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The Game Addresses Not Attending Kendrick Lamar’s Pop Out Concert

The Game went on Instagram Live to address his absence from Kendrick Lamar’s star-studded Pop Out concert.

The Compton rapper said in the video also posted to his IG grid Thursday (June 20) that he felt the need to clear the air after seeing the chatter online about him not being invited. Many believe he went against Compton and sided with Drake after he dissed Rick Ross. He started things off in the 17-minute clip by addressing the DMs he’s received and the noise in the blogosphere saying that he’s choosing sides.

“When the f—k you heard me say a motherf—n’ thing about who I’m sidin’ with and this and that?” he asked before alluding to industry playing a part as to why he wasn’t there.

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“There’s a lot of f–kery that goes on in this industry,” he added. However, he did big up the affair saying, “I ain’t have to be there to think that the s—t was motherf—ing cool and major.”

On his relationship with Drake, he referred to the Toronto rapper as his “brother,” saying, “As far as my relationship with Drake? Drake is my brother … And my loyalty is with motherf—ers that’s loyal to me.”

Most of the speculation that the Compton rapper was siding with Drake stems from two recent instances. First, he posted an Instagram Reel of the Toronto rapper’s 2015 song “Energy” playing on a screen with the caption, “I got rap n—s that I gotta act like I like.” Many questioned the timing of the since-deleted post because Drake’s “Like That” response “Push Ups” had been released a few days earlier.

Then a few weeks later, The Game took to his Instagram Stories to take shots at Rick Ross for trolling Drake after he released “The Heart Part 6” in response to Kendrick’s “Meet the Grahams” and “Not Like Us.” The West Coast rapper said, “It’s quiet today Wingstop must be closed on Monday’s [sic]” and then added, “It be the fat n—s with the skinny legs always running they mouth.” He then decided to join the 20 v 1 Rap Royal Rumble and dissed Rick Ross with the song “Freeway’s Revenge.”

He gave his reasoning on the Joe Budden Podcast afterward. “A n—a sitting around just trolling, n—a, keep that same energy, n—a,” The Game said. “You wann rap, you wanna troll? N—a, let’s do it. Bump heads with a n—a that really do this s—t.”

The Game is from the same city as Lamar and has collaborated with both him and Drake over the years.

Snoop Dogg Crowns Kendrick Lamar ‘King of the West’ Following Pop Out L.A. Concert

Kendrick Lamar is riding high coming off the success of his Pop Out concert in Los Angeles. With the dust settling, Snoop Dogg is passing the torch to K. Dot and crowned him as the king of L.A. following the epic show.

Snoop took to his Instagram on Friday (June 21) from Canada and saluted what Kendrick was able to accomplish in unifying different sections of the West Coast under one roof at his Juneteenth show.

“Sending a big shout-out to K. Dot and all the homies from the West that stood together unified, organized in peace [and] love,” Snoop gushed. “That was fun to watch. Beautiful to see all my peoples come together.”

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It’s not exactly Jon Snow being deemed King in the North in Game of Thrones, but then came the coronation from Snoop: “K. Dot, you are the King of the West. That’s the kind of s–t kings do, we unite.”

As an artist who’s just about seen it all in his three decades in the music business, Snoop understood how special it was to have Kendrick Lamar preach a message of unity and have peace in L.A., even if it was just for one night.

Kendrick electrified the Kia Forum crowd with his first show since feuding with Drake. Lamar’s victory lap saw the live debut of tracks such as “Euphoria,” his verse on Billboard Hot 100-topper “Like That” and the Mustard-produced “Not Like Us,” which he performed five times in a row.

Drake beef aside, Kendrick Lamar appreciated just being able to bring gang members from different sets and various Los Angeles luminaries with him on stage. “It ain’t got nothing to do with no back-and-forth records,” Kendrick said during his show. “It’s got everything to do with this moment right here. That’s what this s–t was about. To bring all of us together.”

