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Is Jung Kook’s ‘I AM STILL’ His Documentary? | Billboard News

With Big Hit posting a photo reading “JUNG KOOK: I AM STILL,” ARMY believes a documentary is on the way for the singer. Keep watching for more!

Tetris Kelly:
Jung Kook is coming to your theater screens. This is not a drill! We have the details. We hope it’s in 3D! You’ll be able to get nachos and popcorn with your Kookie soon. because Big Hit posted “ Coming Soon to Cinemas!”

ARMY is already losing it. Fans are begging for the date and speculating that it’s a documentary highlighting his successful solo album, Golden. His single “Seven,” featuring Latto, hit No. 1 on the Billboard Hot 100.

Are you ready to be seated for I AM STILL at the movies? What do you think it will be? Let us know in the comments!

Katy Perry’s Success on the Billboard Charts | Billboard Explains

With Katy Perry’s “Woman’s World” releasing this week and her album 143 coming out in September, let’s rewind into how she took over the Billboard charts. In 2008 Katy debuted with “I Kissed a Girl.” She soon dominated the Billboard Hot 100 and Billboard 200 with back-to-back singles from Teenage Dream and Prism. Keep watching for more!

Tetris Kelly:
It’s Katy’s world and we’re just living in it.  Katy Perry has dropped her new single, “Woman’s World,” and to celebrate, we’re looking back at her impressive chart achievements.  This is Billboard Explains: Katy Perry’s Success on the Billboard Charts.

Katy Perry made her Billboard chart debut with “I Kissed a Girl.” The single kicked off her career in a huge way, spending seven weeks at No. 1 on the Billboard Hot 100, and it was named the song of the summer for 2008. The song’s momentum set her One of the Boys album up for success. It peaked at No. 9 on the Billboard 200 and spent 92 weeks on the chart.

Katy also scored two more Hot 100 top 10s from that album: “Hot n Cold” at No. 3 and “Waking Up in Vegas” reached No. 9. Next came her record-making 2010 sophomore album, Teenage Dream. It made history with five No. 1 singles on the Hot 100: “California Gurls” with Snoop Dogg, the album’s title track, “Firework,” “E.T.” featuring Kanye West, and “Last Friday Night (T.G.I.F).” Teenage Dream was the first album by a woman with five No. 1 hits and only the second by any artist – tying Michael Jackson’s Bad for the record. The album became Katy’s first No. 1 on the Billboard 200 and is still on the chart – at 380 weeks and counting.

In total, Katy has nine No. 1 hits on the Hot 100, including “Part of Me,” “Roar” and “Dark Horse” featuring Juicy J. 

Keep watching for more!

Ranking Every Cash Cobain ‘Not My Problem (Remix)’ Snippet

Cash Cobain is up to his old antics again.

The Bronx rapper and producer has been known to post snippets of songs he’s making on social media. Sometimes he releases the finished product, sometimes he doesn’t. So there’s no telling if he will ever officially drop his remix of Laila!’s viral “Not My Problem” song. But that doesn’t matter because a bunch of artists have already recorded verses to his remix. Laila! went viral when she performed “Not My Problem” and “Like That” on On the Radar. The latter of which went viral on TikTok spawning a dance meme thanks to a fan with the username madozilla.

Memes aside, I was happy to finally put a face to the “Like That” song. I’ve seen people posting that dance all over the place and was always curious about who made the song. Sometimes you have to do some digging, because people manipulate these songs and you never realize that they might have a rap verse or two until you go look for yourself. And not only does Laila! rap and sing, she makes all of her own beats.

These “Not My Problem” remixes remind me of dancehall, where you would have a bunch of different artists who take a riddim and add their own flavor to it, sometimes making something completely different. Dancehall producer Lenky’s Diwali Riddim comes to mind, with Wayne Wonder, Lumidee and Sean Paul each making popular songs using the same beat in 2003.

My sources tell me Cash is thinking about either making a mega mix, like a Slizzy “We Are the World,” or he may continue posting the snippets as he gets them.

Slizzyfeed — the social media account for all things Cash Cobain — compiled a list of the snippets that have surfaced, so far, so I ranked them. I’ll see about updating the list if more artists decide to ride this wave. We need Laila! and Ice Spice to add some verses, too. Let’s keep this party going.

