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Luke Bryan’s Crash My Playa Celebrates 10 Years, Welcomes Jason Aldean, Kane Brown, Dustin Lynch For 2025: Exclusive

Luke Bryan’s Crash My Playa will return for a milestone 10th year, when the five-time entertainer of the year winner and his fellow artists take over the Moon Palace Cancun resort in Cancun, Mexico, for four days of music, sun, sand, and fun times on Jan. 15-18, 2025.

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Bryan will headline for two nights during the all-inclusive concert vacation, but the lineup also features three-time ACM entertainer of the year winner Jason Aldean, who returns for a third time, as well as 11-time Billboard Country Airplay chart-topper Kane Brown, who is making his Crash My Playa debut in 2025. Also on the lineup are Bailey Zimmerman, Dustin Lynch, Dylan Scott, Elle King, Jackson Dean, Nate Smith, Dasha, Ella Langley, Tucker Wetmore and DJ Rock.

Bryan, who has amassed a career total of 21.3 billion streams and 26 Billboard Country Airplay chart-toppers has steadily built the event into a must-attend getaway that welcomes an average of 5,000 attendees each year. For Bryan, the enduring impact of the festival is special, given his deep involvement at the very origins of Crash My Playa.

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“From day one, we partnered with Playa Luna [Presents],” Bryan tells Billboard. “At the time, they said, ‘Luke, do you want to just take the money, or do you want to build it and be an owner?’ I was so glad I decided to build it and become an owner, because it’s something I’ll look back on and it will be one of the proudest things I’ve been a part of. Year one, I’ll never forget when I saw the actual concert site and looked at how beautiful everything was lit, and how well done. My first thought was, ‘These fans are about to have one of the greatest [four-day periods] of their life, because everything even exceeded my expectations.”

It’s not only fans who get excited about attending Crash My Playa — the artists do, too.

“Artists will hear about Crash My Playa and how fun it is, and they will walk up to me and say, ‘Hey, can we come be a part of this?’” Bryan says. “I was doing some TV stuff with Kane [Brown], and he goes, ‘I want to do Crash My Playa,’ and I said, ‘Well, we can get it organized and booked right now.’ So it’s been fun to kind of be the promoter of my own festival, but it’s fun when the artists come down and it lives up to their expectations.”

For Bryan, chief among a decade of music-filled, sun-drenched memories he has amassed from previous years of Crash My Playa are the moments he and his fellow artists have been able to let loose and be comfortable — even if that means some informal, silly onstage moments.

“I never will forget the year that me, Jason Aldean, Lee Brice and Charles Kelley got onstage,” Bryan recalls. “I had toured with Jason Aldean for many, many years and I’d never heard him lose his voice, but we all sounded like wolves out in the wild. So that told me maybe we’d had a little too much tequila down there, but we knew we had had a great time when singers are losing their voices, trying to do cover songs. But it was a pretty funny moment and thank God it never went viral.”

In addition to music, the concert vacation features an array of sports activities, games, pool parties, wellness activities, and more, with previous years’ activities including ATVs, zip lines, snorkeling, beach volleyball, and a pickleball tournament.

“We’ve always got a big group of friends and family that come down,” Bryan says. “It’s nice to go down there and get in the sun and get your vitamin D and feel good and have some margaritas. So most of the time we just sit there and sit by the pool and play music.

“One time I learned how to windsurf there and that didn’t go well,” he adds with a laugh. “So I gave up windsurfing.”

Notably, despite the ACM Award-nominated event’s continuously surging popularity, package prices remain consistent with last year.

“I want fans to come down there and go, ‘Wow, that was twice as good as we expected and we can’t believe that we got all this for this package [price],’” Bryan noted. “Whenever we’ve had our inputs go up, and wherever we’ve had to spend more money on this or that, I’ve taken it out of my pocket and never transferred it to the fans. I could have raised ticket prices 20% and paid off something else, but we chose not to do it that way. If things get a little more expensive, I take it on the chin, and that just feels like the right way to go about it.”

The general on sale for the event will launch June 28 at 3 p.m. ET at crashmyplaya.com. Previous attendees will have early access through an Alumni Pre-Sale starting at 11 a.m. EDT on June 28. Fan club members for Bryan, Aldean, Brown, and Lynch will also have the opportunity to purchase Pre-Sale packages on June 28 at 2 p.m. EDT.

