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WWE Legend & “Million Dollar Man” Ted DiBiase’s Bodyguard, Virgil, Passes Away At 61

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48th Annual Carl Casper's Custom And Louisville Auto Show - Day Two

Source: Stephen J. Cohen / Getty / Virgil

The professional wrestling world has lost another legend.

WWE legend Michael “Virgil” Jones, the “Million Dollar Man” Ted DiBiase’s bodyguard and one-time holder of the million-dollar championship, passed away at the age of 61 on Wednesday, Feb.28.

No cause of death for Jones, who also spent time in World Championship Wrestling under the name Vincent, was revealed. Per local news affiliate  WTRF-TV, Jones had dementia and two massive strokes in 2022.

A GoFundMe page was started in December 2022 to help cover the former professional wrestler’s living expenses.

Virgil’s passing was confirmed on his official Instagram account before being confirmed by the WWE. The caption for the post read:

This is to confirm the sad news about our beloved Meatsauce God and Wrestling Superstar Virgil/Michael Jones has passed away. There is so much to say here and would love to share stories but for now it’s a rough day as our friend is gone. We would only ask at this time to remember him as the man that he was. Wishing him all the unlimited pasta in heaven. We love you Mike.

The Vince Mcmahon-less WWE wrote in a post on X, formerly Twitter:

WWE is saddened to learn that Michael Jones, known to WWE fans as Virgil, has passed away. WWE extends its condolences to Jones’ family, friends and fans.

Virgil’s Path To Professional Wrestling Greatness

Jones was a defensive back at Virginia Union before starting an amateur wrestling career, per The Athletic. He began his career as Soul Train Jones in 1985, later joining the WWE as Lucious Brown.

It wasn’t until 1987 that he became his most iconic character, Virgil, “Million Dollar Man” Ted DiBiase’s bodyguard, who took abuse from his boss.

That would all change during the 1991 Royal Rumble when Virgil turned on his former boss after they took on the late Dusty Rhodes and Dustin Rhodes in a tag team match.



The WWE would push the feud between DiBiase and Virgil, leading to the 1991 match at WrestleMania VII, where Virgil won via count-out.

The Virgil-DiBaiase feud climaxed at SummerSlam later that year when Virgil beat DiBiase by pinfall, winning the Million Dollar Championship.

Ted DiBiase Had Nothing But Kind Words For Virgil

Speaking on his former bodyguard, DiBiase had nothing but kind words about him during a 2016 interview with Ring Rust Radio. 

“When we were together, he was never a problem,” DiBiase said. “The guy didn’t drink, he didn’t smoke, he didn’t do drugs, he was always on time. Of course, you know you lay the foundation down when the relationship begins, and I think Virgil understood at least, he knew what his job was and he knew where his place was in terms of the pecking order.

“We would do our thing on the road and then I would see him in three days or a week, whatever it was and then we would come back. I didn’t really socialize a lot with him so to speak, but we had a great working relationship and were friends.”

RIP Virgil.

You can see more reactions to his passing in the gallery below.

1. Jake The Snake Roberts

2. Matt Hardy

3. Hacksaw Jim Duggan

4. Brutus The Barber Beefcake

Netflix’s Kanye West Documentary Didn’t Defame Woman by Showing Her Intoxicated, Judge Rules

A woman who once appeared “obviously intoxicated” in a Kanye West music video cannot sue for defamation after the footage was used in the Kanye-focused Netflix documentary jeen-yuhs, a federal judge says, even if she later got sober and “turned her life around.”

Cynthia Love sued last year, claiming jeen-yuhs filmmakers Coodie Simmons and Chike Ozah defamed her by including the footage in the 2022 Netflix series. The clip, which showed Love dancing and slurring her words at a Chicago barbecue spot, was originally shot for the 2003 music video for Kanye West’s debut single, “Through The Wire.”

Love’s argument was unusual. She admitted that the footage was authentic — normally the death knell for a libel lawsuit. But she argued that because she had later gotten sober, it had become false and defamatory to use it in the present day.

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In a ruling Tuesday (Feb. 27), Judge Steven Seeger sharply rejected that argument, ruling that the footage was “historically accurate” and shows a “a past truth,” even if it was a truth that Love did not want to remember.

“Holding up a mirror isn’t defamation. Holding up a 20-year-old picture isn’t defamation, either,” the judge wrote. “They both reflect reality, like it or not.”

It did not matter that Love had later “turned things around,” the judge wrote, or that the Netflix doc depicts her at her “darkest moments” years ago: “The ‘Jeen-yuhs’ video accurately portrays Love in a moment of time several decades ago. The video does not suggest that Love remains in an intoxicated state, or anything of that sort.”

