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Executive Turntable: A Bravado New World for New CFO; Sony Nashville Elevates LT; SXSW London Staffs Up

It’s time for another spin around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music. Don’t forget to dig into this year’s Indie Power Players list. We also have a weekly interview series spotlighting a single executive and a regularly updated gallery honoring many of the industry figures we’ve lost throughout the year.

Bravado, the merch and brand management arm of Universal Music Group, announced across-the-board changes to its leadership structure. Joining Bravado’s c-suite as chief financial officer is NYC-based Colin McIntosh, most recently CFO and chief operating officer at REVOLT Media. McIntosh reports to company president Matt Young, as do a slew of newly promoted Bravadoans. In Los Angeles, Alyssa Tobias is upped to svp and head of creative services, Ashley Fogerty is now svp of business affairs and Brian Schechter is senior vp and head of brand management. In London, David Boyne is managing director of Bravado, UK, while Rachel Redfearn continues to lead the region’s A&R and brand management and label liaison teams as svp of UK A&R. Working alongside McIntosh in the NYC office is Bill Ashton, who is promoted to svp of commerce at the company, and down Nashville way Stacie Swanson was elevated to vp of artist strategy. But wait there’s more: Reporting to Ashton in the commerce department is NYC-based Briana Farrell, who was promoted to vp of U.S. retail, and Londoner Keith Taperell, now the vp of licensing. “Helping artists connect with fans around the world will always be our driving force, and I’m excited to announce this new leadership, who will ensure that artists’ visions are brought to life,” said Young.

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Warner Records welcomed Terese Joseph as senior vp of A&R administration. Based in Los Angeles, Joseph will report to Karen Kwak, evp/head of A&R, and work closely with Julian Petty, evp/head of business and legal affairs. The veteran executive most recently served as head of label operations at Se LaVi/Rebel Music but launched her career at UMG, where she logged time at Def Jam, Victor Victor Worldwide and Capitol. “I’ve known Terese for many years, starting back in our Island Def Jam days in New York,” said Kwak, who oversaw A&R at UMG’s U.S. labels until 2016. “She’s a well-respected and knowledgeable player in the field, playing an integral role in the delivery of massively successful projects for music legends to newcomers alike.”

Sony Music Nashville promoted Lauren “LT” Thomas to svp of promotion, with Thomas having day-to-day oversight of both the RCA Nashville and Columbia Nashville imprints. Thomas will continue to report to evp of promotion Steve Hodges and work with him across the roster on all national promotional strategies and initiatives. During her tenure, Thomas has helped earn radio hits for artists including Luke Combs, Megan Moroney, Nate Smith, Mitchell Tenpenny and Old Dominion. Thomas joined Sony Music Nashville in 2009 and previously spent five years at KMLE in Phoenix, Arizona. Thomas is also a 2019 Billboard 40 Under 40 honoree. –Jessica Nicholson

AEG Presents ditched the “co-” from Don Strasburg‘s title and named the live music veteran as sole president of the Rocky Mountains and Pacific Northwest regions. The Denver-based executive will oversee AEG’s regional offices in the Colorado capitol and Seattle, and continue managing the team that books concerts in a full slate of venues. Until recently, Strasburg served as co-president of the expansive region alongside Brent Fedrizzi, who in May was promoted to president of North American regional offices. During a lengthy career, Strasburg has been a plank owner of sorts at Bill Graham Presents/Chuck Morris Presents, Live Nation and AEG Live. “Don has a drive to win and succeed that is unmatched,” noted Shawn Trell, AEG Presents’ evp, COO and general counsel. “He’s got an almost innate sense of knowing what the audience wants and where the trends are heading.”

Cenk Eroglu

Emre Dokucu

Turkish conductor, arranger, guitarist and pianist Cenk Eroglu joined Frontiers Label Group as the Italian metal label’s new in-house writer and producer. FLG is the home of such artists as Winger, Stryper and Blue Öyster Cult, among others. Eroglu has a long creative partnership with the former, having appeared on a Kip Winger solo album and later as a core player on the prog-adjacent rock band’s first release for Frontiers, 2006’s IV. “I am truly excited to welcome Cenk to Frontiers Records, and I am confident that his impressive background and top-notch craftsmanship will bring some major added value to our label,” said the label’s president Serafino Perugino. “I am looking forward to working together on new epic projects.”

