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Megan Thee Stallion Replaces Tyler, the Creator As Lollapalooza Headliner

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Megan Thee Stallion Now Headlining Lollapalooza

Source: Astrida Valigorsky / Getty / Megan Thee Stallion

Megan Thee Stallion is not missing any opportunities to bless a concert stage this summer.

Fresh off of ripping the stage at Kendrick Lamar’s victory lap, aka the Pop Out Concert, Tyler, the Creator, broke the bad news to his fans on social media that he won’t be performing at Lollapalooza and Outside Lands music festivals.

“i hate saying this but i have to cancel [my performances at] lollapalooza and outside lands. i made a commitment that i can no longer keep, and that bums me out knowing how excited folks were,” the 33-year-old Hip-Hop star told his follers on X, formerly Twitter.

He continued, “i made a commitment that i can no longer keep, and that bums me out knowing how excited folks were. that is not sexy at all. please please forgive me or call me names when you see me in person. love.”

As for the reasoning for the pullout, the Chicago music festival said, “Tyler, the Creator will not be able to perform this year,” while Outside Lands claims he can no longer perform due “to personal reasons.”

Those excited to see the “Yonkers” crafter this year, Lollapalooza and Outside Lands, are understandably disappointed in the news.

Lollapalooza & Outside Lands Wasted No Time Finding Replacements

But both Lollapalooza and Outside Lands didn’t waste any time filling in the massive void Tyler, the Creator left.

Megan Thee Stallion, currently twerking across the country with GloRilla on her Hot Girl Summer tour, will fill in for Tyler at Lollapalooza while Sabrina Carpenter takes his spot at Outside Lands.

Thee Stallion also just performed at Bonnaroo in Tennessee.

While it may seem like summer concerts and music festivals aren’t as popular as they used to be, ask folks like Jennifer Lopez, who had to put their tours on ice; Megan Thee Stallion is currently living her best tour life.

We love to see it.

Mustard Taps Travis Scott for Soulful New Single ‘Parking Lot’: Listen

Mustard is wasting no time riding the wave of his and Kendrick Lamar’s No. 1 record “Not Like Us” becoming the topic of conversation once again after the latter’s Pop Out concert on Juneteenth.

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The L.A. producer is gearing up to drop his fifth studio album, Faith of a Mustard Seed, in July and on Friday (June 21), he dropped off the lead single, “Parking Lot” featuring Travis Scott. Over soulful production provided by Mustard, of course, Travis raps about enjoying a woman’s company in a parking lot during the summer.

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Mustard teased the song recently with an Instagram Reel of the two artists working on the track in the studio.

The video features a clip of Mustard trying to get Travis in the studio, saying, “I found the one. I need you, bruh. ‘Whole Lotta Lovin” times 30,” in reference to their 2016 collab.



Mustard also posted a carousel of images of him and Travis during a shoot before the song went live on streaming services.

Hopefully, this means a video will be coming soon.

Both have been in the news recently for very different reasons. Mustard was part of the Pop Out concert put on by Kendrick Lamar to celebrate L.A.’s rich hip-hop culture. The producer was one of the openers and brought out 310babii, Blxst, Ty Dolla $ign, Dom Kennedy, Steve Lacey, Tyler, the Creator, Roddy Ricch and YG. Mustard also did a tribute dedicated to the late Nipsey Hussle.

Travis Scott, on the other hand, had a recent run-in with the law when he was arrested in Miami and charged with disorderly intoxication and trespassing. The Houston rapper poked fun at the arrest and made T-shirts featuring his mugshot.

Friday Dance Music Guide: The Week’s Best New Tracks From Zedd & Bea Miller, TSHA, Rüfüs du Sol & More

This week in dance music: the queen Charli XCX ascended to No. 1 on Dance/Electronic Albums with Brat, tracks from which also currently make up a third of Hot Dance/Electronic Songs chart, and Lorne Padman was named president of Steve Aoki’s venerable Dim Mak label.

