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TikTok Accuses Federal Agency of ‘Political Demagoguery’ in Legal Challenge Against Potential Ban

TikTok disclosed a letter Thursday that accused the Biden administration of engaging in “political demagoguery” during high-stakes negotiations between the government and the company as it sought to relieve concerns about its presence in the U.S.

The letter — sent to David Newman, a top official in the Justice Department’s national security division, before President Biden signed the potential TikTok ban into law — was submitted in federal court along with a legal brief supporting the company’s lawsuit against measure. TikTok’s Beijing-based parent company ByteDance is also a plaintiff in the lawsuit, which is expected to be one of the biggest legal battles in tech and internet history.

The internal documents provide details about negotiations between TikTok and the Committee on Foreign Investment in the United States, a secretive inter-agency panel that investigates corporate deals over national security concerns, between January 2021 and August 2022.

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TikTok has said those talks ultimately resulted in a 90-page draft security agreement that would have required the company to implement more robust safeguards around U.S. user data. It would have also required TikTok to put in a “kill switch” that would have allowed CFIUS to suspend the platform if it was found to be non-compliant with the agreement.

CFIUS did not immediately respond to a request for comment. The Justice Department said it is looking forward to defending the recently enacted legislation, which it says addresses “critical national security concerns in a manner that is consistent with the First Amendment and other constitutional limitations.”

“Alongside others in our intelligence community and in Congress, the Justice Department has consistently warned about the threat of autocratic nations that can weaponize technology — such as the apps and software that run on our phones – to use against us,” the statement said. “This threat is compounded when those autocratic nations require companies under their control to turn over sensitive data to the government in secret.”

The letter sent to Newman details additional meetings between TikTok and government officials since then, including a March 2023 call the company said was arranged by Paul Rosen, the U.S. Treasury’s undersecretary for investment security.

According to TikTok, Rosen told the company that “senior government officials” deemed the draft agreement to be insufficient to address the government’s national security concerns. Rosen also said a solution would have to involve a divestment by ByteDance and the migration of the social platform’s source code, or its fundamental programming, out of China.

TikTok’s lawsuit has painted divestment as a technological impossibility since the law requires all of TikTok’s millions of lines of code to be wrested from ByteDance so that there would be no “operational relationship” between the Chinese company and the new U.S. app.

After the Wall Street Journal reported in March 2023 that CFIUS had threatened ByteDance to divest TikTok or face a ban, TikTok’s attorneys held another call with senior staff from the Justice and Treasury departments where they said leaks to the media by government officials were “problematic and damaging.”

That call was followed by an in-person meeting in May 2023 between TikTok’s attorneys, technical experts and senior staff at the Treasury Department focused on data safety measures and TikTok’s source code, the company’s attorneys said. The last meeting with CFIUS occurred in September 2023.

In the letter to Newman, TikTok’s attorneys say CFIUS provides a constructive way to address the government’s concern. However, they added, the agency can only serve this purpose when the law – which imposes confidentiality – and regulations “are followed and both sides are engaged in good-faith discussions, as opposed to political subterfuge, where CFIUS negotiations are misappropriated for legislative purposes.”

The legal brief also shared details of, but does not include, a one-page document the Justice Department allegedly provided to members of Congress in March, a month before they passed the federal bill that would require the platform to be sold to an approved buyer or face a ban.

TikTok’s attorneys said the document asserted TikTok collects sensitive data without alleging the Chinese government has ever obtained such data. According to the company, the document also alleged that TikTok’s algorithm creates the potential for China to influence content on the platform without alleging the country has ever done so.

IMPALA and A2IM Roll Out Carbon Calculator Project to U.S. Indie Music Companies

LONDON — European independent labels trade body IMPALA is rolling out its carbon footprint calculator project to the U.S. as part of a free one-year pilot to help American music companies measure and reduce their emissions.

IMPALA first launched a carbon calculator in Europe in 2022 in partnership with U.K. sustainability charity Julie’s Bicycle. The resource is designed to help record labels track their environmental impact by measuring energy and water use, staff commuting and business travel, as well as the manufacture and distribution of physical products such as vinyl records or merchandise.

