State Champ Radio Executive Turntable
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SM Entertainment, home to such K-pop stars as aespa and RIIZE, promoted Tak Young-jun to co-CEO alongside existing CEO Jang Cheol-hyuk, the company announced Wednesday (March 27). Tak was also named executive director of the company’s board. Tak, who joined SM Entertainment in 2005, has served as COO since May 2023. Prior to that, he […]
It’s time for another spin around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.
Singer-songwriter Tyler Hubbard (known for his work as part of Florida Georgia Line as well as solo hits including “5 Foot 9”) launched the music publishing company Haylo Music. It will be run by general manager Josh Saxe, formerly of J C Saxe Creative Consulting. Saxe will work with Hubbard to facilitate the daily songwriting strategy of the company’s publishing and creative services roster. A Belmont University graduate, Saxe launched his career as an associate director of A&R at Round Hill Music and rose to a senior director role. In 2019, he joined Endurance Music Group, managing a songwriter roster that included Matt Stell, Paul Sikes and Seth Alley. – Jessica Nicholson
Tencent Music Entertainment announced that Zhenyu Xie, the company’s president/chief technology officer, among other roles, is resigning from his executive positions as well as his role as a member of the board of directors. A press release states the resignation is “for personal reasons” and will be effective Mar. 31; Xie will continue serving as a consultant to the company. Additionally, the board has appointed Tencent Music CFO Min Hu (a.k.a. Shirley Hu) as a director of the company, effective Mar. 31. – Chris Eggertsen
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UMG Nashville hired Jake Gear as vp of A&R. Gear brings more than a decade of experience as a publisher, producer and writer manager to the role. The Belmont University graduate began his career in CMT’s music and licensing department before heading to publishing posts at Magic Mustang Music, Sea Gayle Music and BMG. He later launched the creative publishing venture Hang Your Hat Music with Concord Music and Songwriter Hall of Famer Hillary Lindsey. Gear has also acted as a writer manager for Lindsey and produced albums by Flatland Cavalry, Hailey Whitters and others. – Jessica Nicholson
Gonzalo Rangel stepped into a new role at WK Records as vp of A&R and marketing. The Puerto Rican executive — who has been managing breakout acts including Mexican regional-pop star Ramón Vega and Puerto Rican alt-pop singer Robi since 2017 — will now be responsible for “leading the label’s artistic discovery and development, in addition to overseeing all marketing efforts for its frontline roster,” the WK team tells Billboard. “I am glad to be able to form part of The WK team as the label continues into its fourth year. I look forward to contributing my expertise and leading the new generation of music here at WK Records,” says Rangel. His accomplishments include contributions to the 2022 hit song “Pantysito” by Alejo, Feid and Robi as well as facilitating collaborations for Vega with industry heavyweights such as Carin León, Jasiel Nuñez and mariacheño superstar Christian Nodal. Rangel’s prowess was further evidenced when he secured Vega as an opening act for CNCO‘s farewell tour leg in Mexico and nurtured the development of emerging Puerto Rican producer OG Flamez. Rangel will be reporting to Horacio Rodriguez, CEO of WK Records. – Isabela Raygoza
Stem added two new staff members, welcoming Nima Khalilian as head of international, artist & label strategy and Didi Purcell in an artist & label partnerships role. Khalilian joins Stem from Interscope, where he spent six years as the senior director of international marketing. Purcell joins from SoundOn, TikTok’s music distribution and artist services platform, where she worked as part of the artist & label partnerships team. Prior to SoundOn, Purcell oversaw pop & dance/electronic playlisting at Interscope. – Jessica Nicholson
The TBA Agency, which represents artists including Courtney Barnett, CHVRCHES and Mora, revealed several promotions and hires in New York and Los Angeles. New York-based Katie Nowak was promoted to vp of marketing and partnerships, while L.A.-based Corynne Fernandez transitioned from marketing and partnerships coordinator to director of marketing and artist development. Additionally, Ashley Torres was promoted to marketing and partnerships coordinator. TBA is also teaming with creative services consultancy The Department, founded by Jack Pitney and Kosta Elchev, to foster creative opportunities for the roster. Elsewhere, Nina Moss joined TBA as a marketing assistant. Agents Marshall Betts, Avery McTaggart, Amy Davidman, Ryan Craven and Devin Landau launched the agency in 2020. – Jessica Nicholson
Sarah Scales was named senior director of digital at Activist Artists Management. In the new role, she will be tasked with creating and executing digital marketing strategies for artists on the Activist roster, including Weyes Blood, The Pretty Reckless, Empire of the Sun and The Lumineers. She is based in the firm’s Nashville office. Prior to boarding Activist, Scales spent six years developing and implementing promotional campaigns for global brands and artists at Marbaloo Marketing and Q Management Group. – Chris Eggertsen
Guitar Center named Kristin Shane executive vp/chief merchandising and marketing officer. Reporting to CEO Gabe Dalporto, Shane will oversee the integration of the company’s marketing and merchandising functions to enhance the customer experience. She will also be responsible for product, promotions, visual merchandising, omni-channel experience and activations. Shane comes to Guitar Center from PetSmart, where she was senior vp/chief merchandising officer. – Chris Eggertsen
Aiden Cullen and Alex Gruszynski launched NOVA, a curated creative freelance network and marketplace designed to connect creatives with job opportunities across multiple mediums. NOVA soft-launched as a private Instagram account last year and has since filled approximately 7,500 jobs, according to the company, which says creative executives from companies including Apple, Capitol Records, Interscope Records and Spotify are “followers” of the platform. The NOVA app allows creatives to display their portfolios, grow their networks, display contact information for their representatives and more. Clients can do things like filter and search the platform’s directory of creatives, post jobs, manage applications, and create and organize talent lists that they can refer to when the time comes to fill future roles. – Chris Eggertsen
Róisín Warner was named head of marketing at Blackstar Agency. She was most recently a senior marketing manager at Believe and previously held roles at Universal Music Group and Warner Music Group. The company’s former head of marketing, Breyner Baptista, is stepping into a new role on the board of the agency as non-executive director of A&R. – Chris Eggertsen
Last Week’s Turntable: WMG Vet Takes Temp CEO Role at Deezer
As the Grand Ole Opry approaches its 100th anniversary, vp/executive producer Dan Rogers will take on expanded duties in his new role as senior vp/executive producer of the esteemed institution.