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It’s also a big day for big name releases. These are the best new dance tracks of the week.

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Zedd feat. Bea Miller, “Out of Time”



It’s been [checks watch] nine years since Zedd’s last studio album True Colors, and while he’s released a flurry of singles since — including his 2018 Maren Morris collab “The Middle,” which hit No. 5 on the Hot 100 — the album cycle is finally rumbling back to life for the artist born Anton Zaslavski. The lead single from his forthcoming Telos, coming August 30 through Interscope Records, is “Out of Time,” an urgent, elegant affair that leans hard into indie pop (a realm his buddy Porter Robinson is also currently exploring) while maintaining a firm electronic backbone. It all serves as a foundation for Bea Miller to go HAM on vocals, with the whole production building to a place that’s more a crescendo than a drop. The Telos tour starts September 6 in Los Angeles.

TSHA & Rose Gray, “Girls”



With the bouncy, punchy, electro-flavored “girls” TSHA delivers the lead single from her second album Sad Girl, coming in September via Ninja Tune. A collaboration with singer/songwriter Rose Grey, the song rides the line between pop bop and the kind of blissful dancefloor track that facilitates getting out of your head and fully into physical motion. So it shall be all summer long for TSHA, who’s playing a run of dates across the U.S. and Europe — which includes Michigan’s Electric Forest this weekend, and a residency at Hï Ibiza through the end of August.

Rüfüs du Sol, “Music Is Better”



Three years after Surrender, which won a Grammy for best dance/electronic album, the Rüfüs trinity is back with music that, like a dancefloor ouroboros, is about the joys of music itself. “Music sounds better when we’re together,” sing’s the Aussie trio’s Tyrone Lindqvist, with the sentiment melding with the group’s signature lush melodic house. The single comes after a surprise Rüfüs set at SoCal’s Lightning in a Bottle last month and ahead of the group’s only currently announced show, a headlining slot at Portola in San Francisco this September.

Jamie xx feat. Robyn, “Life”



Dance royalty Robyn swaggers onto Jamie xx’s forthcoming album, In Waves, with their brassy, Latin-leaning “Life.” Sophisticated yet unapologetically fun, the song is the third single from the LP and one which the U.K. producers says he “made pretty fast (for me) and loved it from day one. When I first heard Robyn’s vocal it was at 6am after finishing playing at Pacha in Ibiza, it was the perfect moment. Robyn and I have spent time working together and hanging out for some years now, it’s always a joy and always inspiring, I’m so glad and grateful that she is a part of In Waves. Thank you Robyn for bringing this track to life!”

Purple Disco Machine & Chromeo, “Heartbreaker”



Both Chromeo and Purple Disco Machine have managed to make the camp factor of their respective public images work, given that their music has always been great enough to support the kooky but intellectual brands of fun. So, putting these two acts together is something you’d expect to totally work, and it does. On “Heartbreaker,” PDM’s slick disco fuses with Chromeo’s modern funk, with the three guys together leaning into pop while also keeping it nuanced and characteristically groovy. “He brought this demo to us, and it basically produced itself,” Chromeo says of working with the German producer. “We hope that our lyrical twists and synth touches add a little chrome je-ne-sais-quoi to his winning formula.”

“Working with Chromeo on my album is a real moment for me in my career,” adds Purple Disco Machine, who also just announced a new album coming in September. “Both as a ‘fanboy,’ as I’ve followed these guys for years and they are a real influence on Purple Disco Machine, but also as a ‘producer,’ as 10 years ago I couldn’t even dream about a day when I would go into the studio with Dave and Patrick and make a record together. And…probably only these guys could get me singing and dancing in a video!”   