The American Association of Independent Music (A2IM), which represents more than 600 independently owned U.S. labels, is partnering with IMPALA on the pilot. The carbon calculator project is supported by global digital licensing agency Merlin, which has provided funding.

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Indie powerhouse Beggars Group, whose labels include 4AD, Matador, Rough Trade and XL Recordings, and London-headquartered Ninja Tune are among the imprints with U.S. offices taking part in the project. A2IM and IMPALA say they are currently talking to other interested labels to complete the core group with a full list of participants due to be published later this year.

In a joint press release, the two indie trade groups called the launch “the first step towards rolling out the tool in the world’s biggest music market” and its expansion into other non-European countries.

“We are very excited that the U.S. is the first territory in the internationalization of IMPALA’s Carbon Calculator,” said Richard Burgess, A2IM president and CEO, in a statement. “Thanks to Merlin‘s support, our members will be able to shape the tool for the U.S. market and play a key role in the expansion of its use.”

In a statement, Karla Rogozar, IMPALA’s sustainability lead said it was important to give U.S. indie labels access to the carbon calculator “to help standardise the [indie] sector’s approach across regions.”

IMPALA’s carbon calculator is part of the Brussels-based organization’s sustainability program, which aims to halve greenhouse gas emissions before 2030 and achieve net zero emissions before 2050.

Since its launch in April 2022, nearly 150 labels have signed up to the carbon calculator initiative from 24 countries. The first report based upon data they submitted was published by IMPALA last year and found that labels using the tool produce the average equivalent of 3.21 kgCO2e for each physical CD or vinyl record they release (based upon the total carbon emissions produced across a label’s whole business, not per physical release).

The biggest source of carbon emissions for the indie sector is manufacturing, which accounts for 76% of emissions on average. Over three quarters of this figure is attributed to vinyl production, which has a higher manufacturing carbon footprint than CDs.

The second highest source of emissions is the distribution of physical products, accounting for 15% of the carbon footprint for labels on average. That’s followed by day-to-day operations, including procurement, business travel and office energy, water and waste (around 9%).

A second edition of the carbon calculator report will be published later this year, said IMPALA, which represents more than 6,000 independent music companies spread across 31 countries.

The U.S. rollout of IMPALA’s carbon calculator is part of a growing industry-wide push to improve environmental and sustainability practices across the music business.

Last year, Universal Music Group, Sony Music Entertainment and Warner Music Group joined forces to establish the Music Industry Climate Collective (MICC) – a new alliance to address and lessen the sector’s environmental impact, which is being assisted and advised by A2IM.

In 2021, all three major record companies, plus independent labels BMG, Beggars, Partisan, Warp, Ninja Tune and the Secretly Group, signed up to the Music Climate Pact, a wide-ranging commitment to “decarbonize” the global record business.

“Our path towards a more sustainable future involves all of us working together,” said Jeremy Sirota, Merlin’s CEO, in a statement on Thursday (June 20). He said the roll-out of IMPALA’s carbon calculator in the U.S. would “help more independents build that future together.”

Chiara Badiali, Julie’s Bicycle’s music lead, called the pilot project “an invaluable opportunity” to share understanding between European and U.S. independent music companies. “Because meeting the climate crisis head-on means coming together, learning from and with each other, and taking action collectively,” said Badiali.

Splendour In The Grass Co-Founder Jessica Ducrou Departs From Secret Sounds

SYDNEY, Australia — Jessica Ducrou is exiting as co-CEO of Australia’s Secret Sounds Group, producer of Splendour in the Grass festival and a slew of live music brands.

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As co-founder of Splendour, Australia’s flagship mid-winter camping festival, Ducrou is the nation’s leading female concert and festival promoter.