The 26-year Opry veteran will continue to oversee all aspects of the more than 225 shows at the Opry each year. “I really do take it as a pat on the back for what our entire team has been able to accomplish and what we’re in the middle of,” the self-effacing executive tells Billboard of his promotion, which is effective immediately “But there’s still so much I want to be a part of with the Opry before it’s my time to let somebody else take the reins.”
When Rogers took the reins as vp/executive producer in 2019, he couldn’t have imagined the challenges ahead. “The COVID pandemic hit seven or eight months into me being in this position. I was really thankful that I wasn’t new to the Opry when that hit,” says Rogers, who started at the Opry as an intern in 1998 and has held positions in artist relations, communication, marketing, production and tours.
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“We just assumed the flood of 2010 would be the most devastating thing and the most challenging time in our careers,” Rogers says, referencing the historic flood that devastated Nashville as the Cumberland River rose over its banks and filled the Grand Ole Opry House with 10 feet of water. “But it was truly the uncertainty and just the sadness of COVID that made it so difficult for us.”
Nevertheless, the Grand Ole Opry continued, and artists performed 29 Saturday nights without a live audience during the COVID pandemic, never missing a performance. Fans all over the world continued to enjoy the nearly 100-year-old show as they tuned in to the Opry Live broadcast and livestream.
Under Rogers’ leadership, the Opry welcomes a wide range of performers — both newcomers and established superstars, as well as acts who fall outside of country. For example, “American Pie” singer Don McLean made his Opry debut Mar. 9.
“Mr. Rogers, or Opry Dan, as we still lovingly call him, is so effective simply because he absolutely loves the Opry and everyone connected with it. It is his passion, and it shows,” says Jeannie Seely, a 58-year member of the Opry, who was Rogers first assignment as an intern, when he was charged with taking her and her dog, Shadpoke, to the welcome center to greet fans. “Dan is the perfect choice for this important position. He understands the broad spectrum of the Opry. He has the pulse of what’s happening in the music industry today and how it pertains to the Opry. At the same time, because of his lifelong love for this institution, he knows the history and the legendary artists who have created it. His mix of the two provides a show that can only be found at the Grand Ole Opry. The future of this country music treasure is safe in his hands.”
Trisha Yearwood, who celebrated her 25th anniversary as an Opry member on Mar. 13, agrees. “Dan has always understood the family that the Opry is, and he does everything with a smile. He even brings homemade apple pie backstage! I’m so happy to see him move up in our Opry family.”
Since Rogers took the helm as executive producer in 2019, 15 artists have been inducted as Grand Ole Opry members, and T. Graham Brown and Scotty McCreery will be inducted this spring. Last year set a record for Opry debuts, as 131 artists performed on the famed stage for the first time. During the past two years, there have been more than 200 debuts. “If you made me pick a favorite debut, it would probably be Leslie Jordan because that man brought so much love into this Opry House when he walked in,” Rogers recalls of the late actor/singer. “He had so much respect for this place and was determined to have the night of his life from the minute he walked in.”
During his tenure, the Xenia, Ill., native has executive produced Dolly Parton’s 50th Opry anniversary special, Grand Ole Opry: 95 Years of Great Country Music and Christmas at the Opry, which all aired on NBC; as well as the Opry’s 5,000th Saturday night broadcast on Oct. 30, 2022, and the 50th anniversary of the Grand Ole Opry House, which took place the weekend of Mar. 16.
“We went into the night, and I said to our programming staff, ‘One thing we should try to accomplish tonight is all of us should take time to enjoy the show, have fun and tell these artists we love them because this feels like a monumental show,’” he says of the 50th anniversary of the Opry House moving to its current building in 1974. “I loved just standing on the side of the stage and watching people from Bill Anderson, who has been here and served the Opry longer than any member in history, to relatively new Opry members all just enjoying being here and feeling like they were at home.”
Rogers’ duties include serving as executive producer for the weekly Opry Live broadcast and live-stream. He will add new executive producer roles on upcoming international and domestic broadcasts, especially those related to the Grand Ole Opry’s 100th year on the air in 2025.
