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Carín León adds his seventh No. 1 on Billboard’s Regional Mexican Airplay chart with his latest single, “El Amor de Mi Vida,” as the song jumps from No. 3 for its first week atop the ranking, dated March 15.
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“El Amor de Mi Vida” crowns Regional Mexican Airplay after a 40% surge in audience impressions, to 8.2 million, earned in the U.S. during the Feb. 28-March 6 tracking week, according to Luminate. That swell makes it the Greatest Gainer of the week, a weekly award for the song with the greatest increase in plays at the format.
Before “El Amor de Mi Vida,” León managed six other champs among 13 top 10s and a total of 17 career entries on Regional Mexican Airplay. His breakthrough cut “Me La Aventé” reached No. 6 high in 2019. He has placed at least one top 10 every year since.
“El Amor de Mi Vida” races to No. 1 in four weeks, the fastest for any track this year, and the fastest among all of León’s seven rulers on Regional Mexican Airplay. The next-fastest climb to No. 1 this year came when Calibre 50 reached the summit in six weeks, through “El Sueño Americano” (chart dated March 1). Four other songs captured the top spot in 2025, all in seven weeks or more.
Here’s a look at Leon’s collection of No. 1s, from the fastest to the slowest climb to the top:
Weeks to No. 1, Title, Artist, Peak Date, Weeks at No. 14, “El Amor De Mi Herida,” March 15, one (so far)six, “Que Vuelvas,” with Grupo Frontera, Jan. 28, 2023, sixsix, “Alch Si,” with Grupo Frontera, March 2, 2024, oneseven, “Ojos Cerrados,” with Banda MS, March 5, 2022, three12, “Indispensable,” Aug. 19, 2023, three13, “Según Quién,” with Maluma, Dec. 16, 2023, one14, “El Tóxico,” with Grupo Firme, Sept.11, 2021, two
Elsewhere, “El Amor de Mi Vida” rallies 11-2 on the overall Latin Airplay chart. There the single reached 8.2 million in audience, up 32%, León’s highest rank since “Según Quién,” with Maluma, parked at No. 1 for four weeks in December 2023.
Danny Ocean and Kapo nab the No. 1 spot on Billboard’s Latin Pop Airplay chart thanks to their maiden collab, “Imagínate,” which advances 3-1 on the March 15-dated ranking. Kapo locks his first No. 1 on the tally, Ocean grabs his second.
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For the tracking week Feb. 28-March 6, “Imagínate” registered 6 million audience impressions in the U.S., sparked by 19% growth from the week prior, according to Luminate. The song takes the Greatest Gainer honors, awarded weekly to the song with the largest audience increase.
“Thank you all for the unconditional support and for helping us achieve this No. 1 with Kapo,” Ocean tells Billboard. “It’s so nice to see how a song that talks about taking that person you love to that place you miss so much connects so strongly with everyone.”
Ocean’s “Imagínate” was released Nov. 7, 2024, on Atlantic/ Warner Latina. It debuted at No. 14 last December and has spent 11 weeks in the top 10 out of its 12-week span.
“Extremely happy with everything surrounding ‘Imagínate,’” Kapo tells Billboard. “This is a song that we composed with great enthusiasm, that flows, and thank God we were able to connect so well with Danny. He’s an artist that I have admired and respected for a long time. It’s an honor to record a song with one of your favorite artists, and for it to become a hit.”
With “Imagínate,” Ocean takes his second Latin Pop Airplay chart topper in less than a year, after “Amor” ruled for two weeks in June 2024. In between the latter and “Imagínate,” the Venezuelan rose as high as No. 6 with “Ley Universal” last October. In sum, Ocean has managed five top 10s.
As for Kapo, “Imagínate” marks his maiden No. 1 on the Latin pop radio ranking. The Colombian launched his charts career in August 2024, when “Ohnana” populated the charts, snatching his first No. 1 on any Billboard ranking last November. The song ruled Latin Rhythm Airplay for 11 weeks. He soon placed four other top 10s, including “Imagínate” which lifts 7-5 on the current chart.
The song joins two other Kapo songs in the top 10 on Latin Rhythm Airplay, “Uwaie,” for its second week at No. 4 high and “Más Que Tú,” with Ozuna, a 9-8 jump.