SKIMS Kicks Off Bi-Annual Sale With Up to 67% Off Bodysuits, Loungewear and Accessories

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

We have Kim Kardashian to thank for creating SKIMS, one of the most elevated and luxurious athleisure brands according to its fan base. While the lifestyle brand is definitely one to splurge on, there’s nothing more iconic than sporting a soft SKIMS bodysuit or dress that you got for a steal. Now’s your chance to snag major savings on your most-wanted loungewear as SKIMS is hosting its Bi-Annual Sale featuring good deals on bodysuits, shapewear and even celebrity-approved pieces for up to 67% off.

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SKIMS has become renowned for star-studded campaigns that spotlight new drops or expansions of bestselling collections — including the latest one with Bridgerton leading lady Nicola Coughlan for a new TikTok-loved longline dresses. Other major campaigns have included WNBA athletes, Sabrina Carpenter and Lana Del Rey — and some of the celeb’s favorite pieces are on sale now.

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The Bi-Annual Sale won’t be going on forever and already has cult-favorite pieces flying out of stock like the a scoop neck bodysuit that makes reviewers feel “perfectly snatched.” That means if you’ve been eyeing that smooth supportive bra or plunging bodysuit, now is the time to stock up and give your wardrobe a luxurious refresh.

Keep reading to shop the sale below.

What Are the Best SKIMS Deals?

To help you stock up on the best discounts offered, ShopBillboard rounded up a list of top-rated pieces below that you can buy online now.

Fits Everybody High-Waisted Shorts

$8

$24

67% off

Make a statement in these high-waisted shorts that are on sale for only $8. The design aims to stretch and lay comfortably flat on your body as it moves with you throughout the day whether you’re going for a morning run or just completing some errands.

Seamless Scult Scoop Neck Thong Bodysuit

$50

$70

29% off

SKIMS’ bestselling bodysuit is on sale for a budget-friendly $50, giving you all the praise-worthy benefits for a fraction of the cost. Along with compression, the bodysuit comes with a thong fit and ruched chest for added support and style.

Raw Edge Slit Front Mini Dress

$34

$64

47% off

You’ll feel anything but blue when you slip on this trendy mini dress. A subtle slit was placed on the neckline while the wide straps use a comfy yet stretchy material that’ll softly form to your body once you throw this staple piece on.

Fits Everybody String Bikini

$6

$18

67% off

Refresh your underwear collection with this string bikini for 67% off. Its made with a soft and airy cotton material with a thin waistband that’ll help provide a smoother appearance under your skirts, shorts and trousers.

New Vintage Cropped Raglan T-Shirt

$34

$48

29% off

This dreamy crop top is ready to be paired with all your summer bottoms. The style comes with a fitted look and high neckline that’s ideal for accessorizing with necklaces or a scarf.

Fits Everybody Plunge Bra

$28

$54

48% off

Enjoy support even in your deepest V-neck tops with the help of the Fits Everybody Plunge Bra. It’s built with adjustable straps and underwire to help keep your chest supported and comfortable while the plunging cut allows you to wear low cut necklines without worry of your bra peeking out.

Outdoor Cropped Leggings

$32

$62

48% off

Chop your leggings into a cropped length with these SKIMS Outdoor leggings. The style is perfect for showing off your shoes and features a lightweight and breathable material made from a mix of cotton, polyester and spandex for extra coziness.

Soft Lounge Lace Scoop Neck Dress

$64

$90

29% off

Featuring the coveted soft lounge material, the classic maxi dress gets a lacy makeover with wide strap and a lace trim to add a flirty aesthetic. While the front shows off a scoop neckline, the back plunges for added breathability and ventilation.

For more product recommendations, check out ShopBillboard‘s roundups of the best corsets, belly chains and platform heels.

Love Taylor Swift’s Style? Here Are Some Eras-Inspired Looks to Wear to Her Tour

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Taylor Swift’s Eras tour will be back in the states soon! Need something to wear?