It’s fitting for Snoop to crown K. Dot as the king of the West after he passed the torch to him back in 2011 following the release of Section.80. “I’ma say this and I’ma mean this. N—a, you got the torch,” Snoop said at the time. “You better run with it, n—a, because it’s yours.”

Listen to Snoop Dogg champion Kendrick below.

Gracie Abrams Shares Hilarious Footage of Taylor Swift Extinguishing Apartment Fire After Writing ‘Us’

Taylor Swift and Gracie Abrams pulled on our collective heartstrings when they worked together on “Us,” featured on the latter’s 13-track sophomore studio album The Secret of Us that was released on Friday (June 21).

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Upon the release of the project, Abrams took to Instagram to share a video of the duo playfully creating the song while pulling an all-nighter during a girls’ night, calling the evening “some of the most fun I’ve ever had in my life.”

She also included a video of Swift extinguishing an apartment fire as the duo broke out into hysterical laughter. “Now we know how to use a fire extinguisher. I love you,” Abrams wrote.

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Abrams previously told Billboard that the talented duo heard the candle fall over earlier in the evening, but Taylor had thought it was one of her cats making noise. Swift put out the fire with the extinguisher before anyone was hurt.

“She was such a legend,” she recalled. “I don’t know how at this hour or in our state she knew what to do.”

She added, “We both had an insane cough from the fire extinguisher fumes for weeks.”

The 24-year-old Abrams spent the summer opening for Swift’s The Eras Tour, a role she’ll reprise on select dates in North America later this fall. She’ll head out on her very own headlining tour of theater-sized venues across the United States, starting Sept. 5 in Portland.

The Secret of Us features the previously-released tracks “Risk” and “Close to You,” which debuted at No. 49 on the Billboard Hot 100 chart, and it’s the followup to Abrams’ debut record Good Riddance, which arrived February 2023, peaking at No. 52 on the Billboard 200.

Monica Gushes Over Ariana Grande’s ‘Boy Is Mine’ Remix: ‘As Soon As I Heard This Version, I Fell In Love’

The boy is theirs! As fans across generations delight in Ariana Grande‘s new “The Boy Is Mine” remix with Brandy and Monica, the Grammy-winning “So Gone” star is opening up about how the star-studded collaboration sparked true healing for her and Brandy.

“The process of the new collaboration did a lot of closing the gaps,” Monica told Entertainment Tonight. “When you properly communicate, something — you can find not only the resolutions and solutions to problems — but sometimes you find that there weren’t ever problems, just consistent miscommunications.”

Brandy and Monica teamed up for the original “The Boy Is Mine” back in 1998, spending 13 weeks atop the Billboard Hot 100 and winning a Grammy together in the process. During the song’s reign and in the years that followed, the two R&B icons were long-rumored to be beefing, with their rocky relationship becoming a key part of the song’s lore. Now, more than 25 years after “The Boy Is Mine” first entered the contemporary American pop canon, the two singers have found a way to move forward and preserve their friendship.

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“We recognized that the key was to keep other people out of our relationship, both business and personal, and let it be between she and I, and that has changed everything. It’s changed the trajectory of it in its totality,” the “Angel of Mine” singer said. “My son was in the hospital the other day and she was who I was speaking to while he was there, so I think that is what Ariana has done that she may not even realize.”

Grande originally released “The Boy Is Mine” from her Billboard 200-topping Eternal Sunshine LP earlier this year, with the track instantly becoming a fan-favorite. Upon the album’s debut, “The Boy Is Mine” entered the Hot 100 at No. 16. This week (chart dated June 22), the song re-entered the Hot 100 at No. 64, following the release of its Catwoman-inspired Penn Badgley-starring music video. The cinematic clip also featured cameos from Brandy and Monica, giving fans a little Easter egg for the new remix. Grande’s track is inspired by Brandy and Monica’s original duet — which Billboard named the greatest karaoke duet of all time — but the remix does interpolate elements from the hook of the 1998 chart-topper.

“I’ve always said that the song should not be touched, right? And I said that because I felt that it did not need to be redone in the idea of, let’s say, actually doing it the exact way that it was,” Monica explained. “But Ariana and [producer] Max Martin — as soon as I heard this version, I fell in love with it.”