With co-CEO Paul Piticco, Ducrou built Secret Sounds Group, one of the largest music group in the country, representing Splendour, Harvest Rock, Falls Festival, Secret Sounds Touring, Village Sounds booking agency, Secret Sounds Connect commercial rights and creative agency, North Byron Parklands, The Triffid live music venue in Brisbane and more.

In 2016, Live Nation acquired a controlling stake in Secret Sounds Group.

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Ducrou announced her departure on Friday morning, June 21, one month before the 2024 edition of Splendour in the Grass was meant to play out in Byron Bay, with a bill featuring Future, Kylie Minogue, Arcade Fire and many others.

That isn’t happening. Splendour, as previously reported, canceled this year’s event just days after tickets went on sale to the public, becoming the highest-profile casualty of a batch of brands that have decided to pause or close for good.

“So many memorable moments over the last almost decade with Secret Sounds, what a wild ride it’s been,” Ducrou comments in a statement. “I’m well due for an overseas summer holiday so it’s a good time to take a break before I embark on my next chapter.”

Established in 2001 and held each year in Byron Bay, a picturesque beach town on the most easterly tip of Australia, Splendour is a destination event.

The fest would become the hottest ticket in the coldest months.

In recent years, however, the show endured a particularly tough run, first with the pandemic, which saw the fest announced, then shelved several times. Then, in 2022, extreme weather conditions wrecked the first day of Splendour 2022, contributing to softer-than-usual ticket sales for the 2023 edition.

It was Ducrou who faced the media when the heavens opened, and on the occasions when Splendour was pushed back. In 2021, when the health crisis shut down festivals everywhere, Ducrou led a novel project that would turn Splendour into a virtual world, with more than 50 exclusive, in-game performances.

Ducrou will take time out with her children, travel, and, in the interim, will continue in her duties as chair of SoundNSW and deputy chair of the Australian Festivals Association.

“It has been an epic journey that has been truly inspiring, and an opportunity to collaborate with the best in the business,” she continues. “It would not have been as rewarding, possible or enjoyable if it weren’t for the people I have worked alongside of. Paul Piticco has been a great business partner for more than 30 years and we will no doubt continue our friendship well into the future. The Secret Sounds team, notably Elise Huntley and the festivals gang, are the absolute best, I will miss working with the awesome individuals who inspired me every single day. I wish all at Secret Sounds and Live Nation the very best success in their future endeavors.”

Gracie Abrams Shares ‘Us’ Featuring Taylor Swift: Stream It Now

Gracie Abrams is known and loved by Swifties everywhere for her opening support spot on Taylor Swift’s The Eras Tour.

TayTay returns the favor on the collaborative new single “Us,” which dropped at the stroke of midnight along with the rest of Abrams’ new album The Secret of Us.

Abrams and Swift co-wrote “Us,” the crown jewel of Abrams’ 13-track sophomore studio LP, with musical input from producer, collaborator and mutual friend Aaron Dessner of the National.

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“Us” is an anthemic folk number, with a polished pop production. And it’s unmistakably the work of TayTay.

On it, Abrams and Swift sing, “I know you know/ It felt like somethin’ old / It felt like somethin’ holy, like souls bleedin’ / So, it fеlt like what I’ve known/ You’re twеnty-nine years old / So how can you be cold when I open my home?”

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“It was just really fun to watch the chemistry of Gracie and Taylor bouncing off each other,” Dessner tells Billboard, “Gracie in total wonder and awe watching how Taylor records and produces her vocal performances and builds the world.” Stream “Us” below.



The 24-year-old Abrams spent the summer opening for Swift’s The Eras Tour, a role she’ll reprise on select dates in North America later this fall. She’ll head out on her very own headlining tour of theater-sized venues across the United States, starting Sept. 5 in Portland.

“Taylor’s brilliant at synthesizing a whole story,” Dessner continues over his Zoom with Billboard. “Us” just “brought everything” about Gracie’s album “into focus in a beautiful way.”

The Secret of Us features the previously-released tracks “Risk” and “Close to You,” which debuted at No. 49 on the Billboard Hot 100 chart, and it’s the followup to Abrams’ debut record Good Riddance, which arrived February 2023, peaking at No. 52 on the Billboard 200.