A decade on, and having firmly established Crash My Playa as one of country music’s essential artist-driven events, Bryan says he’s always focused on ways “to be innovative, and keep it fresh and young. I must say I’ve thought about a Crash My Maui or a Crash My Bahamas, so if we can take that and go mobile … and always, it’s all about the fan experience for me. As long as we have the continued support from them and everybody’s excited, we’ll always do our part to stay ahead of the curve on it.”

Megan Thee Stallion to Replace Tyler, the Creator at Lollapalooza 2024

Megan Thee Stallion is coming back to Chicago this summer, as she’s been tapped to replace Tyler, the Creator at Lollapalooza 2024.

The Windy City-based festival announced on Thursday (June 20) that the Houston Hottie will be headlining Thursday night (Aug. 1) of Lollapalooza. The announcement comes on the heels of Tyler revealing that he’s pulling out of Lolla as well as Outside Lands 2024 this summer.

“Hot girl summer in Chicago Unfortunately, Tyler, the Creator will not be able to perform this year. See @theestallion headline Lolla on Thursday, August 1st,” the festival wrote to social media.

There seemed to be a mixed reaction in the Lollapalooza Instagram comments, with the headliner switch leading to some fans asking about a refund.

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“Bro tyler was carrying. who tf decided megan was a good idea,” one person asked while another wrote, “Why is everyone so mad tyler always headlines megan is such a good replacement.”

Megan is currently wrapping the North American leg of her Hot Girl Summer Tour this weekend with shows in L.A. and Las Vegas, before heading across the pond for a handful of European dates through July, which will give her time to make it back stateside to kick off Lollapalooza on Aug. 1.

Megan Thee Stallion will have plenty of new music in her return to Chi City, as her Megan album is slated to arrive on June 28. She previously headlined Chicago’s United Center as part of her tour run in May.

Minutes prior to Lollapalooza making Meg official, Tyler surprised fans when he announced that he’d be dropping out of Lollapalooza and Outside Lands in back-to-back weekends this summer.

“I hate saying this but i have to cancel lollapalooza and outside lands,” he wrote to X. “I made a commitment that i can no longer keep, and that bums me out knowing how excited folks were. That is not sexy at all. please please forgive me or call me names when you see me in person. love.”

Outside Lands also acted quickly when they revealed that Sabrina Carpenter would be replacing Tyler at the San Francisco festival on Aug. 10. Following the performance, the “Espresso” singer will embark on an arena trek this fall, with the Short n’ Sweet Tour slated to begin in September.

Find both festivals‘ announcements below.

The Music Industry Has a Plastic Waste Problem. Can This ‘Ugly’ Cup Solve It?

Scan the ground after any given concert or music festival and one thing you’re almost certain to see is a scattering of empty plastic cups. According to a 2024 report by environmental advocacy agency Upstream, the live-event industry creates over 4 billion single-use cups that end up in landfills every year in North America alone.  

It doesn’t have to be this way — and reuse company r.World wants to lead the change. The Minneapolis-based company provides reusable serveware — cups, food containers and more — for mass gatherings, with these products designed to mitigate the persistent single-use plastic waste problem in the live music industry and beyond.

“Other than reducing [carbon emissions from] fan travel, reuse is the number one thing venues can do to reduce environmental impact,” r.World founder Michael Martin says. “And artists and fans are asking for it.”

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Founded in 2017, r.World provides reusable plastic cups and other serveware to more than 200 venues across the U.S., along with festivals like Long Beach’s 20,000 capacity Cali Vibes and San Francisco’s 30,000-capacity Portola. In late May, the company partnered with Los Angeles’ Crypto.com Arena, home of the NBA’s Lakers and Clippers, and Peacock Theater to launch a full-time reusable cup program in each venue.

But the mission extends far beyond concerts and sports, with r.World aiming to build the infrastructure for a national reuse economy that would extend to airlines, consumer packaged goods, restaurants and more, ultimately becoming “a one-stop national solution,” Martin says. “The music industry has essentially launched and is leading the reuse movement in the country, and it’s inspiring universities, corporate campuses, quick-service restaurants and others.”

At the center of this movement is the plastic cup itself. Good for 300 uses, r.Cups are made of thick plastic designed and manufactured to r.World specifications that Martin says “overhauled” the manufacturing process of a standard single use cup. Made in the United States to minimize carbon emissions from shipping, each cup is slapped with the words “please return our cup to an r.cup bin,” and when a cup reaches its maximum number of uses, it’s upcycled into other r.World products.

