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The Ivors Academy Names Roberto Neri as New CEO

The Ivors Academy, a U.K.-based songwriter advocacy organization, has named Roberto Neri as its new CEO.

The organization was previously helmed by Graham Davies, who is now the leader of the Digital Media Association (DiMA) in the United States, and interim CEO Charlie Phillips.

Neri has worked in the music publishing business for over 20 years. Previously, he held C-suite roles as CEO of Believe’s publishing operation and CEO and COO of Utopia Music Services. His other previous positions include executive vp/head of business development at Downtown Music, founder/CEO of Eagle-i Music, vp of international at Bug Music and publishing relations manager at PRS for Music.

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Additionally, Neri has erved as chair of the Music Publishers’ Association and director of the UK Music, PRS for Music, MCPS and PPL/PRS boards. He is the trustee of Music for My Mind, a charity that provides music therapy for dementia patients and their caretakers.

Established in 1944, The Ivors Academy — previously known as the British Academy of Songwiters, Composers and Authors (BASCA) — advocates for songwriters’ best interests in local politics and in the music business. In recent years, it has campaigned to introduce the EU copyright directive, amplified the #BrokenRecord campaign to call out unfair streaming economy practices and partnered with YouTube Music to host a songwriting camp for members. The organization is perhaps best known for its annual songwriter award ceremony, the Ivor Novello awards, one of the biggest nights in music publishing in the United Kingdom.

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“On behalf of the Board and Academy, I am thrilled to welcome Roberto Neri as our new CEO,” said Tom Gray, the Ivors Academy chair. “He brings a huge breadth of industry experience, knowledge and leadership skills. His commitment — and ours to him — is to be the most influential voice for songwriters and composers in the world.”

Neri added, “I am deeply honored and humbled to step into the role of CEO of The Ivors Academy. It is a dream job to fervently advocate for and represent songwriters and composers, who I have been fortunate enough to represent for over two decades globally. I believe now, more than ever, is the pivotal moment to ensure music creators’ interests are protected, championed, valued and recognized for their central and indispensable role in the success of the entire music business.”

Nick Cave & the Bad Seeds Set New Studio LP ‘Wild God’

Nick Cave & the Bad Seeds will unleash Wild God later this year, the alternative rock outfit’s 18th studio album.

Led by the title track, Wild God is the followup to Ghosteen, the critically-lauded two-disc longplay from 2019, which explored Cave’s exposure to grief and pain, following the sudden death of his son Arthur in 2015. 

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That record went on to crack the top 10 on national charts in Australia (at No. 2) and the U.K. (No. 4) and impacted the Billboard 200 (at No. 108), and was shortlisted for several major music awards, including the Australian Music Prize and the U.K.’s Ivor Novello Awards.

The album will drop Aug. 30 through Cave’s own label Bad Seed, via a new, exclusive worldwide licensing agreement with Play It Again Sam, an imprint of the independent [PIAS] label group.

“The new album is incredible,” enthuses Kenny Gates, co-founder and CEO of [PIAS], “in my opinion his best ever, and we will go over the barricades to deliver the global success it deserves.”

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Led by the ARIA Hall of Fame-inducted Cave, the current Bad Seeds lineup consists of Thomas Wydler, Martyn Casey, Jim Sclavunos, George Vjestica and longtime collaborator Warren Ellis, who produces the album with Cave.



Mixed by David Fridmann, Cave began work on the album on New Year’s Day 2023, news of which he shared on his blog The Red Hand Files. “My plan for this year is to make a new record with the Bad Seeds,” he wrote at the time. “This is both good news and bad news. Good news because who doesn’t want a new Bad Seeds record? Bad news because I’ve got to write the bloody thing.”

Spanning 10 track, the forthcoming LP was cut at Miraval Studios in Provence, France and Soundtree Studios in London, England, and features contributions from Radiohead’s Colin Greenwood (bass) and Luis Almau (nylon string guitar, acoustic guitar).

Greenwood will accompany the multihyphenate Cave on a solo tour of Australia, set to kick off April 25 with the first of a three-night stand at the MCEC Plenary Melbourne. Cave is expected to perform songs from his extensive catalog on the trek, presented by Billions.

“I hope the album has the effect on listeners that it’s had on me,” Cave says of the new album. “It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious. There is never a master plan when we make a record. The records rather reflect back the emotional state of the writers and musicians who played them. Listening to this, I don’t know, it seems we’re happy.”

