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Renée Rapp Says ‘Snow Angel’ Title Track Was Inspired By Drugging That Let Her ‘Missing For Seven Hours’

Renée Rapp is speaking out about the scary 2022 incident that inspired the urgent title track to her Snow Angel album. The former The Sex Lives of College Girls star recently released her debut full-length album on Interscope — with the title song serving as the first single — and in a new interview with On Purpose podcast host Jay Shetty she revealed that dramatic song was inspired by a traumatic experience last year in which she was drugged and lost nearly an entire night.

“I was drugged, and I had just been missing for seven hours,” Rapp told Shetty about a night out in 2022 when she went to a party with a new group of friends after a breakup. “I really let my judgment go when it came to the people that were around me. We were all out, and it was just situation after situation where they were just not trustworthy, and then the next thing you knew, I was face up, laying down in a bathroom stall in a hotel bar, just waking up at 5 in the morning, completely alone.”

Rapp said when she woke up alone in the bathroom stall early in the morning she had no idea what happened and saw that she’d missed two texts from people she’d started hanging out with the night before.

“First to arrive, last to leave/ What’s misery without company?/ It’s hard to laugh when it’s hard to breathe/ It’s white outside, but red underneath,” she sings in the opening verse of the song before dipping into the pre-chorus, “Feel the tip of my nose/ It’s burning, but it’s ice cold.”

Rapp said when she woke up the next day she saw blood on her pants and had no idea what happened during that lost time. “I was drugged, and I had just been missing for seven hours. I stopped being friends with those people and stopped doing as much partying as I was doing,” she said. “I told my parents, told some of my friends. I explained it in a very matter-of-fact way, and they were all very concerned and I didn’t even understand what was happening.”

It was hard to process the night at first and she couldn’t wrap her head around what happened for several months. But once Rapp started working with the song’s co-writer, Alexander “23” Glantz, they found a way to turn the scary event into a moving song.

“‘I really want to write a song about this,’” she said of the incident she turned over-and-over in her mind, telling the story to a number of friends who didn’t seem to be comprehend what she was saying. “We started writing it, and it was just the two of us. And the entire time I was writing it, I felt nothing,” Rapp said. “Until we recorded the song and the whole thing was done and I played it for my friends and my manager and everybody was like, ‘This is insane.’ But for me, that whole year of my life was inherent resilience.”

The good news is that Rapp, 23, said she’s cut ties with those people, but she still doesn’t know exactly how she feels about it. “I just know that I feel weird… and very resilient,” she said. “I was just like, ‘I don’t care what you know or what you claim to know or don’t know.’ I just want to let it go.”

Rapp wil kick off her Snow Hard Feelings Tour in Houston, TX on Sept. 15.

Watch the “Snow Angel” video below.



Putri Ariani Leaves Simon Cowell ‘Speechless’ With U2 Cover on ‘AGT’: Watch

America’s Got Talent just found what it’s looking for — Putri Ariani.

Earlier in the competition, the Indonesian teenager blew minds and broke hearts with her audition, a performance of Elton John and ‎Bernie Taupin’s “Sorry Seems to Be the Hardest Word.”

The gifted youngster lit up the screen, showcasing a delicate mix of pop tones, power, vocal maturity and unreal control, and earning the Golden Buzzer from judge Simon Cowell.

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The 17-year-old is blind, an obstacle she overcomes when she’s performing. “When I’m singing I feel like a superstar,” she said earlier in the season.

On Tuesday night’s (Sept. 5) live qualifier, she sat at the grand piano, without backing or pyrotechnics, and delivered another lesson in talent.

Putri covered “I Still Haven’t Found What I’m Looking For,” an appropriate, spiritual number lifted from the U2’s The Joshua Tree from 1987, an album that confirmed U2 as the biggest band in the world.

When her latest performance wrapped, another standing ovation.

“I’m actually kinda speechless right now,” Cowell admitted. “What a beautiful voice you’ve got. What a beautiful version. And honestly Putri, this is why I still do this job. For moments like this, genuinely. That was so beautiful.”

Cowell noted that U2 personally cleared the song for Putri to sing on AGT. “They saw her audition,” he remarked. “And they knew how much this would mean to her.”

“I don’t think I’ve ever heard something more beautiful in my life,” said Sofia Vergara. “That was spectacular.” It was the “perfect, perfect, perfect act.”

Added Heidi Klum, “you sounded so beautiful and I thought to myself this probably is what it sounds like when an angel is singing. Literally. So beautiful. I do hope Bono gets to hear this.”

“Perfection,” was all Howie Mandel had to say.

Putri had the final word. She thanked Cowell, his fellow judges and supporters. “You already changed my life,” she enthused.