The sweeping project started 10 years ago, when Martin’s other company, the climate solutions-focused Effects Partners, was hired to analyze operations at Live Nation and create a sustainability strategy. While assembling a five-year plan for the live-events behemoth, Martin realized “the recycling and composting efforts at the venues were never going to work,” given that most everything ultimately just ended up in landfills. The realization made him “depressed for, like, six months,” until he considered the reuse programs he’d seen in European venues — and then developed r.World.

r.World

r.World reusable products

Courtesy of r.World

Through connections to U2, Martin suggested the band try reuse on their 2017 tour. It was a success, and r.World was soon working with 13 acts, including the Rolling Stones, Dave Matthews Band, Bon Jovi, Radiohead and Maggie Rogers, all of whom gave Martin permission to go to venues on their behalf and request that the venue try reuse during their show.  

The first r.Cup cups were branded with band logos, until the team realized fans were just keeping them as souvenirs. In 2019, the model morphed into “an ugly cup” people were less inclined to take home.  

Cups are collected in yellow bins that sit alongside garbage cans and recycling containers at venues, then brought to an r.World-owned wash hub facility. These hubs are built in economically depressed areas of any given city to help spur the economy, and are where cups are washed and inspected, largely staffed by people living in halfway houses or who are getting back on their feet after getting out of prison. 

These local facilities are crucial because, as Martin says, “you can’t prioritize the environment if you’re shipping cups great distances across the country” due to the carbon emissions created by such transport. r.World plans to establish wash hubs and reuse solutions in the top 20-30 U.S. markets, having already launched in seven. The company expects to add another one or two cities in the coming months and is in conversation with officials from nearly every city they are targeting. “We know the demand and need is there,” says Martin. While the majority of r.World’s current business is cups, Martin cites “exploding” demand for food containers at venues, festivals, schools and corporate campuses.

r.Cup typically launches in a venue after a facility or concession manager reaches out to ask about reuse. (Martin notes that they have a 99% client retention rate, and the one venue that did let go of the program was having financial issues.) With an operational design developed via focus groups with national concessionaires like Levy Restaurants, Aramark and Sodexo US, r.World provides everything from cups and collection bins to signage, employee training materials and social media content to educate guests, offering “a complete turnkey solution so it’s a no brainer for the operators,” says Martin. Venues are also provided with environmental impact reporting that uses EPA guidelines to consider everything from the sourcing and shipping of cups to the temperature of the water used to clean them. (Martin says the company is “sort of obsessive” about these protocols, which he attributes to “being a numbers geek.)

Cost of implementation is based on the number of single use items required by a venue and varies by how much of their service is packaged drinks versus draft or fountain drinks. Martin says the biggest arenas that serve draft and fountain beverages go through 1.5 million-2.5 million single use cups per year. While upfront costs of r.World products are higher than single use, the cost over time is generally less given that venues must keep buying the reusable plastic cups that get thrown away after each event.

r.World

r.World reusable products

Jesse Roberson

Some venues embed this added expense into the drink price, while others allow guests to opt out and get a single use cup for a slightly lower cost. (Over r.World’s millions of transactions, Martin has heard about “two or three” people opting out.) Drink servers are also into r.Cup, he says, “because they felt bad giving out all that single use waste, and cups are a conversation starter with guests.” Beyond the price differentials, Martin says the biggest hesitation venues and events have about adopting reusable cups is an “imagination gap,” along with other factors like existing vendor contracts, venue infrastructure and apathy and misinformation, such as thinking single-use aluminum or compostable cups are good for the environment.

To wit, reusable cups are alternatives to frequently-used compostable cups, which have a dicey record of being composted and behave as a regular single use plastic cup if they end up in a landfill. Aluminum cups and bottles also often end up in landfills given that recycling sorting at events can be spotty. A 2023 Upstream report states that “single-use aluminum cups are the worst option for the climate by far,” as they use 47% more energy over their life cycle and create 86% more carbon dioxide than other single-use plastic options. 

r.World

r.World reusable products

Courtesy of r.World

As sustainability initiatives become more common and more in-demand across the industry and culture at large, more than 150 national reuse companies have launched since the pandemic. In 2022, Live Nation invested in Turn Systems, a program that provides reusable cups, collection bins and mobile washing systems at venues and festivals. As such, r.World is partnered with Live Nation competitors including AEG, ASM and NIVA, and provides product washing for other reuse companies.

