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Hot 100 First-Timers: Sierra Ferrell & The War And Treaty Debut With Zach Bryan Features

Sierra Ferrell and The War And Treaty are both officially Billboard Hot 100-charting artists, thanks to their featured appearances on Zach Bryan’s new smash LP Zach Bryan.

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The set debuts at No. 1 on the Billboard 200 with 200,000 equivalent album units earned in its opening week (Aug. 25-31) in the U.S., according to Luminate. It’s the third No. 1 country album of 2023, so far, after Morgan Wallen’s One Thing at a Time and Taylor Swift’s Speak Now (Taylor’s Version), and the first rock No. 1 of the year. (The set is categorized as both a country and rock album.)

Bryan’s “Holy Roller,” featuring Ferrell, debuts at No. 37 on the Hot 100 purely on the strength of its first-week streaming sum: 12.1 million U.S. streams earned. That total helps the song open at No. 20 on the Streaming Songs chart. Genre-wise, it also starts at No. 14 on Hot Rock & Alternative Songs and No. 17 on Hot Country Songs. (The Hot 100, Hot Rock & Alternative Songs and Hot Country Songs charts all blend streams, sales and airplay data for their respective rankings.)



Ferrell, from Charleston, West Virginia, is a newcomer to Billboards charts. The country/folk/bluegrass singer-songwriter scored her first overall chart appearance in September 2021, when her third, and most-recent LP, Long Time Coming, reached No. 15 on the Americana/Folk Albums chart and No. 25 on Top Album Sales.

She’s returned to Billboard’s charts once since then with her featured appearance on Ray LaMontagne’s “I Was Born To Love You.” The song climbed to No. 38 on the Adult Alternative Airplay chart in June 2022.

Outside of the charts, she’s released two additional solo LPs: Pretty Magic Spell in 2014, and Washington By The Sea in 2016. She’s also collaborated with Diplo (“Rain on My Mind,” also with Paul Cauthen), Shakey Graves (“Ready Or Not”), and Old Crow Medicine Show (“Belle Meade Cockfight”).

Next year, she’s scheduled to open for Bryan on his stops in Las Vegas and Denver on his Quittin Time Tour.

Bryan’s “Hey Driver,” featuring The War And Treaty, debuts at No. 14 on the Hot 100, also largely on the strength of its first-week streaming sum: 18.3 million U.S. streams, plus 1,000 downloads sold. The streaming sum also generates a No. 5 debut on the Streaming Songs chart. It concurrently debuts at No. 2 on Hot Rock & Alternative Songs and No. 5 on Hot Country Songs.



The War And Treaty are a husband-and-wife duo, based in Albion, Mich., comprising Tanya and Michael Trotter Jr.

The pair are relatively new to Billboard’s charts. The act first appeared on a chart in 2018 with its second studio album Healing Tide. The set climbed to No. 11 on the Heatseekers Albums chart and No. 26 on the Independent Albums chart. Two years later, in 2020, the couple notched its first song entry on Billboard’s charts with “Five More Minutes.” It peaked at No. 20 on Adult Alternative Airplay.

Since then, the act’s third and fourth albums both charted on the Top Current Album Sales ranking: Hearts Town reached No. 70 in October 2020 and Lover’s Game peaked at No. 56 in March.

Aside from the charts, the War And Treaty have also collaborated with Shovels & Rope (“Tomorrow”), Blues Traveler (“Need Your Love So Bad”), Nitty Gritty Dirt Band (a star-studded cover of Bob Dylan’s “The Times They Are A-Changin,” also with Rosanne Cash, Steve Earle and Jason Isbell), and Dierks Bentley (a live cover of U2’s “Pride (In The Name of Love)”).

Outside of the War and Treaty, Tanya Trotter (née Blount) forged a successful career as a solo act in the ‘90s. She charted three solo songs on the Hot R&B/Hip-Hop Songs list (billed as Tanya Blount): “I’m Gonna Make You Mine” (No. 57 peak in 1994), “Through The Rain” (No. 27; 1994) and “Hold On” (No. 66; 1995).