Whether you’re waiting until the second round of U.S. shows, or plan on hitting up an international tour date, we’re here to help you get dressed in your best Swift-inspired fits.

Fellow Swifties, Billboard’s Tetris Kelly and The Hollywood Reporter’s Tiffany Taylor, teamed up to create a mini style guide for fans who want to channel multiple eras — and everything’s available at Amazon.

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Tune in to talkshoplive on Thursday (July 11) to check out Billboard’s Eras Tour-inspired looks including an all-white, bedazzled outfit that channels the Tortured Poets era, complete with a ruffle blouse, similar to Swift wardrobe in the “Fortnite” music video.

To finish off the Tortured Poets look, Taylor paired the collared shirt with a white skirt and platform sneakers – because comfort is key when you’re at a concert. The bedazzled sneakers can help you put together outfits for different Swift eras including Midnights and Speak Now-inspired looks.  

Taylor recreated Swift’s Grammy’s look with a strapless, white dress inspired by the Roseberry gown that she wore on music’s biggest night. Plus, accessories inspired by Swift’s Grammy’s glam including long black gloves and black choker. The pop store wore a long gown for the Grammys, but Swifties can shorten the look to make it suitable for a concert.

The international leg of the Eras Tour launched earlier this year and is currently traveling through Europe. The tour will stop in Germany from July 17-28 before heading back to London for five nights at Wembley Stadium starting on Aug. 15.

The second U.S. leg of the Eras Tour kicks off in Miami on Oct. 19.

Breaking Down What’s at Stake in Music’s AI Lawsuits

For a little over a year, since the Fake Drake track bum rushed the music business, executives have been debating whether generative artificial intelligence is a threat or an opportunity. The answer is both — creators are already using AI tools and they already compete with AI music. But the future will be shaped by the lawsuits the major labels filed two weeks ago against Suno and Udio for copyright infringement for allegedly using the labels’ music to train their AI programs.  

Like most debates about technology, this one will be resolved in real time — Internet start-ups tend to believe that it’s easier to ask forgiveness than to get permission. Although neither Suno nor Udio has said that it trained its program on major label music, the label lawsuits point out that both companies have said that using copyrighted works in this manner would be “fair use,” a defense for otherwise infringing conduct. They’re not admitting they did it — just defending themselves in case they did. 

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Whether this qualifies as fair use is well over a million-dollar question, since statutory damages can reach $150,000 per work infringed. The stakes are even higher than that, though. If ingesting copyrighted works on a mass scale to train an AI is allowed under fair use, the music business could have a hard time limiting, controlling, or making money on this technology.  

If it’s not, the labels will gain at least some control over these companies, and perhaps the entire nascent sector. There are other ways to limit AI, from legislation to likeness rights, but only copyright law has the kind of statutory damages that offer real leverage.  

Although neither Suno nor Udio has issued a legal response, Suno CEO Mikey Shulman released a statement that said the labels had “reverted to their old lawyer-led playbook.” The obvious reference is Napster, since most people believe that in the late ‘90s the music business saw the future and decided to sue it.  

That’s not exactly what happened. The major labels knew that the future was digital — they lobbied for the 1995 Digital Performance Right in Sound Recordings Act, which ensured that streaming services had to pay to play recordings in the U.S., even though traditional radio stations don’t. They just didn’t want peer-to-peer services to distribute their content for nothing — or to have to negotiate with them while they were doing so. In July 2000, three months after the major labels sued Napster, leading executives sat down with the company to try to figure out a deal, but they couldn’t agree; the labels negotiated as though Napster needed a license and Napster negotiated as though it didn’t. In the end, after a decade of lawsuits and lost business, creators and rightsholders established their right to be paid for online distribution and the music sector began recovering. 

And here we are again: History isn’t repeating itself, but it seems to be rhyming. If the labels negotiated with Suno and Udio now, how much would those companies be willing to pay for rights they may or may not need? It’s easy to make fun of either side, but it’s hard to know how much to charge for rights, or pay for them, before you even know if you need them.  

These lawsuits aren’t about whether creators and rightsholders should embrace or avoid AI — it’s coming, for good and ill. The question, in modern terminology, is whether the embrace will be consensual, and under what terms. Most creators and rightsholders want to do business with AI companies, as long as that actually means business — negotiating deals in something that resembles a free market.