Beyond venues and events, r.World clients include the Coca-Cola Company, which is widely cited as one of the world’s leading single-use plastic waste producers. Coca-Cola has made a commitment to incorporating 25% reusable products by 2030 and is working with r.World to provide reuse services for Coca-Cola clients like music venues, movie theaters, the Olympics, the World Cup and wherever else Coca-Cola wants to implement reuse. r.World has also been selected by the EPA and the White House’s Council on Environmental Quality to help raise national awareness of reuse.

Martin says that while an industry has developed to help solve the single use plastic problem, many waste management and consumer packaged goods companies would rather not see a large-scale shift to reuse happen. And despite the explosive growth in the sector, Martin says r.World’s biggest competitors are still single-use cups and serveware, whether plastic, compostable or aluminum.

This is where artists and fans can flex their power by requesting reuse programs in their riders and spending money at venues with reuse programs given, Martin says, that “businesses will give back what consumers are asking for.” 

BLACKPINK’s ‘World Tour [Born Pink] In Cinemas’ Concert Film Coming to Screens Worldwide

A 92-minute concert film celebrating K-pop girl group BLACKPINK‘s eighth anniversary, BLACKPINK WORLD TOUR [BORN PINK] IN CINEMAS, is slated to hit screens worldwide on July 31. The movie from Trafalgar Releasing and CJ 4DPLEX will celebrate the highest-grossing tour from an Asian act and a female group in history in a variety of formats, including ScreenX, 4DX and ULTRA 4DX.

Tickets for the movie will go on sale beginning at 11 a.m. ET on June 27, with tickets going on sale in Korean beginning July 17. The movie directed by Yoondong Oh and Geun Min will chronicle the world tour that played to 1.8 million fans across the globe in support of BLACKPINK’s chart-topping 2022 sophomore album, BORN PINK. The film will premiere in more than 110 countries, which a release said will make it the largest-ever global cinema event release for a female group.

“We are delighted to collaborate once again with our longstanding partner, CJ 4DPlex, for the new BLACKPINK release,” said Trafalgar CEO Marc Allenby in a statement. “Since their debut, we have witnessed BLACKPINK’s exponential rise to become one of the biggest names in music with a massive global appeal. Cinemas are the perfect venue to harness the power of their dedicated fanbase, and we look forward to welcoming BLINKs from around the world to enjoy this unmissable theatrical event starting July 31.”

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The movie will feature the tour’s iconic “Hanok” set — which mimicked the look of a traditional Korean house — with a release noting, “mesmerized fans and press worldwide… [showcasing] an unprecedented production scale, presenting exclusive versions of BLACKPINK’s hit songs unique to this concert. It includes performances from Seoul’s Gocheok Dome alongside footage from cities across the global tour.” The Born Pink tour criss-crossed the globe from Oct. 2022 through Sept. 2023.

“I am delighted to announce the release of BLACKPINK’s world tour film in theaters globally,” said DJ 4DPLEX CCO Jun Bang in a statement. “ScreenX, 4DX, and ULTRA 4DX are the optimal formats to capture the essence and liveliness of a concert. We eagerly anticipate immersing audiences in the spectacular performances of BLACKPINK, showcasing their talent as world-class touring artists, across cinemas worldwide.”

Click here for additional details on buying tickets.

Remy Ma’s Son Arrested And Charged With Murder

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Fat Joe & Friends In Concert - New York, NY

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It’s been a turbulent few months for Remy Ma, but she is now facing one of the toughest moments a parent can face in their lifetime as her son, Jayson “Jace” Scott, has been arrested and charged with murder.

According to People, the 23-year-old was taken into custody on June 18, along with another suspect as police say both men were involved in the murder of 47-year-old Darius Guillebeaux. Police have charged Jayson Scott with first and second-degree murder, reckless endangerment in the first degree, and two counts of criminal possession of a weapon in the second degree. The second suspect, 22-year-old Richard Swygert, was hit with the same charges for the June 7, 2021 killing.

People reports:

The NYPD told PEOPLE that the 2021 shooting was in Queens. At the time, officers responded to a 911 call of a male shot at the intersection of 148 Street and Rockaway Boulevard on June 7, 2021. 