“Through The Rain” also crossed over onto the Hot 100, reaching No. 90 in October 1994. The track appears on Trotter’s sole solo album, Natural Thing (released via Polydor Records), which climbed to No. 58 on the Top R&B/Hip-Hop Albums chart.

She first rose to prominence after she was cast in the 1993 Whoopi Goldberg film Sister Act 2: Back in the Habit—as the role of Tanya. She has a breakout moment in the film, when she sings “His Eye Is on the Sparrow” alongside future No. 1 Hot 100 artist Lauryn Hill. The duet appears on the soundtrack to the film, which reached No. 74 on the Billboard 200 in 1994.

Prime Premiere: Everything You Need to Know About Amazon’s New Service

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Amazon may be a one-stop shopping destination for everything from new beauty products to shapewear deals and more. But now, the retailer is dipping into movie theaters with a new service called Prime Premiere — and no, it doesn’t involve streaming through Prime Video.

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Moviegoers, this one’s for you! Prime Premiere will provide free early screenings to Amazon movies before it drops onto streaming. Below we break down everything you need to know about the new service and the additional perks that come with it.

What is Prime Premiere?

Amazon’s new service is providing Prime members with free advance screenings of new Amazon movies and series on the big screen. Tickets to premieres will open a week in advance of the Prime Premiere date and will include up to two free tickets at select theaters for one night only. Screenings will begin at 7 p.m. local time with check-in opening at 6:15 p.m. local time.

How does Prime Premiere work?

If you have a Prime membership, you can take advantage of the new service for no additional cost. All you have to do is visit the Prime Premiere website one week before the screening to reserve your tickets. Click on the desired movie you want to see, choose how many tickets you want (up to two max) then follow the Amazon login instructions to finish securing your tickets. A PDF with your tickets will then be available to download.

Everything is free including any promotional giveaways included with the screening. You’ll even be able to take advantage of free concessions (a small popcorn and small soda or water).

Tickets are also based on general admission, which means it’s on a first come, first serve basis.

Don’t have a membership? Amazon offers a 30 day free trial, which includes fast and free shipping on millions of items and Prime Video, which you can access via the app or online at Amazon.com.

Prime Membership

$14.99/month after 30 days free

Along with access to Prime Premiere, you’ll also be able to take advantage of the vast library of offerings from Prime Video including original and exclusive TV series and movies such as The Summer I Turned PrettyGood Omens 2Daisy Jones & The SixThe Lost Flowers of Alice HartKnock at the CabinCitadelInvincible: Atom & EveThe BoysReacherTom Clancy’s Jack Ryan and The Wheel of Time.

Prime members can also add on premium channels like Paramount+Max and Starz, and preorder rent and/or buy digital copies of blockbuster movies like Spiderman: Across the Spider-VerseBarbie and The Little Mermaid.

Students can also take advantage of a special Student Prime membership offered at half off with a 6-month free trial beforehand.

What movies and TV series are coming to Prime Premiere?

Coming soon to Prime Premiere are a mix of highly-anticipated movies and TV series you can mark on your calendar including Sitting in Bars With Cake, A Million Miles Away and Gen V season one.

More movies and series are expected to be released throughout the year, so be sure to check back on the site for more exclusive showings.

The Chainsmokers Recreate NSFW Photo of Justin & Hailey Bieber in Their Underwear

Don’t ever say The Chainsmokers never took a creative risk. In anticipation of their upcoming single “Summertime Friends,” groupmates Alex Pall and Drew Taggart stripped down to their underwear to recreate a steamy photo originally taken by Justin and Hailey Bieber for a 2019 Calvin Klein campaign.

The picture finds Pall straddling Taggert, sitting on his bandmate’s lap as Taggert grips Pall’s rear-end. Tinted black and white, the snap shows the two men wearing no shirts, their Calvin Klein undies peeking out past the waistbands of their jeans.

