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Ciara Set as Opening Musical Act on 2024 ESPYS

Ciara is set as the opening musical act on the 2024 ESPYS, which will air live on the East Coast on ABC on Thursday (July 11) at 8 p.m. ET/PT. The Grammy-winning R&B singer is married to a superstar athlete – NFL quarterback Russell Wilson.

Ciara and Serena Williams, host of this year’s ESPYS, did a social collab on Instagram to announce Ciara’s involvement. The ESPYS, presented by Capital One, will be held at the Dolby Theatre in Los Angeles.

Ciara has amassed eight top 10 hits on the Billboard Hot 100, including “Goodies” (featuring Petey Pablo), which logged seven weeks at No. 1 in 2004. She has notched four top 10 albums on the Billboard 200, including Ciara: The Evolution, which debuted at No. 1 in 2006.

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Flau’Jae Johnson, rapper and NCAA college basketball player at Louisiana State University, is also set to perform on the show.

Lil Wayne and H.E.R. performed on last year’s ESPYS.

GloRilla is set to present on this year’s show, along with such actors and comedians as Quinta Brunson, Nikki Glaser, Rob Lowe, Colman Domingo, Daisy Ridley and Brian Tyree Henry and many top athletes.

As previously announced, Prince Harry, Duke of Sussex will be awarded with the Pat Tillman Award for Service; former NFL safety Steve Gleason will be given the Arthur Ashe Award for Courage; and University of South Carolina women’s basketball head coach Dawn Staley will be honored with the Jimmy V Award for Perseverance.

The ESPYS are co-produced by ESPN and Full Day Productions. The ESPYS help to raise awareness and funds for the V Foundation for Cancer Research, the charity founded by ESPN and the late basketball coach Jim Valvano at the first ESPYS back in 1993. ESPN has helped raise more than $200 million for the V Foundation over the past 30 years.

See the announcement about Ciara being the opening musical act at the ESPYs below:

George Clooney Gets Roasted By Xitter For Op-Ed Demanding Biden Drop Out

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President Biden hosts Kennedy Center Honorees At The White House

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George Clooney’s New York Times editorial calling for President Joe Biden to remove himself from the 2024 presidential election race has drawn sharp criticism on social media.
Turmoil has ensued as several media figures and some Democratic lawmakers have called on President Joe Biden to step aside as the nominee in the 2024 presidential election in the last two weeks. These voices were joined by Academy Award-winning actor George Clooney, who penned an opinion piece published in the New York Times calling for Biden to bow out on Wednesday (July 10). “I love Joe Biden…In the last four years, he’s won many of the battles he’s faced. But the one battle he cannot win is the fight against time. None of us can,” he wrote.

Clooney would go on to state that Biden’s demeanor during his lackluster debate performance against presumptive Republican nominee Donald Trump was similar to what he witnessed at a major fundraiser for Biden’s campaign three weeks prior. Clooney’s call for Biden to drop out was surprising – the actor is considered to be a strong friend of the president, as well as former President Barack Obama, and has lent his support to the Democratic Party frequently in the past. In the op-ed, he acknowledges that relationship and admits that if Biden were to step down it would be “messy” but worth the confusion.

It didn’t land that way for many on social media, who viewed the 63-year-old actor’s article as only helping the Republicans and Donald Trump. Others called him out for being another entitled white male figure to add their name to the push, remarking that he is living comfortably in a villa on Lake Como in Italy. Clooney even got blasted by Trump in a post that he made on Truth Social. So now fake movie actor George Clooney, who never came close to making a great movie, is getting into the act,” Trump wrote. “He’s turned on Crooked Joe like the rats they both are. What does Clooney know about anything?” Former Fox News host Greta Van Susteren also chided Clooney in a post on X, formerly Twitter, writing: “He is close to Biden..why didn’t he just TALK to him privately and to the family?”

We’ve collected some of the more stinging rebuttals to George Clooney on social media below.

1. Jack E. Smith

2. Lori Granito

3. Danielle Moody

4. Sierra N Wells

5. George Civeris

6. Clay Cane

7. Wondermann5

8. MissesDread

9. Roland Martin

A$AP Rocky & Son RZA Strike A Pose For Rihanna’s New Classics By Savage X Fenty Campaign

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ASAP Rocky & RZA Star In Rihanna's Latest Underwear Campaign

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Rihanna put the father of her children and son in front of the camera to help her push her latest underwear campaign.