There’s palpable excitement in Rogers’ voice when he talks about celebrating the Opry’s 100th anniversary. “Our goal would be to do up to 240 Opry performances next year, the network television specials and a couple of monumental shows, probably outside of Nashville,” he says. “We’re taking the Opry to some unexpected places in addition to really having a show almost any time a Nashvillian wants to come see us or anyone is coming from around the world. If you spend two nights in Nashville, [we’re] pretty sure at least one of those nights we’ll be staging the Grand Ole Opry for you.”
Though the Grand Ole Opry’s actual centennial is in November 2025, the festivities will begin long before. “We’ll begin celebrating about this time next year and will continue basically as long as people will let us,” Rogers says with a laugh. “There are so many artists we want to showcase and partners we want to partner with, it really will take several months for us to accomplish all that we want to accomplish, but we also want to give people plenty of opportunities to come see us if you are a spring traveler or summer traveler, fall, winter or what have you.”
Rogers says there are plans for special exhibits and specific tours celebrating the Opry’s 100th, which he expects will draw more than 250,000 visitors. “You will also know that it’s a really, really special year when you walk through either on a tour or as an artist walking through on a show night,” he says.
There are also plans for shows that will honor Grand Ole Opry legends who have died such as Roy Acuff and Minnie Pearl.
Rogers quarterbacks a staff that includes the Opry’s programming and artist relations team’s associate producers Nicole Judd and Gina Keltner, as well as artist relations and programming strategy director Jordan Pettit.
After all these years, Rogers says he still gets a thrill on show nights. “My favorite thing is walking to the side of the stage and watching the curtain go up and seeing 4,400 people out there and knowing for some of them it’s a bucket list moment,” he says. “There’s probably some little kid from southern Illinois who had never dreamed that they would be where I am and there are probably lots of Trisha Yearwoods, Lainey Wilsons and John Pardis out there, just taking it all in and thinking, ‘I’m going to be on that stage someday.’”
Dominique Casimir, chief content officer for BMG, announced she is exiting the company on Thursday (Mar. 21).
“It has been an exceptional journey to have been part of shaping BMG’s story from almost day one,” Casimir said in a statement. “We built something unique — a global company with a genuinely artist-focused spirit — and celebrated many milestones together. I am truly grateful for the possibilities I have been given and the amazing people I work with, but I have decided that it is time for something new in my life and career.”
“I would personally like to thank Dominique for her outstanding contribution and unparalleled commitment to BMG over many years,” added BMG CEO Thomas Coesfeld. “We respect her decision to move on, and I would like to wish her all the very best for her personal and professional future, personally, on behalf of the BMG Board — and the wider BMG team.”
Casimir’s departure comes during a period of transition for BMG.
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In April 2023, the company claimed to be the first to combine its new release and catalog recordings businesses. The following month, BMG announced that it would shorten its long-term succession plan for longtime CEO Hartwig Masuch, meaning that Coesfeld stepped into the role on July 1 instead of New Year’s Day 2024.
BMG subsequently exited its distribution agreement with Warner Music Group’s ADA and took “direct control of our relationships with streaming services,” as Coesfeld said in a statement at the time. In October, BMG laid off around 40 employees. (Layoffs have swept through the music industry in the last 15 months.)
And in November, the company announced a restructure that Coesfeld described as “local where necessary, global where possible.” “Fifteen years after the emergence of streaming, music is going through another tectonic change,” Coesfeld said in a statement at the time. “It is vital we now reengineer our business to make the most of that opportunity.”
Casimir started working at BMG in 2008. Her portfolio eventually grew to encompass GSA (2016), Continental Europe (2019), Asia Pacific and Latin America (2020), and the company’s global synch operation (2021). She was promoted to chief content officer in May 2022.
It’s time for another spindle around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music. For a summary of all the goings-on at UMG, scroll to the bottom. For everything else, read on!
Deezer‘s search for a permanent replacement for the departing Jeronimo Folgueira is underway, but in the meantime the Paris-based streaming service has hired a ringer of sorts to keep the CEO seat warm. Stu Bergen, a 14-year veteran of Warner Music and longtime CEO of the label group’s international and global services division, has stepped in to serve as interim CEO until a new chief is found. Bergen, who left WMG in early 2021, has been a member of Deezer’s board of directors for more than a year and will remain there after the executive search is complete. “Stu’s in-depth knowledge of the music and digital industries, coupled with his tenure as a director on Deezer’s board, positions him perfectly to boost the company’s strategic direction and facilitate a seamless transition,” the company said this week, adding it believes Bergen is perfectly suited to guide them in its international expansion and boosting subscribers in key markets. The company recently posted positive financial results for 2023, with revenue up 7.4% to $524 million and an 11.5% increase in subscribers (thanks to business-to-business partnerships).
”I am honored to accept the interim CEO role at Deezer at this pivotal time,” Bergen said. “I am committed to strengthening the company’s values and driving its growth trajectory forward. With the dedicated team and clear objectives already in place, I am eager to lead us through this period of transition, ensuring the company is prepared for its ambitious future.”