Directed by Coodie & Chike (the moniker used by the filmmakers), jeen-yuhs depicted West’s career through unreleased archival footage, much of it filmed by Coodie over decades of working with the rapper. After landing at Netflix for a reported $30 million, the series was released in February 2022 — just months before West would receive widespread condemnation for a string of antisemitic statements.

Years earlier, Love had briefly appeared in the “Through The Wire” video, which was directed by Coodie & Chike in one of their first projects. The video showed Love drunkenly dancing in Chicago eater Original Leon’s Bar-B-Q. That footage, plus additional unused footage showing her interacting with West, later appeared in jeen-yuhs, making up about two minutes of footage total across two episodes.

Love sued last year, accusing Coodie & Chike and Netflix of defamation and a wide range of other wrongdoing. (West was not named or accused of any wrongdoing). She claimed they had “recklessly disregarded the truth” that she had made “an amazing transformation” since the ugly footage was filmed, hurting her reputation among present-day peers: “Neighbors, co-workers, and family cannot help but view and treat her as someone less worthy of their respect, esteem and trust,” her lawyers wrote.

But in Tuesday’s order dismissing those allegations, Judge Seeger pointedly noted that “sometimes the truth hurts, and when the truth hurts, it isn’t defamation.” Summarizing her argument as “the footage was true then, but it isn’t true now,” the judge told her that’s simply not how defamation law works.

“Plain and simple, any allegations about Love in the ‘Jeen-yuhs’ docuseries are true,” the judge wrote. “The docuseries includes real-world clips of Love, without doctoring the content or adding any false material. It shows true clips of a real event.”

Attorneys for both sides did not immediately return a request for comment.

Saweetie Opens Up About Her Past Insecurities as an Artist: ‘I Just Felt Myself Giving Up’

Saweetie carries herself with a “boss b—h” mentality when representing as the leader of her Icy Gang. While her confidence is on point as a woman in her everyday life, she’s opening up about how that doesn’t always match when she’s making music.

The “My Type” rapper graced the cover of Allure on Thursday (Feb. 29), where Saweetie revealed that she’s felt like giving up in the past, and her insecurities as an artist have bogged her creativity down.

“I don’t mean to dampen the mood. But this is, realistically, how my career has been,” she said of the critics who have seemingly attacked her status in the rap game at every step. “We were constantly criticized for every drop. I was just very insecure. I’m a confident woman, but I was a very insecure artist.”

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Later in the interview, the Bay Area native admitted there have been times she felt like “giving up.” Still, Saweetie wants to shed that mentality moving forward, while being fully in the moment and invested in her thriving career.

“There’s been a lot of times these past couple of years where I’ve given up on myself,” she added. “Whether people knew about that or not, I just felt myself giving up, and I don’t want to do that anymore.”

With a clean slate, the 30-year-old kicked off 2024 with her first single of the year as the opulent “Richtivities” hit streaming services Feb. 23.

As the conversation has been for years since Saweetie burst onto the scene in 2018, fans are still wondering about the status of her anticipated Pretty Bitch Music debut album. These days, she’s still refusing to put a date on the elusive project.

“To me, music is sacred. It’s coming from your spirit. You can’t just go finish an album in a week,” she explained of the delay. “That’s why it’s taking me so long.”

Beyoncé Reigns for Fourth Time on Streaming Songs Chart With ‘Texas Hold ‘Em’

Beyoncé’s fourth No. 1 on Billboard’s Streaming Songs chart – and first completely solo – comes with “Texas Hold ‘Em,” which rises to the top of the March 2-dated tally.

“Texas Hold ‘Em,” which debuted at No. 4 on the Feb. 24 ranking, vaults to No. 1 via 29 million official U.S. streams Feb. 16-22, a boost of 51%, according to Luminate.

Beyoncé first reigned on Streaming Songs, which began in 2013, with “Drunk in Love,” featuring Jay-Z, which ruled for four weeks in 2014. She then led for a week in 2018 as a co-lead on Ed Sheeran’s “Perfect,” and her third topper came as a featured act on Megan Thee Stallion’s “Savage” in 2020.

Thus, “Texas Hold ‘Em” is Beyonce’s first Streaming Songs leader without any other act attached in a lead or featured role – eclipsing the No. 2 peak of “7/11” in 2014.

Between “Savage” and “Texas Hold ‘Em,” Beyonce reached Streaming Songs multiple times, paced by the No. 3 peak of “Break My Soul in 2022.