According to Monica — who recently headlined the inaugural Blavity House Party in Nashville — Grande sent her flowers and a note. The “We Can’t Be Friends” singer also hopped on FaceTime with Monica, Brandy and their respective families. “What I am so amazed by is her humility, her compassion,” Monica gushed. “Everything has been directly from her chest and, for me, authenticity, humility, all of those things are key.”

The new remix marks the Grande’s second re-imagining of an Eternal Sunshine track. Earlier this year, the Grammy-winner linked up with Mariah Carey for a new version of her house-steeped Hot 100 chart-topper “Yes, And?”

How Charli XCX Scored Her Biggest Album Yet and Ushered in ‘BRAT’ Summer

Now that it’s officially summer, we can start calling 2024 the summer of BRAT. Charli XCX’s sixth studio album, released June 7 on Atlantic Records, has taken the internet, and dance floors, by storm, spawning memes, jokes and posts galore, all colored the fluorescent “brat green” on social media — and that’s before you even get to the music. The record itself is a triumph of dance-pop that has not only ignited Charli’s legions of fans but brought her the biggest debut week of her career, having moved 82,000 equivalent album units in the United States to debut at No. 3 on the Billboard 200.

It’s a testament to the groundswell of support that Charli has cultivated, and that her management team, creative and design teams, and label Atlantic Records have helped nurture. The album arrived with 14 different vinyl variants and a number of exclusive editions, helping to sell 45,000 copies (the biggest sales week of Charli’s career) while becoming nearly inescapable in the cultural discourse. It also proved that Charli is a true innovator who’s much more than the “Boom Clap” and “I Love It” hits of a decade ago, or even the songwriting superstar she’s been for other artists throughout her career. All that hype and success has helped Atlantic’s vp of marketing Marisa Aron earn the title of Billboard’s Executive of the Week.

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Here, Aron discusses the marketing plan and rollout of BRAT, how Charli helped build hype for the album more than a year ago and the groundswell of support — including a gigantic record-store listening party at more than 170 stores across the country three days before the album’s release — that led into BRAT’s debut. But just as the solstice has only passed this week, there’s much more to come: as Aron puts it, “BRAT Summer has just begun.”

This week, Charli XCX’s BRAT debuted at No. 3 on the Billboard 200 with 82,000 equivalent album units, her biggest first week ever. What key decision did you make to help make that happen?

The success of BRAT is a testament to Charli’s incredible artistry and vision. She not only created the most culturally important pop and dance album of the year but also delivered a masterclass in artistic direction and marketing strategy. Charli has an amazing team, and together with the unwavering support from our team at Atlantic we all worked to execute her vision to the fullest. Our key decision? To trust her implicitly. We fully embraced her vision, her plan, her ideas and helped her bring BRAT to life.  

What was the overall marketing plan for the release?

The marketing plan for BRAT is all about amplifying Charli’s authentic voice and connecting directly with her fans. We knew we had an incredibly important album on our hands, one that was innovative, bold, fun, loud and would create a lot of conversation. We wanted to put together a campaign that captured that energy and put BRAT into the cultural zeitgeist. The plan doesn’t end with the album release; stay tuned, there is a lot more to come. 

The album also sold 45,000 copies, her largest sales week ever, including 14 different vinyl variants. What was your guys’ approach to physical for this album, and how did it pay off?

The physical release plan was so much fun to put together. It was a collaborative effort between Charli; [creative director] Imogene; design team SPECIAL OFFER, Inc.; Charli’s management team; and our team at Atlantic. From the start, we wanted to create a series of limited-edition drops that would keep fans excited throughout the campaign. It was important that each variant felt unique and special both in design and in the rollout.

We started the campaign ahead of the album and artwork announcement with the limited edition 360_brat vinyl, released at first only to Charli’s followers on her private Instagram. This moment helped set the tone for the rest of the campaign. When the official album pre-order went live, we partnered with major retailers like Target and Urban Outfitters, as well as local record stores, Blood Records and more to create exclusive variants that gave fans more options to choose from. 