“Summertime friends comes out this week and this was supposed to be the cover art but it came out ridiculous,” the pair joked in an Instagram post, sharing the photo alongside their reference photo of Mr. and Mrs. Bieber. “we are so upset. firing creative director immediately. never trusting our team again.”

The “Closer” band also shared a video of the photoshoot in action, writing in the caption: “it came out okay i guess.”

The photo parodies one of several shots from Calvin Klein’s 2019 50th anniversary campaign, which also starred Kendall Jenner, A$AP Rocky, Troye Sivan and more. The Biebers posed for content showing them dancing together and enjoying a makeout sesh for the campaign, all while modeling CK pieces.

At the time of publication, neither Justin nor Hailey have reacted to the tribute. The couple was recently spotted together at an event for the Rhode founder’s new lip product, after which the “Peaches” singer proudly posted photos of his wife on Instagram. “???baby girl with the @rhode @krispykreme STRAWBERRY GLAZEEE,” Justin captioned his post.

See The Chainsmokers’ hilarious parody of Justin and Hailey Bieber below.

NAMM Becomes the Presenting Sponsor of the 2024 She Rocks Awards

NAMM (the National Association of Music Merchants) will be the presenting sponsor of the 2024 She Rocks Awards, the Women’s International Music Network (the WiMN) announced on Wednesday (Sept. 6). Taking place on Thursday, Jan. 25, 2024, the event will be held in the Ballroom at the Anaheim Convention Center during the NAMM show.

The She Rocks Awards has become a premier event during the NAMM Show, bringing together industry professionals, artists, fans, and the media to celebrate the contributions of women from across the music and audio industries. 2024 will mark the event’s 12th anniversary.

“We’ve always aligned the She Rocks Awards to happen during NAMM. Now we are delighted to have NAMM support us as a partner to encourage participation in this meaningful event,” Laura B. Whitmore, founder of the She Rocks Awards and the WiMN, said in a statement.

“Our partnership with the WiMN continues to elevate and promote the tremendous achievements by so many incredible women in the music industry,” said John Mlynczak, NAMM president and CEO. “The NAMM Show will continue to provide critical platforms such as the She Rock Awards to highlight and celebrate incredible women who shape our industry’s future. Along with Women of NAMM and the WiMN, we have great potential to grow our show on a yearly basis.”

This evening includes live music, awards and speeches, dinner, a silent auction, gift bags and more. Tickets are now on sale. This event is open to the public; however, a 2024 NAMM show badge is required to attend the She Rocks Awards. Find out more and purchase tickets at sherocksawards.com.

Past honorees of the She Rocks Awards include Go-Go’s, Dionne Warwick, Nancy Wilson, Lzzy Hale, Gloria Gaynor, Judy Collins, Linda Perry, Melissa Etheridge, Pat Benatar, The B-52s, Colbie Caillat, Sheila E, Chaka Khan, Noelle Scaggs (Fitzs & the Tantrums), Ronnie Spector, Orianthi and The Bangles.

The 2024 She Rocks Awards is sponsored by NAMM (presenting), Sweetwater, PRS Guitars, Positive Grid, Rock ‘n’ Roll Fantasy Camp Foundation, Reverb.com, Fishman, Shure, Berklee Online, M.A.C Cosmetics, Exploration.io, 108 Rock Star Guitars, Roland, Taylor Guitars, Earthquaker Devices, dw Drums, Cuccio, DiGiCo, Seymour Duncan, Monster Energy, Guitar Girl Magazine, Music Connection, AXS TV and more. For information regarding She Rocks Awards sponsorship opportunities, contact info@thewimn.com

Learn more about the She Rocks Awards and get tickets at sherocksawards.com.

The 2024 NAMM Show will be held at the Anaheim Convention Center Jan. 25-28, 2024 with online registration at registration@namm.org.

Founded in 2012, the WiMN unites women who work within all facets of the music and audio industries. The organization produces and hosts events such as the WiMN She Rocks Showcase series, the She Rocks Awards, and a variety of workshops and panels throughout the year. For more information, visit www.TheWiMN.com.