Vickie Nauman, founder of music-tech consultancy CrossBorderWorks and a former executive at 7digital and Sonos, joined Musical AI as an advisor. Formerly Somms.ai, Musical AI provides tools to help rights holders monitor and manage how their IP can be used in AI creation. “Happy to be a part of this journey,” Naumna said on LinkedIn. “I believe AI can be transformative to us all if used wisely, and generative AI needs licensed models.”

Night Time Industries Association chief executive Michael Kill joined the International Nightlife Association, a Barcelona-based advocate for nightlife venues, as Vice President. In a joint announcement, the organizations called it a validation of Kill’s leadership and the NTIA’s “growing impact on global nightlife policy and advocacy.” Kill remarked that he’s “excited to collaborate with our international counterparts to drive positive change and innovation in the nightlife sector. Together, we will work towards a vibrant, sustainable, and safe nightlife environment for all.”

NASHVILLE NOTES: Contemporary Christian music industry veteran Tim Robinson launched Aligned Talent Agency. The Brentwood, Tennessee-based firm represents artists Love & The Outcome, Dan Bremnes, 7eventh Time Down, Ignescent and others. Robinson most recently served as a booking agent with Greg Oliver Agency –J.N.Milestone Publicity promoted Campbell Jenkins to publicist, effective immediately. The Belmont University grad joined the Music City-based PR firm a year ago … BMG Canada appointed Bryan Columbus as vp of recorded music. He was previously label director for Concord Label Group/Canada.

The creative team for next year’s SXSW London is taking shape with the appointment of Adem Holness as head of music and Katy Arnander as director of programming. Additionally, Alex Poohs will serve as a consulting creative advisor and Elliot Willis has taken the role of SXSW London’s commercial director. The festival and conference will take place over one week in June 2025 at venues and spaces around Shoreditch in east London. (In April 2021, it was announced that SXSW had signed a “lifeline” deal with P-MRC, a joint venture between Penske Media Corporation and MRC, making P-MRC a stakeholder and long-term partner with the Austin festival. P-MRC is the parent company of Billboard.)

Independent music distribution and marketing company Symphonic Distribution hired Guji Lorenzana as its first territory manager for Asia. Based in Los Angeles, Lorenzana is tasked with growing Symphonic’s presence in the region, by way of expanding its artist roster and forging new business partnerships. A former solo artist and member of Philippines boy-band TFTI, Lorenzana arrives from Ingrooves Music Group, where he was country manager for Philippines.

Aaron Hamel is the new label director for Materia Music, a Seattle-based video game imprint, distributor, publisher and rights administrator. Hamel’s appointment follows Materia’s recent acquisition of the remaining game music inventory of Ship to Shore, a boutique label he founded that’s centered on discovering and re-issuing cult soundtracks. “He shares our passion for discovering and promoting the rich musical heritage of video games as well as bringing innovative new products to the video game music community and marketplace,” said Sebastian Wolff, Materia Music’s founder and CEO.

Victoria Fleary was promoted to vp of social at iONE Digital, a content company targeting Black and urban lifestyle enthusiasts. Fleary joined the company two years ago as senior director of social following stops at Emmis Communications and BET. “Victoria’s promotion is a result of the dedicated work that she has put in since her first day at iOne,” said Sam Stiers, GM/evp. “Her relentless drive, creativity, and commitment to excellence in digital media has truly been an inspiration to everyone around her.”

Gregg Stewart is the new senior manager of communications at Universal Music Canada. Previously he worked with Bell Media for 12 years, leaving as Director of Music Strategy & Industry Relations. He was also with the Much MTV Group for a year and between 2000 and 2006 was with UMG’s digital marketing division. –David Farrell

Live Redesigned creative producer Melody Tseng is the art director and set designer for Alanis Morissette’s recently launched Triple Moon Tour, which carries through late September. Tseng joined the NYC-based live company three years ago as an associate creative producer. She previously worked on projects for Live Nation, Diversified Production Services and others. “Melody, as she always does, brought her unique creative vision to life as both the Art Director and Creative Set Designer for the tour through the artistic use of various stage and scenic elements.”