Wild God track listing:
1. Song of the Lake
2. Wild God
3. Frogs
4. Joy
5. Final Rescue Attempt
6. Conversion
7. Cinnamon Horses
8. Long Dark Night
9. O Wow O Wow (How Wonderful She Is)
10. As the Waters Cover the Sea

Billboard Women in Music 2024: Photos From the Red Carpet

The 2024 Billboard Women in Music Awards took over YouTube Theater in Los Angeles, Calif., Wednesday (March 6), with some of today’s biggest female superstars bringing the girl power to the red carpet, from Katy Perry to Ice Spice, Victoria Monét, Kylie Minogue and many others.

Hosted by Tracee Ellis Ross, this year’s event featured performances from honorees Karol G (Woman of the Year), Charli XCX (Powerhouse), Maren Morris (Visionary), NewJeans (Group of the Year, presented by Coke Studio), Tems (Breakthrough), Victoria Monét (Rising Star, presented by Honda), Young Miko (Impact, presented by American Express) and Luísa Sonza (Global Force).

Non-performing honorees include Ice Spice (Hitmaker), Kylie Minogue (Icon), Michelle Jubelirer (Executive of the Year), PinkPantheress (Producer of the Year, presented by Bose), Sarah Geronimo (Global Force) and Annalisa (Global Force).

Andra Day, Sky Ferreira, Nelly Furtado, GloRilla, Ellie Goulding, JoJo, Coco Jones, Bebe Rexha, Saweetie and Lainey Wilson were also among this year’s star-studded attendees, taking the stage as this year’s presenters after hitting the red carpet.

“We could not be more excited to celebrate these inspiring and dynamic artists from around the world, as they move our culture forward and inspire women everywhere to push boundaries and pursue their own dreams,” Billboard’s editorial director, Hannah Karp, previously said in a press statement. “With the talented Tracee Ellis Ross as our host, this year’s Billboard Women in Music Awards will be an unforgettable evening.”

For fans who weren’t at the show in person, you can watch a full stream of the 2024 Billboard Women in Music Awards on Thursday, March 7, at 8 p.m. ET/5 p.m. PT on billboardwomeninmusic.com. In the meantime, check out our full gallery of photos from the red carpet below.

GYROstream Unveils New Leadership Team, Key Hires With GROUP SPEED Launch: Exclusive

GYROstream, the Australian-owned music distribution company, assembles a new-look leadership team at home and abroad, as the business pursues its goal to become the country’s No. 1 net exporter of music, Billboard can exclusively reveal.

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Leading the changes is Adrian Burke, former label partnerships lead at Spotify Canada, who is tapped to steer its North America activities, which include GROUP SPEED, GYROstream’s recently-launched boutique artist services company.

Based in Toronto, Burke is named GM at GROUP SPEED, with duties for guiding strategic direction for the new business in North America and liaising with the group’s team to help “elevate artist careers,” reads a statement.

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Burke completed a seven-year stint with Spotify, where he cultivated key partner relationships for the streaming giant, developed global artist campaigns and implemented data-driven strategies to help create millions of incremental streams for artists worldwide, reads a statement.

Burke is one of several new faces at GYROstream, which, across all brands, boasts 39 employees in seven countries, including company co-directors Andy Irvine (CEO), Viv Mellish (CMO) and Alex Wilson (head of distribution and customer service).

New faces at the tech business include Harry Young, who steps into the newly-created role as senior A&R manager role across the group, working alongside Burke. Young served in A&R capacities for more than a decade with Dew Process Records + Publishing, where he discovered Mallrat and worked with a roster that includes Spacey Jane, Tkay Maidza, Allday, YNG Martyr, Tyne-James Organ, Alice Ivy and more.

The fleshed-out A&R team includes Benjamin James, now appointed as global head of A&R across all brands; and Australia-based A&R and streaming partnerships coordinators Molly Jackson and Taylor Dwyer, a new recruit based in Los Angeles with a primary focus on GROUP SPEED.

Among the key arrivals at GYROstream is trailblazing digital strategist Alison Bremner, who is named as head of artist marketing strategy, a prominent music post working across both GROUP SPEED and GYROstream. Bremner is recognized for her part in @thexhan’s success on TikTok as the short-video platform’s most-followed creator in Australia with 18 million fans, and for facilitating partnerships with Gucci, Red Bull and other blue-chip clients.