You could hear the collective aww throughout social media after Savage X Fenty, Rihanna’s popular lingerie brand, unveiled its new Classics campaign starring her boyfriend, Hip-Hop star and fashion killa ASAP Rocky, and her son RZA.

In the photo, the couple’s now 2-year-old firstborn child sits on the rapper’s shoulders, wearing black tank tops and matching boxer briefs.

We love to see Rocky in his dad element.

The power couple became first-time parents in May 2022 and welcomed their second child, Riot Rose, in August 2023.

While the Navy, Rihanna’s incredibly loyal fanbase, is clamoring for a new album from the Bajan mogul, she is taking her sweet time to pump it out while admitting she and Rocky are not done pumping out kids.

Per Billboard:

Earlier this month, for a cover story with Interview magazine, RiRi opened up about the possibility of expanding her family even more. “As many as God wants me to have,” the nine-time Grammy winner told her former stylist Mel Ottenberg in their all-encompassing chat regarding having more children down the line. “I don’t know what God wants, but I would go for more than two. I would try for my girl. But of course, if it’s another boy, it’s another boy.”

We don’t blame Rihanna for dragging her feet regarding the music. She’s clearly enjoying being a mother, slinging panties, men’s underwear, makeup, and now hair care products with Fenty Hair.

Rihanna, take your time and continue living your best life with ASAP Rocky and your beautiful children.

The Navy and other fans are not going anywhere.

Sabrina Carpenter Addresses Complaints About Her ‘Espresso’ Lyrics While Trying Not to Scream on ‘Hot Ones’

Sabrina Carpenter is no stranger to spiciness in her lyrics, but in her chicken wings? She doesn’t fare quite as well.  

On the latest episode of First We Feast’s Hot Ones Thursday (July 11), the 25-year-old pop star answered questions about her skyrocketing career while eating hot chicken wings with host Sean Evans, and trying not to succumb to spice overload. Before the Scoville levels got too overwhelming, Carpenter addressed complaints about her Billboard Hot 100 top five hit “Espresso,” the main hook of which earned a barrage of memes when the track first dropped in April thanks to its slightly clunky syntax: “That’s that me espresso.” 

“So much of what I like is the punchline,” the singer told Evans. “If people don’t know the punchline, it’s like, waste. That’s how I feel about ‘me espresso.’ I’ve heard a lot of people that were like, ‘She should’ve said, That’s that blonde espresso, duh.’ And I’m like, ‘Well, yes. That is another song as well that deserves its spot in the world, but this one for me … ‘me espresso’ just felt like the right thing to say, and it rhymes with the line before it.” 

“I just think it’s so funny,” she continued, shrugging. “Maybe everyone’s right.” 

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The “Please Please Please” artist also opened up about how the success of her Emails I Can’t Send single “Nonsense” — which she almost always performs with an NSFW improvised outro tacked on at the end — has given her confidence before putting her love of The Beatles to work in a round of trivia. It was shortly after Evans asked Carpenter about her affinity for covering other artists’ songs during her live shows, however, that things started getting a little dicey. 

“That was so crazy … You just want to scream,” she exclaimed, exhaling heavy sighs while trying not to yell. She tried to hold it in, but just a few seconds later, she let out a loud, pained, “Oh my god!”  

“It’s really, really hot,” she added with tears in her eyes. “Oh my god, oh my god, oh my god. Has anyone ever sued you?” 

The episode comes about a month and a half ahead of Carpenter’s sixth studio album, Short N’ Sweet, which drops Aug. 23. “Notice I didn’t call it Short N’ Spicy because I like sweet things better,” she quipped through tears at the very end of the interview. 

Watch Carpenter on Hot Ones above. 

Cypress Hill Turns ‘Simpsons’ Episode Into Reality With London Symphony Orchestra Performance

There are times when life can imitate art. Back in a May 1996 episode of The Simpsons, Cypress Hill teamed up with the London Symphony Orchestra. Now, nearly three decades later, they’ve turned that into a reality, and the long-running Fox show can take credit for predicting the future once again.