John Summit & Kaskade feat. Julia Church, “Resonate”



Call it bromance, call it mentorship, call it power in numbers, but the musical tag team of John Summit and Kaskade firms up today with the duo’s first collaborative single, “Resonate.” Coming after Summit opened for Kx5 at the Coliseum in 2022 and then played b2b with Kaskade at Hard Summer 2023, the song hails from Summit’s forthcoming LP, Comfort in Chaos, falling in the same dreamy, progressive house singalong sonic wheelhouse as the album’s previously released tracks. Vocals here come from Julia Church, who also sings on Comfort In Chaos‘ previously released Sub Focus collab “Go Back.” Summit is also headlining Madison Square Garden next weekend.

Mind Against, “Love Seeking”



The Italian duo give a warm and experimental take on disco with their latest, “Love Seeking.” Out on DJ Tennis’ Life & Death label, the song is like a very cold glass of rosé at 6:00 p.m. on a summer Friday, slowing down midway before warming back up to a warm, sensual swirl that’s the sonic and spiritual opposite of the duo’s typically dark and more pummeling output, but which proves they can do both equally well.

Maluma’s ‘Contrato’ & More: Which Is Your Favorite New Latin Music Release This Week? Vote!

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music from artists such as Maluma, Emilia, Karol G, Peso Pluma, and more.

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Maluma has officially entered his regional Mexican music era, and this desert cumbia, titled “Contrato,” with a Tex-Mex flair is a dazzling listen. “I’m really excited to share ‘Contrato’ with all my fans,” said the Colombian superstar in a press release. “It was an incredible experience working with Nuno Gómez and Tés in Las Vegas, a city that has always inspired me. The video reflects that energy, and I hope everyone enjoys it as much as I do.”

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Evolving beyond her “.mp3” oeuvre, Emilia officially kicks off her “.mpeg” moment with “La_Playlist.mpeg.” Capturing the essence of the late ‘90s and early ‘00s — a period rich in glitchy, vibrant pop tunes — this Y2K-inspired dance-pop track pays tribute to mixtapes transitioning into digital playlists, all while channeling the spirit of Vengaboys’ “Boom, Boom, Boom, Boom!!” The Argentine star conveys emotions of desire and connectivity with an energetic persuasion, merging her modern style with retro flair.

After being recognized as Woman of the Year at Billboard’s Latin Women in Music 2024, Karol G officially kicks off a summer anthem with the merengue-tinged “Si Antes Te Hubiera Conocido.” Set in a quaint seaside spot, its music video sees Karol as a waitress who is encouraged by a colleague to sing at a karaoke bar. Her performance ignites a festive mood, transforming the venue into a lively party that even the police join in, embodyihng true Caribbean spirit.

Peso Pluma also debuted his wildly anticipated 24-track album, Éxodo, where the Mexican superstar not only builds off the corridos that made him a superstar, but gets as versatile as can be with trap, dance-pop and reggaetón music.

Last week, music fans voted for Magneto’s “Prender El Fuego Otra Vez,” which generated more than 45% of the vote, beating out other new releases that dropped this week, including Ángela Aguilar’s mariachi ballad “Gotitas Saladas,” Mario Bautista’s new regional Mexican album FenixChino Pacas‘ latest single “Mami Chula,” Santa Fe Klan and Dímelo Flow’s “Ya Valió,” and Zhamira Zambrano’s “Bienvenida,” with which she announced her pregnancy. Coming in second place is Paulo Londra’s “Paracaídas” with 32% of the votes.

Who should win this week? Vote among new releases by Jowell & Randy, El Blxnco, Wisin, and more, below:

Diddy Deleted All His Instagram Posts, Including His Cassie Apology

Diddy is looking for a clean slate. The Bad Boy CEO has scrubbed his entire Instagram account, which included an apology to Cassie following the disturbing video leak of him abusing his ex in a L.A. hotel.

The mogul’s 20 million followers noticed Diddy had deleted all of the posts from his account earlier this week without any comment. While some side-eyed Diddy, others claimed this was not atypical behavior from theCEO when it comes to his social media activity

“For years, maybe, decades, Mr. Diddy has changed up his Instagram, Twitter, …, accounts … It’s nothing new for him to remove, publicly visible, posts … Wrong Right Sorry,” one person wrote to X.