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Merlin, the digital music licensing go-to for indies everywhere, announced an expansive run of promotions and role tweaks at the company. Over on the member and partner success teams, Emma Robinson ascends to senior director of member operations after six years of service; Daniele Yandel was promoted to senior manager of member operations after four years; four-year veteran Jo Danher is now senior manager of member relations; and Poppy Waring (seven years) and Shannon Bradley (three) both step up to senior manager of commercial partnerships. As for the finance fam, Vincent Moyo is promoted to director of commercial finance, four years in; Grace Styles approaches her three-year mark with a promotion to management accountant; Savannah Puleston bumps up to operations and events coordinator, nearly two years after joining Merlin. Did someone say data? Mili Payne (two years) is elevated to senior royalty coordinator and Tom White has been named senior coordinator of business analytics in Merlin’s reporting and insights team. Finally, Tolis Koutronas was elevated to senior developer of technology and business solutions, rewarding four years of enhancing Merlin’s infrastructure, while four-year staffer Katie Eckett is now senior manager of business and legal affairs.
NAMM, aka the National Association of Music Merchants, appointed AJ Zane as the trade org’s new director of technology. Zane’s many duties include running point on NAMM’s product and platform technology, cybersecurity, cloud engineering, infrastructure, corporate IT and a host of other responsibilities only a “career technologist” (NAMM president/CEO John Mlynczak’s words) could muster. “He brings a diverse background and experience that align with our commitment to stay at the forefront of technology and harness its power to propel our organization into the future,” Mlynczak said. Prior to NAMM, Zane was an engineering manager at real estate data management tool Measurable and before that was a technical principal at Veyo.
Haley Evans was elevated to the role of president at Mega House Music, a songwriter-producer management company and music publisher. She has worked her way up at Mega House over the last four years, guiding the careers of writing talents like Casey Smith (“Moral of the Story” by Ashe, “Cool” by Jonas Brothers), Gian Stone (“Stuck With You” by Justin Bieber and Ariana Grande), Caroline Pennell (“Past Life” by Trevor Daniel and Selena Gomez, “Everytime I Cry” by Ava Max), and Peter Fenn (“Nathan (still breathing)” by Fred Again.., “Slow Down” by Laufey). Evans also works across the Mega House’s full roster, helping with Monsters & Strangerz, Joe London, Sol Was and others. She manages rising folk artist Mon Rovia as well and has played a meaningful role in the company’s expansion into Nashville and Miami. In her new role, she will continue to report to co-CEOs David Silberstein and Jeremy Levin. –Kristin Robinson
Academy Music Group (AMG) appointed Liam Boylan as chief executive officer of the UK venue owner and operator. AMG’s roster of medium-sized venues across the country include O2 Victoria Warehouse in Manchester, O2 Academy Birmingham and the soon-to-reopen O2 Academy Brixton. Boylan was previously stadium director at the legendary Wembley Stadium, and prior to that worked for years at SJM Concerts and Manchester Arena. “We’re delighted to welcome Liam to the AMG team and look forward to working with him,” said Denis Desmond, chairman of AMG. “He has a wealth of knowledge and experience in the live industry and running major events. He will be a great asset.”
Concord Music Publishing hired Lüder Castringius for the newly created position of senior vp of legal and business affairs across Germany, Switzerland and Austria (GSA). In his new role, Castringius will play a “central role” in bolstering Concord’s interests in the sprawling region, remarked Duff Berschback, evp of legal and business affairs, who added: “The decision to create this position demonstrates our commitment to top-tier legal counsel and underscores our efforts to meet the rapidly evolving demands of the music market.” The Berlin-based exec arrives from BMG, where he rose to senior vp of business and legal affairs EU during a 15-year run at the company. Castringius reports directly to Berschback, who is based in Nashville, but will also work closely with Tina Funk, managing director of Concord Music Publishing, GSA. “We appreciate his sensitivity, his fighting spirit, and his commitment to shaping the character and roster of the publishing house… and ensuring the protection of our creators’ rights,” Funk said.
RADIO, RADIO: Audacy announced that svp of digital audio content Tim Clarke will depart at the end of the month, with his role — leading consumer-facing properties such as Audacy.com and the company’s radio app — being phased out and duties folded into other teams. Clarke joined Audacy in March 2021 as svp of market manager before quickly ascending to his current position. Prior to Audacy, he spent 12 years at Cox Media, rising to vp of audience and content for his last three. In a staff memo obtained by Radio Insight, chief digital officer J.D. Crowley called Clarke a “wonderful creative executive, a great friend and colleague to so many of us.”
Big Loud Rock, which specializes in big loud rock records, upped its visual marketing game with the appointment of Paul Wright as vp of creative strategy. Based in Los Angeles, he reports up to Lloyd Norman, svp of BLR, which is the alt-rock imprint of Big Loud Records. Wright joins from Red Bull Records, where as director of creative marketing he worked with Blxst, Albert Hammond Jr, AWOLNATION and others on tailored content. Prior to RBR, Wright racked up time at Nettwerk Music Group and Hopeless Records. Elsewhere at BLR, recent new hires and promotions include Dave Barbis as svp of promotion, Nicole Rich as director of promotion & publicity, Delaine Halpin as project marketing manager, Colleen Kennedy as operations manager and Bella DiDomenico as executive assistant to BLR president Greg Thompson. “We are thrilled to have an executive like Paul join the Big Loud Rock team and also to recognize the growth of our staff and the overall team building Big Loud Rock,” Thompson said.