On Tuesday, June 4th, we unleashed BRAT into the world a little early. Thousands of Charli’s fans went to their local record stores for a first listen, three days before the official release. It was a massive undertaking — Atlantic’s biggest listening event campaign ever — with 179 stores across the country.  

BRAT’s physical release wasn’t just about sales figures; it was about creating a deeper connection with fans. From the unique packaging that you have to rip into to get to the music, to the events and limited-edition drops, it is a reminder that in the digital age, the physical album can still be a powerful, personal and meaningful experience.

This album almost immediately became a cultural touchstone, and was a huge talking point online, with fans making memes of the cover art and the color palette seemingly everywhere. What was your approach to the digital marketplace for the project?

The BRAT campaign started in February when Charli threw a legendary Boiler Room in Brooklyn with A. G. Cook, George Daniel, Finn Keane and Doss, drawing a record-breaking 40,000 RSVPs — the most in the history of Boiler Room. There were surprise appearances from Addison Rae and Julia Fox. This was the first time people got to hear a few tracks from the forthcoming album, turning it into one of the year’s most viral moments and really setting the tone for what was to come. 

The approach was about creating really memorable moments both online and in real life, from surprise DJ sets, exclusive Club Angel events, single reworks with Addison Rae, Robyn, Yung Lean, Skream and Benga to one of the most talked about music videos of the year (“360”) and so much more. We carefully planned out the timing of it all. 

The “brat green” that we all have filling our timelines right now goes back to Charli’s brilliant vision for BRAT artwork. Once the artwork was revealed fans started to recreate it themselves, which inspired us to launch the brat generator. From there, it really started to take on a life of its own. We continued to incorporate brat green throughout all the marketing. One of the most fun pre-album moments in the campaign happened in Brooklyn a few days before “360” was released. Terry [from the digital team] had an amazing idea of painting a huge wall “brat green” during a livestream, and thus the “brat wall” was born. 

It’s been 12 years since Charli first hit the Hot 100 top 10 with her feature on Icona Pop’s “I Love It,” and 10 years since Charli’s first solo Hot 100 top 10 with “Boom Clap.” Her career feels bigger now than it’s ever been. How did you energize those day one fans and pull in new ones for the run-up to this release?

Speaking from my own experience, it honestly is just really fun to be a Charli fan. For example, a full year before the album campaign even started Charli brilliantly started a new private Instagram account, @360_brat. What goes down on that account is strictly confidential, so I won’t give too much away. But Charli’s early vision and authenticity has made BRAT an undeniable phenomenon which really resonated with her early fans, and then throughout the campaign brought new fans in.

Exploring The Boston Music Institutions Shaping the Sound of the City

In the heart of Boston’s vibrant cultural landscape lies a rich tapestry of musical diversity, connected by people from all walks of life, nationalities, and backgrounds. 

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From the hallowed halls of the Boston Symphony Orchestra to the prestigious New England Conservatory and the innovative Berklee College of Music, the city’s music scene resonates with the voices of many different cultures, each adding its unique flavor to the symphony of sounds that defines Boston’s musical identity.

The Boston Symphony Orchestra (BSO), one of the oldest and most revered orchestras in the United States, stands as a beacon of excellence and inclusivity. Comprising musicians from over 25 countries, the BSO embodies the essence of diversity, blending the classical traditions of Europe with the rhythms and melodies of the world. From the passionate strings of Eastern Europe to the soulful brass of South America, each member brings their cultural heritage to the forefront.

Similarly, the New England Conservatory (NEC) serves as a nurturing ground for musical talent from around the globe. With a student body representing over 40 countries, NEC fosters a community where students learn not only from their professors but also from each other’s unique musical perspectives. 

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Whether mastering the intricacies of Bach or exploring the improvisational artistry of jazz, students at NEC are encouraged to celebrate their cultural heritage while embracing new forms of expression, creating a dynamic exchange of ideas that fuel innovation and creativity.