Lost in the Instagram purge is the aforementioned apology video in which Diddy admitted to being “disgusted” with his behavior. “It’s so difficult to reflect on the darkest times in your life, but sometimes you got to do that,” Diddy said. “I was f—ed up. I mean, I hit rock bottom. But I make no excuses. My behavior on that video is inexcusable. I take full responsibility for my actions in that video. I’m disgusted. I was disgusted then when I did it, I’m disgusted now.”

Cassie accused Diddy of rape, sexual assault and more in a sprawling lawsuit in November. The two parties would settle the dispute less than 24 hours and terms were not disclosed. CNN shared a March 2016 video last month that saw Diddy physically abusing Cassie outside an L.A. hotel elevator bank and dragging her across the floor.

Following the backlash from the leaked footage and the myriad of sexual misconduct lawsuits piling up at Diddy’s desk, NYC Mayor Adams had the decorated music executive return the key to New York City he had been awarded. It’s the first time that an honoree has been requested to return the key.

The mayor’s office said Sean Combs returned the key after Adams sent letters to his offices in New York and California on June 4. City Hall received the key June 10. “I strongly condemn these actions and stand in solidarity with all survivors of domestic and gender-based violence,” Adams wrote in a letter.

Combs has denied all of the misconduct allegations against him.

Ludacris Talks Black Culture With Urban One CEO Alfred Liggins At Cannes

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Ludacris x Alfred Liggins x Urban One

Source: Urban One / Urban One

Ludacris sat down with Urban One’s CEO Alfred Liggins for an in-depth talk about the impact of Black culture in America in Cannes, France.

On Wednesday (June 19), the Urban One Influential Beach at the Cannes Lions Festival in France was the scene for a dynamic talk between superstar rapper and actor Ludacris and the CEO of Urban One, Alfred Liggins. The subject was the powerful impact of Black culture in America and beyond. Liggins opened up by sharing the origins of the bond between the two with the audience. “I’m a little older than him but we started our careers together because I bought a little radio station in Atlanta back in 1995 called Hot 97,” he began before sharing how Ludacris got his start at the station as an intern before asking the Grammy Award winner to share a bit about his background.



Ludacris spoke about how he began rapping at the age of 9, and how he came to Hot 97 with the hopes of joining the team. “If I can get a job up there, I can pursue my dream of becoming an entertainer, an international entertainer,” he explained. “What happened was, like you said, I just went up there and begged for an internship and at first your company said “we’re not hiring”. I said, “okay” and came back the next week and asked “Are you guys hiring yet, I’m willing to do anything, I’m willing to work for free.” They call it pleasant persistence.” He’d go on to reveal that after two months, he was hired to work on the morning show at only 18 years old.

The conversation soon moved to the impact of Black culture domestically and globally. “For a long time, it’s driven our local culture, international culture but it didn’t get its just due. How do you do that and what are ways that we can make that happen?” Liggins asked. “That’s a perfect example of why and how we need to invest into the Black dollar,” Ludacris responded. “I’m trying to provide a safe space and an incubator for my children the way that Urban One provided a safe space and an incubator for me. I think the more that we do these things and the more that we have these conversations, the more open-minded people are and the more they want to invest.”

Check out the entire conversation between Ludacris and Urban One CEO Alfred Liggins above. 

 YUNGBLUD Opens Up About His Struggles With Mental Health and New Single “Breakdown”

In the music world, vulnerability becomes art, and the spotlight has increasingly turned towards artists who bravely address mental health challenges. YUNGBLUD, the British sensation whose raw lyrics and electrifying performances have captivated audiences worldwide, recently made an appearance on Sound Mind’s signature video series, Unmasked. 

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This platform, known for its candid discussions on mental health, provided YUNGBLUD a stage to share his personal journey with depression and advocate for mental health awareness in the music industry.

