billboard news
Page: 68
To celebrate Black History Month, Billboard is highlighting R&B and hip-hop artists you should know like Tyla, FLO and Cash Cobain. Tetris KellyAn Afrobeats queen, a sampling king and a girl group that makes you want to stand in your mirror and sing. This Black History Month, Billboard and Bose are celebrating by highlighting some […]
Bobby Caldwell’s classic “What You Won’t Do for Love” zooms in at No. 1 on the TikTok Billboard Top 50 chart dated Feb. 24 following a new, largely food-based trend on the platform. Tetris KellyA new leader and two fresh new faces — we’ve got a batch of new bops in the top 10. Tetris […]
Ariana Grande is gearing up to release her new album ‘Eternal Sunshine.’ The singer has revealed a few song titles and has been announced as a musical guest on ‘SNL’ next month. Nicki Minaj has invited comedian and actor Katt Williams on tour. Questlove defends Sexyy Red after she is announced to perform at the […]
For Black History Month, Billboard is celebrating by highlighting some of the greatest Black executives in music, and today we’re celebrating MVD publicists Massah David and Miatta Johnson. The sibling duo, who are repping Liberia, founded the boutique creative agency MVD Inc. with the goal of amplifying Black storytelling, and they do it by producing […]
Ayra Starr talks about the international success of her song “Rush,” becoming the youngest African female artist to surpass 100 million views on YouTube, getting her first Grammy nomination, her aspiration to be a teenage pop star, the growth of popularity of the Afrobeats genre and where she sees the future of the genre going and more!
Ayra StarrI wasn’t here two years ago, now I’m doing an interview with Billboard.
Rania AniftosFresh off the Grammys, girl.
Ayra StarrHello, I’m Ayra Starr and you’re watching Billboard News.
Rania AniftosHey everybody, its Rania Aniftos with Billboard News and I am so excited. We have the Afrobeats queen herself in the studio today, Ayra Starr.
Ayra StarrHello!
Rania AniftosWelcome to the studio.
Ayra StarrThank you for having me. I’m excited.
Rania AniftosYou were just nominated for your first-ever Grammy nomination. How did that feel?
Ayra StarrAmazing. I had a great time at the Grammys. All the parties even before the Grammys, I was just like, oh, like, I’m at the Grammys. You can see me at the red carpets. I was having a good time. Let me tell you.
Rania AniftosWas there something that surprised you over the course of the week that you were like, I was expecting this, but this happened instead.
Ayra StarrTo be honest like anytime I come to LA, I’m always like indoors and never do anything and people like people know me, but people don’t really know me. They know my music, but they don’t know me. This time, every room I walked into: Ayra Starr! I was fangirling over the people who are fangirling over me, like, “You know me!” And it was the best thing.
Watch the full video above!
TikTok Star Bryce Hall responds to Billie Eilish’s comments on TikTokers being invited to the People’s Choice Awards. Madonna takes quite the fall while onstage in Seattle. Peso Pluma is going back on tour with over 35 shows. BTS fans rejoice: J-Hope announces a new album and a six-part documentary coming soon. And more! Tetris […]
Noah Kahan’s “Stick Season” breaks into the top 10, Kanye West and Beyoncé also get top 10 debuts for new songs “Carnival” and “Texas Hold ‘Em,” respectively. Watch the video to find out which track is at No. 1. Tetris Kelly:This is the Billboard Hot 100 top 10 for the week dated Feb. 24. Noah […]
Jack Harlow’s “Lovin on Me” lands a sixth nonconsecutive week atop the Billboard Hot 100. With the song, which first led for a week in December, the rapper doubles his previous longest reign, as “First Class” ruled for three weeks in 2022. He has also led with “Industry Baby,” with Lil Nas X, for one week in 2021.