She becomes one of 10 acts with at least four No. 1s on Streaming Songs since its inception. Drake leads all acts with 20 rulers.

Concurrently, “Texas Hold ‘Em” spends a second week at No. 1 on Country Streaming Songs. The multimetric Billboard Hot 100, as previously reported, sees the song lift 2-1; in addition to its streams, the song earned 16.1 million radio audience impressions and 29,000 downloads.

“Texas Hold ‘Em” and counterpart “16 Carriages” (which appears at No. 36 on Streaming Songs, down from its No. 27 debut, via 8 million streams) are both from Beyoncé’s upcoming eighth studio album, which does not yet have a release date.

Shakira Reveals Collabs With Cardi B, Grupo Frontera & More in ‘Las Mujeres Ya No Lloran’ Tracklist

Ahead of her upcoming new album Las Mujeres Ya No Lloran, set to drop March 22, Shakira has unveiled the LP’s tracklist.

The 16-track album includes eight new tracks plus previously released singles such as “TQG” with Karol G, the Rauw Alejandro-assisted “Te Felicito” and “El Jefe” with Fuerza Regida. A remix to her Bizarrap-produced “Music Sessions Vol. 53” featuring Tiesto will also be included in the set. Shakira recruits Bizarrap and Alejandro again for new songs, while tapping new collaborators, including Cardi B and Grupo Frontera.

“Making this body of work has been an alchemical process,” Shakira previously said in a statement. “While writing each song, I was rebuilding myself. While singing them, my tears transformed into diamonds, and my vulnerability into strength.”

Las Mujeres Ya No Lloran is the Colombian hitmaker’s first new album in seven years. It also marks her debut release on vinyl, featuring four distinct artwork editions, each paired with an exclusive colored vinyl variant.

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Shak’s new album follows her 2017 set El Dorado, which spent five weeks at No. 1 on Billboard‘s Top Latin Albums chart, and included hit songs such as “Chantaje” with Maluma, “La Bicicleta” with Carlos Vives and the Prince Royce-assisted “Deja vu.” Overall, the hitmaker has placed eight top 10 albums on the Top Latin Albums chart, six of those hit No. 1, including Dónde Están Los Ladrones? (1998), Fijación Oral: Vol. 1 (2005) and Sale El Sol (2010).

See Shakira’s Las Mujeres Ya No Lloran tracklist below:

  1. “⁠⁠Puntería” x Cardi B
  2. ⁠”La Fuerte” x Bizarrap
  3. ⁠”Tiempo Sin Verte”
  4. ⁠”Cohete” x Rauw Alejandro
  5. ⁠”(Entre Paréntesis)” x Grupo Frontera
  6. ⁠”Cómo Dónde y Cuándo”
  7. ⁠”Nassau”
  8. ⁠”Última”
  9. ⁠”Te Felicito” x Rauw Alejandro
  10. “Monotonía” x Ozuna
  11. ⁠”Bzrp Music Sessions, Vol. 53″
  12. “TQG” x Karol G
  13. ⁠”Acróstico” x Milan + Sasha
  14. ⁠”Copa Vacía” x Manuel Turizo
  15. “⁠El Jefe” x Fuerza Regida
  16. ⁠”Bzrp Music Sessions, Vol. 53 (Remix Tiësto)”
  17. “Punteria” (Vinyl Version)

Bad Bunny, Rita Moreno & More Added as 2024 Oscar Presenters

The 2024 Oscars will have strong Latin representation. Two Puerto Rican superstars of different generations — Bad Bunny and Rita Moreno — have been added as presenters for the March 10 ceremony, along with Chris Hemsworth, Dwayne Johnson, Michael Keaton, Regina King, Jennifer Lawrence, Kate McKinnon, John Mulaney, Catherine O’Hara, Octavia Spencer and Ramy Youssef.

Moreno won an Oscar in 1962 for West Side Story. In 1977, she became the first Latina (and just the third person overall) to complete the EGOT. In 2022, Bad Bunny made history when Un Verano Sin Ti became the first Spanish-language album to top Billboard’s year-end chart and to receive a Grammy nod for album of the year.

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On Wednesday, the Academy announced that another popular Latin star, Becky G, would perform the nominated “The Fire Inside” from Flamin’ Hot on the telecast. Becky G was born in Inglewood, Calif., to Mexican American parents.

Previously announced Oscars presenters are Mahershala Ali, Nicolas Cage, Jamie Lee Curtis, Brendan Fraser, Jessica Lange, Matthew McConaughey, Lupita Nyong’o, Al Pacino, Michelle Pfeiffer, Ke Huy Quan, Sam Rockwell, Michelle Yeoh and Zendaya.