“Upon arrival, officers observed a 47-year-old male, unconscious and unresponsive, with multiple gunshot wounds to the head and chest,” police said. “EMS responded to the location and transported the victim to Jamaica Hospital Medical Center, where he was pronounced deceased.”

While Remy Ma herself has remained mum on the arrest, a representative for her did release a statement addressing the issue:

“As many have heard, Remy Ma’s son, Jayson Scott was recently arrested and very serious unfounded allegations have been made. Remy Ma wished to address this situation personally, but has been strongly advised by our office not to say anything publicly – as most people in this situation are, as the case is still active. To be clear, Jayson Scott is innocent and Remy Ma is committed to proving his innocence and fully supporting her child during this time.”

“We stand by Jayson’s innocence and hope the NYPD will conduct a complete and thorough investigation to reveal the truth. This has undoubtedly been a trying time for Remy Ma and her family. While she sincerely appreciates the love and support she has received, we kindly ask that her privacy be respected as their legal team works to prove Jayson’s innocence.”

No word on what led police to identify Scott and Swygert as their suspects.

What do y’all think of Remy Ma’s son being booked for murder? Let us know in the comments section below.

Madonna Concert Delay Lawsuit Is Over — But Don’t Call It a Settlement

Two Madonna fans have now dropped their lawsuit complaining about delayed starts to her concerts, but the star’s lawyers are emphatic that the move was “not the result of any settlement” and are warning they might even seek penalties over the “frivolous” case.

In a motion filed in federal court Wednesday (June 19), lawyers for the aggrieved fans said they would permanently drop the case, in which they accused Madonna and Live Nation of breaking laws by making fans wait for hours at December concerts in Brooklyn on her Celebration Tour.

But later that same day, Madonna and Live Nation’s lawyers fired off a letter to the judge advising him that the move to drop the case had been made “unilaterally” by the other side — and that they had not reached any kind of agreement to end a case they say should never have been filed.

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“Defendants believe that this action was a frivolous strike suit designed to force them to incur legal expenses,” the star’s lawyers write. “Plaintiffs have now abandoned this lawsuit when it became clear that this approach would not result in a settlement payment and that they would need to oppose defendants’ motion.”

The motion to drop the case said that each side would “bear its own fees and costs,” but Madonna’s lawyers said in their letter that they had never agreed to that — and that they might still demand that the plaintiffs repay the money they were forced to spend litigating the short-lived lawsuit.

“Given the legal expenses that defendants were forced to incur to defend this action … defendants reserve the right to move for sanctions, attorneys’ fees, and costs,” lawyers for Madonna and Live Nation write.

An attorney for the plaintiffs, Michael Fellows and Jason Alvarez, did not immediately return a request for comment on Thursday (June 20).

Madonna and Live Nation were first sued in January over the Brooklyn shows — a case that made headlines because it claimed the fans “had to get up early to go to work” the next day. She was later hit with a similar case in Washington, D.C., that claimed fans had waited in an “uncomfortably hot” arena and that she had lip-synched portions of the show. A third case, filed last month, echoed those claims but also alleged that Madonna’s show in Los Angeles had been unexpectedly “pornographic.”

All three cases have been filed as class actions, seeking to represent potentially thousands of other fans who also endured the alleged delays. By starting the concerts later than expected, the cases claim Madonna and Live Nation breached their contracts with fans and violated state consumer protection laws.

Madonna’s attorneys have strongly rejected those accusations. In a request to dismiss the New York case earlier this year, her lawyers argued that simply needing to wake up early was not the kind of “cognizable injury” that can form the basis for a lawsuit. And they say that anyone buying a concert ticket is well aware that a show likely won’t start at the exact time printed on the ticket.

“No reasonable concertgoer — and certainly no Madonna fan — would expect the headline act at a major arena concert to take the stage at the ticketed event time,” her legal team wrote in April.

While Wednesday’s dismissal means that the New York case is now closed, the D.C. and Los Angeles lawsuits remain pending.

These Internet-Famous Sneakers Fold Flat for Easy Packing: Here’s Where to Buy a Pair Online

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The base requirements for a solid pair of everyday sneakers are breathability, style and comfort, but a standout sneaker will also be packable. The internet has been gushing over footwear brand Suavs‘ flexible Zilker sneakers, as they don’t just show off a fashionable exterior, but come with a flexible build that can be folded down to fit into your luggage.