Meanwhile, three songs are new to the Hot 100’s top 10: Beyoncé’s “Texas Hold ‘Em” bounds onto the chart at No. 2; Ye (formerly known as Kanye West) and Ty Dolla $ign’s “Carnival” debuts at No. 3; and Noah Kahan’s “Stick Season” rises to No. 10, from No. 11.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 24, 2024) will update on Billboard.com tomorrow, Feb. 21 (a day later than usual due to the Presidents’ Day holiday in the U.S. Feb. 19). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
[embedded content]
Harlow’s “Lovin on Me,” released on Generation Now/Atlantic Records, drew 77.8 million radio airplay audience impressions (up 2%) and 21.6 million streams (down 7%) and sold 5,000 downloads (down 7%) in the Feb. 9-15 tracking week, according to Luminate.
The single adds a fifth week at No. 1 on the Radio Songs chart, drops 3-5 after five weeks atop Streaming Songs and rebounds 20-11 after two frames atop Digital Song Sales. It concurrently leads the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100, for a 13th week each.
[embedded content]
Beyoncé’s “Texas Hold ‘Em” blasts onto the Hot 100 at No. 2, with 19.2 million streams, 4.8 million in airplay audience and 39,000 sold through Feb. 15. The track is one of two that she released Feb. 11 (with instrumental and clean and explicit a cappella versions of the song released Feb. 14), along with “16 Carriages,” which debuts at No. 38 (10.3 million streams; 90,000 in audience; 14,000 sold).
The arrival of both tracks was announced via a Verizon commercial that aired during CBS’ broadcast of Super Bowl LVIII, ahead of the March 29 release of Beyoncé’s album expected to be titled Act II, which follows her 2022 Renaissance LP.
Beyoncé lands her 22nd Hot 100 top 10 with “Texas Hold ‘Em” – which concurrently soars in as her first No. 1 on the multimetric Hot Country Songs chart; “16 Carriages” starts at No. 9 on the latter list, giving her two top 10s with her first two entries on the chart.
As previously reported, “Texas Hold ‘Em” is being promoted to country radio, among other formats, and debuts at No. 54 on the Country Airplay chart. It also begins at No. 38 on Pop Airplay, while additionally drawing play at adult pop, rhythmic, adult R&B and mainstream R&B/hip-hop formats.
“Texas Hold ‘Em” concurrently begins at No. 1 on Digital Song Sales, where it’s Beyoncé’s 11th leader.
Ye and Ty Dolla $ign’s “Carnival” enters the Hot 100 at No. 3, with 23.5 million streams and 4,000 sold from its Feb. 10 release on the pair’s collaborative album Vultures 1 through Feb. 15. As previously reported, the album, Ye’s first since his string of hate speech and antisemitic remarks, which resulted in companies including Adidas and Def Jam Recordings distancing themselves from the rapper, premieres at No. 1 on the Billboard 200 chart.
Ye adds his 21st Hot 100 top 10 and Ty Dolla $ign, his third – and first in a lead role; he previously led for a week in 2018 as featured on Post Malone’s “Psycho” and hit No. 4 in 2016 as featured on Fifth Harmony’s “Work From Home.”
“Carnival” by the pair, billed collaboratively as ¥$: Kanye West & Ty Dolla $ign, crowns Streaming Songs, marking Ye’s fourth No. 1 and Ty Dolla $ign’s first.
Benson Boone’s “Beautiful Things” backtracks to No. 4 from its No. 3 Hot 100 high; Teddy Swims’ “Lose Control” falls to No. 5 from its No. 2 best; and Taylor Swift’s “Cruel Summer” slips 4-6, following four nonconsecutive weeks at No. 1 beginning in October.
SZA’s “Snooze” descends 5-7 on the Hot 100, after reaching No. 2, as it leads the multimetric Hot R&B Songs chart for a 29th week.
Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, retreats 6-8 on the Hot 100, after it led for a week upon its debut last September. It tops the multimetric Hot Rock & Alternative Songs and Hot Rock Songs charts for a 25th week each.
Tate McRae’s “Greedy” dips 7-9 on the Hot 100, after reaching No. 3. It also becomes McRae’s first No. 1 on the Adult Pop Airplay chart, after it dominated Pop Airplay for eight weeks.