Now it’s America’s turn to vote.

Watch the performance below.


https://youtube.com/watch?v=rfWgKu5WTDk&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Apple Buys Swedish Classical Specialist BIS Records

Apple Music is doubling down on classical music with the acquisition of Swedish label BIS Records.

Following the launch earlier this year of its standalone app Apple Music Classical (AMC), the tech giant makes its move for BIS, a classical specialist which has operated since 1973.

The acquisition ticks several boxes for both parties.

For BIS, the timing, and its new teammates, were right. “A few days ago BIS Records turned 50 years old and I am immensely proud of what our small team of people has accomplished during this half-century,” writes BIS founder Robert von Bahr in a blog post.

Its strong suit, “while paying our dues to the core repertoire,” he continues, “has been to nurture young classical artists and interesting living composers and to safeguard the musical treasure that we all represent long into the future. It is to that end that, after much careful consideration, and having just turned 80, I am excited to announce the rather momentous news that we have made the decision to become part of the Apple family.”

For Apple, the hardware colossus with a market cap that’s fast approaching $3 trillion, its latest purchase is a statement of intent. Classical music is hot right now, the newest member of its family comes bearing the goods, with a catalog of contemporary composers and early music. And Apple wants ownership.

Apple made its splash in the classical water with the March launch of AMC, stemming from its August 2021 acquisition of Primephonic.

The new app, Apple boldly declared at the time, was the “ultimate classical experience” with the “largest classical music catalog,” boasting over 5 million tracks and works from new releases to recognized masterpieces.

The game is changing, fast. Last November, Deutsche Grammophon launched a new standalone streaming service, Stage+, catering to its own catalog and that of Decca Classics. And, recently, Universal Music Group bought Hyperion Records, and announced its asset would finally enter into the streaming age.

Following the latest transaction, BIS will become part of Apple Music Classical and its artist services service Platoon. Financial terms of the arrangement were not disclosed. At the time of writing, BIS Recordings were available on Apple’s DSPs and eClassical.

Von Bahr and his staff won’t be going anywhere. “As proud as I am of this milestone,” he writes, “I am even more proud of the fact that the entire personnel of BIS, including me, have been retained. We all look forward to a future, filled with new music and artists in golden sound from this increased force in classical music.”

Read more here.

Elliot Goldman, Arista Co-Founder and Former BMG Music President, Dies at 88

Elliot Goldman, the veteran record executive who co-founded Arista Records, led BMG Music as president and CEO, and served in senior roles with Warner and CBS Records across a decorated career in music, has died at the age of 88.

Goldman joined CBS Records in the 1960s, rising to administrative vice president. Later, with Clive Davis, he established Arista Records, serving as executive VP and general manager at the very inception of the storied label.

“Clive and I formed Arista Records in 1973,” he recounted in an interview with Billboard published in 2015. “One of our first releases was from a gentleman you’ve probably heard of: Barry Manilow.”

Later, Goldman took on duties as senior VP at Warner Communications, and, in 1985, was named president and chief executive of RCA/Ariola International. When BMG parent Bertelsmann acquired RCA outright from the General Electric Company, the German media giant restructured the asset into three operating units; BMG Music, BMG Music International and Arista, all part of BMG. Goldman would guide BMG Music as president and CEO, departing in 1987.

”Elliot expertly managed RCA/ Ariola through very difficult corporate transitions and company restructuring,” Michael Dornemann, co-chairman of the Bertelsmann Music Group, remarked on his departure, The New York Times reported.

A graduate of Cornell, where he majored in political science, and of Columbia Law School, Goldman served on the board of directors of the RIAA, and on the board of directors and executive committee of the Rock And Roll Hall of Fame Foundation at its inception.

During his lifetime, he also served on the executive council of the T.J. Martell Foundation; was co-chairman of the Home Entertainment Division of UJA/Federation; founding member and president emeritus of the Music for Youth foundation; and a recipient of the AMC Cancer Research Center’s Humanitarian of the Year Award.

Goldman leveraged his considerable major label experience into consultancy work with a string independent and major record company clients throughout the 1990s.

Before entering the music industry, Goldman enjoyed various roles in government, including the position as head of the New York office for the 1964 election campaign of Senator Robert F. Kennedy.

Arista and J Records founder Clive Davis leads tributes to the late executive.

“Elliot Goldman played a substantial role in the history of Arista Records and strongly contributed to its success,” comments Davis in a statement. “He was also a great family man and Jill, Ben and the Goldman children have my deepest sympathy for this irreplaceable loss.”

He is survived by his wife of 56 years, Jill, his son Ben (Allysa Lawson Goldman), daughters Elizabeth and Cathy and his four grandchildren, Justin Goldman, Dylan Goldman, Sophie Gibbons and Olivia Gibbons.
Ben and Justin have both carved out successful careers in music.