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Rather than play Tetris with the items in your carry-on, the Zilker sneakers use a Digital Knit material made from recycled plastic bottles that can be flattened without ruining the sneaker’s integrity. It also means that when you slip on the shoes, the material will form and adapt to your feet to help you get the most comfortable fit.

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The style comes in women’s and men’s sizing, with a 4.8-star rating (out of five). The shoes boast more than 2,900 five-star reviews, praising how “stretchy the material is” allowing you to slip your foot inside “without untying them.”

Keep reading to shop the best Suavs sneakers below.

Women’s The Zilker Gum

While the Zilker presents a foldable design, it’s also available in nine colors with three gum sole options to choose from. The upper comes with a sweat-wicking material that’s breathable and even washable to lengthen their freshness — especially after a long day of walking.

In terms of comfort, one reviewer was able to wear them for an entire trip without discomfort, saying, “I’ve walked in this shoes everywhere including at least 10 miles a day in Paris. They were perfect for comfort and style. Even did a photoshoot in Paris while wearing them!”

And the men’s sizing comes with just as many colorway options with the same benefits.

Men’s The Zilker

Along with your classic neutral color options, the Zilker sneakers are also available in more statement-worthy shades including red, denim and olive green. You can also wear the shoes without socks due to its moisture-absorbing properties, while the sole uses a cushioned and grippy design to move with your foot as you travel.

One reviewer couldn’t get over the sweat-wicking properties, claiming, “my feet usually sweat in other shoes but not these,” while another shopper noted the shoe’s ease of wear, saying they “fit like a glove” and “slide on like a sock.”

For more product recommendations, check out ShopBillboard‘s roundups of the best jelly shoes, platform sandals and men’s sneaker deals.

UFC Fight Night Saudi Arabia Livestream: How to Watch Whittaker vs. Aliskerov Live Online

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Two premiere middleweight fighters duke it out as the main event during UFC Fight Night Saudi Arabia. New Zealand-Australian Robert “The Reaper” Whittaker (26-7-0) faces off against Russian fighter Ikram “The Quiet Dagestani” Aliskerov (15-1-0) on Saturday, June 22.

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UFC Fight Night Saudi Arabia takes place at Kingdom Arena in Riyadh, with a start time of 12 p.m. ET/9 a.m. PT. The main card is expected to begin at 3 p.m. ET/12 p.m. PT.

Want to watch UFC Fight Night Saudi Arabia online? This event is streaming on ESPN+ for subscribers only.

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If you’re not a subscriber, an ESPN+ monthly subscription goes for $10.99 per month, or pick up an ESPN+ annual subscription for $109.99. The annual subscription is the best deal because it saves you 15% overall.

Check out the complete UFC Fight Night Saudi Arabia fight card below:

Main Card, 3 p.m. ET/12 p.m. PT

  • Robert Whittaker vs. Ikram Aliskerov (Middleweight) — Main Event
  • Sergei Pavlovich vs. Alexander Volkov (Heavyweight)
  • Kelvin Gastelum vs. Daniel Rodriguez (Middleweight)
  • Shara Magomedov vs. Antonio Trocoli (Middleweight)
  • Johnny Walker vs. Volkan Oezdemir (Light Heavyweight)

Prelims Card, 12 p.m. ET/9 a.m. PT

  • Nasrat Haqparast vs. Jared Gordon (Lightweight)
  • Muhammad Naimov vs. Felipe Lima (Featherweight)
  • Rinat Fakhretdinov vs. Nicolas Dalby (Welterweight)
  • Kyung Ho Kang vs. Muin Gafurov (Bantamweight)
  • Magomed Gadzhiyasulov vs. Brendson Ribeiro (Light Heavyweight)
  • Xiao Long vs. Chang Ho Lee (Bantamweight) — Title Fight

Meanwhile, the prelims air on ESPN and the main card broadcasts on ABC, so the entire event is available to stream on DirecTV Stream and Fubo too. Both streaming services offer free trials — for five days and seven days, respectively — for new subscribers.

Sling TV and Hulu + Live TV, which offers a three-day free trial, come with ESPN and ABC as well. You can also get the Disney Trio — which comes with ESPN+, Hulu and Disney+ — starting at just $14.99 per month.