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B-Real, Sen Dog and the guys took the Royal Albert Hall stage in London on Wednesday night (July 10) alongside the London Symphony Orchestra for a classical one-time concert.

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Backed by a full orchestra, Cypress Hill put a jazzy twist on their catalog standouts such as “A to the K,” “Insane in the Brain,” “I Wanna Get High” and more.

The California-bred hip-hop crew was dressed to the nines in suits while they ran through their entire 1993 Black Sunday album. Fans were loving the 28-years-in-the-making collaboration, with the 5,000-person cap venue appearing to be full.

“It’s been something that we’ve talked about for many years since The Simpsons episode first aired,” B-Real relayed to BBC ahead of the performance. “So it’s very special for us. And it’s coming off the heels of our 30th anniversary for our Black Sunday album. We’ve played a lot of historical venues throughout our career and stuff like that, but nothing as prestigious as this.”

Black Sunday arrived in July 1993 and debuted atop the Billboard 200 with 261,000 album units sold in the first week. Triple-platinum lead single “Insane in the Brain” went on to crack the Billboard Hot 100 top 20, where it peaked at No. 19.

The “Homerpalooza” episode of The Simpsons aired on May 19, 1996, as the penultimate episode of season seven. Homer, Marge and the Simpson family head backstage at the Springfield Fairgrounds where Cypress Hill and other performers are hanging out. Event staff members are surprised to see the London Symphony Orchestra show up, and suspect that the cannabis-advocating crew may have had something to do with it. “Somebody ordered the London Symphony Orchestra. Possibly while high, Cypress Hill I’m looking in your direction,” they said.

After huddling up, Cypress agrees they may have done it, and see if the orchestra knows “Insane in the Brain” to deliver a classical rendition of their anthem on the animated show.

Watch clips from Cypress Hill’s live performance with the London Symphony Orchestra below:



LISA’s ‘Rockstar’ Rises Above All International Hits on Global Excl. U.S. Chart So Far in 2024

LISA debuts at No. 1 on the July 13-dated Billboard Global Excl. U.S. chart with “Rockstar,” notably making BLACKPINK the first group with three members that have led the list as soloists.

The song’s flashy debut also breaks a long streak of geographical monotony on the international ranking.

The Global Excl. U.S. chart ranks the 200 biggest songs of each week, based on streaming and data from more than 200 international territories, with U.S. consumption removed, as compiled by data tracker Luminate. So, even more than the Billboard Global 200, and in further contrast to the U.S.-based Billboard Hot 100, the Global Excl. U.S. chart has spotlighted artists from Africa, Asia, South America and elsewhere in its upper reaches since its 2020 launch.

But while 2024 has minted new smash hits and ascendant stars, those breakthroughs have generally been by American acts, and performed entirely in English. LISA stands out not only as the first Thai artist to top the list in 2024, but also as the first artist not from primarily English-speaking countries the U.S., Canada, or the U.K. to reach the summit all year. (“Still, “Rockstar” is sung almost entirely in English, with one line in Japanese repeated.)

At 2024’s midyear point (reflecting charts dated Jan. 6-June 29), 47 songs reached the top 10 of Global Excl. U.S., up noticeably from 26 during the same period of 2023. But just 40% of 2024’s top 10s in that span were by artists from outside the mainland U.S., compared to 92% last year and 85% the year before. In terms of language, 34% of this year’s top 10s included non-English-language lyrics, down from 58% in 2023 and 64% in 2022.

Each of the last two years had major narratives, particularly in Latin music, driving representation in their first six months. In 2022, Bad Bunny released his culture-dominating album Un Verano Sin Ti, which spawned seven top 10s on Global Excl. U.S. Last year, Peso Pluma led a streaming explosion of regional Mexican music, expanding the pan-Latin footprint on the global stage. Plus, a growing wave of Nigerian artists including CKay, Rema and Tems have diversified the top of the chart.

More than that, those years featured Global Excl. U.S. top 10s from Argentina, Brazil, Italy, Japan, South Korea, Sweden and beyond. Many of those territories have cracked the top 10 this year as well, but less frequently, and amid a much larger pool of hits.