NAMM is a not-for-profit association with a mission to strengthen the $17 billion music products industry. NAMM is comprised of 15,000 global member companies and individual professionals. For more information, visit www.namm.org.

Pop Culture Rewind: The Weeknd’s Biggest No.1 Song on the Hot 100 | Billboard News

We’re taking a look at the chart history of pop superstar The Weeknd and the moment his song “Blinding Lights” topped Billboard‘s list of Greatest of All Time Hot 100 Songs, spending a record 90 weeks on the Billboard Hot 100.

Evan Burke:
From blinding us with his lights to saving us from our tears, The Weeknd has amassed quite the list of Billboard hits, including the biggest Hot 100 songs of all time. We break it down in today’s Pop Culture Rewind.

Although The Weeknd had already been churning out music, he didn’t first reach the Billboard Hot 100 until 2012, and it was with an assist from Drake on “Crew Love,” a track from the fellow Canadian’s album Take Care. Later that year, The Weeknd — real name Abel — grabbed his first solo track on the list with “Wicked Games.”

His first top 10 was with who would become a frequent collaborator — Ariana Grande on her “Love Me Harder” in 2014. The world had grown to know who he was, and by August 2015, he nabbed his first Hot 100 No.1 hit with “Can’t Feel My Face.”

By 2021, he’d gone on to take the world’s biggest stage at the Super Bowl and grab a total of nine No.1 hits including the biggest Hot 100 hit of all time, “Blinding Lights.” That year, the massive song dethroned Chubby Checker’s 1960 smash “The Twist” as Billboard‘s greatest song of all time based on total weeks on the chart, as well as exact chart positions. The tracks spent 90 weeks on the Hot 100 with four of them at No.1.

After diving into TV and more, we know we still have so much more to come from The Weeknd. We’ll have another huge moment for you next week in our Pop Culture Rewind.

Katy Perry Debuts New Booties Your Feet Will Be Begging to Show Off: Shop It Here

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Katy Perry has a new hit for us — well, for our fall wardrobes, that is. The American Idol judge has deemed crocodile print to be the it look to rock this fall, but specifically in a bootie form. As you ditch your comfortable sandals and opt for closed-toe shoes for the cooler temps, Perry’s shoe brand, Katy Perry Collections, has a new statement bootie to add to your rotation.

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On Tuesday (Sept. 5), the “Never Really Over” singer showed off a chic pair of green booties with the reptilian print at its center in a post on X (formerly known as Twitter).

“Crocodile. Rocks,” the caption said.

As you create your cool weather capsule wardrobe, a fun pair of shoes can instantly take a look from cute to awe-worthy — and Perry has just the pair to wear.

Keep reading to shop the fall fashion staple.

green crocodile print bootie

Katy Perry Collections

The Hollow Heel

$129

Perry is ready to take over more than just your playlists — the singer’s latest booties boast a handmade upper designed from patent Croco material. Get ready to take your outfits to new heights (literally), as the shoe comes with a 3-inch heel. The style also comes in three shades: green, brown and black, making it versatile enough to pair with pleated skirts, baggy jeans, flowy dresses and more.

Inside, you can expect a manmade textile lining that leads to a fashionable square-to end. The footbed is also padded to help keep your feet supported and comfortable whether you’re headed to happy hour or date night.

For more product recommendations, check out our roundups of the best platform boots, jelly shoes and shoes for travel.

Josh Groban, John Mellencamp, The War and Treaty & More to Perform at 2023 Stand Up for Heroes

Stand Up for Heroes — New York’s annual event that honors the veterans, as well as their families, who have served in the in the military — has set its date and revealed star-studded list of performers for 2023. The event will return this fall on Nov. 6, and will take place the David Geffen Hall at the Lincoln Center for the Performing Arts.

