out arena show in Puerto Rico to more than 17,000 fans, according to the agency. He has also worked with indie regional Mexican sensation Ivan Cornejo since 2022, taking him from clubs to arenas in a matter of years, and was an early believer in the corridos tumbados movement out of Mexico, signing top acts like Natanael Cano.
Vega began his career playing drums for various bands in Bogota, Colombia, and over time transitioned to the business side of the industry. After seven years in Colombia, he relocated to Nashville, where he graduated from Belmont University. After interning for a year at WME, Vega would go on to work for the agency in Nashville and Los Angeles.
Richard has played a major role in expanding the visibility of Argentine artists in North America and Europe. His client Khea performed across 11 countries in Europe in 2019, while two of his other clients, Bizarrap and Nicki Nicole, have both had major moments at Coachella.
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Schulcz, who is head of domestic festivals for the agency, oversees a roster that includes Givēon, Weezer, Kid Cudi, Swae Lee, Macklemore, Sam Fender, Livingston, Coheed and Cambria, Oliver Tree, ian, Nicki Nicole, Mike Campbell, Mark Ambor, Montell Fish, David Kushner, The Avalanches, Passion Pit and Jean Dawson. He has worked with Teddy Swims since 2020, helping propel his career from clubs to arenas in a matter of years. He also helped orchestrate Victoria Monét’s sold-out Jaguar tour.
Schulcz was born and raised in Los Angeles and graduated from the UCLA. He has been with the agency for more than a decade, starting right out of college in the mailroom.