Born Dominic Richard Harrison, YUNGBLUD has swiftly risen to prominence with his genre-bending music that defies conventions and deeply resonates with a generation grappling with its own set of anxieties and uncertainties. An appearance on Unmasked brings fans and viewers into his world, helping us gain a deeper understanding of the struggles behind his energetic persona. 

YUNGBLUD has always been vocal about his battles with depression and anxiety. Through his music, he channels these emotions into anthems that resonate with young listeners worldwide. Songs like “Medication” and “Loner” confront themes of mental health head-on, offering a sense of solidarity to those who may feel isolated in their struggles.

On Unmasked, YUNGBLUD opened up about the complexities of his journey, discussing how music became both a sanctuary and a means to connect with others facing similar challenges. He emphasized the importance of destigmatizing conversations around mental health, particularly within the music industry, where pressures and expectations can exacerbate existing issues. By sharing his personal experiences, YUNGBLUD encourages fans to prioritize their mental well-being and seek support when needed.

“This song was written as a message to myself to try and exist alongside my insecurities and my darkness by grounding myself and remembering what is real in life and that the world is so much bigger than me,” the artist explained about his latest track, Breakdown. “It’s about getting out of your head and noticing the world around you, the things and people. Connect with them, the chances are they probably feel the same.” 

Sound Mind’s Unmasked series provides a vital platform for artists like YUNGBLUD to share their stories authentically. By amplifying these voices, the series not only fosters understanding but also sparks meaningful conversations that challenge societal taboos surrounding mental health.

As YUNGBLUD himself aptly puts it, “Remember what is real. Help people, be kind, help the world, help yourself. You’re probably living more than you think.”

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If you or someone you know needs mental health support, information, or resources call the NAMI HelpLine at 1-800-950-6264, or text “helpline” to 62640, or chat at nami.org/help (M-F 10am – 10pm ET)

Teens and young adults can call the NAMI Teen & Young Adult HelpLine at 1-800-950-6264 and press 3, or text “friend” to 62640, or chat at nami.org/talktous (M-F 10am – 10pm ET)

Chloe Bailey Says Her Music Is Categorized As R&B Because She’s Black: ‘That’s Just the Way It’s Always Been’

From Beyoncé‘s Cowboy Carter to Shaboozey‘s “A Bar Song,” 2024 has been a watershed year for Black artists excelling critically and commercially in genres that have traditionally tried to box Black artists out despite having a storied history of Black innovators. Conversations about the blurring of genre lines have dominated the music industry for years, and it’s a sentiment that Grammy-nominated singer-producer Chlöe Bailey is incredibly intimate with.

“Any music I do will easily and quickly be categorized as R&B because I’m a Black woman,” she told Nylon in her cover story. “If someone who didn’t have my skin tone made the same music, it would be in the pop categories. That’s just the way it’s always been in life.”

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As a part of the Chloe x Halle duo — which includes her Little Mermaid-starring younger sister Halle Bailey — Chlöe regularly traversed genres. On the duo’s two Billboard 200-charting Grammy-nominated studio LPs, 2018’s The Kids Are Alright (No. 139) and 2020’s Ungodly Hour (No. 16), the sisters dabbled in soul, electronica, house, hip-hop, alternative rock, contemporary pop, R&B and more. Chloe’s debut solo LP, In Pieces, featured a similar amalgamation of sounds, which helped her reach No. 119 on the all-genre albums chart. Despite releasing several pop-facing tunes, including April’s “Boy Bye,” Chlöe’s awards and chart success have primarily come in the R&B field. Of her five career Grammy nods, just one came from outside of the R&B categories — her 2018 best new artist nod as one-half of Chloe x Halle.

In her Nylon interview, the “Have Mercy” singer named Whitney Houston and Beyoncé as two artists she looks to for inspiration regarding standing firm in genre experimentation, specifically lauding the latter artist’s latest smash album. “That’s why I was really proud of Beyoncé doing Cowboy Carter,” she said, “because Black people originated country music. It’s just showing that possibilities are endless.”