Declining international representation on Global Excl. U.S. still stands in stark contrast to the Hot 100, where all 45 top 10s in the first half of 2024 are sung or rapped entirely in English, and all but five are by American acts. The handful of non-U.S. artists include enormous superstars such as Canadians Drake and The Weeknd, and western European acts including Hozier and, via a feature on Taylor Swift’s The Tortured Poets Department, Florence + The Machine.

Two of those acts – Hozier and The Weeknd – also hit the top 10 of Global Excl. U.S., along with British divas Sophie Ellis-Bextor and Dua Lipa. Otherwise, a bevy of pan-Latin and Asian crossover acts – Creepy Nuts (Japan), Feid (Colombia), Zeynep Bastik (Turkey) and more – have mixed among chart-toppers by Americans Sabrina Carpenter, Ariana Grande and Swift.

It’s encouraging that there has been so much turnover near the top of the Global Excl. U.S. chart in 2024, and that the hits have surged in streaming – by the end of June, 18 songs logged 50 million non-U.S. weekly streams, up from 14 to the same point in 2023 and 10 in 2022. But non-U.S. artists make up just 28% of that pie, down from 85% from just one year ago.

It’s good timing then, for LISA’s No. 1 debut this week. With 94.2 million non-U.S. streams in its first week, “Rockstar” boasts the most weekly streams for a Global Excl. U.S. hit this year by a non-American artist. Plus, Jimin and Loco (both from South Korea) debut at No. 7 with “Smeraldo Garden Marching Band” and Karol G (Colombia) rises to the top 10, at No. 8, with “Si Antes Te Huibera Conocido.” Meanwhile, FloyyMenor and Cris Mj (Chile) spend their 15th consecutive week in the top 10 with “Gata Only.”

Jared McCain’s ‘Jus’ Know’ Dance Drives BlackMayo to No. 2 on TikTok Billboard Top 50

While Tommy Richman’s “Million Dollar Baby” remains at No. 1 on the TikTok Billboard Top 50 chart for a ninth week, three songs reach the list’s top five for the first time after gaining on the July 13-dated survey.

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The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity July 1-7. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

Following “Million Dollar Baby” at No. 2 is BlackMayo’s “Jus’ Know,” which vaults from its No. 10 debut on the July 6 list. It remains driven by a dance trend, which was sent into overdrive after newly drafted NBA player Jared McCain posted multiple uploads dancing to the song, as well as Twitch star Kai Cenat.

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“Jus’ Know” concurrently sports a 192% jump in official U.S. streams to 584,000 in the week ending July 4, according to Luminate.

While Tinashe’s “Nasty” falls 2-3 on the chart, the rest of the top five is taken up by songs new to the region: Ian’s “Magic Johnson” and Prodbycpkshawn and Uglyandz’s “Yo Bunny” at Nos. 4 and 5, respectively.

Both songs debuted on the July 6 tally, with “Magic Johnson” having started at No. 48. Released May 31, the song (from the rapper’s debut album Valedictorian) has been driven by lip-synch videos featuring the song as well as uploads soundtracked by a mashup that adds a bit of Chappell Roan’s “Hot to Go!” (specifically its countdown) to the sound.

“Magic Johnson” is up 5% to 5.1 million streams in the week ending July 4, holding at its No. 28 peak on Billboard’s Hot R&B/Hip-Hop Songs chart as a result.

“Yo Bunny,” meanwhile, mostly benefits from a photo trend showing off users’ summer 2023 vs. summer 2024 looks, as well as a dance trend and videos showing off how they walk downhill vs. uphill.

The song rockets 38% to 1.2 million streams in the June 28-July 4 tracking week.

Two other songs reach the TikTok Billboard Top 50’s top 10 for the first time, the first a debut in LeoStayTrill and Mr Reload It’s “Pink Lemonade (Str8 Reload),” which bows at No. 8 on the strength of lip-synch clips. Bbno$’s “It Boy” joins the song in the top 10 at No. 10, up from its No. 21 debut July 6, spurred by a variety of uploads, including recreations of its music video.