What they’re afraid of is having technology companies build empires on their work without paying to use it — especially to create a product that creates music that will compete with them. That depends on the outcome of these lawsuits. Because if you don’t have the right to say no, you can’t really get to a fair yes.  

A couple of weeks ago, at a culture conference organized by the German recorded music trade organization, I heard German Justice Minister Marco Buschmann put this as well as anyone I’ve ever heard. “The moment people have the opportunity to say ‘No’ and to enforce this ‘No,’ they gain a legal negotiating position,” he said in a speech. (Buschmann also makes electronic music, as it happens.) In the European Union, rightsholders can opt out of AI ingestion, which is far from ideal but better than nothing.  

What happens in the U.S. — which often shapes the global media business — might hinge on the results of these lawsuits. There are two dozen copyright lawsuits about AI, but these look to be among the most important. Some of the others are mired in jurisdictional maneuvering, while others simply aren’t as strong: a lawsuit filed by The New York Times could involve a different fair use determination if the ingested articles are used as sources but not to generate new work. These cases are straightforward, but they won’t move fast: It’s easy to imagine the issue going to the Supreme Court. 

Despite the high stakes — and what will almost certainly be a rap beef’s worth of sniping back and forth — determinations of fair use involve a considerable amount of nuance. Fair use makes it legal in some cases to excerpt or even use all of a copyrighted work without permission, usually for the purposes of commentary. (An iconic Supreme Court case involved 2 Live Crew’s parody of the Roy Orbison song “Oh, Pretty Woman.”) This is far from that, but Suno and Udio will presumably argue that their actions qualify as “transformative use” in the way the Google Books project did. Next week I’ll write about the arguments we can expect to hear, the decisions we could see, and what could happen while we wait for them. 

Nacho Reflects on The Rebirth of Chyno y Nacho Amid Chyno’s Health Recovery

Chyno y Nacho has become one of Latin music’s most emblematic duos, achieving various No. 1 Billboard hits, four Billboard Latin Music Awards and a Latin Grammy win, while releasing six studio albums. 

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Now, after parting ways in 2017 and a serious health condition that affected the mobility of one of the members, the duo composed of Jesus “Chyno” Miranda and Miguel Ignacio “Nacho” Mendoza is making a comeback, with a five-date U.S. tour called Eternos. The duo officially launch its new era with new single “Tu Nombre,” which they will perform at the 2024 Heat Latin Music Awards taking place on Thursday (July 11) in Punta Cana, the Dominican Republic. 

“We are happy with the opportunities that life gives us to start over, and to appreciate the second chances,” Mendoza tells Billboard. “Today, we feel stronger than ever, and we feel that there are no challenges that we cannot measure ourselves against.”

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The highly awaited return comes in the midst of Miranda’s arduous health recovery. 

In 2020, the Venezuelan singer was diagnosed with COVID-19, and as a result suffered peripheral neuropathy, encephalitis, and other long-term COVID symptoms that affected his nervous system. Miranda had to learn to walk again and battled depression, among other collateral health complications.

The “Niña Bonita” singer was moved to Venezuela for his recovery, where for almost all of 2022 he was admitted to the Tía Panchita rehabilitation center. Since entering the rehab facility, all of Miranda’s loved ones, including Nacho, lost touch with the artist. Nacho describes not having access to his bandmate as a mystery, because for many months they were unsure of Miranda’s health condition. 

“Many people in Venezuela who had the resources went behind the case and made it possible to remove him from the center he was in,” he recalls. “From that point on, we [Chyno y Nacho] have not been separated.”

Nacho admits that Miranda is still recovering — but thanks to music, he’s been able to heal and improve, and is capable of going on tour. Chyno y Nacho is set to make a comeback with its Eternos Tour set to kick off September 28 at the Seminole Hard Rock Hotel & Casino in Hollywood, Fla. The duo will also visit Puerto Rico, Houston, New York, and Orlando. 

Below, read Nacho’s Q&A with Billboard.

What does the Chyno y Nacho comeback at Heat Latin Music Awards signify? 

