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Old Dominion Says the World Is ‘Weird,’ Urges Artists to ‘Get Together and Create’ at 2024 CMA Awards

Old Dominion made history at the 2024 CMA Awards at Bridgestone Arena in Nashville on Wednesday (Nov. 20) evening. Not only did the country outfit nab the 2024 CMA Award for vocal group of the year, but it became the second-most awarded vocal group in the history of the Country Music Association Awards.

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Accepting the award from The Oak Ridge Boys, frontman Matthew Ramsey acknowledged the moment: “We just made history, that’s crazy,” he said, shaking his head in disbelief.

He thanked The Oak Ridge Boys, Alabama and other groups who “paved the way for us,” and urged every creative person watching in the Bridgestone Arena or at home to create art during these “weird” times.

“If you are an artist of any type or a creator or a musician, this is when the world needs you the most, when it’s weird like it is right now,” said Ramsey. “So get out there and get together and create.”

While Ramsey’s speech wasn’t explicitly political or partisan, it arrives just two weeks after a divisive presidential election — albeit one that was won handily by the Republican Party, who nabbed control of the executive branch and Congress. Also, the word “weird,” intentionally or not, echoed the word Minnesota Governor Tim Walz used to describe President Trump and MAGA Republicans in a viral clip from July. Speaking on MSNBC about Republican efforts to censor school curricula and control reproductive rights, Walz said, “These are weird people on the other side. They want to take books away, they want to be in your exam room … these are weird ideas.” Walz’s viral clip preceded him joining Kamala Harris’ campaign in August as her would-be vice president on the Democratic Party ticket.

Then again, “weird” could apply to any number of things going on in today’s world, from the rise of artificial intelligence to the “Hawk Tuah” girl. And given that country music awards shows tend to veer a country mile wide of anything political, it could be something else entirely.

Post Malone Delivers Moving Performance of Song Inspired by His Daughter at 2024 CMA Awards

Post Malone didn’t have much time to chill in his Bridgestone Arena seat at the 2024 Country Music Association Awards in Nashville Wednesday night (Nov. 20). After opening the show 90 minutes earlier with a run through “California Sober” with multiple CMA-winner Chris Stapleton, Posty was back all by his lonesome later in the broadcast for a moving performance of his daddy-daughter dedication song “Yours.”

The sweet closing track from the singer’s debut country album, F-1 Trillion, brought a hush over the star-studded crowd of luminaries in the house as Malone crooned the lyrics about a father’s stern, but gentle warning to the man in his daughter’s life about who will always come first.

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“I don’t know who you are/ But one day, I’m goin’ to/ And it’s gonna break my heart/ When she gives hers to you,” he sang with an ache in his voice as he closed his eyes tight and emoted over gentle accompaniment from an acoustic guitar and fiddle. Wearing jeans, cowboy boots, a blue Nudie-style jacket and cowboy hat, Posty leaned into the heartbreak chorus, “And she might be wearin’ white/ But her first dress, it was pink/ She might be your better half/ Yeah, but she’s my everything/ We’ll both love her forever/ But I loved her long before.”

His voice rising to a cracked crescendo by the end, Malone followed the final “buddy that don’t mean she’s yours” with a seeming shout-out to his 2-year-old daughter, “We love you, DD”; People reported in 2022 that the “DDP” tattoo across the singer’s forehead are his baby girl’s initials. The musician also told the magazine when he released the “Yours” music video in July that the song was inspired by his thoughts about daughter’s future wedding, calling the track “very special to me.”

Malone went into Wednesday night’s event with four nominations — his first ever at the CMAs — including song of the year, single of the year, music video of the year and musical event of the year for his Morgan Wallen collaboration “I Had Some Help.”

Jelly Roll, Brooks & Dunn Take the 2024 CMA Awards to Church With Gospel ‘Believe’ Performance

For a couple minutes there, Jelly Roll and Brooks & Dunn turned the Bridgestone Arena in Nashville into a church with a spiritual performance of “Believe” at the 2024 Country Music Association Awards Wednesday (Nov. 20).

With Kix Brooks on piano and Ronnie Dunn sharing lead vocals with the “Son of a Sinner” singer, the trio took the stage in front of a full orchestra to perform their version of the track, which appears on the “Ain’t Nothing ‘Bout You” duo’s 2024 LP, Reboot II. With the emotional density of the track increasing in tandem with the power of Dunn and Jelly’s raw voices, the musicians’ peers in the audience started raising their hands and wiping away tears as the spirit took over the room.

“I can’t quote the book/ Don’t know the chapter or the verse,” Jelly sang, trading lines with Dunn on the song’s bridge.

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“You can’t tell me this all ends/ In a slow ride in a hearse,” jumped in Dunn.

As the song faded away, the “Need a Favor” musician — who pointed up at the sky — said into the microphone, “I love you, Lord.”

Hosted this year by Peyton Manning, Luke Bryan and Lainey Wilson, the CMAs are back to honor some of the biggest names, songs and moments in country music over the past year. Both Jelly and Brooks & Dunn scored nominations in 2024, with the former competing for entertainer of the year and male vocalist of the year, and the latter up for vocal duo of the year.

Jelly was also in the running for album of the year thanks to his 2023 breakout LP, Whitsitt Chapel. The prize ended up going to Cody Johnson’s Leather.

Shaboozey Sings Pensive ‘Highway’ and ‘A Bar Song (Tipsy)’ at 2024 CMA Awards

Shaboozey proved that there are way more colors in his musical palette than “A Bar Song (Tipsy)” when he took the stage at the 2024 Country Music Association Awards on Wednesday (Nov. 20). The singer, whose signature song has straddled the top of the Billboard Hot 100 for 18 weeks so far — snagging the title for the longest-running No. 1 on the chart this decade and second place all time — dipped into his bag for the pensive “Highway,” the latest single from his smash Where I’ve Been, Isn’t Where I’m Going LP.