“We are so proud of our fans, who are the ones who take us to No. 1,” Kapo adds. “This is incredible, and we are extremely thankful with the fans, our team and with Billboard.”
Kapo has much to celebrate this week. In addition to his first No. 1 on Latin Pop Airplay, he announced today (March 11) the launch of his first tour ‘Por Si Alguien Nos Escucha’ through CMN (Cárdenas Marketing Network). The 24-date run is set to start in Jacksonville, Fla., on Mar. 13 and wrap up in Chicago on May 25.
La Arrolladora Banda El Limón de René Camacho collects its 19th No. 1 on Billboard’s Regional Mexican Airplay chart with “Una Historia Mal Contada.” The Sinaloans achieve the feat on the ranking dated March 8, as the song rises from No. 2 for its first week atop.
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“Reaching No. 1 on Billboard today confirms we are on the right path, that we are doing the great job instilled by (band founder) Don René Camacho, always moving forward,” Julio Haro, one of the act’s three vocalists, Julio Haro, one of the act’s three vocalists, tells Billboard.
“Una Historia Mal Contada” jumps 2-1 on Regional Mexican Airplay after an 8% improvement in audience impressions, to 6.2 million, earned in the U.S. during the Feb. 21-27 tracking week, according to Luminate.
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The song, composed by Horacio Palencia and Diego Bollella, and produced by Fernando Camacho, gives La Arrolladora its 19th champ in 24 years. The group breaks from a tie with Banda El Recodo de Cruz Lizárraga for the fourth-most wins since the chart launched in 1994. It trails only Calibre 50 (27), Banda MS (21) and Intocable (20) on the overall leaderboard.
“This new No.1 is for all our Arrollafans!” Haro adds. “‘Una Historia Mal Contada’ is a song that relates with us. We like facts, and with this achievement, it’s obvious that there is Arrolladora for a while.”
“Una Historia Mal Contada” also enters the top 10 on the overall Latin Airplay chart, at No. 7, for the group’s 24th top 10 there.
The song is the title track of the band’s upcoming album expected for March 16 release on Ferca/Disa/UMLE.
A First for Xavi:Xavi checks a career milestone as his Manuel Turizo collab, “En Privado,” debuts at No. 6 on the Tropical Airplay chart, marking the Mexican artist’s first appearance on the ranking and his first top 10 there.(Xavi has charted five entries on the Regional Mexican Airplay chart, including four No. 1s.)
The bachata “En Privado” gives Turizo’s his fifth straight top 10 and second of 2025, after “Que Pecao,” with Kapo reached No. 4 in February.
“En Privado” is the Hot Shot Debut of the week on Tropical Airplay with 3.2 million audience impressions earned in the week ending Feb. 27.
The song also debuts at No. 39 on the overall Latin Airplay chart.
Netón Vega makes his first appearance on a Billboard albums chart, as his debut set, Mi Vida Mi Muerte, starts at Nos. 1 and 2 on the Regional Mexican Albums and Top Latin Albums charts (dated March 8), respectively.
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Mi Vida Mi Muerte launches with 26,000 equivalent album units earned in the U.S. in the tracking week ending Feb. 27, according to Luminate. The 21-track project, released via Josa Records, gives the independent label its first entrance on any Billboard chart.
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Streaming activity contributes the majority of Mi Vida Mi Muerte’s activity, which translates to 38.3 million official on-demand streams of the album’s songs. In turn, the set debuts at No. 17 on the overall Top Streaming Albums chart. Plus, it makes its No. 19 debut on the all-genre Billboard 200.
“Together, I’m confident we’ll bring his music to new heights,” said Josa Records founder Jesus Chavez, as the independent record label inked a distribution deal with Downtown Artist & Label Services last December in support of Vega’s music –and so they have. Vega takes Josa Records to its first No. 1 on any Billboard chart as Mi Vida Mi Muerte opens atop Regional Mexican Albums.
With its No. 1 debut on Regional Mexican Albums, Vega joins a select group of soloists who launched at the summit in the 2020s decade. Here is the list of those five champs, two of which placed two No. 1 debuts since.