The “Treat Me” singer also finds solace in knowing that her work is often ahead of the curve. “What I kind of love about my art is that it sneaks up on you,” she explained. “When In Pieces came out, not many people really got it. But now a year later, people are like, ‘Oh, it’s genius! It’s beautiful! It’s amazing!’ And if you think about it, that’s how it has been with me and my sister’s previous work as well. No one ever gets it when it first comes out.”

Chlöe is currently gearing up for the release of Trouble In Paradise, her sophomore solo studio album, which is slated to drop “later this summer.” The “Surprise” singer has released a pair of singles this year — “Boy Bye” and the moody R&B banger “FYS” — and she also used her Nylon interview to confirm some of the album’s collaborators, including Halle, Jeremih and Anderson .Paak. In Pieces — which she supported with 25-date North American and European tour — featured collaborations with Chris Brown, Missy Elliott and Future.

Chlöe made her official solo debut with 2021’s “Have Mercy,” a booty-praising hit that reached No. 28 on the Billboard Hot 100. To date, Chlöe has wracked up four Hot 100 hits, including “Treat Me” (No. 81), “You & Me” (No. 72, with Gunna) and the 2023 Amazon Music exclusive “Winter Wonderland” (No. 63).

See her cover and photos for Nylon below:

Luke Combs Recalls Missing the Birth of Son Beau: ‘One of the Best & One of the Worst Days in My Life’

Luke Combs is opening up about what he calls “one of the best and one of the worst days in my life” during an interview with Zane Lowe of Apple Music 1 that aired Thursday (June 20).

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In August 2023, Combs and his wife Nicole celebrated the birth of their second son, Beau (the couple are also parents to 2-year-old son Tex), but the two-time CMA entertainer of the year winner wasn’t able to be present for the birth of his second child due to being on tour in Australia.

“I’ll never forget the craziest day, probably, in my life, close to it,” Combs told Lowe. “One of the best and one of the worst days in my life at the same time was, interestingly enough, and it’s so hard to wrap my mind around it,” Combs said, before detailing the day his son Beau was born.

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“So it’s Aug. 16. I wake up in the morning, I’m in Sydney, Australia, in a hotel room, and we’re on tour in Australia. I probably woke up at around 8 a.m. or something like that — Australia time — and I had a text from my wife and it said, ‘I’m so sorry, I really tried to not have the baby while you’re gone.’ And God, dude, it sucked.”

Combs grew emotional as he added, “It sucked because he was born on Aug. 15 in the States. I got to see him be born, which was awesome,” presumably implying that he watched via a video call. “He wasn’t born yet, but my wife went, she texted me on the way to the hospital, and he was two and a half weeks early and I was supposed to be home and I wasn’t. That was real hard to do and I haven’t really told anybody that.”

He added that two of his close friends also work as his guitar tech and personal assistant, so he had a support system. “God, it was a hard day, but I was so lucky that a lot of my closest friends now work for me. And so I had a really great support system. “I was able to be with them through that whole thing.”

Though Combs couldn’t be there in person, he said his wife also had “a really great support system” by her side at home in the States.

“Luckily, my mother-in-law came up for the month while I was gone, because, obviously, we have a 1-year-old [Tex turned 2 on June 19] and my wife is essentially nine months pregnant at the time, so thank goodness she was there. My sister-in-law lives in Nashville as well. So my wife had a really great support system with her for that experience, which I’m very thankful for. That made it a lot easier. I had people with me, everything went great. No hiccups in the process or anything.”

He called the day “a defining moment in my life, for sure,” and said that the day highlights some of the less-than-rosy parts of being in the music industry. “The leaving, and your schedule’s crazy and you’re traveling all over the place. It’s not like I can drop everything I’m doing and fly 18 hours home.”