The 96th Oscars will air live on ABC and broadcast to outlets worldwide on Sunday, March 10, at the new, earlier time of 7 p.m. ET/4 p.m. PT.

Jimmy Kimmel is hosting the show for the fourth time. It will be held at its usual home, the Dolby Theatre at Ovation Hollywood.

Raj Kapoor is executive producer and showrunner for the 2024 Oscars. Molly McNearney and Katy Mullan are also executive producers. Hamish Hamilton is directing. Rickey Minor is music director.

21 Savage, Lil Jon, Killer Mike & More Reflect on Freaknik’s Legacy in ‘Wildest Party Never Told’ Trailer

Freaknik took HBCU spring breaks in Atlanta throughout the ’80s and ’90s by storm. The cultural street party has been turned into a documentary as Hulu’s Freaknik: The Wildest Party Never Told is set to arrive on the streamer on March 21.

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Ahead of the P. Frank Williams-directed documentary’s debut at SXSW next month, Hulu unleashed a trailer detailing the Black excellence to give those that attended a nostalgic blast from the past and inform those who didn’t have the chance to learn about the history they missed out on.

21 Savage, Jermaine Dupri and Uncle Luke are on board as producers for the film, which also boasts appearances from Lil Jon, Killer Mike, Too Short and more.

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“At its heart, Freaknik is a music documentary. Luke is the soundtrack of Freaknik, [Dupri’s] So So Def label is directly correlated to Freaknik and 21 Savage is the new school. They’re fascinated with the wild stuff we did, the clothes and the music of that era,” Williams told Variety. “The legacy of Freaknik really started in ‘83, I don’t know if people realized that. It was about kids trying to find a place for Black joy. Freaknik wasn’t just about the party. Our goal was to show how it affected politics, culture, race, there was a lot with sexuality, gender.”

Freaknik provided a place for the youth to indulge in debauchery but also celebrate themselves as well as their sexual expression. Lil Jon called the block party the “greatest Black gathering in America.” Killer Mike joked to close out the teaser: “Trust me, your momma and daddy got down.”

However, amid all the partying, there was a dark side of Freaknik that the documentary made sure to not shy away from with scenes of violence breaking out among the overwhelming amount of partygoers and police brutality.

“The turn up, the cars, sexuality, joy, the daisy dukes — that’s the candy of it. But there’s also some vegetables in it – which is the Black empowerment, police brutality was part of it, Black cultural realization, young women realizing their sexuality, young men too,” Williams continued.

Freaknik is really a coming of age story about a generation who was trying to find a voice in a world that didn’t accept them — but this is a place they created for themselves. Freaknik is the ultimate personification of that.”

Watch the trailer below. Freaknik: The Wildest Party Never Told arrives on March 21.



Billboard Explains: Tems’ Breakthrough on the Charts

Scores of new artists snag hits in a given year, but few truly break through and create a lasting impact on the global music scene and popular culture. Tems is one of those artists. The Nigerian singer-songwriter has used her lush amalgamation of Afrobeats, soul and hip-hop to become one of the leading female artists in the global Afrobeats boom of the early 2020s.

As the 2024 Billboard Women in Music Breakthrough Artist honoree, Tems joins an exclusive list of movers and shakers that includes Idina Menzel, Maren Morris, Camila Cabello, TWICE and Tori Kelly. To illustrate why the Grammy winner is a true breakthrough artist, Billboard Explains has put together a brief overview of Tems’ impressive chart success.

Tems made her Billboard Hot 100 debut back in 2021 with “Essence,” a collaboration with fellow Afrobeats star Wizkid and Justin Bieber that reached No. 9 on the ranking. The following year, she translated that momentum into her first Hot 100 No. 1 single — “Wait for U” (with Future and Drake), which spent one week atop the chart. Her other Hot 100 hits include “Fountains” (No. 26, with Drake), “Move” (No. 55, with Beyoncé and Grace Jones) and “Free Mind” (No. 46), a single from her debut EP For Broken Ears, which reached No. 28 on Independent Albums.

“Free Mind” and “Essence” are also Tems’ two chart-toppers on Billboard U.S. Afrobeats Songs, where she boasts 15 career entries. “Higher,” which was sampled on Future’s “Wait for U,” reached No. 5 on the chart in 2022.

With a debut studio album set for release in 2024, Tems is poised to own the coming year and further solidify her breakthrough.