At the forefront of contemporary music education, lies Berklee College of Music. With students hailing from over 100 countries, Berklee offers a melting pot of musical styles and genres, from jazz and rock to hip-hop and electronic dance music. Berklee College of Music boasts an impressive group of alumni who have made significant contributions to the music industry. 

From Billboard chart-topping artists, to renowned composers and producers, Berklee alumni can be found in all facets of the music world. Some notable Berklee College of Music Alumni include Grammy-winning artists like John Mayer and Quincy Jones, renowned film composer Alan Silvestri, and jazz pianist Diana Krall. 

In a world often divided by barriers of language, nationality, and ideology, music serves as a universal language that transcends boundaries and brings people together. Boston’s world-class institutions will continue to nurture the talents of aspiring musicians alongside a community of thriving venues & festivals. The city’s music scene remains a cornerstone of its identity, weaving together threads of diversity and creativity that define the essence of Boston.

Nothing More Returns to No. 1 on Mainstream Rock Airplay Chart With ‘If It Doesn’t Hurt’

For the first time since 2017, Nothing More has a No. 1 song on Billboard’s Mainstream Rock Airplay chart.

“If It Doesn’t Hurt” climbs to the top of the June 29-dated ranking, becoming the Texas rockers’ second ruler. The band first led with “Go to War” for one week in December 2017.

In between “Go to War” and “If It Doesn’t Hurt,” Nothing More reached Mainstream Rock Airplay with five entries, including three top 10s, led by the No. 5-peaking “Tired of Winning” in 2022. The band first made the list in 2014 with the No. 2-reaching “Ballast.”

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Concurrently, “If It Doesn’t Hurt” leaps 14-10 on the all-rock-format, audience-based Rock & Alternative Airplay survey with 2.6 million audience impressions, up 2%, in the week ending June 20, according to Luminate. It’s the band’s first top 10, exceeding the No. 12 peak of “Go to War.”

On the most recently published multimetric Hot Hard Rock Songs chart (dated June 22, reflecting data over June 7-13), “If It Doesn’t Hurt” ranked at No. 12 (after debuting at its No. 8 high in February). In addition to its radio airplay, the song earned 550,000 official U.S. streams.

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“If It Doesn’t Hurt” is the lead single from Carnal, Nothing More’s seventh studio album, due June 28. Two other songs from the LP, “House on Sand” (featuring Eric Vanlerberghe) and “Angel Song” (featuring David Draiman), reached Nos. 11 and 15, respectively, on Hot Hard Rock Songs upon their debuts. Carnal is Nothing More’s first album since 2022’s Spirits, which bowed at No. 14 on the Top Hard Rock Albums tally and has earned 48,000 equivalent album units to date.

All Billboard charts dated June 29 will update on Billboard.com Tuesday, June 25.

Hozier Notches His First Alternative Airplay Chart No. 1 With ‘Too Sweet’

Nearly a decade after his first appearance on Billboard’s Alternative Airplay chart, Hozier achieves his first No. 1 as “Too Sweet” lifts to the top of the June 29-dated ranking.

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Hozier first reached Alternative Airplay with his breakthrough single “Take Me to Church,” which debuted at No. 38 on the July 5, 2014, survey. The song eventually peaked at No. 2 that November.

Since “Take Me to Church,” Hozier had appeared on Alternative Airplay with two tracks prior to “Too Sweet.” “Nina Cried Power,” featuring vocals from Mavis Staples, peaked at No. 31 in 2018, and “Eat Your Young” reached No. 13 last year.

Concurrently, “Too Sweet” continues its reign on Adult Alternative Airplay, ruling for an eighth week. It’s Hozier’s longest running No. 1 among six on the survey and the chart’s longest leading hit since Death Cab for Cutie’s “Here to Forever” dominated for eight weeks in August-October 2022.

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“Too Sweet” also lifts to No. 1 on the all-rock-format, audience-based Rock & Alternative Airplay tally thanks to 6.9 million audience impressions, up 5%, in the week ending June 20, according to Luminate. It’s likewise Hozier’s first leader; “Take Me to Church” peaked at No. 3 in 2014.