(From left to right) GYROstream's Alex Wilson, Adrian Burke, Viv Mellish and Andy Irvine.

(From left to right) GYROstream’s Alex Wilson, Adrian Burke, Viv Mellish and Andy Irvine.

GYROstream

Based in Brisbane, GYROstream expands its core operations team at its headquarters, adding staff in customer service, distribution operations, product development and royalty management, topped off with a fresh website.

“Expanding our artist services offering globally through GROUP SPEED and opening it up to new markets as a standalone product is the next evolution of our business and we can’t wait to see what this team achieves together,” comments group CEO Irvine. Exporting Australian and New Zealand music to the world is a critical piece. “We believe we are well on the way to becoming Australia’s leading net-exporter of recorded music within five years and this new team are determined to achieve that goal,” he continues.

Founded in the Queensland capital in 2018, GYROstream represents thousands of artists across Australia and New Zealand for artist services and global digital distribution, and delivers to upwards of 100 digital platforms, including Spotify, Apple, TikTok, Amazon and YouTube.

In 2021, GYROstream took out The Music Network’s Tinnie award for Music Distributor of the Year; the following year launched Find My ISRC, a tool to assist DIY artists, managers and labels to keep track of their recordings online; and in 2022 established the GYROrecords label.

Today, its suite of activities include royalty payment splits, publishing administration via GYROpublishing, publicity through GYROpr, digital marketing through GYROdigital, and the white-label distribution platform DistroDirect.

Key staff have made the long haul for SXSW 2024 for DistroDirect’s official showcase event next Tuesday, March 12 at Las Perlas, in Austin, TX.

Why the Oscars Are Bringing Back the ‘Fab 5’ Presenters Format from the 2009 Telecast

The creative team behind the 2024 Oscars is lifting an idea from the 2009 Oscars, when they had five past winners in each of the four acting categories pay tribute to the current nominees before announcing this year’s winner.

In a press conference Wednesday (March 6) on Zoom, four days before the Oscars telecast on March 10, Raj Kapoor, executive producer and showrunner of the Oscars, said “I think one of the things we’re most excited about is what we call Fab Five. We did a deep dive into so many of the past Oscar shows, and even though we’ve been a part of previous shows, even though I think all of us have watched the show since we were kids, we always feel like we learn.

“So, we went back, we did a deep dive into Oscars history, and one of the best moments that we loved, and has not been repeated till this year, was the year that Bill Condon [screenwriter of Gods and Monsters and Chicago] did it, and it was this lovely storytelling. And, again, it came down to connection. It was past winners speaking to present nominees, and just that lovely connection and that human interaction.

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“And so we thought we’d love to try it again. So, we tasked Erin [Irwin], who is one of our other producers, and she’s done an amazing job. … And so during the show in our acting categories, five former winners will present to the five nominees, and we think it’s just going to be a great piece of storytelling and connection at home that you will maybe get to hear these personal stories and these personal interactions, and you get to root for your favorite actor or actress in this really personal way. So, we’re really excited to have that come to life.”

If you missed the 2009 show, Whoopi Goldberg, Goldie Hawn, Anjelica Huston, Eva Marie Saint and Tilda Swinton presented the nominees for best supporting actress.

Alan Arkin, Cuba Gooding Jr., Joel Grey, Kevin Kline and Christopher Walken presented the nominees for best supporting actor.

Halle Berry, Marion Cotillard, Nicole Kidman, Sophia Loren and Shirley MacLaine presented the nominees for best actress.

Adrien Brody, Michael Douglas, Robert De Niro, Anthony Hopkins and Ben Kingsley presented the nominees for best actor.

While the Academy has not yet announced who will be presenting which awards this year, these announced presenters have won in these categories. (Jessica Lange and Al Pacino have won in both lead and support. We put them where they seemed likeliest to land on Sunday).

Best actress: Sally Field, Charlize Theron, Jessica Lange, Jennifer Lawrence, Michelle Yeoh

Best actor: Ben Kingsley, Forest Whitaker, Nicolas Cage, Brendan Fraser, Matthew McConaughey

Best supporting actress: Mary Steenburgen, Jamie Lee Curtis, Regina King, Rita Moreno, Lupita Nyong’o, Octavia Spencer

Best supporting actor: Christoph Waltz, Mahershala Ali, Ke Huy Quan, Sam Rockwell, Al Pacino

In addition, the show has booked Ariana Grande and Cynthia Erivo, stars of the upcoming film Wicked, as presenters. It’s a good bet they’ll do something together.

Rickey Minor, who is serving as music director of the Oscars for the fourth time in the past six years, was also on the panel. He was asked how he picks the music to play on the show, and explained some of the obvious factors – looking for a range of emotions and a diversity of source material. “But it’s about the energy of the room,” he said. “So, we have a plan, but I’ll call an audible just like that. You know, if I feel the audience needs something that needs to pump them up, I’ve got it right in the pocket. And so the band’s always ready. And I think they love it, too, because they never know what’s coming.”

Kapoor added, “This year, the orchestra is live on our stage. So, we are celebrating 42 incredible musicians that will be seen throughout the evening. … And we are treating the music performances very different. Sometimes, it’s full orchestration. Sometimes, they may be a little bit more intimate. And that will lend itself when we get to the In Memoriam performance.”

In response to a question from the session’s moderator, Rotten Tomatoes’ awards editor Jacqueline Coley, Kapoor spoke highly of Jimmy Kimmel, who is hosting the Oscars for the fourth time.

“I could not speak more highly of anybody than Jimmy,” he said. “He’s been an amazing partner, and he has just been so involved from the very beginning in the summer. He’s involved in all our creative decisions, from the presenters to pairings to the pace of the show to musical performances. Like, Jimmy’s touch, he is a producer on this show. He is one of our partners, and he has a really strong creative vision. And I think what makes him so great is just his investment. We don’t just get him for rehearsals this week. We get him for months before.”

The panelists were asked which was their favorite Oscar show they had worked on. Molly McNearney, executive producer of the Oscar telecast and an executive producer of Jimmy Kimmel Live!, had a surprising answer – the show seven years ago that was capped by the biggest debacle in Oscar history, when La La Land was named best picture before the award was presented to the rightful winner, Moonlight.

“This might be an unpopular answer, but when there was the mix-up with the envelope, I actually enjoyed the spontaneity of a moment because when Jimmy is in an uncomfortable situation, that’s where he’s most comfortable,” McNearney said. “And I think that when there’s moments you don’t expect in a live television broadcast, I think we’re in really great hands with this team.”

McNearney also spoke to the process of writing the monologue. “You know, the monologue is scripted,” she said. “It gets reworked up until the very last minute. He will obsess now over every joke. He has pages and pages and pages. He has a rough outline of the monologue that I read this morning that I think is brilliant. I know it will change six more times before Sunday. But then there are those moments in the show that are completely unscripted. There have been several in every show he’s ever hosted. And those are the moments I love the most because we get to be surprised.”

Katy Mullan, executive producer, spoke to an interactive portion on this year’s show involving a QR code. “One of the really successful parts of last year’s show was profiles of a lot of the nominees, and they got huge, huge views from global audiences. So, at the end of each act, there will be a QR code, and people can scan that and go to the Academy website where they can watch profiles of a ton of the people that are nominated. They’re beautifully made by The Academy team and really insightful.”

“And there’s also an ability to go and watch the speeches from the Governors Awards, which happened earlier this year. … It was a really, really memorable night. So, if you want to go and do a deep dive during the commercial breaks or after the Oscars, all of that content will be there.”

Some Music Fans Speculate Whether Brian Kelley’s New Song is a Dig at Former FGL Bandmate Tyler Hubbard

Brian Kelley and Tyler Hubbard, both previously part of Florida Georgia Line, are each prepping new solo projects, with Hubbard’s Strong to release April 12, and Kelley’s Tennessee Truth to release May 10.

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Kelley just released one new song off the album, titled “Kiss My Boots,” along with a new music video for the song, and some music fans seem to think the track is a dig at his former FGL bandmate Hubbard.

The song includes lyrics aimed at someone who has wronged him, even in the opening lines, “You’ve been throwin’ dirt on my name ’round this town like it ain’t small/ Like your friends ain’t my friends, and I wouldn’t end up hearin’ it all.” The chorus goes on to muse, “I don’t know how you act sweet after how you did me/ Here’s a middle finger to you through a song.”

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In teasing the song a week ago, Kelley said on Instagram, “My mental health coach told me a couple years ago as I was navigating through an extremely difficult, hurtful, and confusing time, ‘the person with the highest emotional intelligence has the highest responsibility.’ So as hard as it was in those moments to take the high road, I took her advice and I sat back and ‘ate my popcorn’. Everyone processes differently. I went inward. And it all came out in a song. Now it’s time for y’all to get your popcorn ?”Kiss My Boots” available next Wednesday, March 6th.”

The video for the song centers around Kelley hunting down a snake in the woods, while some fans began speculating about the video’s final scene, which shows Kelley, wearing a belt buckle emblazoned with the word “Florida,” slicing up a peach (the official state fruit of Hubbard’s homestate of Georgia) with a knife.

Hubbard previously addressed Kelley’s new song in an interview with Holler, saying, “Just like I’ve always said, I’m happy for BK. This is what he wanted and this is what he initiated, and I hope he’s happy and that he’s doing his thing and I’m doing my thing.” Hubbard further added, “I wish him the best, and yeah, as far as that’s concerned that’s about all I have to say about it.”

Meanwhile, Kelley said of the inspiration behind the song, “You know, this is a really personal song, it was born from a deep wound and a relationship. It’s a song about betrayal, and I just took a deep dive and put it all out there in a song, just like so many other artists have done over the years.” He went on to add, “I really hope that people can find their own ‘Tennessee Truth’ in this song. What I love about [‘Kiss My Boots’] is I know what it means to me, and I think it has a universal message that people can relate to. A lot of people have been betrayed, and so I hope that this song helps them as much as it has helped me.”

Billboard reached out to reps for both Hubbard and Kelley for comment.

Ormond Beach, Florida native Kelley and Monroe, Georgia native Hubbard met while both were students at Nashville’s Belmont University. In 2012, they released their debut album, and FGL’s career skyrocketed thanks to their breakthrough song “Cruise,” which would ultimately become certified “Diamond” by the RIAA. They earned two Billboard Hot 100 top 10 hits (“Cruise” peaked at No. 4 while their Bebe Rexha collaboration “Meant to Be” peaked at No. 2). FGL has collected 16 Country Airplay No. 1 hits, among them “Stay” and “‘Round Here.”

In 2021, they posted a video on Instagram, stating that they would each begin working on solo music, even as they geared up for the release of their album Life Rolls On, which dropped on Feb. 12, 2021. That same year, Hubbard said during an interview on The Bobby Bones Show, “We’re not breaking up, we’re just taking a break.”

A year later, in July 2022, Hubbard said during an appearance on Bones’ podcast that Kelley initiated each of them releasing solo projects, and noted that though there was “no bad blood between the two of them,” he did point out that any reunions would likely be years in the making, saying they “might revisit getting the duo together 10 or 15 years down the line.” Hubbard and Kelley last played a show together back in 2022.

Meanwhile, Hubbard released his debut, self-titled solo project via EMI Nashville and Hubbard House Records in 2023, including the hit songs “5 Foot 9” and “Dancin’ in the Country.” Kelley released the EP BK’s Wave Pack in 2021, followed that same year by Sunshine State of Mind, out on Nashville South/Warner Music Nashville. Kelley’s upcoming album, Tennessee Truth, will release via Big Machine Records, spearheaded by the top 30 Country Airplay single “See You Next Summer.”

Listen to Kelley’s “Kiss My Boots” below:



Sony Fires Back at Lawsuit Claiming Columbia Discriminated Against White Applicants: ‘Contradictory and False’

Sony Music is quickly fighting back against a discrimination lawsuit filed by a former assistant to Columbia Records chief executive Ron Perry over race-conscious hiring policies, saying the allegations are “contradictory and false” and are designed to “harass her former employer.”

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The case, filed last week by Patria Paulino, claims that she was forced to resign after she pushed back on hiring practices that allegedly discriminated against white applicants. She claims she was “explicitly told that she could only hire Black candidates” because Perry wanted bolster the appearance of diversity.

But in a blistering motion on Wednesday – an unusually fast response for any lawsuit – attorneys for Sony and Perry called the accusations “contradictory and false” and asked a federal judge to toss them out of court.

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“She alleges … that defendants both discriminated against her because they preferred white employees but also constructively discharged her because she would not play along with their preference for non-white employees,” the label’s lawyers wrote, adding the italics themselves for emphasis. “In reality, plaintiff worked for Sony … for less than five months, performed poorly, and was a willing participant in the entirely legal hiring practices she now alleges were discriminatory.”

Sony’s response argued that far from being effectively fired, Paulino “voluntarily resigned after receiving unfavorable performance feedback.” The label said she had filed her case simply “to harass her former employer and boss, who sought only to help her succeed in her job.”