My heart feels like taking advantage of the time — because time goes by very quickly. You don’t realize how the years go by, how what you do affects the lives of others. Only time tells you, and today we realize that we have left a beautiful legacy and touched the hearts of millions of people around the world, and that there are many young people who were inspired by our careers and efforts. Thanks to that, they have an example of being able to develop their own careers, and that makes us feel very good.

You guys will be performing your new single at the awards show. What can you share about “Tu Nombre”?

This song is like a warm-up for the return. It came out as a soft release, but we trust our fan base and we know that people are always looking for new things from Chyno and Nacho, and that the discovery of new things begins. It has a fairly fresh sound, and it defines a lot of the essence of Chyno and Nacho but in 2024. We feel the energy when we are on stage, we see the people’s reaction to the song. Seriously, the feedback has been great — and we hope that this performance [at Premios Heat] serves as a window, so that people not only find out about the union and the tour, but also that they know that we are here to make new content.



Chyno y Nacho made a brief return in 2021 with the album Chino & Nacho Is Back, but then stopped making music. Why is 2024 the adequate time for the tour and comeback?

In 2021, just when we released the album, my partner’s health complications began to worsen and [music plans] was something that we had to abandon. There were people who connected with songs from the album, but in reality, all the attention was focused on the development of my partner’s illness. We abandoned the musical theme a little, and it was as if we couldn’t do anything because the intention was to unite and show our new projects. 

I think the issue of the pandemic also crossed our intentions. But hey, God knows what his plans are, and at work we simply accepted what the result was. Those three years were years of personal struggle for each one. But you know that kings are made in the desert, and after having that resistance and walking through those personal deserts, today we feel more strengthened than ever — and we feel that there are no challenges that we cannot measure ourselves against.

It’s been a very challenging road for Chyno, but I can imagine that as his duo partner, it’s been difficult for you as well. How has this entire process been for you?

[We see] the opportunity that God gave us to recognize and value a friendship that is still valid. We had our downfalls as friends, our disagreements, but I believe that the courage of human beings is not in maintaining the best attitude all the time, but in recognizing how you can get back into the best vibes and tunes, and also recognize your blessings.

I believe that those 10 years that we lasted as a duo, plus the previous years that we were in other groups, are worth a lot. I have shared more with Chyno than with my own blood brothers. Having entered into those discussions, it was simply a process for us to be able to understand how strong our friendship was, and how much we should value the gift that God gave us both of being able to have a prosperous career and being able to gather experiences together that are unforgettable .

I see it as the opportunity for both of us to see how we can improve everything we have … Each one [of us] had their personal process, but I think his was much more difficult, because he went through certain situations that I went through — such as divorce, for example — but he also has a health issue. I feel that his strength has been more noticeable, and the battles he has had to fight have been stronger. If I have the opportunity to be able to accompany him in those battles and carry on my shoulder some of those weights that he has to carry, with all my pleasure, at this moment I have all the disposition in the world to do it.

When did you realize that Chyno was ready to continue with his music career and go on tour? 

I think it was circumstantial, because I was one of those friends and family who couldn’t find his whereabouts. We didn’t know where he was, where they had him hidden. It was difficult. It is a process that today I can tell you, we are together and living a new reality, but our fans don’t know the entire trajectory of us being able to be with him again, and being able to tell him, “Look, we are going to continue doing what is really going to bring you back — which is music, and what you are really passionate about.”

From that point on, we have not been separated. Music is the best medicine, because the evolution that he has [gone through] has been demonstrated in the last months. Now, he’s ready to go on tour, for example. A couple of years ago it didn’t even cross our minds, based on his condition.

In addition to Eternos Tour, what does the future look like for Chyno y Nacho, in terms of new projects?

The new album is a possibility — it is very feasible to do it in the future. For now, we are releasing “Tu Nombre,” because he still has certain current commitments with his recording label that he has to fulfill individually. When we decided to go our separate ways, we approached new contracts as individuals, and he is still going through that process of being able to deliver what he has as part of his musical debt.

We have to see what the permit issue is like — I don’t think his record company will disagree with us continuing to do things together. I think it is the best alternative at this moment for his musical career, his development, and his improvement.