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The night will feature performances from Josh Groban, John Mellencamp, The War and Treaty and more. Stand Up for Heroes is presented by the Bob Woodruff Foundation and the New York Comedy Festival (NYCF), and will additionally feature sets from comedians Jimmy Carr, Ronny Chieng, Shane Gillis, Tracy Morgan, Jon Stewart and actress Rita Wilson.

“I’m thrilled to announce the 17th annual Stand Up for Heroes, an amazing night of hope, healing, and laughter to honor our nation’s veterans and their families,” Woodruff said in a statement. “The evening will include a fantastic lineup of comedic and musical performances. Beyond that, Stand Up for Heroes will shine a light on the incredible service and sacrifice of our veterans, service members, and their families, and raise important funds to support the men and women who have had our back and who now need us to have theirs.”

Tickets for the event are offered in tiers, with the third tier tickets prices starting at $175 and going up to $5,000 for orchestra seating. Military personnel can purchase tickets using a GOVX discount; tickets can be purchased on the Bob Woodruff Foundation website or at Lincoln Center box office.

Streaming Services Must Pay Songwriters Late Fees on Delayed Payments

The U.S. Copyright Office issued a ruling on Tuesday (Sept. 5), confirming that songwriters and publishers are owed late fees when streaming services do not pay royalties to the Mechanical Licensing Collective (The MLC) on time. This, however, does not apply to the major adjustments in royalty payments currently underway following the re-setting of Phonorecords III rates (2018-2022), according to the office. 

Late fees have been an ongoing debate between the music publishing industry and streaming services dating back to the passage of the Music Modernization Act (the MMA) in 2018. That landmark law switched how streaming services licensed music, from a song-by-song piecemeal system — which many considered ineffective and cumbersome — to a blanket licensing regime instead. 

The law took effect starting Jan. 1, 2021, requiring digital music providers like Spotify and Apple Music to go to the newly created MLC to obtain a blanket mechanical license to reproduce music on these platforms. As part of the new system, streamers had to pay out royalties owed to the MLC, which then pays the writers and publishers, each month. More specifically, the law stipulates mechanicals are due “45 calendar days after the end of the monthly reporting period.”

After that, any lagging payment is considered late and subject to additional penalties, according to the MMA. For the current period of Phonorecords IV (2023-2027), the Copyright Royalty Board judges say that a streaming service must pay a late fee of 1.5% per month, or the highest lawful rate, whichever of those two is lower, for any payment owed to the music’s copyright owners that hadn’t been paid on time. The late fees accrue from the due date until the copyright owner receives payment. 

The main source of debate around late fees is whether they should apply in the case of a monthly payment that needs adjustment after it is paid out. Streaming services have argued that “‘[i]f a service is following the regulations by making a reasonable estimate of an input it does not know the value of, it should not be penalized with a late fee even if it so happens that the estimate is too low.” 

On the other side, the MLC has argued that allowing such exceptions would incentivize the streaming services to intentionally draw up payment estimates that undervalue what is owed to songwriters and publishers. 

The Tuesday ruling by the Copyright Office settles the debate: “The Office concludes that the statute’s due date provisions are unambiguous. The statute’s reference to ‘due date for payment’ clearly refers to the date on which monthly royalty payments are required to be delivered to the MLC, i.e., no later than forty-five days after the end of the monthly reporting period.”

“This is a major victory for music creators who have waited far too long to be made whole from the appeal which significantly delayed their compensation,” says NMPA President and CEO David Israelite. “The USCO’s decision reiterates our assertion that the due dates are unambiguous and any past-due payments to the MLC must come with appropriate statutory penalties.”

A.I.-Generated Song That Mimics Drake & The Weeknd Submitted for Grammy Consideration

After the anonymous artist Ghostwriter went viral with their A.I.-generated track “Heart on My Sleeve” — which mimics Drake and The Weeknd — earlier this year, representatives for the unknown act recently disclosed in an interview with The New York Times that they submitted the controversial song for next year’s Grammy awards

Submitted for best rap song and song of the year, “Heart on My Sleeve” was eligible despite the use of A.I. technology on the record, Harvey Mason, jr., CEO of the Recording Academy, told The New York Times. “As far as the creative side, it’s absolutely eligible because it was written by a human,” he noted.