While his newly released album Fathers & Sons includes songs looking at fatherhood from different perspectives, he said, “I didn’t cover that too much in this album because it’s really hard for me to deal with.”

The dozen-song project includes the songs “The Man He Sees in Me” and “Remember Him That Way.”



Emilia Drops Y2K-Inspired ‘La_Playlist.mpeg’ & More New Music Latin

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard‘s Latin and Billboard Español editors. Check out this week’s picks below.

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Emilia, “La_Playlist.mpeg” (Sony Music Latin)



Stepping into a dance-pop groove that flickers with Y2K nostalgia, “La_Playlist.mpeg” evolves past Emilia’s .mp3-themed releases, and echoes classics like Vengaboys’ “Boom, Boom, Boom, Boom!!” Capturing the essence of the ‘90s and early ‘00s — a period rich in glitchy, vibrant pop tunes — this track is a tribute to the epoch of mixtapes transitioning into digital playlists. She conveys emotions of desire and connectivity with an energetic persuasion, merging her modern style with retro flair, also showcased through playful nods like fuzzy pink notebooks and a 1999-era lime green iMac, as seen in the music video. The Argentine pop star initiates a fresh mpeg phase, bridging decades and eras in technology, as she stands at the cusp of a nostalgic-yet-innovative musical resurgence. — ISABELA RAYGOZA

Karol G, “Si Antes Te Hubiera Conocido” (Bichota Records/Interscope Records)

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“Si Antes Te Hubiera Conocido” is the second single that Colombian star Karol G has given her fans this year, and one where she immerses herself in merengue. The sweet song, which already promises to be a hit this summer, explores in its lyrics the possibility of having met a potential love interest before he was with someone else. “What would have been?/ If I had met you before/ Surely, you would be dancing with me/ Not as friends” she sings in the infectious chorus.

Prior to its release, the Colombian star shared on her social media a clip of the song released at her concert in London where she expressed her love for the Dominican Republic: “RD It is a country to which I owe a lot.” In the music video, La Bichota transports us to the Caribbean, reflecting the warmth and joy of its people. In one part of the video, she is seen leading a long dance train. “It represents the flavor not only of a country, but of our Latin community around the world… cheerful, happy, jovial, contagious,” she added. — LUISA CALLE

Justin Quiles x Rawayana, “BOOM BOOM” (Warner Music Latin)



In a first collaborative effort, Justin Quiles teams up with Rawayana for “Boom Boom.” The feel-good and summer-friendly track, co-produced by Botlok and Fux Beat, combines the Puerto Rican artist’s distinct sugary vocals with the Venezuelan group’s chill reggae melodies. In its flirty lyrics, the two acts chant about the feeling “unfocused, trapped in a vice,” “writing songs and dedicating captions” and “floating without touching the sand” when they are near the girl they like. The music video, filmed at a towing lot, features famed Patito Feo actress Brenda Asnicar as the lead model. “Boom Boom” marks Quiles second single, following “Su Gato,” off of his upcoming studio album Permanente. — JESSICA ROIZ

Iñigo Quintero, “CLASSICO” (Acquistic)


https://youtube.com/watch?v=8yWWEmGTBm4&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Iñigo Quintero welcomes the summer with “Classico,” an upbeat pop single in which he seems to address the unexpected fame he achieved in 2023 with the viral success of “Si No Estás,” the song that not only put him on the map but at the summit of the Billboard Global Excl. U.S. chart. “I didn’t want you at all/ But you changed my way of speaking/ I just didn’t expect it/ You filled everything with your electricity,” the Spanish artist sings with his hoarse, passionate voice, before saying in the chorus: “You were going to kill, but I’m a classic guy/ I don’t appear on covers/ Supernatural and it plays on the radio/ The most listened to.” He may not have been ready for what was coming, but Quintero has since proven with a series of releases that he is no one-hit wonder; He is here to stay. — SIGAL RATNER-ARIAS

Listen to more editors’ Latin recommendations in the playlist below: