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Beyoncé Collaborator Tanner Adell Signs With Love Renaissance

Tanner Adell, known for her breakthrough hit “Buckle Bunny” and her contributions to Beyoncé’s Cowboy Carter album, has signed with Love Renaissance (LVRN).

The Atlanta-based Love Renaissance was founded in 2016 by Tunde Balogun, Justice Baiden, Junia Abaidoo, Carlon Ramong and Sean “Famoso” McNichol, and features a roster including 6LACK, Summer Walker, DVSN, SPINALL, and TxC. The multi-faceted label and management company offers creative direction, production, marketing and strategic partnerships. LVRN also operates the Atlanta-based LVRN Studios to further cultivate musical talent in the Atlanta area.

“They made it so obvious that they knew exactly who I was and exactly how they were going to help me achieve what I want to achieve,” Adell tells Billboard of her decision to sign with LVRN Records.

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Adell’s upbringing in both California and Wyoming has helped the singer-songwriter in crafting a unique fusion of country, pop and hip-hop on songs such as “Whiskey Blues” and “FU-150,” as well as a signature brand that blends big-city glitz and rural roots. Adell moved to Nashville three years ago with her sights set on a career in country music.

“I was writing in my bedroom, using beats I’d find on the internet. I moved here and just put my head down, working, and kept my vision as straight as I possibly could in trying to create a sound that I felt was unique to me, but relatable,” Adell told Billboard.

Adell, who was previously signed with Columbia Records, issued the song “Honky Tonk Heartbreak” in 2021, followed by her EP Last Call the following year. Most recently, she released her Buckle Bunny debut mixtape last year, followed by a deluxe version of the project, including “Love You a Little Bit,” “Throw It Back,” and “I Hate Texas.”

Then Queen Bey came calling.

On Beyoncé’s Cowboy Carter, Adell joined with Brittney Spencer, Tiera Kennedy and Reyna Roberts on the song “Blackbiird,” and provided background vocals on “Ameriican Requiem.” Like her Cowboy Carter cohorts, Adell saw a surge in streaming. According to Luminate, the week after Beyonce released “Texas Hold ‘Em,” Adell saw a 188% increase in streaming activity.

This year, she’s built on that surge by performing at top festivals including CMA Fest, Stagecoach and C2C. Adell also wrote and recorded the song “Too Easy” for the soundtrack of the movie Twisters, with her work residing alongside music from artists Luke Combs, Jelly Roll and Miranda Lambert.

Baiden, head of A&R for LVRN, said in a statement, “It’s rare these days to be wowed and instantly connect to an artist. Tanner is a generational talent who will change how people feel, perceive, and digest country music. We believe in the stories she tells and her ability to relate to the everyday person; she will touch a global audience. Our decision to support her journey reflects how we at LVRN came into the business and how we see things: fearless, rebellious, loving, Renaissance!”

Amber Grimes, evp/GM of LVRN, added, “Given our profound affinity for storytelling, we were determined to collaborate with Tanner. She has a jaw-dropping story waiting to be shared through her songwriting. We are thrilled to welcome Tanner to our family, amplify her narrative, and continue to cultivate her success as an artist. Our commitment to nurturing talent and supporting artistic integrity extends across all genres.”

Adell recalled the detailed plan the label created for a forward-facing career vision.

“They had about 30 pages of where they felt my trajectory was going, showing how they understood my brand,” Adell told Billboard. “They had a vision for touring, and a deep dive into how the partnership would go if I signed with them. You never see that—it felt like these are real people who really care and understand me.”

Over the past year, Adell has been writing for a new project, one that will draw fans deeper into her story.

“I haven’t talked too much about my family, and my birth family and being adopted and how I’ve dealt with that,” Adell said. “I’m biracial. I was adopted by a white family, but they also adopted my siblings. I haven’t talked about finding my birth family, or any of that. I feel like my fans are ready, and I’m ready to give that part of myself to them. I’m ready to share that side of me. I feel like there will be a lot of people who will be healed.”

Swifties Can Collect Digital Friendship Beads in New Taylor Swift TikTok Eras Tour Interactive Experience

As if your feed wasn’t already filled with enough Taylor Swift Eras Tour content, TikTok has launched a new in-app experience featuring a series of challenges for Swifties over the next 11 weeks. That, of course, is the number of studio albums Swift has released, with each LP getting its own themed profile frames and beads that will allow fans to make their own digital keepsakes.

The #TSTheErasTour experience will give fans the chance to complete new album-themed tasks each week in which they will earn themed-profile frames and digital beads that will add up to their own bespoke in-app friendship bracelets. Swifties who complete all 11 weeks of tasks will get a final Swiftie profile frame as a gift.

The experience will also feature video highlights from each tour stop during the 11 week run and a playlist tied to each week’s album theme, according to a release announcing the project. Swifties can access the Eras Tour experience by clicking on the anchor symbol on Swift content on TikTok or by interacting with the search banners when looking for Eras Tour-related terms.

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The effort is the follow-up to another Swift initiative TikTok launched in April in connection with the singer’s latest album, The Tortured Poets Department, which allowed fans to celebrate the LP together; according to TikTok, to date there are more than 3.2 million creator videos using the Tortured Poets hashtag.

In the meantime, Swift continues to pack houses across Europe on the Eras Tour, including during a gig in Cardiff, Wales on Tuesday (June 18), during which the singer performed the live debut of the Anthology edition of the Tortured Poets song “I Hate It Here,” which was paired with the Folklore track “The Lakes” during a mash-up in the acoustic section of the show.

Kourtney Kardashian Describes Son Rocky’s ‘Terrifying’ Lung Issue During Pregnancy: ‘I’m Honestly Just So Grateful, I Have No Words’

Kourtney Kardashian and Travis Barker are happy to count their blessings. In the latest episode of the Kardashians, the couple’s seven-month old son Rocky Thirteen made his reality TV debut and mom revealed the health scare she suffered last year that required emergency fetal surgery in September.

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In the episode, Kardashian reveals that the procedure was due to fluid in their son’s lungs that required immediate intervention. “We had a terrifying scare,” she explains on the show. “It’s super rare — the condition that he had — but it’s also super rare and lucky that we caught it. Thank you, God, for a successful surgery. I’m honestly just so grateful, I have no words.”

Before the discussion of Rocky’s health issues, the episode looked back to Oct. 2023, with the couple snuggled in bed dreaming about their first child together. Father of three Barker talks about his excitement for the birth, getting into specifics about the first “natural” birth he will experience. “I’m a little frightened,” he says, promising Kardashian that he will be “right there” when the blessed event takes place. “I’m gonna catch him like a basketball,” he says.

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“You can’t be down there… I don’t want you to be traumatized,” Kardashian jokes about her hubby’s wish for a bird’s eye view during the impending birth. As they prepare to go to the hospital, Barker frets about Rocky’s health, wishing that his lungs will be “perfect” and that he will be a “solid eight pounds.”

The scene then turns to a confessional in which Kardashian looks back at the scare several months earlier, pivoting to the reality star in a hospital bed after the surgery to remove fluid from Rocky’s lungs before his Nov. 1 birth.

Kardashian says she was “filled with fear” before the surgery, and then again when the symptoms came back a short time later. After watching a documentary called Heal about the power of positive thinking’s affect on health, Kourtney says she talked to the baby every day and prayed. “After I had that mindset shift, the fluid was completely gone and we had not one single problem after,” she says. “It’s everything I’ve ever dreamed of. Everything we’ve been through to get to this moment, it just feels so surreal.”

In the end, Kardashian says, “I’m so happy in my blissful baby bubble and the love with Rocky.”

Joseph Gordon-Levitt Will Melt Your Heart With His Acoustic Taylor Swift ‘Lover’ Cover in Honor of Wife’s Birthday

Joseph Gordon-Levitt knows that sometimes a card just won’t do. Which is why the Beverly Hills Cop: Axel F star and music lover took a moment during his visit to The Tonight Show on Wednesday night (June 19) to pull out an acoustic guitar and offer his absent wife a very special tribute.

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“Today is actually my wife’s birthday,” the actor told Jimmy Fallon. “I’m so sad because she’s not here in New York with me. I’m here working and she’s back home. I feel so terrible. I texted Jimmy and I said, ‘Can I give her a special birthday present on the show?’” The host then obliged by pulling an instrument out from behind his desk.

“We’re here to make dreams come true,” Fallon said in granting Levitt’s wish to give a musical shout-out to wife Tasha McCauley. “This is a song by a singer-songwriter she really, really loves that you all might know,” Gordon-Levitt said, before adding, “Babe, you’re the most luminous soul I’ve ever met. I’m so grateful you were born and I’m coming home soon. Love you.”

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Levitt then performed a sweet unplugged cover of Taylor Swift‘s “Lover,” with Fallon joining in on the chorus and drumming on his desk as JGL strummed his heart out with a giant smile on his face. Gordon-Levitt and McCauley were married in December 2014 and have two sons.

Gordon-Levitt, 43, of course, also talked about what a joy it is to appear in the new reboot of one of his most beloved childhood franchises, telling Fallon he has long made playlists for each of his movie characters to get into their headspace. For his latest, though, the only song on that list was, of course, Harold Faltermeyer’s iconic 1984 instrumental theme, “Axel F,” which the Roots played as Gordon-Levitt’s entrance music and reprised later in the interview as the star jumped up to dance to the synth classic.

Watch Gordon-Levitt on the Tonight Show below.


https://youtube.com/watch?v=c8YPq9qh-_0&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

5 Things You Need to Know about Kendrick Lamar’s Juneteenth ‘Pop Out’ at Kia Forum in L.A.

In a show called “The Pop Out,” Kendrick Lamar did just that and Inglewood and the culture will forever be grateful.

Billboard caught all the action from the Kia Forum in Los Angeles, and breaks-out five of the highlights.

He’s What The “Culture Feelin’”

Though the crowd was not in its entirety a Black one, the spirit of Juneteenth was a big part of the evening considering the historical relevance of the holiday. From the excited vendors leading up to the venue, to the smiles on everyone’s faces once they entered the building, the feeling was unity. People of all ages and backgrounds fought off a lot of ticket resellers for the chance to experience this day together and you could feel that energy. The choice to have this show on this day was undeniable.

Mustard is One of L.A.’s Best Producers

The producer behind the Billboard Hot 100 No. 1 “Not Like Us” is no stranger to Hip-Hop, but when his billing said “and Friends” it meant just that. The California crowd got to see just how prolific his career has been to this point. Ty Dolla $ign, Tyler the Creator, Roddy Ricch, YG, and more joined him on hit after hit to warm the crowd up for his biggest hit yet.

Kendrick Reunited Black Hippy

Throughout the night, Kendrick brought up day ones and this moment was definitely for those people. He reunited his rap supergroup that formed in 2008 and consisted of ScHoolboy Q, Ab-Soul, & Jay Rock.

He Brought Out Dr. Dre

As if the show hadn’t packed enough punch the Kia Forum almost lost its top as Dr. Dre appeared next to Kendrick and the recognizable cords of “Still D.R.E.” grabbed the attention of the audience. The rap legend knew exactly what the people wanted and then went into “California Love”. But before he could leave the stage Kendrick asked him a favor. Dre whisper “psssss….I see dead people” and the room exploded.

He Performed “Not Like Us” Five Times

If there was any doubt that Kendrick would shy away from his extensive beef with Drake, that evaporated as soon as he rose from the stage and started the lyrics of “Euphoria”.

Now his set didn’t stray away from his hits like “DNA”, “King Kunta”, and “Humble.” And with the occasion being Juneteenth in many ways his performance of “Alright” hit the exact cultural note that people were waiting on “Not Like Us” to deliver.

But after also swinging into “6:16 in LA” the crowd went feral when “Mustard on the Beat” was heard on the speakers and “Not Like Us” began. The audience hung on every word and even extended his iconic “a-minor” line acapella. But nobody expected him to repeat the song 5 times. He continued to bring it back and the energy never dipped. The song even played as he excited the stage and the instrumental served as the soundtrack for fans exiting the venue.

Not sure anybody was questioning it at this point, but he does seem to really hate Drake. What was unexpected is that a song about who he refers to as a “colonizer” has turned into what is clearly the anthem of Juneteenth.

As he ended the show he stated: “It ain’t got nothing to do with no back and forth records. It’s got everything to do with this moment right here. That’s what this shit was about. To bring all of us together.”

Victory Laps: Kendrick Lamar Pop Out Show Breaks The Internet, Runs Back “Not Like Us” 5X

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Kendrick Lamar

Source: Amazon Music / Amazon Music

Kendrick Lamar gave fans everything they wished for, and more. The Compton rapper’s Pop Out show went down on Juneteenth at The Forum in Inglewood, but was streamed worldwide via Amazon Prime, bringing the Los Angeles vibes, and Drake slander, to the globe.

Billed as The Pop Out: Ken & Friends Concert, the star-studded cameos did not disappoint. Tyler, The Creator, YG and even the good Dr. Dre were just several of his high-profile guests. And really, you knew you were in for a time when Kendrick started his set by performing “Euphoria,” which the crowd seemed to know word for word.

K. Dot hit fan favorites like “King Kunta” and “Be Alright,” but the guest artists that really got the crowd going were from his hometeam Black Hippy contingent that includes Jay Rock, who performed “Money Trees,” Ab-Soul and ScHoolboy Q, who performed “Collard Greens.”

But the best was saved for last, with Kendrick Lamar asking Dr. Dre (who performed “California Love”) to do him one last favor before he left the stage, and that was to kick off the DJ Mustard-produced, Drake diss track “Not Like Us.”

K-Dot proceeded to run back the song a smooth fives times (six if you count it playing when he finally left the stage_, with the crowd, and surely the home audience, too, rapping along bar for bar. As expected, the “A-mnor” line was a crowd favorite, with Kendrick simply letting the venue hold the moment the first time, and mimic Neo’s fame bullet-time motion from The Matrix the second time.

However, the truly epic moment was Kendrick inviting various rappers who repped different sets of Crips and Bloods, as well as NBA stars Russell Westbrook and DeMar DeRozan, onto the stage, “This sh*t making me emotional. we been f*cked up since Nipsey died,” said Kendrick. “We been f*cked up since Kobe died.”

If you know anything about LA gang culture, you know Kendrick pulling that off and keeping everything peace was major. The moment was captured in an epic photo and encapsulates the influence Kendrick Lamar has on culture.

Check out the reactions to Kendrick Lamar’s Pop Up show, that kept trending for hours after it conclusion, in the gallery.

Quavo Hosts Summit Against Gun Violence With VP Kamala Harris on Takeoff’s Birthday

Migos rapper Quavo’s quest to transform his nephew Takeoff’s tragic shooting into a force for change convened with a summit against gun violence on what would have been the late rapper’s 30th birthday.

Quavo held the inaugural Rocket Foundation Summit at the Carter Center in Atlanta on Tuesday (June 18) — the same day as Takeoff’s birthday. The music performer was joined by Vice President Kamala Harris in a fireside chat during the one-day summit, which included panel discussions about gun violence prevention and youth programs.

For Quavo, it’s been a rough road since Takeoff’s untimely death in 2022. But many of his family members — including his nephew’s mother — often encourage him to keep pushing forward.

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“It’s super hard every day. I’m still crying. I’m still grieving. I’m still mourning,” said Quavo, who along with his family launched the Rocket Foundation in honor of Takeoff and committed millions to invest into community violence intervention.

Last year, the Grammy-nominated rapper attended the Congressional Black Caucus legislative conference where he met with political figures including Harris and Greg Jackson, who is now the deputy director of the White House Office of Gun Violence Prevention after his stint with the Community Justice Action Fund.

“Just to look behind me and see that I got the VP and guys like Greg Jackson and other survivors that actually fell victim to the same thing, I know that I’m not alone,” Quavo continued. “This is my second calling. This is very personal to me. That’s what makes my drive and motivation to go even harder.”

Police say Takeoff was an innocent bystander who was shot outside a Houston bowling alley after a disagreement over a lucrative dice game. Takeoff’s death was among a string of fatal shootings in recent years that involved hip-hop stars such as Nipsey Hussle, Pop Smoke, PnB Rock and Young Dolph.

Quavo calls the foundation and summit a “certified movement.” Earlier this year, he and the foundation created the Sparks Grant program, which supports organizations working to minimize community violence.

The program will award $100,000 in grants to Atlanta-focused organizations.

“I feel like a lot of people just announce foundations and keep it moving for nonprofit purposes or even financial issues,” he said. “But I’m on the ground. I’m actually working. We’re getting things done. We’re getting results. We’re raising real money. We’re going down into the real communities where the problem has been an issue.”

Quavo’s discussion with Harris touched on the impact that community violence intervention can make and the importance of youth support systems in decreasing gun violence. A separate roundtable discussion connected families of victims with survivors.

“To translate that pain and grief into something that is about creating strength and empowerment in the community — including our young — is pretty extraordinary,” Harris said during the discussion while speaking to Quavo. “You have chosen to use your celebrity and the gifts you have as an artist to talk about and actually work on with action. It’s extraordinary. You are an incredible leader. A national leader on this.”

The summit featured panels with a focus on the gun violence crisis in the United States and how community violence intervention is a long-term solution for this issue. Another will discuss the importance of supporting youth in the fight against gun violence and visibility of youth resources.

Quavo hopes the summit can lead to more partnerships between the Rocket Foundation and the White House. He’s on a mission to ensure his voice is heard and honor his nephew’s legacy.

“It hits hard when it hits home,” he said. “We’re trying to avoid that. Just because it’s next door, you don’t close your door. You can open the door and help your neighborhood. It’s joining hands with the world and making sure this awareness is on a national billboard. That’s my platform.”

Lana Del Rey & Quavo Preview New Song ‘Tough’: Listen

Is Lana Del Rey and Quavo‘s “Tough” almost here? The pair unexpectedly teased the new track Wednesday night (June 19), leaving fans of both artists shaking in the comments on Instagram.

Quavo unveiled a clip of “Tough” that will be, well, tough to get out of your head once you’ve hit play. He tagged Lana on the post.

Together, they sing: “Tough like the scarf on a pair of old leather boots/ Like the blue-collar, red-dirt attitude/ Like a .38 made out of brass/ Tough like the stuff in my grandpa’s glass/ Life’s gonna do what it does/ Sure as the good lord’s up above/ Cut like a diamond shining in the rough, tough.”

A release date for “Tough” has not been announced. Billboard reached out to reps for comment.

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Though details at press time are scarce, fans appreciated the new song sneak Tuesday night.

“The way you can seamlessly mix genres and not make it seem like a gimmick is TALENT!! This sounds so goodddddddddddd,” one follower praised, while another complimented, “No, like this sounds insane.” Someone compared it to the kind of top-tier pairing you get “when the teacher picks for the group project.”

“oh my lust for life roots are SHAKING,” a Lana fan wrote, referencing the singer-songwriter’s 2017 album that had features with A$AP Rocky and Playboi Carti, among others.

Quavo uploaded a brief bit of “Tough” on Instagram last month, but Lana’s vocal hook on the track hadn’t been shared until now. In that first clip of the song, posted on May 9, the Migos star talks over a Western-guitar-and-trap-beat outro, with Lana in the background. He tells her, “I’ll show you around … Come take a ride with me. Whenever. Whenever you ready, call on me.”

“If u come from where u come then u were born….Tough!” he captioned the post, which pictured a Polaroid of the two hanging out on the front porch of a house.

Lana — who’s recently spoken of an upcoming country album, Lasso, the follow-up to 2023’s Did You Know That There’s a Tunnel Under Ocean Blvd, which reached No. 3 on the Billboard 200 — is scheduled to perform at Boston’s Fenway Park on Thursday (June 20). She’s been on the spring/summer festival circuit, having played this year’s Coachella, Hangout, I-Days and Primavera Sound, with Reading, Leeds and Rock en Seine to come; the one-night-only, sold-out show at Fenway will mark her first U.S. stadium headlining concert.

Listen to Lana Del Rey and Quavo’s latest preview of “Tough” below.

Taylor Swift Plays ‘I Hate It Here’ Live for the First Time, Paired With ‘The Lakes’

The Tortured Poets Department met Folklore, on which Taylor Swift sings wistfully of “the lakes, where all the poets went to die,” at the star’s Eras Tour stop in Cardiff, Wales, Tuesday night (June 18).

Swift’s surprise song set, the acoustic section of the show, at Principality Stadium featured the live debut of The Anthology edition of Tortured Poets‘ “I Hate It Here” paired in a melancholy piano mashup with Folklore bonus track “The Lakes.”

At her piano Tuesday night, Swift checked to make sure her mic was working and then playfully commented, “This is a song I’ve never played live before. Wish me luck!”

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“Quick, quick, tell me something awful/ Like you are a poet trapped inside the body of a finance guy,” she sang. “Tell me all your secrets, all you’ll ever be is/ My eternal consolation prize/ You see, I was a debutante in another life, but/ Now I seem to be scared to go outside/ If comfort is a construct, I don’t believe in good luck/ Now that I know what’s what.”

The “I Hate It Here” chorus followed: “I hate it here so I will go to secret gardens in my mind/ People need a key to get to, the only one is mine/ I read about it in a book when I was a precocious child/ No mid-sized city hopes and small-town fears/ I’m there most of the year ’cause I hate it here/ I hate it here.”

Instead of singing the song’s second verse, though, she switched over to “The Lakes”: “Is it romantic how all my elegies eulogize me?/ I’m not cut out for all these cynical clones/ These hunters with cell phones/ Take me to the lakes, where all the poets went to die/ I don’t belong, and my beloved, neither do you/ Those Windermere peaks look like a perfect place to cry/ I’m setting off, but not without my muse.”

Later in the performance, she again pleaded, “I hate it here, so take me to the lakes/ Take me to the lakes where all the poets went to die/ I don’t belong, and my beloved, neither do you.”

Like she’s done several times on the European leg of the tour, with general admission standing room only on the floor, Swift paused mid-performance to flag security for a fan in the crowd who needed help.

“I’m not gonna sing until they get help,” she said, “but you guys are so awesome and so on top of it.”

Before her piano number, Swift played an acoustic mashup of Lover‘s “I Forgot That You Existed” with Reputation‘s “This Is Why We Can’t Have Nice Things,” complete with audience-amplified laughter as she tried to sing, “And here’s to you, ’cause forgiveness is a nice thing to do” and topped it off with “I can’t even say it with a straight face.” (Fans pointed out the timing of Swift’s song choice falling on June 18, which happens to be Scooter Braun’s birthday.)

Watch Swift’s Cardiff acoustic set below. The clip to the left includes “I Forgot That You Existed” with “This Is Why We Can’t Have Nice Things,” while the video on the right has “I Hate It Here” with “The Lakes.”

Swizz Beatz & Timbaland Announce Verzuz Partnership With X & Elon Musk, Xitter Blinks In Juneteenth

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X Verzuz partnership

Source: Linda Yaccarino, Timbaland, Elon Musk, Swizz Beatz / Verzuz

VERZUZ, the friendly but competitive music battle series created by Swizz Beat and Timbaland, announced that the platform has teamed with X. While the musicians touted that it remains Black-owned, the fact that it has essentially teamed with Phony Stark aka Elon Musk—with the announcement made on Juneteenth, no less—meant many people took to social media to comment on the move.

On Wednesday, June 19, VERZUZ announced it had entered into an “exclusive partnership” with X, formerly known as Twitter, for distribution. Swizz and Timbo broke the news themselves while in Cannes, France. Reportedly, the pair had reacquired VERZUZ from their previous partner, Triller. With full control, and touting they’re Black-owned along with equity from artists who participated, their desire for independent distribution has apparently put them in league with Musk.

X Verzuz partnership

Source: Timbaland, Elon Musk, Swizz Beatz / Verzuz

“We are beyond thrilled to have found the best partner for Verzuz,” said Swizz in a statement. “Not only are we excited to have Verzuz on X, we’re excited to help X build the biggest entertainment company in the world. I would like to thank Elon Musk, Linda Yaccarino, Brett Weitz, Mitchell Smith and the entire X team for believing in the Verzuz vision. We can’t wait to get to work.”

Added Timbaland, :We are thrilled to partner with X, the most innovative platform globally. Our goal has always been to bring Verzuz to the world which we can now do bigger than ever.”

Swizz and Timbaland say they retain full ownership and creative control of VERZUZ while X will retain the exclusive distribution rights. The plan is that X will only expand VERZUZ’s viewership—touting an audience of over “550 million active users,” allegedly. Viewers will be able to watch the next VERZUZ, an announcement is forthcoming, for the price of Free.99 while being able to chat about the battle all in one location, X.

VERZUZ was beloved as it came to fruition during the COVID-19 pandemic, which had the world indoors looking for ways to interact with each other despite the circumstances. So the platform teaming with X, which is owned by Musk, is getting the side eye. The South African billionaire is known for spouting anit-woke conspiracy theories and allowing racists to run rampant on his platform, which is blatantly the antithesis of what VERZUZ is about.

Don’t take our word for it, check out some of the assorted reactions to VERZUZ partnering with Phony Stark in the gallery.