Stream The Secret of Us below.

All The Acts Who Popped Out At The Pop Out: Ken & Friends With Kendrick Lamar

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The Pop Out – Ken & Friends Presented by pgLang and Free Lunch

Kendrick Lamar, already victorious in his war of words with Drake, celebrated the win on Juneteenth in epic fashion via his The Pop Out: Ken & Friends concert at the Kia Forum. With K-Dot reconnecting with his former TDE labelmates and mentor Dr. Dre among others, the West Coast displayed a unified front of a scope not seen within Hip-Hop in quite a while.

As the second of livestreamed shows via Amazon Prime Video and Twitch for Kendrick Lamar, the first being 2022’s The Big Steppers Tour, The Pop Out: Ken & Friends thrilled a sold-out crowd in Inglewood with a barrage of West Coast bravado as fans had little insight as to who would appear onstage next.

One of the highlights was seeing Kung Fu Kenny next to his Top Dawg Entertainment brethren, especially the four-headed monster known as Black Hippy, comprised of Lamar, Ab-Soul, ScHoolboy Q, and Jay Rock.

Also taking to the stage was West Coast dance legend Tommy The Clown and DJ Mustard, the producer of Hip-Hop’s song of the summer in “Not Like Us” also provided a set playing some of his hit tracks. DJ Hed also put on for the coast by bringing to the stage a number of established and rising acts who all took control of the moment and cemented themselves in the annals of Hip-Hop history.

Below, we’ve listed all of the acts that appeared onstage with Kendrick Lamar at The Pop Out: Ken & Friends in alphabetical order.

Note: Please inform us if we’ve missed anyone via our socials or in the comments section.

Photo: Getty

1. 310babii

2. Ab-Soul

3. AzChike

4. Bino Rideaux

6. BlueBucksClan

9. Dom Kennedy

10. Dr. Dre

11. G Perico

12. JasonMartin

13. Jay Rock

14. Jay Worthy

15. Kalan.FrFr

16. Meet The Whoops (Jay Worthy, Slumlord Trill, Hopout, Hitta J3, YS)

17. Mustard

18. OHGEESY

19. Ray Vaughn

20. Remble

21. RJMrLA

22. Roddy Ricch

24. ScHoolboy Q

25. Steve Lacy

26. Tommy The Clown

27. Ty Dolla $ign

28. Tyler, The Creator

29. Wallie The Sensei

30. Westside Boogie

32. Zoe Osama

Post Malone and Blake Shelton Party On With ‘Pour Me a Drink’: Stream It Now

Post Malone’s country era isn’t slowing down.

The “Rockstar” singer and rapper joins forces with country star Blake Shelton on “Pour Me a Drink” (via Mercury Records/Republic), the latest cut from Posty’s forthcoming country album, F-1 Trillion.

Dropping at midnight, “Drink” is a party number, a twangy-ode to imbiding with buddies and burying mistakes.

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On it, Shelton rues: “Guess I really went and messed it up again Now, my baby’s goner than the Tulsa wind/ Judgin’ by the stone-sober state I’m in/ Need to crack one wide open.” In the chorus, Malone sings, “Somebody pour me a drink, somebody bum me a smoke/ I’m ’bout to get on a buzz, I’m ’bout to get on a roll.”

Posty and Shelton premiered the song for CMA Fest at Nissan Stadium, footage of which will air as a package next Tuesday, June 25 on ABC.

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Malone is enjoying life at the penthouse with “I Had Some Help,” his country team-up with Morgan Wallen which has now logged five weeks at No. 1 on the Billboard Hot 100.

That song is Malone’s sixth leader and Wallen’s second, and the first to collect at least its first five weeks on the chart at No. 1 since Miley Cyrus’ “Flowers” spent its first six weeks on the survey at the summit in January-March 2023. “I Had Some Help” is also the first smash to reign over the chart for five consecutive weeks in nearly a year.