Absolute Label Services added three new members to its London-based team. Joining as senior label manager is Dominic Squire, most recently senior international marketing manager at BMG. The independent services company also welcomed Jimmy Smith, formerly of Platoon, as a campaign coordinator. Finally, Finn Peat is now part of ALS’ digital right team in his first music industry gig.
Outback Presents promoted Fallon Nell to vp of booking, overseeing all Outback artist bookings for country, comedy and music events. Nell launched her career at Outback as the company’s first intern, before joining as a promoter representative in the company’s comedy department. She later transitioned to artist management at Alliance Artists (now Red Light Management Atlanta) before launching Brothers Management. Nell returned to Outback Presents in 2023, serving as senior booking manager. –Jessica Nicholson
NASHVILLE NOTES: Music City-based executive Kelly Bolton joined Warner Records as vp of A&R, focusing on country but reporting to Warner Records’ LA-based CEO Aaron Bay-Schuck. She arrives after more than five years at Tape Room Music, where she served as svp of A&R … Black River Records elevated Bill Mackay to vp of national promotion. Mackay joined the label in 2012 after more than 30 years in the industry, including stops at MCA, Sony and Stroudavarious Records, plus 16 years as a country radio programmer in markets including Pittsburgh, San Jose and San Diego. Congratulate Mackay at bmacky@blackriverent.com.
Creative Artists Agency (CAA) welcomed Julian Teixeira to the family as an agent in the music touring department. He arrives from The Bullitt Agency and brings a client roster that includes Dubfire, Chris Stussy, Dennis Cruz and Kölsch, among other. The George Washington University grad is based in CAA’s. New York offices.
ICYMI:
Following the curtain-raising of the Interscope Capitol Labels Group, chairman/CEO John Janick (pictured) announced more additions to his C-suite team (namely Gary Kelly and Jason Kawejsza), and a few days later fleshed out the structure of the new company … then UMG’s more East Coast-y labels reorganized under the new Republic Corps banner under Monte Lipman … and finally a member of the Corps, Mercury, announced several promotions and hires.
Last Week’s Turntable: Warner Chappell’s China Role
Mercury Records is expanding its executive team amid the broader restructure of Universal Music Group’s labels, the company announced today (March 13). The news comes as the label, which had been operating as an imprint of Republic Records since its relaunch in April 2022, has a hand in the top two albums on the Billboard 200 this week — Morgan Wallen’s One Thing At a Time (Big Loud/Mercury/Republic) and Noah Kahan’s Stick Season (Mercury/Republic).
Now, with the reorganization of UMG’s East Coast labels under Republic co-founder/CEO Monte Lipman, Mercury joins Def Jam, Island and Republic as part of the larger group, with a central organizational hub called Republic Corps. helping each label with marketing, promotions, publicity and legal support. And Mercury president Tyler Arnold and general manager Ben Adelson have made three appointments to their team in the new operation.
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Alex Coslov, a marketing veteran who had worked across both Mercury and Republic, will now be working full time at Mercury as its new executive vp, while Republic senior vp of media Marisa Bianco slides over to work on Mercury full time, while also reporting in to Republic Corps. head of media Joseph Carozza. Additionally, the label hired Mario Vazquez as vp of audience and streaming, who will work at Mercury while also reporting in to Republic Corps. executive vp of global commerce and digital strategy Kevin Lipson.
“Ben and I are thrilled to welcome Alex, Marisa and Mario to our team at Mercury Records,” Arnold said in a statement. “From day one, our goal has been to foster a creative, supportive and forward-thinking home for our artists to thrive. We are incredibly grateful to expand our team with this talented group of executives who will help further that mission as we usher in our next chapter.”
Arnold and Adelson are themselves Republic veterans, emerging from the A&R department at the label, and when the imprint relaunched in 2022 it came with several artists and partnerships that Arnold and Adelson had signed at Republic, including Post Malone, Kahan, James Bay, Lord Huron, Jeremy Zucker and others, as well as Republic’s relationship with Big Loud for Wallen, which Arnold had originally brokered. The label is also home to Stephen Sanchez, Zayn and AJR, among others.
One day after the debut of the newly-reconfigured Interscope Capitol Labels Group (ICLG) under chairman/CEO John Janick, the Universal Music Group’s top West Coast label exec announced more additions to his executive leadership team.
Gary Kelly, who has served as general manager/executive vp/chief revenue officer for Interscope Geffen A&M, will take on the role of GM/chief revenue officer for the new ICLG, continuing largely in the same role in the new structure. And IGA’s executive vp/head of business & legal affairs Jason Kawejsza will retain the same title in the new configuration.
Kelly and Kawejsza join ICLG vice chairman Steve Berman, COO Annie Lee and CFO Geoff Harris in the C-Suite, alongside Janick. All are longtime Interscope execs except Harris, who was previously at Capitol Music Group.
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“Gary and Jason have each been making invaluable contributions to our company for nearly 15 years, and both combine strong business acumen with an entrepreneurial mindset that will continue to be crucial to my leadership team and to ICLG’s success in the years to come,” Janick said in a statement. “I know that everyone in the company joins me in congratulating Gary and Jason on these well-earned promotions.”