ICYMI:


Jess Ducrou

Jess Ducrou

Jessica Ducrou is departing as co-CEO of Australia’s Secret Sounds Group, producer of Splendour in the Grass festival … Bradley Jordan‘s Peachtree Entertainment brought in Chuck Steedman of LiveCo, Nathan Baugh of 46 Entertainment and Shane Quick of Premier Productions … Fat Beats appointed Warner Music Group veteran Chris Atlas to president … Songtradr welcomed Harmonix co-founder Alex Rigopulos and music lawyer Priyanka Khimani to its board of directors.

Last Week’s Turntable: Sphere Goes Hollywood

Kendrick Lamar’s Pop Out Recap: What Will Drake Do Next? | Billboard Unfiltered

In the seventh episode of Billboard Unfiltered, Billboard staffers Carl Lamarre, Trevor Anderson and Kyle Denis break down Kendrick Lamar’s Pop Out event and how Drake should navigate his next move after the show. They also dive into the new Verzuz and X deal, their favorite albums that have been released in 2024 in hip-hop and R&B and more.

Carl Lamarre: 

When I saw YG come out, I felt the knife. I felt the knife turn a little bit. 

Trevor Anderson:

Just on a tech level like X and Amazon. That’s a whole ‘nother beast level that’s coming.

Kyle Denis:

Shoutout to GloRilla, that mixtape is really hard. The girls and the guys were coming back this year. They said, “we still got something to say.”

Carl Lamarre:

So, first day of summer, we are here.

Kyle Denis: 

Finally. 

Trevor Anderson:

It feels like it if you’re in New York because this heat is no joke! 

Carl Lamarre: 

It is like 95 degrees outside. 

Kyle Denis:

Yeah.

Carl Lamarre: 

Happy belated Juneteenth. 

Kyle Denis:

Right sir.

Trevor Anderson:

That’s because we were not working yesterday. 

Kyle Denis:

We was not working.

Carl Lamarre:

You know, being Black. 

Trevor Anderson:

Always a good feeling. 

Kyle Denis:

Being real proud. 

Carl Lamarre:

Being proud because last night was a hip-hop celebration, a celebration for L.A.

Kyle Denis:

A moment in history. 

Carl Lamarre

A moment in history. In case you guys missed it, Kendrick Lamar had a Pop Out concert. That’s what it’s being deemed now. The Pop Out concert for Juneteenth in L.A. Star-studded. DJ Mustard, DJ Head and of course Kendrick and friends. DJ Mustard brought out Tyler, the Creator Steve Lacy, Ty Dolla $ign…

Keep watching for more!

Buckingham Palace’s Military Band Plays Taylor Swift’s ‘Shake It Off’ as Eras Tour Arrives in London

London’s got Taylor Swift on the brain! Buckingham Palace’s military band performed a rendition of the pop superstar’s 2014 Billboard Hot 100 No. 1 hit “Shake It Off” recently, ahead of Swift’s first Eras Tour show at Wembley Stadium.

“Can’t stop, won’t stop groovin’,” the royal family commented on the performance video — a play on the song’s lyrics — on Instagram Friday (June 21), hours ahead of Swift’s concert.

In the clip, the band members — dressed in their official uniforms — stood on the grounds of Buckingham Palace as they performed the song on saxophones, tubas, trombones and other wind instruments as the conductor guided them. The performance was appropriately named “Changing of the Guard (Taylor’s Version),” according to the Instagram post’s label.

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“Coincidentally the motto of The Rifles is ‘Swift and Bold,’” the British Army also noted in the comments section.

Swift’s Eras Tour is set for three shows at Wembley Stadium June 21-23. Paramore is the special guest for all three shows, with METTE opening the kickoff concert, Griff the second show and Benson Boone the third.

The pop superstar just wrapped a show June 18 at Principality Stadium in Cardiff, her first time performing in Wales. “That was truly out of control in the best way – looking out into that massive, bouncing, dancing sea of people… I’ll never forget it,” she captioned a carousel of photos on Instagram after the concert. “I’m absolutely living for these UK crowds.”