Doja Cat Eyes First U.K. No. 1 With ‘Paint The Town Red’

Doja Cat has another fine chance to capture her first U.K. chart crown with “Paint The Town Red.”

Based on midweek sales and streaming data published by the Official Charts Company, “Paint The Town Red” (via Kemosabe Records/RCA Records) is in pole position.

The U.S. pop singer and rapper will hope for a different result from last week, when “Paint The Town Red” led at the midweek stage, before being outraced in the final straight by Olivia Rodrigo’s “Vampire” (Geffen). Doja Cat’s Scarlet single finished the last chart cycle at No. 2, an equal career high (“Say So” also finished in the runner-up position).

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As it stands, Taylor Swift’s “Cruel Summer” (EMI) lifts 4-2, as “Vampire” dips 1-3.

Meanwhile, Calvin Harris and Sam Smith’s latest collaboration, “Desire” (Columbia), could climb into the top 5 for the first time. It’s up 7-5 on the Official Chart Update.

Fred Again’s “Adore U” (Atlantic) could become the red hot producer’s first Top 10 single as a solo artist. “Adore U” rises 16-10 on the chart blast.

Australia’s pop princess Kylie Minogue is readying the release of her 16th studio album, Tension (due out Sept. 22 via BMG). The title track is set to arrive at No. 19 on the national chart, for what should be Kylie’s 53rd top 40 hit in the U.K. “Tension” is the followup to “Padam Padam,” which crashed the top 10 earlier this year, reaching No. 8.

English singer and songwriter Kenya Grace has never impacted the Official Singles Chart. That could be about to change, as “Strangers” (Major Recordings) blasts to No. 22 on the midweek tally.

Finally, Nicki Minaj’s “Last Time I Saw You” (Republic Records). The Pink Friday 2 cut could bow at No. 25, for what would be the rap star’s 44th U.K. top 40 single. Minaj’s Pink Friday sequel is due out Nov. 17.

The Official U.K. Singles Chart will be presented late Friday, Sept. 8.

CMA Awards 2023 Predictions: Who Could Score Nominations in the Main Categories?

Final nominees for the 57th CMA Awards will be announced Thursday at 8 a.m. ET. It’s been an exceptional year for country music, with artists like Morgan Wallen and Luke Combs dominating the pop and country charts. Newer acts like Zach Bryan and Oliver Anthony Music have seemingly come out of nowhere to top the charts and, in some cases, the national conversation. 

Many of the acts who have broken through this year, like Jelly Roll and Lainey Wilson, who swept the Academy of Country Music Awards, don’t sound like anyone who has come before them. 

While it’s easy to predict a handful of the nominees, several of the categories are harder to figure out because in some cases, like new artist of the year, there is such a wealth of talent to be considered. 

The CMA Awards, which are voted on by eligible CMA members, will be handed out Nov. 8. Luke Bryan and Peyton Manning return as co-hosts on the program, which will air live on ABC. The eligibility period for the 2023 show is July 1, 2022-June 30, 2023. According to CMA rules, “singles, albums, music videos and qualified music products for the annual show must have been released or reached peak national prominence during the eligibility period.” 

Below are my predictions for the artist categories. I decided to go young this year, given the strength of some of the artists coming up. 

Beyoncé Gifts LA With 3 Shows for Her Birthday: A Roundtable Appreciation

Beyoncé played three sold-out nights at SoFi Stadium in Inglewood, Calif., over the holiday weekend — and Billboard was there for all three shows.

On the new Billboard Pop Shop Podcast, we’ve put together a roundtable discussion about the trio of concerts with Gail Mitchell, Billboard‘s executive director, R&B/hip-hop; Cat Johnson, Billboard‘s business development and talent relations manager; along with your two regular Pop Shop hosts Katie & Keith. Katie attended Friday night, Gail and Keith attended Monday night, and Cat attended all three nights and covered the shows (read her Friday/Saturday recap and birthday concert recap now).

Listen to our full discussion below to hear about all the surprises, all the standout moments, and all the silver, sparkly fashion.

Also on the show, we’ve got chart news on how Zach Bryan takes over the top of both the Billboard 200 albums chart and Billboard Hot 100 songs chart, thanks to his new self-titled album and its breakout track “I Remember Everything,” featuring Kacey Musgraves. It’s Bryan’s first No. 1 on both charts and Musgraves’ first Hot 100 No. 1 (and top 10!) too. Plus, Miley Cyrus’ “Used to Be Young” debuts straight into the top 10 on the Hot 100, marking her 12th top 10 hit.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Spotify Tests Lyrics Paywall for Free Users

Spotify is currently testing a feature that would put song lyrics on the app behind a paywall for free users, the company has confirmed to Billboard.