The newly-formed Interscope Capitol Labels Group is the result of the major overhaul of the Universal Music Group label structure that UMG chairman/CEO Lucian Grainge first announced on Feb. 1. Under the new structure, UMG’s West Coast labels — Interscope, Geffen, A&M, Capitol, Blue Note, Priority, Verve and Motown — now fall under Janick’s purview at ICLG, while its East Coast labels — consisting mostly of Republic, Def Jam, Island and Mercury — will be overseen by Republic co-founder and CEO Monte Lipman. News of the new East Coast structure is also expected as soon as next week.
”The creation of ICLG is a milestone moment for our company,” Kelly said in a statement. “I’m thrilled to be part of John’s leadership team that will oversee our growth and evolution as we set the standard for what a modern-day music company should be. I look forward to working with everyone in the company who will utilize their best-in-class skill sets, relationships and expertise to deliver on our mission of providing artists with a home to create great music and build their global brands to reach the widest possible audience.”
Under the ICLG umbrella is a new leadership team for Capitol Music Group, with former Geffen boss Tom March as chairman/CEO and UMPG veteran Lilia Parsa as president, following the departures of prior CMG chair/CEO Michelle Jubelirer and president Arjun Pulijal. The company has been going through extensive layoffs in the past week, as IGA and Capitol formally merge together.
“I am so excited to work with John and our entire leadership team at Interscope Capitol Labels Group as we move forward and redesign the company to most effectively support our amazing artists and label partners,” Kawejsza said in a statement.
It’s time for another spindle around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music.
Global advertising and communications company Havas appointed Damien Escobar as its first-ever global chief music officer, effective immediately. Based in New York City, Escobar’s role is to provide insights into strategy and production in support of brands looking to enhance their storytelling with music. His agency experience includes serving as svp of music and culture at Havas unit Arnold Worldwide, though Escobar is perhaps best known in music circles as an accomplished — and chart-topping — violinist. Just last year, his song “Taboo” spent two weeks at No. 1 on Billboard’s Smooth Jazz Airplay chart, and he scored a No. 1 on both Classical Albums and Classical Crossover Albums charts with 2017’s Boundless. Escobar’s pre-solo group Nuttin’ But Stringz placed third in the 2008 season of America’s Got Talent and the “hip-hop violinist” and former child prodigy was later profiled on NBC’s TODAY show. At his new gig, Escobar reports to Donna Murphy, global CEO of Havas Creative Network and Havas Health & You.
“Damien is a creative and innovative force in the industry—and we’ve seen how his multifaceted talents have already shaped and elevated campaigns for some of our biggest brands,” said Murphy. “He is at the heart of contextualizing the sound with the visuals; amplifying the story the brand wants to tell through music. This role will allow him to help continue creating these stories for all our Havas clients.”
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Meanwhile…
Warner Chappell Music appointed Lisa Li as managing director of China. Based in Beijing and reporting to Arica Ng, president of Asia Pacific, Li will be responsible for leading all of WCM’s operations in China, while also collaborating with other teams across Asia to strengthen the Warner brand in the region. Having Li’s back will be Mar Ma, who has been appointed director of A&R at the publisher. Prior to joining WCM, Li served as head of business development at Warner Bros. Discovery in China. She’s also held senior roles at HBO China, Disney Interactive and others. Ma’s CV includes a decade of experience that includes stops at both Warner Music China and Universal Music Publishing China. “Lisa’s strategic mindset, leadership skills, and passion for the entertainment industry make her the ideal person to capitalize on the tremendous growth opportunities in China,” said Ng.
UMG Nashville named David Friedman to the newly-created role of vp of national promotion and strategy. Friedman oversees all strategic elements of UMG Nashville’s promotion operation. Friedman most recently led the MCA Nashville promotion team. “Over the past year, the UMGN promotion department has evolved, and having someone with David’s vast experience running point on our overall radio strategy makes the department stronger,” UMG Nashville evp/COO Mike Harris said in a statement. “Having his expertise at the center is a natural fit, and I’m really excited for David and to see where he can take this new role.” –Jessica Nicholson
Warner Records promoted Josh Reich to senior vp of Top 40 promotion. The Chicago-based radio veteran, who reports to evp of promotion and commerce Mike Chester, will lead the label’s pop promotion department in efforts to promote Warner singles across 170 pop radio reporters. Reich has been with Warner since 2011 and was most recently vp of Top 40 promotion & digital strategy. He had past stops at WXRT/Chicago, A&M Records and RCA Records. “Josh is a well respected promotion executive who brings outstanding depth and knowledge to his position. “[Reich’s] reputation and results are first-class, matched only by his ability to close,” said Chester. “He truly embodies our culture of artist development and I’m thrilled to have him leading our pop efforts at this exciting time in our label’s history.”