Swift, who kicked off the global Eras Tour in March 2023, recently shared with her fans that the long-running trek would be ending. During her June 13 performance in Liverpool, England, she told the crowd at Anfield Stadium, “The celebration of the 100th show means this is the very first time I’ve ever acknowledged to myself and admitted that this tour is going to end in December,” she said. “Like, that’s it.”

Watch Buckingham Palace’s military band celebrate the arrival of Swift’s Eras Tour in London below:

Chappell Roan’s Rise to Pop Stardom | Billboard Explains

Chappell Roan’s music has skyrocketed in the last few months with her singles, “Good Luck, Babe!,” “Red Wine Supernova” and “HOT TO GO” all rising in the Hot 100, alongside her debut album The Rise and Fall of a Midwest Princess entering the Billboard 200. But who is Chappell Roan and where did she come out from? Will she be pop music’s newest sensation? Keep watching to find out more!

Tetris Kelly:

Is Chappell Roan’s pop music’s next big sensation? The singer-songwriter has skyrocketed to pop stardom over the past year, but Chappell has been working towards this moment since she was a teenager. So who is Chappell Roan? What’s her story? And how did she make her way to the charts? This is Billboard Explains Chappell Roan’s Rise To Pop Stardom. Born Kayleigh Rose Amstutz, she adopted the name Chappell Roan in honor of her late grandfather Dennis Chappell and his favorite song “The Strawberry Roan” by Marty Robbins. Hailing from Willard, Missouri, Chappell started uploading covers to YouTube as a teenager. At 16, she wrote her original song “Die Young” and was signed to Atlantic Records at 17. She released her first EP School Nights in 2017, and then dropped “Pink Pony Club” in 2020. Unfortunately, her label didn’t think she was a profitable artist and she was dropped. Fast forward to October 2023, where Chappell made her Billboard chart debut jumping onto the emerging artists chart at No. 8. She later went on to be No. 1 for three weeks on the same chart beginning in May 2024. Chappell’s gradual rise to the big time also played out for her debut studio album The Rise and Fall of a Midwest Princess. While it was released in September 2023, it didn’t enter the Billboard 200 until it debuted at No. 127 in April 2024 following her iconic Coachella performance and opening for Olivia Rodrigo on her Guts Tour.

Keep watching to learn more!

ITZY Open Up About the ‘Energy & Vibe’ They Felt on ‘Born to Be’ Tour: ‘It Was a Very Special Experience for Us’

ITZY is in the midst of their massive Born to Be World Tour, and the group stopped by Billboard‘s studios to discuss the run with host Tetris Kelly.

“The energy and the vibe was so great,” Ryujin shared. “For me, the last tour was learning and this tour was using it, so we really enjoyed it.”

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The spring/summer outing, which kicked off in February, found the quartet hitting 18 countries across Asia, Australia, New Zealand, Latin America, Europe and North America.

The dates featured the debut live performances of songs from the group’s recent 10-track Born To Be mini album, which is their first release to feature solo songs from each member of the group. The eighth EP from the group comprised of Yeji, Ryujin, Chaeryeong and Yuna — fifth member rapper Lia is currently on hiatus from the group dealing with health issues — includes the title track, as well as “Untouchable,” “Mr. Vampire” and “Dynamite.”

“Lia underwent consultation and examination as she is experiencing extreme tension and anxiety about carrying out her scheduled activities and received medical advice that she needs rest and treatment,” the group’s label, JYP Entertainment shared in a September announcement. “With the artist’s health as our top priority, after careful discussion with the members, we decided that Lia will not participate in scheduled activities starting from today and will take a break for the time being to focus on her treatment.”

Lia followed up the statement with a letter of her own, telling fans, “I felt like I needed to take some time off to love and fill myself first. As I always say, I sincerely hope that MIDZY will be happy. I will work to return in good health.”

Born to Be marks the group’s first Korean-language LP since 2021’s Crazy in Love, which reached No. 11 on the Billboard 200.

Watch Billboard‘s full interview with ITZY above.

Queen of Hearts’ Daughter Caught ‘Red’-Handed in Fiery New Music Video From ‘Descendants: The Rise of Red’

The Descendants franchise returns next month, and in a music video premiering exclusively on Billboard below, the latest Villain Kid is caught red-handed.