[embedded content]
Rounding out the Hot 100’s top 10, Noah Kahan’s “Stick Season” climbs to No. 10, from No. 11, with 17.8 million streams (up 7%), 15.9 million in airplay audience (up 17%) and 2,000 sold.
The song is the Strafford, Vt., native’s first Hot 100 top 10. He arrived on the chart last June with “Dial Drunk” (featuring Post Malone), which reached No. 25, and peaked at a No. 14 best among his entries prior to “Stick Season” as featured on Zach Bryan’s “Sarah’s Place” in October. Notably, Kahan wrote “Stick Season” solo, making it any soloist’s first top 10 solely written by that artist since Bryan’s “Something in the Orange” (No. 10, January 2023).
“Stick Season” – which leads the multimetric Hot Alternative Songs chart for a fifth week, after it reached No. 2 on the Adult Alternative Airplay chart in November 2022 – is the title track from Kahan’s album released that October. Sparked by its latest deluxe version, the set rebounds to its No. 3 high on the Billboard 200.
Again, for all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated Feb. 24), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 21).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
For Black History Month, Billboard is celebrating by highlighting some of the greatest Black executives in music, and today we’re celebrating, President, Founder and CEO of Femme It Forward Heather Lowery. Heather LoweryI’m Heather Lowery, the president, founder and CEO of Femme It Forward. Heather LoweryFemme It Forward is a female led entertainment company. Our […]
A lot has happened in Prince Royce’s life since his last studio album, Alter Ego (2020). Along with having his promotion and touring plans derailed thanks to the pandemic, the bachata star went through a divorce in 2022, following a 12-year relationship. Now, Royce presents what is arguably his most personal work to date in Llamada Perdida, his seventh studio album, released Friday (Feb. 16) under Sony Music Latin/Smiling Prince Music.
“I think that at a composition level, it’s very personal. I tried not to overthink the album, to have fun, add personality,” the bachata star tells Billboard Español, confessing that the most difficult thing was not to put his feelings on paper, but to share them with his fans.
“I am kind of shy, I don’t like people knowing that I am suffering, that I’m crying. I like to pretend everything’s fine on the outside, not to be fake but, no one wants to be seen as vulnerable,” he explains. “But you know what? I think it was a way for me […] to let go. The beautiful thing about music is that in the end the audience doesn’t know if its fiction or non-fiction. It could be a little bit true, a little bit of a lie, a fusion of many things. I think that gives me the opportunity to vent, in some ways.”
With 23 tracks (22 songs, actually, plus one skit) fusing bachata with uptempo/disco, regional Mexican, merengue, urbano and more, Llamada Perdida — Spanish for “Lost Call” — is “a celebration of overcoming obstacles, especially in love, [which] represents the end of a life chapter as well as the acceptance of a new beginning,” as described in a press release.
Beyond that, the Royce and D’lesly “Dice” Lora-produced set takes us on a fascinating roller coaster of emotions. It is heartbreaking in “Un Papel and “Frío en el Infierno,” which talk about the pain of a separation and letting the loved one go, respectively; funny in “Los Lambones,” and hopeful in “La Vida Te Hace Más Fuerte.” And it includes a long, eclectic list of collaborators: There are both established and emerging Latin stars like Nicky Jam and Jay Wheeler (“Si Te Preguntan…”), Maria Becerra (“Te Espero,” with a surprising sample of Cutting Crew’s “(I Just) Died in Your Arms Tonight”) and Gabito Ballesteros (“Cosas de la Peda”), as well as less-predictable names like New York rapper A Boogie wit da Hoodie (“Boogie Chata”), Dominicans Ala Jaza (“Sufro”) and Luis Miguel del Amargue (“Anestesiada”).
“I think the overall concept of the album is the form of communication,” Royce says, explaining why he chose its title. “If you take the call, something can happen. If you don’t take it. If you say something; if you don’t say something. If you send a drunk text; if you don’t send it.”
During the interview with Billboard Español, Prince Royce spoke in depth about the album, the lessons he learned over the last four years and — half seriously, half jokingly — the role that alcohol played in his life. Watch the full interview above.