Artist, Title, Debut DateAlejandro Fernández, Hecho En México, Feb. 29, 2020Junior H, $ad Boyz 4 Life, Feb. 27, 2021Natanael Cano, A Mis 20, June 12, 2021Junior H, Mi Vida En Un Cigarro 2, Feb. 26, 2022Ivan Cornejo, Dañado, June 18, 2022Ivan Cornejo, Mirada, August 3, 2024Neton Vega, Mi Vida Mi Muerte, March 8, 2025
Though none of the songs from the new album have reached any Billboard airplay tallies, the 23-year-old Vega, Billboard’s Artist on The Rise, placed one song on the Regional Mexican Airplay chart last December: The No. 27-peaking “Si No Quieres No,” with Luis R. Conriquez (The latter is also one of 11 guest artists on Mi Vida Mi Muerte.)
The stacked guest list of well-established corridos tumbados acts also includes Peso Pluma, Tito Double P, Gabito Ballesteros, Chino Pacas, Oscar Maydon and more.
Six songs from Mi Vida Mi Muerte have reached the multi-metric Hot Latin Songs chart. All but “CDN,” with Luis R Conriquez, make progress on the current list. (The latter, now gone from the tally, debuted and peaked at No. 42 the March 1-dated list). “Loco” leads the pack at No. 3 and, with 9.8 million official U.S. streams, is the top-streamed track from Mi Vida Mi Muerte for the week. Here’s the recap of the album’s placements on this week’s ranking:
No. 3, “Loco”No. 18, “Morena,” with Peso PlumaNo. 23, “M&M”No. 24, “Mi Vida Mi Muerte”No. 40 “Chiquita,” with Tito Double P
Bad Bunny earns a second No. 1 on Billboard’s Latin Airplay chart from Debí Tirar Más Fotos album, and his 27th overall, as “Baile Inolvidable” rises 3-1 on the chart dated March 1. The tropical song follows two-week champ “El Clúb” (Feb. 8-15 charts).
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“Baile Inolvidable” rolls into the top spot on the overall Latin Airplay chart thanks to 8.3 million audience impressions earned in the U.S. during the Feb. 14-20 tracking week, according to Luminate. It scores an 11% boost from the week prior. The song ejects Myke Towers’ “Otra Noche,” featuring Darell, from the lead (falling to No. 2 with 7.8 million audience, down less than 1%)
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“El Clúb,” the first single from his No. 1 album, Debí Tirar Más Fotos, continues its run in the top 10, falling 4-10. Meanwhile, Benito has a third song in the region, as his collab with Rauw Alejandro, “Que Pasaria…,” jumps 8-4.
Bad Bunny, who first led Latin Airplay in February 2018, has managed to place at least two No. 1s every year since, with 2020 marking his most rewarding year, placing six rulers then. As Bad Bunny’s collection grows, here’s a look at the number of chart-toppers during his seven-year No. 1 career:
2018, three2019, four2020, six2021, three2022, three2023, four2024, two2025, two (so far)
Beyond its Latin Airplay coronation, the tropical “Baile Inolvidable” ranks a second week at No. 1 on Tropical Airplay. It also adds a seventh week at No. 2 on the multi-metric Hot Latin Songs chart, which blends airplay, digital sales and streaming data into its formula. There, it takes the Greatest Gainer/Sales honors, with a 2% gain in sales, to 500, which moves it 3-2 on Latin Digital Song Sales. Not the same luck in streaming activity, as the song registers 11.3 million official U.S. streams, translating to an 11% dip in clicks for the tracking week.
Great Strides for Maluma & Fuerza Regida: Elsewhere on the Latin charts, Maluma adds a 13th No. 1 on Latin Pop Airplay with “Cosas Pendiente,” his first champ in over two years. The song improves thanks to 12% gain in audience impressions, to 6.4 million. The song, written by Maluma alongside Edgar Barrera, Keityn, and Casta, is a warm nod to his day-one fans and the first single from upcoming +Pretty +Dirty album.
Fuerza Regida’s “Por Esos Ojos” becomes the biggest streaming gainer on Hot Latin Songs thanks to an 183% gain to 9.2 million official U.S. streams logged during the tracking week, which yields a No. 5 start on Latin Streaming Songs. The song, released Feb. 11, surges 25 ranks, from No. 30 to No. 5 for the group’s 11th top 10 on the multi-metric chart.
Banda Los Sebastianes De Saúl Plata wins big this week achieving its seventh No. 1 on Billboard’s Regional Mexican Airplay chart (dated Feb. 22), as “Voy a Levantarme” climbs 4-1 for its first week atop the ranking following a 10-week run in the top 10.