Though it sharply criticized the merits of the case, Sony’s filing actually attacked the case on simpler grounds: That the federal court where she filed the case cannot procedurally hear it. The company says there is not the required cross-state jurisdiction for the case to be handled in federal court.

In a statement to Billboard, Paulino’s attorney Erica L. Shnayder stressed that Sony’s motion “involves a procedural issue” and “has no bearing on the factual allegations which are supported by text messages.” Shnayder added: “The case will proceed forward.”

Paulino sued on Friday (March 1), claiming that after she was hired by Sony in late 2022, she was repeatedly told she could not hire white candidates for a vacant assistant role in Perry’s office. She says that Perry had been hit with “multiple racial discrimination complaints by former employees” and that he and the company wanted to “have more color in his office.”

“Although numerous Caucasian candidates were qualified for the position, they were removed from consideration because of their race,” Paulino’s lawyers wrote in their complaint.

The lawsuit came in the wake of a high-profile Supreme Court ruling last year that outlawed the use of race-conscious admissions in higher education, commonly known as “affirmative action.” Though that ruling didn’t directly deal with hiring or with the state laws at issue in Paulino’s case, it has led to overall increased scrutiny of corporate practices aimed at diversity, equity and inclusion. Last week, CBS and Paramount were hit with a similar lawsuit, claiming they had broken the law by using diversity quotas that discriminated against white men.

Despite the directives to aim for diversity, Paulino’s lawsuit claims she “continued to recommend qualified Caucasian applicants” for the role. At one point, when she advanced a particular white candidate, she says that another Sony employee told her in writing: “We can’t hire another white Jewish girl unfortunately.” Her lawyers say Sony conducted “sham” interviews with candidates of all backgrounds, but in reality was determined to only hire a Black candidate.

In March 2023, Paulino says she was effectively forced to resign from her job. A Sony employee allegedly told her to do so because she “was not really working out,” but she says the move was made “in retaliation for plaintiff’s opposition to defendants’ discriminatory hiring practices.”

As noted in Sony’s response, the lawsuit also includes other allegations beyond the hiring policies. In addition to claiming the company discriminated against white job seekers, Paulino (who says she is Hispanic) also claims that the company also discriminated against her on the basis of her race.

A spokesperson for Sony Music declined to comment on the lawsuit’s allegations, citing the pending nature of the case.

Young M.A “Bloody,” Free Nationals, A$AP Rocky & Anderson .Paak “Gangsta” & More | Daily Visuals 3.6.24

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50 Cent In Concert - Brooklyn, NY

Source: Jamie McCarthy / Getty

When that video clip of a visibly struggling Young M.A hit social media a few years back, fans feared that the Brooklyn rapper had traveled down a road she wouldn’t be able to come back from, but luckily M.A seems to be back to her old and vibrant self and is out to remind everyone she’s capable of being the problem she was once predicted to be.

Dropping off a new visual for her cut “Bloody,” a healthier looking Young M.A takes to the night with her team behind her and takes over a block to drop her bars, smoke some bud and bust some moves as they enjoy the nightlife that many are scared of indulging in. That’s that Brooklyn ish.

Back in broad daylight, Free Nationals, A$AP Rocky and Anderson .Paak know a thing or two about keeping it gully too and in their clip to “Gangsta,” they have children take on their adult roles and have them live out their lives as they spit it with a weird twist or two. Hella entertaining.

Check out the rest of today’s drops including work from Propain featuring Freddie Gibbs and Devin The Dude, Saigon, and more.

YOUNG M.A – “BLOODY”


https://youtube.com/watch?v=Esinj_SAekI&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

FREE NATIONALS, A$AP ROCKY & ANDERSON .PAAK – “GANGSTA”



PROPAIN FT. FREDDIE GIBBS & DEVIN THE DUDE – “ALWAYS DOWN”



SAIGON – “WE DON’T NEED YOU MUTH*****A”



PUREST GHOSTIN – “LIGHTS OUT”



BUDDY – “LIKE THIS”



SKYZOO & THE OTHER GUYS – “GIVE YOU ANYTHING”



GLAMMA ROSE – “IN THE HEAT”



ICEBIRDS – “ME”



AFN PESO – “WHERE I’M FROM”



Xbox Partner Preview Gives Xbox Series X Owner Mulitple Reasons To Be Hopeful

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Xbox Partner Preview Gives Us Hope For Xbox's Future

Source: Xbox / Xbox Partner Preview

Yes, we know the Xbox community is still trying to get it all together, but this latest Xbox Partner Preview should give them hope that their Xbox Series X and Series S consoles are not just expensive paperweights.