Online recording studio and music publishing platform Tunedly made two major changes at the top. Co-founders Chris Erhardt and Mylene Besancon are no longer chief executive officer and chief creative officer, respectively, replaced with Ben Jackson and Katja Glieson in the key roles. “This change at the top promises to inject new energy into Tunedly, leveraging Jackson’s extensive industry experience and Glieson’s creative prowess to drive the platform forward,” the company said. Launched in 2015, Tunedly connects songwriters and other music creators with session musicians for professional music production and music publishing services. Jackson is a music producer with “deep industry knowledge” while Glieson comes bearing a track record of success as a social media content creator. While no longer CEO, Erhardt will remain a member of the board and focus on launching TunedCoin. Besancon, meanwhile, has already taken the reins as CEO of song personalization platform Bring My Song To Life.
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Dina Marto joined UTA as an executive in the global agency’s music division. She is based in Atlanta and will report directly to partner and co-head of UTA Atlanta Rob Gibbs. Prior to UTA, Marto founded and ran Twelve Music & Studios, where her client list over the course of a decade included Theron Thomas and Polow Da Don, as well as labels including Atlantic Records and Maybach Music Group. She also previously worked with L.A. Reid at Island Def Jam, where she A&R’d albums by the likes of Young Jeezy, Nas, Rick Ross, Janet Jackson, LL Cool J and more. She also co-founded C & D The Agency in 2020, a women-led marketing agency dedicated to empowering minority women. Gibbs commented that Marto’s “deep connections in the city’s music scene will undoubtedly open doors and create new opportunities for our clients.”
The Grand Ole Opry promoted three executives in its ranks. Nicole Judd has been elevated to associate producer, show development, contributing to the development/production of all Opry shows in addition to serving as a programming liaison for various internal and external teams. Judd has been with the company 17 years, most recently serving as Opry marketing manager. Gina Keltner has been promoted to associate producer, talent. Keltner, who marks her 25th year with the Opry, will book more than 200 Opry shows per year, as well as other events and initiatives. Audrey McGrady, who has been with the Opry since 2017, has been promoted to talent manager, managing all talent-related show advancement for Opry shows and contributing to various aspects of show production and programming strategy with the Opry programming and artist relations team. –Jessica Nicholson
Nettwerk Music Group welcomed Talia Rubino as vp of global sync, a role where she’ll spearhead creative strategies to maximize sync opportunities for Nettwerk artists, writers and labels. Rubino has racked up 16 years of experience in sync licensing, first with Warner Music on the label side before a highly accomplished 10-yeare run in publishing at Warner Chappell Music. “Her extensive experience in artist development and facilitating licensing opportunities makes her an invaluable asset to our leadership team,” noted Nettwerk president and COO Simon Mortimer-Lamb. “Nettwerk’s ethos is artist-first, career forward, and Talia’s skills align perfectly with that promise.”
Diversified Production Services, the live entertainment event producer behind such shows as the Global Citizens Festival, iHeartRadio Music Festival and the Roots Picnic, hired live events veteran Darren Pfeffer as president. The New York City-based exec is coming off more than six years at MSG Entertainment, where he rose to evp of MSG Live. Prior to that, put in a mere 21 years at iHearMedia, where as svp of music and entertainment marketing he led the company’s live entertainment division. According to RAMP, DPS also announced that co-CEO Dave Meyers will transition to a senior advisor role at the company.
NASHVILLE NOTES: Go West Creative promoted Eileen Valois (pictured) to president and CEO of the full-service creative and events agency. Valois joined GWC three years ago as president and chief operating officer following a lengthy and accomplished career in experiential brand building being an all-around “intuitive disruptor,” the company said. Congratulate her at eileen@gwcg.com … SMACKSongs promoted Carly Sater to creative manager. Sater joined the company in 2019. Her day-to-day responsibilities include signing and developing songwriters, booking writing sessions and creating opportunities for writers … Boutique artist services label Twelve6 Entertainment promoted Travis Myatt to president and general manager, and also elevated Willow Belenski to project manager and Alaina Maggart to the new role of creative manager, Twelve6 Publishing … Black River Entertainment svp of promotion Mike Wilson has left the company after more than a decade, telling Music Row “it’s now time to move on to a new challenge.”
Position Music added industry veteran Jay Moore to its executive team as vice president and head of investments, reporting to president and CEO Tyler Bacon out of Position’s Los Angeles offices. As vp and hoi, Moore will lend an analytic hand around label and publishing signings and catalog acquisitions. Prior to joining Position, Moore was chief investment officer at Ditto Music. He has also worked in a senior director capacity at Kobalt Music. “The ability to quickly analyze and price deals is a crucial piece of ultimately closing them,” said Bacon. “We are immediately seeing the benefit of his work in the current pipeline, along with the work he did on our recent Gesaffelstein acquisition.”
The Syndicate scooped up BMG veteran Alina Akhmadullina as director of label services in its quickly-expanding label services/project management department. The year-old division already works closely with Round Hill Records, Rhino, Loosegroove Records, Dine Alone and Vydia, among others. At BMG, Akhmadullina rose to senior marketing manager during a five-year stretch in which she worked on campaigns for Slash, Billy Idol, Karen O, Godsmack, Hollywood Undead and Run The Jewels. “Alina brings a depth of knowledge, unparalleled enthusiasm, and a loaded range of skills to The Syndicate,” said Rob Gross, svp of label services. “As we build out the Label Services/Project Management division and offerings, Alina will be a pivotal force behind our upward build and growth.” The LA-based Akhmadullina can be reached alina@thesyn.com.