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“My people, we are very happy to be No. 1 on Billboard with ‘Voy a Levantarmé,’ how cool, honestly!” Armando “Choco” Celis, one of Los Sebastianes vocalists, tells Billboard. “Excited and happy, really, thank you for sharing our music, because this entire song is symbolic, about personal improvement.”
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“Voy a Levantarme” advances to the summit on Regional Mexican Airplay despite a 5% dip in airplay in the U.S. — that’s 5.8 million audience impressions logged in the tracking week of Feb. 7-13, according to Luminate. The song unseats Gerardo Coronel’s “CHSM El Hígado” from the lead. The latter manages to remain in the top 10 despite a 37% decline in plays. It drops to No. 9 with 4.1 million impressions across regional Mexican stations.
“Voy a Levantarme,” released Sept. 13, 2024, on Fonovisa/UMLE, gives Fonovisa its first win of 2025. So far, Universal Music Latin’s sublabel has reached a No. 9 high through Banda El Recodo de Cruz de Lizárrga’s “Coqueto Tazo Dorado” (chart dated Feb. 8). Fonovisa last secured a No. 1 when Los Tigres del Norte’s “Aquí Mando Yo” ruled Regional Mexican Airplay for one week last August.
As mentioned, Banda Los Sebastianes achieves its seventh No. 1 on Regional Mexican Airplay. Before the latest coronation, the Sinaloans placed one champ in 2024. The collaboration with Edgardo Nuñez, “El Humo de Mi Gallo,” held at No. 1 for one week in 2024. The reigning champ became the group’s only win through a co-lead billing.
“We love you very much and all this work is for you,” adds Javier Larrañaga, the group’s second vocalist. “Thank you very much for everything. We’re on!”
New month, new ruler on Billboard’s Regional Mexican Airplay chart, as Oscar Maydon and Fuerza Regida’s co-billed single “Tu Boda” jumps 5-1 for its first week atop the radio ranking (dated Feb. 1). The new coronation lands two weeks after the song capped its 11-consecutive-week command on Hot Latin Songs.
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“Tu Boda” advances to the summit on Regional Mexican Airplay after a 17% boost in audience impressions, to 7 million, logged in the U.S. in the tracking week of Jan. 17-23, according to Luminate. The collaboration unseats Eden Muñoz’s “Mi Lugar Favorito” which moves to No. 2 after a 6% drop in audience (to 6.6 million).
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As mentioned, “Tu Boda’s” new ascent on Regional Mexican Airplay arrives following its 11-week coronation on the multi-metric Hot Latin Songs chart, which gave Maydon his first champ last November on the list that combines airplay, digital downloads and streaming data into its formula. There, despite a 6% dip in streams (down to 7.6 million official U.S. clicks), the song jumps 20-16 thanks to its radio boost.
Both Maydon and Fuerza Regida add a new No. 1 to their Regional Mexican Airplay career. For Maydon, “Tu Boda” secures the singer-songwriter his second leader, following “Mercedes,” with Becky G, last August. Fuerza Regida collects its fourth (all through team-ups) which begun with three-week ruler “Bebe Dame,” with Grupo Frontera, in March 2023.
While “Tu Boda” also improves with a 17% lift on the overall Latin Airplay ranking, there, it gains 9 million audience impressions, holding it No. 3 high for a second straight week.
All charts (dated Feb. 1, 2025) will update on Billboard.com tomorrow (Jan. 28). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Bad Bunny banks his ninth straight No. 1 project on Billboard’s Top Latin Albums chart as DeBÍ TiRAR MáS FOToS debuts atop the Jan. 18-dated list. The 17-track set also opens at No. 2 on the overall Billboard 200, No. 1 on the Top Streaming Albums, and No. 1 on the Latin Rhythm Albums charts.
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DeBÍ TiRAR MáS FOToS launches at No. 1 on Top Latin Albums with 122,000 equivalent album units earned in the U.S. during the Jan. 3-9 tracking week, according to Luminate. The set was released Jan. 5 via Rimas Entertainment, two days after the beginning of the tracking week which runs weekly Friday through Thursday. Thus, it arrives with five days of activity instead of the usual seven days.