Eminem Returns to Alternative Airplay Chart After 21 Years With ‘Houdini’

Eminem’s “Houdini” achieves a feat that no single from the rapper had in over 20 years: make Billboard’s Alternative Airplay chart.

The song bows at No. 35 on the ranking dated July 13, marking Eminem’s fifth appearance on the survey and first since “Lose Yourself,” which peaked at No. 14 in December 2002.

“Lose Yourself” logged an 18-week run on the chart, through February 2003. As such, the break between Eminem’s Alternative Airplay hits numbered 21 years and five months. That’s the longest between appearances since Kate Bush went over 28 years between January 1994 (“Rubberband Girl”) and June 2022 (“Running Up That Hill [A Deal With God]”), the latter charting after the 1985 classic’s synch in Netflix’s Stranger Things.

Eminem’s respite is the third-longest in Alternative Airplay’s nearly 36-year history, behind only Bush’s and Debbie Harry’s; the latter waited almost 29 years between “Kiss It Better” in 1990 and her featured turn on Just Loud’s “Soul Train” in 2018.

Eminem’s Alternative Airplay history extends before “Lose Yourself,” though it’s his highest peaking entry on the tally. He first reached the list with “My Name Is” in 1999 (No. 37), followed by “The Real Slim Shady” (No. 19, 2000) and “Without Me” (No. 15, 2002).

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“Houdini” has been described as evocative of many of those earlier Eminem singles, which is not lost on Kevin Weatherly, Audacy senior vp of programming and program director of KROQ Los Angeles. “This Eminem song has an instant familiarity, and it resonates with a large segment of our audience that was there when he arrived 20-plus years ago,” he tells Billboard. “Much like when we played him in the past, the response is mostly positive, but there are also some negatives. That said, we recognized the pop-culture moment and wanted to reflect it and be a part of it.”

KROQ played “Houdini” 21 times in the latest tracking week (July 28-July 4), sixth-most among stations on the Alternative Airplay panel, according to Mediabase.

KTCL Denver spun the song 29 times in that span, the fourth-most on the panel in that stretch; KKDO Sacramento led all stations with 38 plays. “One of my Jocks, B-Large, brought it to our music meeting for discussion,” KTCL program director Jeb “Nerf” Freedman tells Billboard. “We play four Eminem songs in catalog, so it makes sense to take a listen to the new song – but not every artist has a comeback this late in their career. Lucky for us, we constantly engage our audience with online surveys. When we tested it and it went through the roof, we knew they didn’t think of Eminem as just a part of history. Slim Shady is alive and well!

“It sounds a little weird hearing that Steve Miller melody on our station, but it certainly jumps out of the speaker at you. So far, it’s a massive hit.”

The Miller melody Freedman references is that of “Abracadabra,” the 1982 hit from The Steve Miller Band that topped the Billboard Hot 100; “Houdini” interpolates the song’s melody in its chorus.

Concurrently, “Houdini” lifts to a new No. 29 high on the all-rock-format, audience-based Rock & Alternative Airplay chart via 1.2 million audience impressions, up 21%, according to Luminate. Upon its debut in late June, it became Eminem’s first song on the list, which began in 2009.

“Houdini” boasts multi-format approval; in addition to its Alternative Airplay rank, it has so far reached No. 8 on Rhythmic Airplay, No. 16 on Pop Airplay, No. 18 on hot-rap-tracks and No. 32 on Adult Pop Airplay.

The track launched at No. 1 on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts dated June 15, as well as No. 2 on the all-format Billboard Hot 100. It holds at No. 16 on the latter list’s latest edition via 20.9 million radio audience impressions, 15.7 million official U.S. streams and 6,000 downloads sold.

“Houdini” is the lead single from The Death of Slim Shady (Coup de Grace), Eminem’s 12th studio album, due Friday, July 12. One other song was released ahead of the album: “Tobey,” featuring Big Sean and BabyTron, which bows at No. 95 on the Hot 100.

The Zombies’ Rod Argent Suffers Stroke, Announces Immediate Retirement From Touring

Rod Argent has suffered a stroke, leading to his immediate retirement from touring. The 79-year-old Zombies keyboardist is currently recovering at home after an overnight hospital stay, with doctors advising several months of rest and recuperation.