Descendants: The Rise of Red — coming to Disney+ on July 12 before making its Disney Channel debut on Aug. 9 — introduces Kylie Cantrall (High School Musical: The Musical: The Series) as Red, the daughter of the Queen of Hearts (Rita Ora) from Alice in Wonderland. The new video is for Cantrall’s signature song, simply titled “Red,” which sees her character evading the Wonderland soldiers (including Alex Boniello’s singing guard) protecting her queen mother as she skulks around in the shadows of the castle grounds.

“I’m on a path of destruction, this is gonna be fun,” Cantrall sings with a glint in her eye, wearing a bedazzled hood and red eye mask covered in hearts and throwing a red balloon filled with blood-red paint at a giant portrait of her tyrannical mom.

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“’Red’ is one of my favorite numbers in the film,” Cantrall tells Billboard of the original song. “It’s this explosive number – it’s bold and it’s fierce, kind of who Red is. It gives people a really cool look inside Wonderland and the trouble and mischief that Red gets up to when the lights go down and the village goes to sleep, she roams around the town and gets to be free and do her thing. The song shows who she is at her core and will give the audience a chance to really get to know her.”

In The Rise of Red — the fourth film in the Descendants franchise and the first since 2021’s The Royal Wedding — Cantrall’s Red teams up with Chloe (Malia Baker), the daughter of Cinderella (Brandy, reprising the role almost 30 years later), to travel back in time and try to prevent the Queen of Hearts’ evil reign.

In addition to the music video, fans can find “Red” on SpotifyApple MusicAmazon Music and other digital platforms, and the film’s soundtrack is available for pre-order and pre-add via Walt Disney Records.

Descendants: The Rise of Red is directed by Jennifer Phang, with a script from Dan Frey and Russell Sommer, and executive-produced by Suzanne Todd and Gary Marsh. The movie is choreographed by Ashley Wallen (The Greatest Showman) with a score by Torin Borrowdale (Searching).

Watch the “Red” video premiere below before the movie hits Disney+ on July 12.



Prince’s ‘Purple Rain’ at 40: Here’s What Happened When It Stormed Our Charts

Big Brother was supposed to take over in 1984 — not a 5’2”, 26-year-old musical polymath from Minnesota. But with the June 25, 1984, release of Purple Rain, Prince took his throne as a global pop star. The album “was like a magic bullet,” Revolution guitarist Wendy Melvoin tells Billboard ahead of Celebration 2024, a five-day Minneapolis party with performances from The Revolution, Morris Day and New Power Generation. “He knew there was lightning in a bottle.”

Purple Rain, which will turn 40 in June, poured onto Billboard’s pages as soon as it came out.

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‘Wet Behind the Ears

When Prince released his debut album, For You, the April 29, 1978, Billboard hailed it as “a one-man gangbuster” from an “18-year-old musical phenomenon who goes only by the name Prince.” The reviewer predicted “across the board appeal,” but only “Soft and Wet” hit the Billboard Hot 100, and it stalled at No. 92. It wasn’t until 1999, his fifth album, that Prince sped to the chart’s top 10 with “Little Red Corvette” and “Delirious.”

Baby, He’s a Star

The June 2, 1984, Billboard called The Jacksons’ Victory the month’s biggest album, with Bruce Springsteen’s Born in the U.S.A. named the “next hottest.” The same article mentioned two other albums “by acts that hit platinum” — Prince and Jane Fonda. Two weeks later, Billboard identified Prince as a critics’ pick, “viewed with skepticism by pop programmers.” But a headline in the July 7 issue trumpeted that “Prince Keeps Springsteen Humble” as “When Doves Cry” flew to the peak of the Hot 100, shutting out The Boss’ “Dancing in the Dark.” By Aug. 4, Prince & The Revolution overthrew Springsteen atop the Billboard 200, and Purple Rain ruled for an astonishing 24 weeks.