F-1 Trillion is slated for release Aug. 16, and is Posty’s sixth studio album, following 2023’s Austin. Two of those LPs have hit No. 1 on the Billboard 200. The artwork for the forthcoming LP features a baby blue pickup truck performing a miracle on a lake. See below.

Malone’s genre-hopping activities of late have included a performance on the Academy of Country Music Awards in May, performing a song called “Never Love You Again;” a spot at the Stagecoach Festival 2024 in Indio, CA; and a performance earlier in the week at Nashville’s Bluebird Cafe, where he was joined by Lainey Wilson, Ernest, and multi-hit songwriter Ashley Gorley for an industry-only writers’ round at the famed songwriters venue.

Stream “Pour Me a Drink” below.



Ariana Grande Calls on Brandy & Monica for ‘The Boy Is Mine’ Remix: Stream It Now

Well, whose boy is it? Ariana Grande called on legends Brandy and Monica for a remix of her Eternal Sunshine track, “The Boy Is Mine,” released on Friday (June 21).

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The two R&B superstars spent 13 weeks at No. 1 on the Billboard Hot 100 in 1998 with the original “The Boy Is Mine.” Grande announced the remix earlier in the week, writing alongside an Instagram teaser for the track: “i ……… cannot believe this is real (i don’t know if i will even long after it’s out),” before continuing, “my deepest and sincerest thank you to Brandy and Monica, not only for joining me for this moment, but for your generosity, your kindness, and for the countless ways in which you have inspired me. it is near impossible to say how much this means to me. this is in celebration of you both and the impact that you have had on every vocalist, vocal producer, musician, artist that is creating today.” 

Brandy and Monica also made surprise cameos in the “7 Rings” singer’s “The Boy Is Mine” music video, which also starred Penn Badgley opposite Grande’s Catwoman-esque leading lady. “The Boy Is Mine” is officially the third single off Eternal Sunshine, following Billboard Hot 100-toppers “Yes, And?” and “We Can’t Be Friends.” 

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Watch “The Boy Is Mine” remix music video with Brandy and Monica below.



Maren Morris Teams With Julia Michaels for ‘Cut!’: Stream It Now

Maren Morris has joined forces with Julia Michaels for the new song, “Cut!”.

The song is featured on Morris’s upcoming five-song project Intermission, which bows Aug. 2.

Earlier this week, Morris alerted fans to the upcoming collab by posting a photo on social media. The pic featured Morris and Michaels in a kitchen, with Michaels seated at a table and Morris standing atop the table and wielding a chainsaw.

“Can’t wait to cathartically scream f–k at the top of our lungs together,” Morris captioned the photo.

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This week, Morris also shared the track listing for Intermission: “Cut!,” “I Hope I Never Fall in Love,” “Push Me Over,” “Because, Of Course,” and “This is How a Woman Leaves.”

Last year, the Grammy winner released a pair of songs entitled “The Tree” and “Get the Hell Out of Here.” The new five-song set follows her 2022 album Humble Quest and her 2019 CMA album of the year-winning project GIRL.

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Michaels and Morris have previously collaborated, as they are among the co-writers on the song “Circles Around This Town” from Morris’ Humble Quest project. “Circles Around This Town” earned Grammy nominations for best country solo performance and best country song.

In addition to her own hits including her 2017 debut solo single “Issues,” Michaels is a writer on hit songs for Demi Lovato, Ed Sheeran, Selena Gomez and more. Her 2020 collaboration with JP Saxe, “If The World Was Ending,” picked up a Grammy nomination for song of the year.

Morris is well-known for her thoughtful collaborations throughout her career, including her work as part of the music collective The Highwomen, as well as collaborations with Taylor Swift (“You All Over Me”), Zedd (“The Middle”), Brandi Carlile (“Common”), and Vince Gill (“Dear Hate”).

Listen to “Cut!” below:



Coldplay Stirs the Emotions on ‘FeelsLikeImFallingInLove’: Stream It Now’

Coldplay embarks on the next phase of their intergalactic journey with “FeelsLikeImFallingInLove.”