As the latest tracking week fell during the July 4 holiday in the U.S., Toby Keith’s “Courtesy of the Red, White and Blue” also pops onto the ranking at No. 11 thanks to creations surrounding the United States’ Independence Day, including from Keith’s account itself. 2024 marked the first July 4 without the country singer, who died Feb. 5 of cancer.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

Tauren Wells to Host 2024 GMA Dove Awards

Tauren Wells is set to host and perform on the GMA Dove Awards for the second consecutive year. The 55th GMA Dove Awards will take place on Oct. 1 at the Allen Arena in Nashville. Nominations will be announced on July 24.

“Last year’s Dove Awards was such an incredible experience, we’ve decided to run it back!” Wells said in a statement. “I’m so excited to return as host for this year’s Dove Awards. It’s going to be a great night!”

Wells is musician, preacher and public speaker with eight GMA Dove Awards (including contemporary Christian artist of the year and new artist of the year), 10 Grammy nominations (but no wins as yet) and a Billboard Music Award nomination.

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In addition, Wells has notched three five albums on Billboard’s Top Christian Albums chart – Hills and Valleys, Citizen of Heaven and Joy in the Morning. Five of his hits, including the current “Take It All Back” (with We the Kingdom and Davies) have reached No. 3 on the Hot Christian Songs chart.

Wells connects his contemporary Christian and Gospel sound with elements of pop, hip-hop and R&B. Born and raised in Michigan, Wells currently resides in Texas with his wife, Lorna Brittany Wells, and four sons. In 2024, the Wells family launched Church of Whitestone in Austin, Texas, where Tauren and his wife are co-lead pastors.

On March 26, the GMA announced a new category – Spanish language worship recorded song of the year. The new award joins two other Latin music categories: Spanish language album of the year, established in 1998, and Spanish language recorded song of the year, created in 2017.

The 55th Annual GMA Dove Awards are produced by the Gospel Music Association. Jackie Patillo and Justin Fratt serve as showrunners and executive producers, alongside Curtis Stoneberger and Paul Wright as producers. Russell E. Hall returns as director, Michael Nolan as scriptwriter, Scott Moore and Go Live Productions as production manager.

The GMA also revealed the itinerary for its annual Music City Fan Experience. It includes a Brandon Lake concert at the Ryman Auditorium; new artist showcase featuring the 2024 class of new artist of the year nominees; river cruise aboard the General Jackson Showboat including a songwriters showcase; and a ticket to the GMA Dove Awards. Packages include a hotel stay in downtown Nashville. For more information, visit the GMA Dove Award’s website.

Downtown Music Holdings Board Exploring Sale

The board of Downtown Music Holdings, the parent company of independent distributors CD Baby and FUGA as well as a number of other publishing and rights administration businesses, is exploring a sale, sources familiar with the deal tell Billboard.

The publishing administrator for the catalogs of John Lennon and Yoko Ono, Miles Davis and the Wu-Tang Clan, among many others, Downtown has held talks with private equity firms and at least one major music company, as its longtime backer, the family of the late Douglas Myers, looks to exit its investment, according to two of those sources who spoke on condition of anonymity because the talks are private.

The fast-growing independent sector of the music industry has seen a flurry of dealmaking activity in the past year, as both outside investors and traditional music companies shop for ways to control more of the market that services and distributes the music of do-it-yourself artists, songwriters and indie labels.

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In June, the consortium composed of Denis Ladegaillerie, EQT and TCV bought 95% of the outstanding shares of of French music company Believe after Warner Music Group backed out of an acquisition bid the major floated earlier in the year. Later that same month, the Chicago-based private equity firm Flexpoint Ford bought a stake in Create Music Group for $165 million. Last year, Apple veteran Larry Jackson raised about $1 billion and purchased distributor Vydia as the engine to launch his new company gamma, while Exceleration Music bought indie distributor Redeye for an undisclosed sum.

Downtown declined to comment on a possible sale beyond an emailed statement that said, “There has always been strong market interest in and excitement for our platform. We remain steadfastly focused on serving our clients and expanding our business by continuing to drive innovation across the global music industry.”  

The market share of recorded music revenue generated by labels and artists that release music outside of the major-label system has been growing globally for around a decade. Non-major labels and self-releasing artists’ collective share of the recorded music revenue market grew from 28.6% in 2015 to 36.7% in 2023, according to research by MIDiA.