The news came in the form of a release from the band’s managers Chris Tuthill and Cindy da Silva Thursday (July 11), which notes that the group’s founding member had spent a weekend in London with his wife Cathy to celebrate their 52nd wedding anniversary as well as his birthday before his hospitalization. All upcoming performances on The Zombies’ schedule have now been canceled, including the band’s two festival shows in the U.K. slated for later this month. A fall 2024 U.S. tour had also been in the works prior to his stroke.

“He was already preparing to wind down his live performance schedule after health scares on recent tours,” the announcement read. “However, the stroke was an unmistakable warning sign that the risks are too great.”

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Though he will no longer be performing with the English rock trailblazers, Argent plans to continue writing and recording with bandmates Tom Toomey, Søren Koch, Colin Blunstone and Steve Rodford. According to Tuthill and da Silva, he’s “already been back at his piano for some much-needed “’Bach therapy.’”

Plus, The Zombies’ second annual Begin Here Festival in St Albans U.K. will continue as planned in November, although their performance will be replaced with a special show honoring Argent. At this time, the band’s team asks that fans sit tight with their tickets until they’ve “had time to regroup and announce new plans.”

Argent’s retirement from touring ends quite a run, with The Zombies getting their start in the early ’60s. He’d previously stepped away from the group in 1975 in order to focus on his family and being a songwriter, but agreed to temporarily fill in for a few shows in 1999 — something that turned into 25 more years of touring and recording with the band. The group has had two albums chart on the Billboard 200 — 1965’s self-titled release and 1969’s Odessey & Oracle — as well as five Billboard Hot 100 hits over the course of its career.

“Our last message is that if a classic artist that has made music you love is performing nearby, don’t miss the opportunity to see them,” Tuthill and da Silva’s message concludes. “You can sit on the couch and binge Netflix another day. The communal experience of a live performance by a veteran artist is a singular and joyous moment. These artists are treasures who have stood the test of time and are giving their all, but they are fragile human beings like all of us.”

Social Media Users Rip “Late” ‘New York Times’ Op-Ed Denouncing Trump

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The New York Times published an editorial calling for Donald Trump to drop out of the presidential race—far too late, social media users expressed.
A new article from the New York Times editorial board is calling for former president Donald Trump to step down. “He is dangerous in words, deed, and action”, the article titled “Donald Trump Is Unfit To Lead” begins in all capital letters, going on to state that he “has shown a character unworthy of the responsibilities of the presidency.” The op-ed only consists of a few paragraphs, and details the dissatisfaction of the American public and the ways that the Republican Party has submitted to Trump, described as “a man as demonstrably unsuited for the office of president as any to run in the long history of the Republic, a man whose values, temperament, ideas and language are directly opposed to so much of what has made this country great.”

The article also touches on the current calls for President Joe Biden to end his campaign to be re-elected as president as a contrast to how bad of a candidate Trump is, calling the debate “rightful”. “This debate is so intense because of legitimate concerns that Mr. Trump may present a danger to the country, its strength, security and national character — and that a compelling Democratic alternative is the only thing that would prevent his return to power.” It ends by stating: “We urge voters to see the dangers of a second Trump term clearly and to reject it. The stakes and significance of the presidency demand a person who has essential qualities and values to earn our trust, and on each one, Donald Trump fails.” 

Many online weren’t too pleased with the Times’ opinion piece was published a day after it published an opinion article from Academy Award-winning actor George Clooney, who had called for President Biden to drop out of the race. Some decried the move as a last-ditch attempt to save subscribers, who have been canceling their subscriptions to the newspaper over their perceived refusal to cover Donald Trump’s misdeeds to focus on the debate over some Democrats wanting Biden to step down as the party’s nominee. Some did laud the Times for finally declaring the position in clear, bold terms.

We’ve put together some of the responses to the New York Times call for Trump to step down below.

1. Jo Ann Liguori

2. Sophia A. Nelson

3. Carlito Monolo

5. Bandy X. Lee

6. Nancy Townsley

7. Chris Lamb