DeBÍ TiRAR MáS FOToS was available via streamers and through download services to purchase. The download version available on Benito’s webstore and the iTunes Store for $4.99. A physical version of the album has not been released. Of the album’s starting total, 8,000 units come from album sales, enough for a No. 6 start on the overall Top Album Sales chart. The set is the only Latin album to appear on the chart’s top 10 since Ivan Cornejo’s Mirada debuted at No. 9 with 9,000 copies sold in August 2024.
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Streaming activity contributes 113,500 units which represents 152.6 million official on-demand streams of the 17 songs on the album. The sum yields the largest streaming week for a Latin album in over a year, since Bad Bunny’s own Nadie Sabe Lo Que Va A Pasar Mañana launched at No. 1 on Top Streaming Albums with 239.56 million on-demand official streams for its songs (Oct. 28, 2023-dated chart). Track-equivalent album units comprise the remaining 500 units of DeBÍ’s first week sum.
With DeBÍ TiRAR MáS FOToS, Bad Bunny lands his ninth straight No. 1 on Top Latin Albums, the entirety of his charting releases. The streak began with 2019’s X100PRE which led for 46 weeks. That same year, Benito scored his second champ through the J Balvin-jointed set Oasis (eight weeks atop). YHLQMDLG, however, became his most profitable project to date, with 70 weeks at No. 1, the longest-leading album overall since Top Latin Albums begun in 1993. Here’s the recap of all those winning sets:
Peak Date, Title, Artist, Weeks at No. 1Jan. 5, 2019, X 100PRE, 46July 13, 2019, Oasis, With J Balvin, eightMarch 14, 2020, YHLQMDLG, 70May 23, 2020, Las Que No Iban A Salir, oneDec. 12, 2020, El Último Tour Del Mundo, 27Jan. 15, 2022, Anniversary Trilogy, oneMay 21, 2022, Un Verano Sin Ti, 60Oct. 28, 2023, Nadie Sabe Lo Que Va A Pasar Mañana, 10Jan. 18, 2025, DeBÍ TiRAR MáS FOToS
DeBÍ TiRAR MáS FOToS Takes Over Hot Latin Songs: reinforcing his habitual performance following the debut of an album, Bad Bunny seizes the Hot Latin Songs tally as the complete album charts on the current list that blends airplay, streaming activity and digital sales. The set was preceded by “EL CLúb” which rises 9-4 with the Greatest Gainer/ Sales & Streaming honors, and “PIToRRO DE COCO” that dips 10-11.
“NUEVAYoL” leads the album’s debuting cuts, bowing at No. 1 with 13 million official U.S. streams, the most clicks among the album’s 15 debuts. That sum translates to a No. 18 on the overall Streaming Songs chart and a No. 1 debut on Latin Streaming Songs. The song, produced by MAG, La Paciencia and Justo Barreto, contains samples of “Un Verano en Nueva York” by El Gran Combo De Puerto Rico (1975) and of Félix Trinidad Post Fight interview scene from the TV show The Fight of the Millennium (Oscar De La Hoya vs. Félix Trinidad).
Here’s the full review of the songs on Hot Latin Songs:
No. 1, “NUEVAYoL” (debut)No. 2, “BAILE INoLVIDABLE” (debut)No. 3, “VOY A LLeVARTE PA PR” (debut)No. 4, “EL CLúB”No. 5, “DtMF” (debut)No. 6, “VeLDÁ,” with Omar Courtz & Dei V (debut)No. 7, “PERFuMITO NUEVO,” with Rainao (debut)No. 8, “WELTiTA,” With Chuwi (debut)No. 9, “EoO” (debut)No. 10, “KETU TeCRÉ” (debut)No. 11, “PIToRRO DE COCO” (debut)No. 13, “KLOuFRENS” (debut)No. 15, “BOKeTE” (debut)No. 17, “TURiSTA” (debut)No. 18, “CAFé CON RON,” with Los Pleneros De La Cresta (debut)No. 19, “LO QUE LE PASÓ A HAWAii” (debut)No. 20, “LA MuDANZA” (debut)
Notably, as DeBÍ TiRAR MáS FOToS charts in its entirety on Hot Latin Songs, Bad Bunny adds a record-extending 189 songs on the multi-metric tally, further distancing from the next contender, Anuel AA with 122 charted songs on the 39-year-old tally. Further, he also extends his top 10 record, with a total 88 career top 10s.