Founded by Justin Kalifowitz in 2007 as a publisher in New York, Downtown quickly grew into a global company with more than 20 offices around the world, and its scale makes it among the more attractive acquisition targets in this segment of the music industry. It reaches more than 4 million creators and services some 50 million tracks from 5,000 business clients.

Downtown has explored a sale before, and that process led it to sell its 145,000-song publishing catalog in 2021 to Concord for around $400 million. In recent years, Downtown has transformed from a leading indie publisher to a full-stack music company.

It has made over a dozen acquisitions in recent years, including the direct-to-creator distributor CD Baby, and the direct-to-business technology and distribution platform FUGA, as well as rights management company AdRev and service providers DashGo, Soundrop, Simbals, Found.ee, Curve and Sheer Music Publishing.

Operated in four divisions — artist & label services, which includes CD Baby; distribution services, which includes FUGA; publishing services, which includes administrator Songtrust; and royalty and financial services, which includes Curve — Downtown is expected to generate about $40 million in EBITDA on about $130 million in net revenue, or $900 million in total revenues, according to three sources familiar with the company’s financials.

Sources say Downtown uses the agency accounting model to record its financials, which counts only the fees from companies like FUGA toward the company’s overall revenue.

Sir Douglas Myers was a New Zealand businessman and longtime chief executive of the beverage company Lion Nathan, who sold his stake in that company to Japanese brewer Kirin in 1998. Myers, who died in 2017, reportedly invested in Downtown because of his son Campbell Myers‘ love of music. Cambell Myers served as Downtown’s director of business development for a year from 2009-2010, according to his LinkedIn profile.

Billboard was unable to determine which companies are in talks with Downtown. But Warner Music Group CEO Robert Kyncl told investors in May it is exploring mergers and acquisitions that could expand its “lower-touch” services for independent creators and labels, and in June, it hired Goldman Sachs’ global head of music & live entertainment investment banking Michael Ryan-Southern to lead M&A.

Kyncl said on a conference call discussing WMG’s quarterly earnings on May 9, “We have a clear plan to develop this area of our ecosystem, and we’re building solutions in-house while staying vigilant about M&A opportunities, which could accelerate our capabilities.”

Actress Rashida Jones Recalls Beef She Had With Tupac Over Quincy Jones Slander

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While Tupac was known for making music in which he rapped about bedding multiple women and getting his player on, the man was actually in a committed relationship with the daughter of music legend Quincy Jones, Kidada.

While not much detail is known about their relationship, as the two dated way before social media was a thing, Kidada’s sister, Rashida Jones, opened up about a heated exchange which took place between herself and Tupac before he went on to date her older sister. According to Huffpost, the animosity between herself and Pac began when the iconic rapper was interviewed in an 1993 issue of The Source magazine and criticized her father, Qunicy Jones, for having children with white women and “make[ing] fucked up kids.”

A then 17-year-old Rashida Jones wrote a response to Tupac in a follow-up issue and apparently it resonated with the rapper in such a way he felt the need to apologize to the Jones family.

In a recent interview with the New Yorker, Jones recalls how Shakur approached her sister, Kidada, in New York City thinking it was her and asked for forgiveness for his harsh words about her father and his children.

From the New Yorker:

“And then my sister was out somewhere in New York, and Tupac came up to apologize to her, because he thought it was me,” Rashida Jones said. “It resolved itself really nicely, because when I met him, he immediately apologized to me, immediately apologized to my dad. We sat down and had a really good conversation about it, and then he was family.”

Tupac and Kidada went on to date and even live together for a while before the rapper was murdered in 1996. In Q: The Autobiography Of Qunicy Jones, Kidada recalled the moment that Tupac approached her about the situation and admitted she knew it was much more than an apology at the moment.

“I met Tupac at a club after that and he said, ‘I want to apologize to you. I didn’t mean that about your dad or you. I didn’t see you as real human beings. Now that I see you…,’” she said. “He was all game. He was trying to get a play, let’s face it, but I liked him.”

Yeah, that sounds about right. Ladies might’ve loved Cool James in the early 90s, but they loved them some Tupac as well.

Helluva era.