Billboard has reached out to Drake and The Weeknd for comment. 

Last April, “Heart on My Sleeve” was pulled from streaming services after generating more than 600,000 plays on Spotify and 275,000 views on YouTube. Following the outrage, Spotify, YouTube, Apple Music, TIDAL and Deezer yanked the song from their respective platforms. In a statement to Billboard, UMG denounced the track and usage of A.I. by saying the viral postings “demonstrate why platforms have a fundamental legal and ethical responsibility to prevent the use of their services in ways that harm artists.”

Mason told the paper that he sent Ghostwriter a direct message on social media after the song’s explosion and organized a virtual roundtable discussion with the Recording Academy to understand further the powers of A.I. Ghostwriter attended the meeting with a distorted voice, further hiding their identity. 

“I knew right away as soon as I heard that record that it was going to be something that we had to grapple with from an Academy standpoint, but also from a music community and industry standpoint,” said Mason. “When you start seeing A.I. involved in something so creative and so cool, relevant and of-the-moment, it immediately starts you thinking, ‘OK, where is this going? How is this going to affect creativity? What’s the business implication for monetization?’”

The Recording Academy announced Artificial Intelligence “protocols” earlier this year. “Only human creators are eligible to be submitted for consideration for, nominated for, or win a Grammy Award,” the Academy stipulated. “A work that contains no human authorship is not eligible in any category. The Academy may disqualify any entry in a particular category if it determines, in the Academy’s sole discretion, that such entry does not incorporate meaningful and more than de minimis human authorship that is relevant to such category. {The Academy offered a definition of that term: “De minimis is defined as lacking significance or importance, so minor as to merit disregard.”

On Tuesday (Sept. 5), Ghostwriter returned with a new A.I.-generated song titled “Whiplash,” featuring vocals that sound like Travis Scott and 21 Savage. The record mimics both artists and pokes fun at Ghostwriter’s detractors with lines such as “Me and Writer raise a toast/ Trying to shadowban my boy but you can’t kill a ghost.”

Billboard has reached out to reps for Scott and Savage. Listen to the song below.

Miley Cyrus Says Her Divorce From Liam Hemsworth Came From ‘A Place of Love’

Miley Cyrus has clearly been having a good time revisiting some of the peak moments of her long career in the ongoing TikTok video series “Used to Be Young.” She’s reminisced about not making a dime on her Bangerz tour, the real story behind the “stripper pole” during her 2009 Teen Choice performance and recalled how Beyoncé and Rihanna treated her like a “little sister” the year before.

But in the latest clip posted on Wednesday morning (Sept. 6), Miley said she wanted to get serious for a moment while discussing the dissolution of her marriage to actor Liam Hemsworth. She revealed that around the time she was getting ready to headline England’s Glastonbury Festival in June 2019, the decision had been made that “me and Liam’s commitment to being married, just really… came from of course a place of love first because we’d been together for 10 years,” she said in part 37 of the series.

But, Cyrus added, it also came from a place of “trauma and just trying to rebuild as quickly as we could.” Cyrus said the day of the show was the same day she decided that “it was no longer going to work in my life,” in reference to the couple’s marriage.

“That was another moment when the work, the performance, the character came first,” she added, noting that since that time she’s dedicated herself to not prioritizing those professional things over the personal. “The human comes first,” she said.

Cyrus, 30, and Hemsworth, 33, met while filming her movie The Last Song in 2010 and got married in 2018, the split in August 2019 after less than one year as man and wife. In a “Used to Be Young” video posted last week, she reacted to a photo in which she was kissing Hemsworth, which sparked memories about the origins of their love.

“I think one of the elements that made that movie feel so special was it was watching two very young people fall in love with each other, which was happening in real time and real life,” she said. “So, the chemistry was undeniable and that was the beginning of a long, 10-year relationship.”

Watch Cyrus talk about her divorce below.