On Wednesday, March 6, the 30-minute Xbox Partner Preview showcase was all about games. It highlighted many games coming to the Xbox Series X, Windows PC, and Game Pass this year and much later.

Xbox owners and Game Pass subscribers saw game trailers for titles such as Final Fantasy 14 Online, which is finally making its way to Xbox consoles after living exclusively on PC and PlayStation consoles.

Other announcements came from Capcom, 11 Bit Studios, which had a strong presence during the presentation, EA Originals, and many more.

A few standouts to use were The Alters from 11 Bit Studios, which finally shows us what Capcom’s Kunitsu-Gami: Path of The Goddess is all about, and the upcoming Metroidvania-style game Tales of Kenzera: Zau, which is giving us the purest of Black Panther vibes despite not even being a Marvel game.

So if you missed it, hit the gallery below for all of the announcements.

1. Unknown 9: Awakening – Announcement Trailer | Xbox Partner Preview

Are you ready to believe in the Unknown? Become Haroona, embrace your powers, and embark on a quest for the truth. Unknown 9: Awakening comes out this summer on Xbox.

2. Sleight of Hand – Announce Trailer | Xbox Partner Preview

Infiltrate the hardboiled, rain-slicked city of Taboo, where ritual magic and cursed artifacts set apart those with power from those without. Sleight of Hand is a 3rd-person Stealth-Action Deckbuilder about taking down the coven you used to run with.

3. The Alters – Gameplay Reveal Trailer | Xbox Partner Preview

See The Alters gameplay explained! Explore an emotional sci-fi game that features a unique blend of adventure, survival, and base-building elements. Play as Jan Dolski, a simple worker who creates alternative versions of himself in a desperate attempt to escape from a planet where even sun rays can prove deadly.

4. Creatures of Ava – Reveal Trailer | Xbox Partner Preview

Let your empathy guide you as you play an exciting action-adventure, creature saver game. Understand and tame the creatures of Ava and let them lead you through a variety of ecosystems – all in the hopes of saving the planet from a life-consuming infection.

5. Now on Roblox: Chucky’s on the loose! | Xbox Partner Preview

The world of horror meets gaming in GRIEFVILLE, where a new era of nightmares begins with the addition of Chucky, the iconic doll himself.

6. The Sinking City 2 – Announce Trailer | Xbox Partner Preview

We are excited to officially unveil The Sinking City 2, a Lovecraftian survival horror set in an otherworldly rendition of Arkham in the 1920s United States. Coming to Xbox Series X|S in 2025.

7. S.T.A.L.K.E.R. Legends of the Zone Trilogy – Launch Trailer | Xbox Partner Preview

Play the original S.T.A.L.K.E.R. trilogy on Xbox today!

8. Monster Jam Showdown – Announcement Trailer | Xbox Partner Preview

Fire up your engines and get ready to take part in the most groundbreaking game of the year! #MonsterJamShowdown is coming in 2024!

9. Persona 3 Reload: Expansion Pass | Xbox Partner Preview

She once made a choice to live.

Now, she’ll need to find the answer.

The final chapter of Persona 3 Reload, Episode Aigis – The Answer – arrives in September 2024!

Purchase the Expansion Pass on March 12th to unlock the first wave of DLC. Available with Xbox Game Pass Ultimate, Xbox Series X|S, Xbox One, and Windows PC.

10. The First Berserker: Khazan – Gameplay Trailer | Xbox Partner Preview

The First Berserker: Khazan is a hardcore Action-RPG based on the Dungeon & Fighter franchise, an ongoing franchise of 18 years with more than 850 Million users worldwide.

Khazan, the Great General of the Pell Los Empire, who overcame death, and sets out to reveal the incidents that led to his downfall and seek vengeance on his enemies.

The First Berserker: Khazan awaits you with hardcore stylish action with a unique mashup of reality and anime-inspired graphics!

11. Tales of Kenzera: Zau – Gameplay Trailer | Xbox Partner Preview

Brave the beautiful & treacherous lands of Kenzera with the God of Death in Tales of Kenzera™: ZAU, and reclaim your father’s spirit.

12. Frostpunk 2 – Date Reveal + Preorder Trailer | Xbox Partner Preview

Frostpunk 2 is coming to PC on July 25th! Pre-order now on the Microsoft Store and get a one-week access to the Beta in April. https://www.xbox.com/games/store/p/9P…

Frostpunk 2 is a city-survival game set 30 years after an apocalyptic blizzard ravaged Earth, transforming our world into a harsh, icy wasteland. In the game you must face a new deadly threat that appears on the horizon – human nature and its unsatiated thirst for power.

13. FINAL FANTASY XIV Online – A Life-changing Story Awaits | Xbox Partner Preview

A life-changing story awaits in FINAL FANTASY XIV Online!

Play the Open Beta now and get ready for the full release on March 21, 2024.

The Starter Edition will be available through Game Pass Ultimate Perks! Claim between March 21 and April 19, 2024.

14. Kunitsu-Gami: Path of the Goddess – Gameplay Trailer “Kagura” | Xbox Partner Preview

A new tale of the Kami awaits…

Kunitsu-Gami: Path of the Goddess will be released in 2024 on Xbox Game Pass, Xbox Series X|S, and Windows.

Nelly’s Right: The Rap Game Was Harder 20 Years Ago

Nelly, the St. Louis rap vet, raised a few eyebrows when a clip with him from SpringHill’s The Shop circulated on social media yesterday. In the clip, the diamond-selling superstar claimed that it was much harder to sell records as a rapper back when he was first coming out than at any other time in the genre’s history.

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“My era of music was the toughest era of hip-hop, ever. Ever,” he says on the episode that drops March 7. “When I put out songs, I had to go against DMX, JAY-Z, Eminem, Lil Wayne, 50 Cent, Luda. All of us are fighting for one spot!”

Every artist believes their generation has it the toughest. Drake, for example, on his first Rock Ross collab “Lord Knows,” laments having to deal with a climate in which a celebrity’s private life is incessantly mined for content by publications and people on social media, alike. Going as far as to wonder if the greats he’s compared to would “ever survive in this era. In a time where it’s recreation to pull all your skeletons out the closet like Halloween decorations.” Who knows how rappers from the 90s would fare if they had to contend with X, Instagram, and TikTok.

Trending on Billboard

But Nelly’s mostly right. It’s tough to believe that it was harder to be a top-selling rapper in the early 2000s than it was in the, say, late 80s, but it’s not hard to believe that it’s a bit easier today.

Real quick, some numbers to consider.

When Nelly dropped his debut album, Country Grammar, in June of 2000, he managed to sell 235,000 copies the first week. Not bad for a kid most people had not heard of who was riding the success of a single everyone found super catchy if a bit puerile. The album debuted at number three on the Billboard 200. The top spot was taken by Eminem who, a month earlier released his highly anticipated sophomore effort, The Marshall Mathers LP. Yes, you read that right.



TMMLP sold 1.78 million copies its first week. The second week it sold 800,000. Third week? Another 600,000. And then the fourth week it sold a comical 520,000 copies. That’s more than double Nelly’s first week. And, for those keeping a running tally, that’s 3.7 million copies in one month. Nelly would eventually claim the top spot and he and Em would duke it out for the rest of the summer before both albums would go diamond.

So far in 2024, no rap album has even gone gold in its first week. And, sure, numbers aren’t everything. These days there are more rappers than ever who are making a great living. Depending on their deal a rapper doesn’t have to sell a million records or have a top 10 album in order to live well. Artists today have found new and novel monetization methods that just weren’t available when Nelly was first coming out. That’s all fine and well. However, it’s undebatable that we have less rap stars than before.

The era Nelly is referring to is one in which DMX dropped two multiplatinum albums in one year, both of which went number one on the Billboard 200. It’s the era when Outkast capped off an incredible five-album run by going diamond. It’s the era when Ludacris was still a rapper. It’s when JAY-Z dropped an album every fourth quarter that topped the charts and went multiplatinum. If you wanted to be a rap star, you had to do battle with all of them and more.



Ask a rap fan why no albums have managed to sell crazy so far this year and they’ll likely point out the fact that Drake, Kendrick Lamar, and J. Cole—the venerable “Big 3”—haven’t dropped anything. Even if you add Future, Nicki Minaj and Ye, to that group, it still wouldn’t match up to the sheer number of heavy hitters who were moving units back then.

It was, as the saying goes, just different.