‘Rain’ Storms Theaters

“Seeing Purple Rain makes it clear that the man from Minneapolis is certainly going to give anybody else making music this year a real hard time,” according to a movie preview in the July 28, 1984, Billboard. The next week’s issue called it “the most gripping contemporary rock movie in years,” as well as “the most performance-oriented music exploitation film since the glory days of Richard Lester’s classic Beatles films.” Another article, about the release of the single “Let’s Go Crazy,” reported that Prince had delivered “a second tour de force” — “even before the doves have stopped crying.” It became his second Hot 100 No. 1 in the Sept. 29 issue.

Crowning Achievement

An article in the Dec. 22, 1984, issue declared that the year had been “dominated by the phenomenon of His Purple Badness, thanks to a multimedia blitz of vinyl, video and film soundtracks” that “epitomized the upbeat creative and commercial climate.” “When Doves Cry” was revealed as the “top-selling single of the year.” But mainstream success didn’t clean up Prince’s dirty mind: The same issue noted that growing interest in B-side “Erotic City” — “fueled” by “controversial lyric content” — was forcing radio stations to “wrestle with how to deal with its popularity.”

This story appears in the June 22, 2024, issue of Billboard.

Wait What? Well, Congrats! Nelly & Ashanti Have Been Married Since December

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Source: ROBERTO SCHMIDT / Getty

It feels like just a few months ago that Nelly and Ashanti announced their engagement along with Ashanti’s pregnancy—and that’s because it was, in fact, just a few months ago. The “Hot In Here” rapper and the “Rock Wit U” singer announced their engagement in April of this year, which is why some might find it surprising that the celebrity couple was actually married—in December of last year.

That’s right, documents obtained by PEOPLE show Nelly and Ashanti actually jumped the broom on Dec. 27, 2023.

Yeah—y’all got some ‘splaining to do.

Nah, it makes sense that the couple might have wanted to keep their marriage out of the public eye while it was happening. Even iconic R&B and rap artists have a right to privacy when they really need to exercise it. And considering that the 49-year-old and the 43-year-old first started dating in the early 2000s before breaking up in 2013 and rekindling that flame a full decade later, it would make sense if they just wanted to sit back and enjoy their union post-limelight.

Anyway, when Ashanti recently sat down for an interview with Entertainment Tonight, she still didn’t talk about her marriage that already happened, but she did discuss the “beautiful, intimate moment” when Nelly proposed to her, and she talked a lot about celebrating Mother’s Day for the first time.

From PEOPLE:

In May, Ashanti celebrated her first Mother’s Day as an expecting mother, sharing the festivities on Instagram. In the photos, she posed with Nelly and other family members cradling her bump and smiling.

“This Mother’s Day was so special,” Ashanti captioned the post. “Having our families together as we are about to embark on such an incredible journey was amazing. Wishing all of the amazing Moms and Moms to be a beautiful Mother’s Day…!!!! ????❤️??? #grateful ???”

She added: “Yeah yeah I know I’m late… it was so much food I got distracted ?? Ps… I only had 1 plate tho ???”

Congratulations to Nelly and Ashanti on your marriage and your soon-to-come bundle of joy! We wish you continued happiness.

Young Thug’s Co-Defendant Asks Georgia Supreme Court to Force YSL Judge to Step Aside

One of Young Thug’s co-defendants is asking the Georgia Supreme Court to force the judge overseeing the rapper’s high-profile gang trial to recuse himself, arguing that a secret meeting with prosecutors and a witness was a serious violation of judicial ethics.

Judge Ural Glanville himself has already repeatedly refused requests from Thug’s attorney Brian Steel and other defense lawyers that he step aside over allegations about the so-called ex parte meeting – and instead ordered Steel jailed after he refused to divulge how he learned of it.

So on Thursday, lawyers for fellow rapper and co-defendant Yak Gotti (Deamonte Kendrick) filed an emergency petition asking the state’s high court to force Glanville to do so.

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“Glanville’s actions offend public confidence in the independence, integrity, and impartiality of the judiciary,” wrote Yak Gotti’s attorney Doug Weinstein. “An appearance of impropriety and bias hangs over the present trial due to Glanville’s failure to follow the law.”

If the petition is granted, it would be the second time Georgia’s Supreme Court has jumped into the YSL trial. Last week, the high court hit pause on Steel’s jail sentence and agreed to review the judge’s decision to hold the lawyer in contempt.