“Too Sweet” is the first song to top all three lists since The Killers’ “Boy” in September-October 2022. As “Boy” did not lead all three simultaneously, “Too Sweet” is the first to accomplish that particular feat since The Black Keys’ “Wild Child” in May 2022.

A multiformat hit, “Too Sweet” also rises to No.1 on Adult Pop Airplay, becoming Hozier’s second leader, following “Church” for a week in 2015, while ruling Pop Airplay for a second week. It also became his first No. 1 on the most recently published all-genre Radio Songs chart (dated June 22, reflecting data June 7-13) via 70.5 million audience impressions.

“Too Sweet” is from Hozier’s four-song EP Unheard, which debuted at No. 3 on the Top Rock Albums and Top Alternative Albums rankings dated April 6 and has earned 277,000 equivalent album units since its release.

All Billboard charts dated June 29 will update on Billboard.com Tuesday, June 25.

Rakim Announces 1st Album In 15 Years, ‘G.O.D.’S Network (Reb7rth)’

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The OG God of the Hip-Hop game is returning as Rakim has announced he will be releasing his first album in more than a decade and it will feature quite a number of OG MC’s both alive and back in the essence.

On Thursday, June 20, it was announced that the microphone fiend known as Rakim Allah was going to be releasing his eighth studio album in G.O.D.’S Network (Reb7rth), via Holy Toledo Productions/Compound Interest Entertainment/RRC Music and 1332 Records. this coming July 26. And to show what you can expect from the project, a video for the first single, “BE ILL” was released. Featuring Da Dogg Pound’s Kurupt and Wu-Tang Clan’s Masta Killa, the song is a throwback to how rappers used to spit bars with the intentions of making faces scrunch while provoking thoughts during Hip-Hop’s golden era.

The album will feature many of your favorite rappers from yesteryear and judging from the names revealed in the press release, it’s going to be quite the lyricist lounge when G.O.D.’s Network hits the streets since said list includes Nipsey Hussle, DMX, B.G., Method Man, Prodigy, Skyzoo, Kool G Rap, and more.

We. Can’t. Wait.

Check out the first single “BE ILL” below and let us know if you’ll be checking for Rakim’s G.O.D.’s Network when it drops on July 26.



When To Watch Sha’Carri Richardson At The U.S. Track & Field Olympic Trials

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Sha’Carri Richardson, the world’s defending women’s 100 meters champion, will make her bid to make the women’s U.S. Olympics Track and Field team this weekend. All eyes will undoubtedly be on Sha’Carri Richardson after she was denied the opportunity to sprint for gold in 2021.

As reported by NBC News, Sha’Carri Richardson, 24, comes into this weekend’s U.S. Olympic Track and Field Trials in Eugene, Ore. as a heavy favorite after posting the top qualifying time entering the 100s at 10.65 seconds.

Richardson is hoping to qualify for the 2024 Paris Games after being suspended for one month after the Olympic trials after testing positive for THC which kept her from competing in the Tokyo Games. If she qualifies, it will be Richardson’s first Olympics appearance.

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In the women’s 100-meter event, Richardson is aiming to set her own records and conquer her Olympic dream after she missed out on competing in the 2020 Tokyo Games after a positive test for cannabis.

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Richardson ran her fastest 100-meter time at the 2023 World Championships in Budapest, Hungary, in August. Her 10.65 was just off the 10.49-second world record U.S. star Florence Griffith-Joyner set in 1988.

There will be four heats in the 100s’ preliminary round, of which Richardson will be in the fourth heat. The top six sprinters in each of the quartet of heats, and the top three fastest to cross the finish line will advance to the semifinals.

As all eyes will certainly be on her, Sha’Carri Richardson will take to the track for the women’s 100 at 8:53 ET/5:53 PT. The semifinals will take place on Saturday (June 22) at 9 PM ET/6 PM PT.

NBA, USA Network, and Peacock will air particular portions of the trials. Check your local listings.

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