UFC Fight Night Saudi Arabia is available to stream on ESPN+, ESPN and ABC on Saturday, June 22, starting at 12 p.m. ET/9 a.m. PT, with the main card beginning at 3 p.m. ET/12 p.m. PT.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

The Game Absent From Kendrick Lamar West Coast Concert, X Says Drake Caping Did Him In

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US-ENTERTAINMENT-STRAIGHT OUTTA COMPTON

The Game has been one of the more vocal champions of West Coast Hip-Hop but fans couldn’t help but notice he was noticeably absent at Kendrick Lamars concert on Juneteenth. Fans on X are saying that The Game was frozen out of the West Coast show due to his affiliation with K-Dot’s chief rival, Drake.

In the wake of The Pop Out: Ken & Friends Concert, which featured Kendrick Lamar and a large host of his famous pals, the absence of The Game alongside a variety of West Coast acts stood out as a curious moment. While it doesn’t appear that the former Aftermath is bothered by being excluded from the show, fans on X are speculating that the artist born Jayceon Taylor was left off the bill due to his alignment with Drake.

Back in April, Game posted a video of him listening to Drizzy’s “Energy” track which some took to mean he was on the side of the so-called 6 God. In the now-deleted post, fans blasted Game for seemingly going against his fellow Compton native in Lamar although the rapper never publicly chose a side.

Still, the optics of it all have fans believing this is why Game, a capable rapper despite what some might say, was not part of the epic cameo performances that included the likes of YG, TDE mainstays Ab-Soul, Jay Rock, and ScHoolby Q, and others.

On X, the jokes are flying about The Game now appearing on the bill and we’ve got the best we could find below.

Photo: Getty

Tems’ ‘Born in the Wild’ Bursts Onto U.S. Afrobeats Songs Chart

Tracks from TemsBorn in the Wild album light up Billboard’s U.S. Afrobeats Songs chart (dated June 22) as the artist’s genre-crossing debut LP sees its first chart impacts. The set, released on Since ’93/RCA Records, starts with 16,000 equivalent album units earned in the U.S. for the tracking week of June 7-13, according to Luminate. It opens at No. 5 on the Top R&B Albums chart and No. 56 on the all-genre Billboard 200.

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Current Born in the Wild single “Love Me Jeje” moves 4-3 to mark the album’s highest charting track on the streaming and sales-based U.S. Afrobeats Songs chart. It’s also the album’s most streamed song this week, with 3.2 million official U.S. streams, up 32% from the previous frame.

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“Free Fall,” featuring J. Cole, begins at No. 5 and secures the highest of 11 Born in the Wild debuts. Here’s a full recap of the album’s placements on U.S. Afrobeats Songs chart this week, including two previous releases – the aforementioned “Jeje” and “Me & U” at No. 6, after it peaked at No. 3 last October.

  • No. 3, “Love Me Jeje”
  • No. 5, “Free Fall,” featuring J. Cole
  • No. 6, “Me & U”
  • No. 12, “Wickedest”
  • No. 13, “Get It Right,” featuring Asake
  • No. 15, “Born in the Wild”
  • No. 16, “Unfortunate”
  • No. 17, “Gangsta”
  • No. 20, “Forever”
  • No. 22, “Hold On”
  • No. 23, “Turn Me Up”
  • No. 24, “T-Unit”
  • No. 25, “You in My Face”

In addition to her own album’s avalanche, Tems claims one more appearance on U.S. Afrobeats Songs through a feature on Tyla’s “No. 1.” The prior No. 5-peaking hit slips 13-18, due to the Born entries.

Born in the Wild is the first full-length offering from Nigerian singer-songwriter Tems. The body of work had been anticipated by fans and music industry insiders since her international breakthrough as a featured artist on Wizkid’s “Essence.” The song, after a remix with Justin Bieber, flew to No. 9 on the Billboard Hot 100 in 2021, becoming the first top 10 hit for an Afrobeats genre track. Coveted further features followed, with an assist on Drake’s Certified Lover Boy track “Fountains,” also in 2021, and she and Drake’s guest appearances on Future’s “Wait for U” yielding a No. 1 Hot 100 debut in May 2022.

Around the same time, Tems’ song “Free Mind,” from her 2020 EP From Broken Ears, started to see increased streams, prompting an official radio campaign for the two-year old track. The push led to a huge triumph – “Free Mind” dominated the R&B/Hip-Hop Airplay chart for 22 weeks in 2022-23 and ranked as the chart’s No. 1 title on the 2023 year-end recap.