740 Project, the marketing firm and record label fresh off wins for its work with Killer Mike and Ye, elevated Nancy Liu to partner and Jacolyn Carrasco to vp of marketing. Liu has spent the past two years as president of the marketing firm and, as partner, joins co-founders Jesse “Punch” Edwards, Rahim Wright and Charley Greenberg with that title. 740 is fast approaching its 10th year and currently boasts a tight relationship with Quality Control artists Lil Baby, Migos and Lil Yachty, as well as Megan Thee Stallion, J Balvin and Travis Scott.
RADIO, RADIO: MCA Nashville elevated UMG veteran Miranda McDonald to vp of promotion, leading all radio initiative for the label’s roster. She arrives from UMG Nashville, where she was vp of national promotion and worked across multiple teams, including at MCA, Capitol and Mercury … Shari Roth joined Big Loud Records as vp of multi-format radio, effective immediately. She most recently served as national director of radio accounts at Warner Music Nashville for eight years … Speaking of, Warner Music Nashville expanded senior vp of radio Kristen Williams’ role, making her vp of radio and commercial partnerships.
Tixr appointed Stéphane McGarry to the role of vp of partnerships and country manager as the ticketing platform looks to expand its “already robust roster of partners” across Canada. McGarry arrives from AudienceView, where he was vp of sales. Prior to that, he was Crowtorch’s president of Canadian operations. Tixr already has a robust portfolio in the Great White North, including deals with Sonic Concerts, Cowboys Music Festival, Game Con Canada and more. Robert Davari, co-founder and CEO of Tixr, said McGarry has “consistently added value to every organization he’s touched, and collaborating with him has been on my agenda for years.”
BOARD SHORTS: Music tech platform Hook announced its inaugural group of outside advisors: DJ/producer KSHMR; SNAP head of music partnerships Manny Adler; venture capitalist Abe Burns; Downtown Music Holdings founder & chairman Justin Kalifowitz; Hundred Days founder & co-president Ben Klein; and Reed Smith managing partner Gregor Pryor … SOLID, aka the Society of Leaders in Development, announced its 2024 board of directors, led by president Rio Van Risseghem (The Orchard), vp Zach Green (Green P&M), secretary Melissa Flaxman (Black Box) and treasurer Lizzy Stone (Wiles + Taylor & Co). See a full list here.
ICYMI:
Steve Berman is vice chairman, Annie Lee is COO and Geoff Harris is CFO at the newly conjured Interscope Capitol Labels Group, encompassing Interscope, Geffen, A&M, Capitol, Blue Note, Priority, Verve and Motown … The Ivors Academy named Roberto Neri as its new CEO … Black Music Action Coalition co-founder Willie “Prophet” Stiggers (pictured) joined the founders board of the Neil Lasher Music Fund at Caron Treatment Centers … and Capitol Music Group co-president Arjun Pulijal stepped down after 11 years at the company.
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The Ivors Academy, a U.K.-based songwriter advocacy organization, has named Roberto Neri as its new CEO.
The organization was previously helmed by Graham Davies, who is now the leader of the Digital Media Association (DiMA) in the United States, and interim CEO Charlie Phillips.
Neri has worked in the music publishing business for over 20 years. Previously, he held C-suite roles as CEO of Believe’s publishing operation and CEO and COO of Utopia Music Services. His other previous positions include executive vp/head of business development at Downtown Music, founder/CEO of Eagle-i Music, vp of international at Bug Music and publishing relations manager at PRS for Music.
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Additionally, Neri has erved as chair of the Music Publishers’ Association and director of the UK Music, PRS for Music, MCPS and PPL/PRS boards. He is the trustee of Music for My Mind, a charity that provides music therapy for dementia patients and their caretakers.
Established in 1944, The Ivors Academy — previously known as the British Academy of Songwiters, Composers and Authors (BASCA) — advocates for songwriters’ best interests in local politics and in the music business. In recent years, it has campaigned to introduce the EU copyright directive, amplified the #BrokenRecord campaign to call out unfair streaming economy practices and partnered with YouTube Music to host a songwriting camp for members. The organization is perhaps best known for its annual songwriter award ceremony, the Ivor Novello awards, one of the biggest nights in music publishing in the United Kingdom.
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“On behalf of the Board and Academy, I am thrilled to welcome Roberto Neri as our new CEO,” said Tom Gray, the Ivors Academy chair. “He brings a huge breadth of industry experience, knowledge and leadership skills. His commitment — and ours to him — is to be the most influential voice for songwriters and composers in the world.”
Neri added, “I am deeply honored and humbled to step into the role of CEO of The Ivors Academy. It is a dream job to fervently advocate for and represent songwriters and composers, who I have been fortunate enough to represent for over two decades globally. I believe now, more than ever, is the pivotal moment to ensure music creators’ interests are protected, championed, valued and recognized for their central and indispensable role in the success of the entire music business.”
Black Music Action Coalition (BMAC) founder Willie “Prophet” Stiggers has joined the founders board of the Neil Lasher Music Fund at Caron Treatment Centers, which provides financial assistance to music workers for drug and alcohol addiction treatment. With Stiggers in the fold, BMAC and the fund will work together to help address the stigma of […]