After the video, catch up on more Billboard Explains videos and learn about Peso Pluma and the Mexican music boomthe role record labels playorigins of hip-hop, how Beyoncé arrived at Renaissance, the evolution of girl groupsBBMAsNFTsSXSW, the magic of boy bandsAmerican Music Awards, the Billboard Latin Music Awards, the Hot 100 charthow R&B/hip-hop became the biggest genre in the U.S.how festivals book their lineupsBillie Eilish’s formula for success, the history of rap battlesnonbinary awareness in musicthe Billboard Music Awardsthe Free Britney movementrise of K-pop in the U.S.why Taylor Swift is re-recording her first six albumsthe boom of hit all-female collaborationshow Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogshow the Super Bowl halftime show is booked and more.

Donald Trump Scrambling To Pay $454M Fine, X Gets #trumpisbroke Trending

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Donald Trump Attends Pre-Trial Hearing In New York Hush Money Case

Donald Trump has suffered a series of legal setbacks, including one that finds the former president and business mogul along with his codefendants on the hook for a $464 million fine. Trump has until March 25 to satisfy his debt or provide a bond in the full amount, which could lead to seizures of some of his business holdings and has prompted users on X to get the #trumpisbroke hashtag trending.

Donald Trump, 77, was recently ordered by New York Judge Arthur Engoron to pay a $355 million fine after it was ruled that Trump filed financial statements that failed to show the true value of his properties and other holdings in the civil fraud case. With interest, Trump owes $455 million overall and is appealing the decision according to a report from Courthouse News Service.

If Trump is unable to secure a cash bond for monies owed or satisfies the debut, New York Attorney General Letitia James says that her office will consider seizing properties owned by Trump.

Trump’s legal team has submitted a request to pay a $100 million bond in a bid to appeal the decision, with his side also mentioning that their client might have to sell off some real estate assets to pay the fine. New York Supreme Court Associate Justice Anil Singh denied the $100 million bond offer and expects Trump to pay the full amount he owes.

In the filing of the appeal, Trump’s lawyer wrote, “The exorbitant and punitive amount of the judgment coupled with an unlawful and unconstitutional blanket prohibition on lending transactions would make it impossible to secure and post a complete bond.”

As a result of legal happenings this week, some online are assuming that Donald Trump is broke thus sparking the hashtag. Further, Trump is in the middle of vying for the GOP’s nomination for this year’s presidential race where he remains a frontrunner.

Check out the comments from the #trumpisbroke hashtag below.

Photo: Getty

Australian Swiftie Speaks Out After Her Emotional Reaction to Taylor Swift Performing ‘Exile’ Goes Viral

Taylor Swift fans are famously passionate people, as demonstrated in that viral video of one Swiftie sobbing over the pop star’s surprise song performance of “Exile” at one of her Eras Tour shows in Sydney.

But while some people may criticize such displays of emotion, especially where celebrities such as Swift are concerned, Madison Blackband — the fan featured in the clip — feels no need to apologize for being herself. “There’s no point letting it upset me,” the 20-year-old Brisbane local told Rolling Stone Wednesday (Feb. 28) of the negative reactions she’s encountered since going viral. “I reacted the way I reacted.”

“That’s just me,” she continued. “I’m just a passionate person. The opinion of people thinking that it’s embarrassing and stuff doesn’t mean anything to me because I never thought it was and I’m not going to think it is now just because someone says I should. I understand why people are laughing at it. I laughed at the video myself once I first watched it back.”

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In the video, which has since been critiqued and repurposed into various memes countless times on X, Blackband sits outside of Accor Stadium between two friends. When she hears Swift play the opening notes of her Folklore Bon Iver duet, she collapses into one friend’s lap and starts bawling loudly and uncontrollably.

“My reaction to Taylor singing Exile (also known as the song that saved my life),” she captioned the video, which she originally posted on TikTok Sunday (Feb. 25).

“I posted it intending it for like 200 people, not millions,” Blackband explained to the publication. “[Exile] means a lot to me. It’s a song I’ve listened to when I needed anything, as a distraction or to keep me focused. It’s like a safety blanket.”

Swift wrapped up her four-night stint in Sydney Monday (Feb. 26), closing out the Eras Tour‘s Australian leg, which also included three shows in Melbourne the week prior. Next up, the “Anti-Hero” singer will set up shop in Singapore for six nights beginning March 2 at National Stadium.

In a recent Instagram post, Swift reflected on her stay in Sydney, which she described as “a whirlwind of endless magical moments.” “I’m so grateful that we got to be the first tour to play Accor Stadium 4 times,” she wrote. “I’ll never forget singing with Sabrina [Carpenter], the chaotic acoustic mashups, and the crowds that were louder (singing AND screaming) than I thought humanly possible.”

See Blackband’s viral video below.