“At Spotify, we routinely conduct a number of tests, some of those tests end up paving the way for our broader user experience and others serve only as an important learning,” said a Spotify spokesperson in a statement sent to Billboard. “In keeping with our standard practices, we’re currently testing this with a limited number of users in a pair of markets. We don’t have any further news to share at this time.”

The Verge was first to report on the test.

The paywall test has been noted by Spotify users in the free (ad-supported) tier for more than a week on platforms including Reddit and X (formerly known as Twitter), with some decrying the move as “ableist” against the deaf community. Spotify did not immediately respond to Billboard‘s request for comment on that criticism.

Spotify developers are beginning to test lyrics restrictions for free users (1.2.19)
by u/Hidden_pool_ in truespotify

With the test, Spotify seems to be looking at ways to potentially convert more free users into premium subscribers on the service, which in the most recent quarter reported an 11% increase in revenue from premium subscriptions and 10 million net new accounts — amounting to a total of 220 million premium subscribers. During the same period, the company also reported a 12% increase in ad-supported revenue. Critically, average revenue per user fell 3% in the quarter while operating losses were €247 million ($272.7 million), leading to some disappointment from investors (its stock has since regained nearly all of those losses).

In July, Spotify announced it would institute a $1 price hike for its premium individual plan in North and South America, Europe and Asia following repeated calls from investors and the music industry to do so following price increases by competitors including Apple, Amazon and Tidal. On its July earnings call, Spotify executives said the move would improve the company’s quarterly operating losses through the remainder of 2023.

Asake Talks Billboard Chart Success, Crazy Live Shows, Growth of Afrobeats & More | Billboard News

Asake shares how he feels about his success on the Billboard charts with his first album, Mr. Money With the Vibe, how his second album (Work of Art) is different, his crazy live shows, how the Afrobeats genre has grown across the globe, his mindset on collaborations, his dream collab and more!

Asake:
The only thing I could remember is I tried to do, you know, the dance they do in Nigeria where everybody do like this.

Hi! What’s up, everybody? It’s your boy, Asake — aka Mr. Money With the Vibe — right now, and you’re watching Billboard News.

Tetris Kelly:
It’s Tetris with Billboard News. Today, we got Mr. Afrobeats himself, Asake.

Thanks for coming to hanging out with us. Let’s talk about the genre itself. OK, so Afrobeats is obviously having this huge explosion globally. So how’s it feel from the artists standpoint, seeing your genre blow up like that?

Asake:
I think it’s a good thing. You know, it’s like you having a baby, and your baby’s growing. You know, you feel good when you have something around you and the thing is growing, and I feel like in a couple of years or in years to come, it will be bigger.

Tetris Kelly:
Well, speaking of getting bigger, I mean, next year will be the first year the Grammys ever have a category — best African musical performance — so that’s huge. Do you think that’s going to affect the genre? Like, are you even thinking like, “I want to be Grammy nominated?”

Asake:
No, it’s never going to affect anything. Like, everybody wants to be big. So if the whole genre is bigger, that means there is the happiness of the whole country, you know, it’s the happiness of everybody.

Dave East “Thru the Mud,” DaBaby “Peaches & Eggplants” & More | Daily Visuals 9.5.23

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Dave East

Source: Bernard Smalls / @PhotosByBeanz

Dave East is a proud Harlem representative and while the man uses every opportunity to show love to his old neighborhood, this time around the city boy heads to the country for his latest music video.

In his latest visuals to “Thru The Mud,” Dave East finds himself living the simple life on a farm where he cares for the livestock which consists of lamas and horses before writing his rhymes under some candle lights and dimly lit lamps. Still iced out on the farm though. That was lowkey weird too.

DaBaby meanwhile hits the streets with some ice of his own and in his clip to “Peaches & Eggplants” pulls up to a gas station to get turnt up with his seed who flaunts stacks of cash that and iced out baby chains of his own. Son probably got his pre-school on smash.

Check out the rest of today’s drops and some joints you might’ve missed over the weekend including work from Knucks featuring Larry June, Chinese Kitty, and more.

DAVE EAST – “THRU THE MUD”



DABABY – “PEACHES & EGGPLANTS”



KNUCKS FT. LARRY JUNE – “I SUPPOSE”



CHINESE KITTY – “BOY OH BOY”



COYOTE & SHAQUILLE O’NEAL – “3 LOKOS”



RUGER – “TOUR”



FLO MILLI – “HOT BOX”



BLXST & BINO RIDEAUX – “DOIN YO STUFF”



OHGEESY – “BLAME ME”



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