All charts (dated Jan. 18, 2025) will update on Billboard.com tomorrow (Jan. 14). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Shakira continues to light up Billboard’s LatinAirplay chart as her latest single, “Soltera,” rises a spot for its first week atop the tally (dated Jan. 4, 2025).
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Shakira swells her total to 24 Latin Airplay champs, extending her record for the most among women, dating to the chart’s 1994 inception. The closest female contender, Karol G, has amassed 18 No. 1s. Among all acts, Shakira ties Maluma for the sixth-most rulers.
“Soltera” scales the Latin Airplay summit as it concurrently runs up a 12-week domination on the Latin Pop Airplay chart. The song drew 11 million in all-format radio airplay audience in the U.S. during the Dec. 20-26 tracking week, according to Luminate.
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As “Soltera” becomes the week’s new leader, it eclipses Karol G’s “Si Antes Te Hubiera Conocido” after the latter’s 23 weeks in charge, the second-longest No. 1 run on Latin Airplay. Overall, Shakira’s own “La Tortura,” featuring Alejandro Sanz, retains the record with 25 weeks at No. 1 in 2005. The former experienced a record consecutive 23-week domination; the No. 1 stay of “La Tortura” was interrupted twice.
Here’s the recap of the artists with the most Latin Airplay No. 1s:
36, J Balvin34, Ozuna32, Enrique Iglesias28, Daddy Yankee25, Bad Bunny24, Maluma24, Shakira
Further, as “Soltera” leads Latin Airplay, it becomes Shakira’s first No. 1 without a billed collaborator since “Loba,” her eighth No. 1, in 2009. Among her 24 career No. 1s, she has logged six solo, including her first four in 1998-2003, beginning with “Ciega, Sordomuda.”
“Soltera” reached No. 9 in October on the streaming-, airplay- and sales-based Hot Latin Songs chart. It became her 37th top 10, the most among women since the survey started in 1986.
All charts (dated Jan. 4, 2025) will update on Billboard.com tomorrow (Dec. 31). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Jessi Uribe is back atop Billboard’s Regional Mexican Airplay chart as “Si Ya Me Voy” jumps 2-1 to lead the Nov. 30-dated list. The single, written in collaboration with Joss Favela, is his first champ as a soloist, and second overall.
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“Being No. 1 on Regional Mexican Airplay is a dream,” Uribe tells Billboard. “I let life surprise me. I am a man of short dreams and let in these gifts from God. It’s also a gift from all my fans.”
For the Nov. 15-21 tracking week, “Si Ya Me Voy,” released via Mano de Obra, earned 6.5 million audience impressions in the U.S., according to Luminate, down 6% from the week prior. Despite that dip in impressions, the single still registered enough audience to land atop Regional Mexican Airplay. It sends Eden Muñoz’s “Traigo Saldo y Ganas de Rogar” to No. 3, after the latter’s one-week reign, with a 20% decline, to 6.1 million impressions.
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“Si Ya Me Voy” becomes Uribe’s first single as a soloist, unaccompanied by any other act. The singer-songwriter scored his first ruler when “Si Ya Hiciste Mal,” with Luis R. Conriquez, ruled for one week in November 2022. It marked his first No. 1 on any Billboard chart.
“I know there are people that are just discovering my music, learning about this guy who sings of heartbreak and love. Grateful for my team, for all of those who listen to my music and request my songs to radio. Thank you from the bottom of my heart, I am here for you. How I always say, ‘¡repítelo!’”
Previously, “Te La Debo,” with Edwin Luna y La Trakalosa de Monterrey, took the Colombian to a No. 5 high in July. In sum, with the new champ, Uribe has placed five top 10s, encompassing his complete Regional Mexican Airplay career.
Further, Uribe becomes just the fifth soloist to secure a No. 1 on Regional Mexican Airplay in 2024. He follows Eden Muñoz and Xavi, who both placed three champs, Pepe Aguilar, two, and Gerardo Ortiz, one No. 1 this year.
Beyond the new No. 1, “Si Ya Me Voy” holds steady at its No. 5 high on the overall Latin Airplay chart, continuing as Uribe’s highest charting song to date.
In addition to the new No. 1, Uribe is celebrating his recent Grammy award nomination for best música Mexicana album.