Produced by Swedish master Max Martin, the new cut dropped at the stroke of midnight and is the first lifted from the British band’s forthcoming tenth studio album, Moon Music.

The Swede creates a crystal-clear production, over which the Englishman Martin professes his charge of heart. There’s no doubt about it, he’s all loved-up.

On it, he sings, “Oh, it feels like I’m fallin’ in love/ Maybe for the first time Baby, it’s my mind you blow/ It feels like I’m fallin’ in love/ You’re throwin’ me a lifeline/ This is for a lifetime, I know.”

Coldplay premiered the song live this week at Budapest’s Puskás Aréna, and will get the chance to perform it for a sea of music fans (and millions more watching on their screens) when they headline Glastonbury Festival for a record fifth time.

Moon Music is due out Oct. 4, 2024. It’s a continuation to Coldplay’s most recent release, the Max Martin-produced 2021 effort Music Of The Spheres, which opened at No. 1 in the U.K. and Australia, and No. 4 on the Billboard 200. The single “My Universe” with BTS hit No. 1 on the Billboard Hot 100 chart, one of their two leaders (“Viva La Vida” logged one week at the summit in 2008). Four of their albums have led the Billboard 200 chart.

In the U.K., Coldplay’s chart story is nothing short of perfection: each of their nine albums have gone to No. 1 on the Official U.K. Albums Chart, dating back to 2000 debut Parachutes.

Coldplay is currently on the road in support of Spheres. The years-long tour is currently slated to wrap up with the second of two shows in Eden Park in Auckland, New Zealand on Nov. 16.

Martin has been teasing the new record for 18 months, at least. Back in January of 2023, he told the Toronto City News that the band was nearing completion of what he then promised was the second LP in the Music of the Spheres series. He remarked “that won’t come out for a bit,” though he teased that the band “might” start rolling out some of the new songs live that year.

The foursome will ram-home their eco-ethics on Moon Music, for which Coldplay has “gone to great lengths” to make the physical release “as sustainable as possible,” according to a previously-released statement.

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ITZY Shares Experiences of ‘Born to Be’ World Tour, Working With ATEEZ & aespa | Billboard News

ITZY shares how their experience has been during their 2ND WORLD TOUR ‘BORN TO BE,’ upcoming music in the works and releasing their first Japanese single, “No Biggie.” They also talk about their collaborations with ATEEZ & aespa, the love for their MIDZY fans and more!

RYUJIN:

I’m looking forward to perform on-

Tetris Kelly:

On to bigger venues!

RYUJIN:

Hey, this is ITZY and this is Billboard News.

Tetris Kelly:

Hey it’s Tetris with Billboard News hanging out with the ladies of ITZY, how are you? 

ITZY:

Hi.

RYUJIN:

Great. 

Tetris Kelly:

Well, everybody doesn’t get to come to Billboard News twice. So you’re really special. 

RYUJIN:

Really? 

Tetris Kelly:

And you’re here for your North American tour. So how’s it been?

RYUJIN:

Yes, we just did the LA concert yesterday, the energy and the vibe was so great. 

Tetris Kelly:

Well, LA tries to bring the good energy. So I’m gonna give us credit on that. But you’ve been to a lot of places: South America, North America, Europe. So what’s been some of your favorite cities to visit so far?

RYUJIN:

We can’t pick a city because all the cities have their own vibe and they’re also welcoming us so warmly, so I can’t really choose one. All the cities was the best.

Tetris Kelly:

You’re talking about every city having their own vibe. So talk to me about like, culturally, how it is to go to cities. Do you guys get to experience the food and really check out where you’re going?

YEJI:

Yesterday I ate In-N-Out burger, yeah it was so delicious.

Tetris Kelly:

Nice. I mean, that’s California culture all the way. 

RYUJIN:

And also, like two days ago, before the concert, YUNA, and I go to the Venice Beach, and also we go to Santa Monica. And we have tacos there.

Keep watching to learn more!