Thug (Jeffery Williams) and dozens of others were indicted in May 2022 over allegations that his “YSL” was not really a record label called “Young Stoner Life” but rather a violent Atlanta gang called “Young Slime Life.” Prosecutors claim the group committed murders, carjackings, armed robberies, drug dealing and other crimes over the course of a decade. After kicking off in January 2023, the trial is already the longest in Georgia state history and is expected to run until early next year.

In an extraordinary courtroom episode last week, Steel revealed that he had learned of an ex parte meeting between Glanville, prosecutors and a witness named Kenneth Copeland. Steel argued that such a meeting, without defense counsel present, was clear grounds for a mistrial. He claimed Glanville had helped prosecutors coerce the uncooperative Copeland into testifying with threats of extended jail time.

Copeland is a central witness for the entire racketeering case against Thug and the other alleged YSL members, but he’s particularly important for the case against Yak Gotti. His testimony pertains to the 2015 murder of Donovan “Nut” Thomas Jr., which Gotti and fellow defendant Shannon Stillwell are directly charged with committing.

Rather than address Steel’s complaints, Glanville instead demanded to know how he had learned of the meeting, suggesting that it had been the result of an illegal leak. The judge eventually held Steel in contempt of court when the lawyer refused to name names, sentencing him to serve 20 days in county jail as punishment.

Earlier this week, Steel and other defense attorneys later demanded that the judge step aside from the case over the incident. In his motion, Thug’s attorney argued that Glanville had “forfeited [his] role as an impartial judge and has become a member of the prosecution team.” But the judge quickly denied the request, saying it was based on “bare assertions and legal conclusions.”

In his petition to the Supreme Court, Yak Gotti’s attorney Weinstein echoed Steel’s arguments. He said the allegations against the judge “casts a pall” over the ongoing case and represents “obstruction of defendant’s right to a fair and impartial trial.”

“Defense counsel should have been afforded an opportunity to attend any hearing where a sworn witness in a critical stage of the trial is being coerced to testify,” Weinstein wrote. “The only logical conclusion for the secret nature of the proceeding was to give Glanville in conjunction with the State the unfettered ability to harass and intimidate the sworn witness into testifying.”

Chart Rewind: In 1974, Waylon Jennings Hit No. 1 for the First ‘Time’

On June 22, 1974, Waylon Jennings’ “This Time” became his first No. 1 on Billboard’s Hot Country Songs chart. It was released as the lead single from his same-named LP, which he produced with Willie Nelson.

With “This Time,” which Jennings solely wrote, he achieved his first of 16 Hot Country Songs leaders (with his 31st entry on the chart). He notched his first of 53 top 10s with “(That’s What You Get) For Lovin’ Me,” which reached No. 9 in 1966. Among his No. 1 total, “Highwayman” – by Jennings, Nelson, Johnny Cash and Kris Kristofferson – led in 1985.

Jennings was born June 15, 1937, in Littlefield, Texas. His storied career comprised an on-air stint at KLLL Lubbock, Texas, and his famed run as the balladeer on CBS’ The Dukes of Hazzard in 1979-85.

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In 1959, Jennings played bass in Buddy Holly’s band on his Winter Dance Party Tour. He performed with Holly during the latter’s final show at the Surf Ballroom in Clear Lake, Iowa. Holly, J.P. Richardson (The Big Bopper) and Ritchie Valens all perished in a plane crash that Feb. 3 following the concert.

Jennings, who played a big part in country music’s Outlaw movement of the 1970s, was inducted into the Country Music Hall of Fame in 2001. He died in February 2002 at age 64 at his home in Mesa, Ariz., after a long battle with diabetes.

Jennings’ legacy is in vogue in 2024. His rebel ways were one of the most talked about elements in the recently released Netflix documentary The Greatest Night in Pop, which chronicles his walking out of the recording of USA for Africa’s megahit, and four-week 1985 Billboard Hot 100 No. 1, “We Are the World.”

“Waylon in ’75,” a track on Chayce Beckham’s debut album, Bad for Me, is just one example of today’s artists paying homage to him, Meanwhile, Shooter Jennings, the 45-year-old son of Jennings and Jessi Colter (who married in 1969), has announced that he’s uncovered unreleased music from his father and plans on releasing it in 2025.