Seated on a stool on a smoke-shrouded set made up to look like the outside of a country honky tonk, the singer cut a striking figure in jeans and a lime green fringed jacket with bedazzled lapels and accents. “I see dead ends, but we’re still goin’ strong/ We’ve been headin’ down a one-way street, but it feel like it’s wrong/ Movin’ like a freight train, gettin’ tired of chuggin’ alone,” he sang over acoustic guitars and a lonesome fiddle.

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As he leaned into the foreboding chorus — “I might die on the highway/ With all my regrets/ I’ve been driving for miles and miles and miles, I can’t see where it ends” — the singer, who was up for new artist of the year and single of the year for “A Bar Song (Tipsy),” gave the crowd what they came for mid-song when he made a hard turn into his signature hit.

“CMAs can we turn this place into the greatest dive bar in the world tonight?” he asked as the crowd began to clap and sing along, with many jumping to their feet as a group of line dancers filled the stage and the ubiquitous chorus came around. Keith Urban was not immune, as the cameras caught him mouthing along to the line about the party down of Fifth Street.

The celebration just kept amping up, with a cowboy pulling off impressive moves with his lariat and a dancer doing a back round-off as the song came to a close, and Nashville’s Bridgestone Arena crowd couldn’t help but raise their glasses to one of the genre’s rising superstars.

Ice King Talks Being Frozen Out of ‘Masked Singer’: ‘It All Came Together at the Right Time’

SPOILER ALERT: This article features the name of the singer eliminated on Wednesday night’s (Nov. 20) episode of The Masked Singer.

So far, season 12 of The Masked Singer has already seen the usual mix of athletes, singers, actors and media personalities getting sent home, including John Elway (Leaf Sheep), Yvette Nicole Brown (Snowbird), Paula Cole (Ship), Marsai Martin (Woodpecker), Andy Richter (Dust Bunny), Laverne Cox (Chess Piece) and Natalie Imbruglia (Bluebell).

So the stakes were high Wednesday night when the Group C singers kicked things off with a collaboration on Miley Cyrus’ “Party in the U.S.A.,” with Ice King, Strawberry Shortcake, Royal Knight and Sherlock Hound taking the stage together following last week’s elimination of their groupmate Macaron (surfer Bethany Hamilton).

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Last week, previous Masked contestants Hanson revealed in a clue package that Ice King had topped charts around the world, sold out stadiums and was given the “royal treatment like he was one of The Beatles,” before retreating from the spotlight. That could have been anyone, so Wednesday night’s clue package kind of gave away the game, with the King noting that he can really relate to Miley, as they’ve both learned how the media can be “totally uncool” and that this year he’s been part of a “firestorm” of press.

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That revelation was a prelude to Ice King’s impassioned cover of Cyrus’ Plastic Hearts hit “Midnight Sky,” which he sang in the midst of a soundstage blizzard of fake snow. It followed last week’s rip through Hot Chelle Rae’s 2011 Billboard Hot 100 No. 7 hit “Tonight Tonight.”

The guesses from the judges were all over the place, with Robin Thicke praising the King’s “rock” energy, but not coming up with a Teen Choice Award winner who would fit the bill, even as always-wrong Ken Jeong doubled down on his guess from last week: Joe Jonas. Rita Ora keyed in on a possible former child star who has been through it, Shia LaBeouf, though Jenny McCarthy-Wahlberg vacillated between James Franco and the actual man behind the mask: three-time Nickelodeon Kids’ Choice Award winner Drake Bell.

The child actor who began his career on the sitcom Home Improvement before becoming a Nickelodeon superstar on The Amanda Show, Drake & Josh and The Fairly OddParents also sang on the Drake & Josh soundtrack and released his debut album, Telegraph, in 2005. He followed up with his 2006 breakthrough It’s Only Time and 2014’s Ready Steady Go! and has since released two albums independently: 2020’s The Lost Album and this year’s Non-Stop Flight.

Earlier this year, Bell, 38, revealed in the Quiet on the Set: The Dark Side of Kids TV documentary that during his Nickelodeon years, his dialogue coach Brian Peck had repeatedly sexually assaulted him beginning when Bell was 15; Peck was arrested in 2003 and convicted of lewd conduct with a minor. 

Billboard spoke to Bell before Wednesday night’s elimination episode and found out why he loved his costume, how TikTok sleuths blew his mind and what his next era might look like.

What made you want to do Masked Singer this season? Are you a fan of the show?

Totally. What’s interesting is that I had the opportunity to do Masked Singer in Mexico [last year], so I had experience coming in. I was Baby Alien [holds adorable stuffed Baby Alien doll up to the camera] and I’m on tour and doing meet-and-greets and a fan made me this stuffed animal. 

You have a young son at home. Has he seen you on the show?

He’s a little too young. … I don’t think that he would tell any of his friends, but I had to keep it under wraps. I hope he’s able to watch it tonight and when I take my head off he’s like, “Wait, what? That was Dada?”

Every contestant complains about how hot and uncomfortable the costumes are. Tell me about the Ice King costume. Why did it speak to you?

The costume designers did me such a solid because my costume was so easy to move around in. Not the Mexico one, though; that was a really hot costume. Every 15 minutes I was asking for a fan or taking the head off. But this one was awesome and it was so light and easy to move around in. Right when I saw it, seeing this big character, the King and his big mustache and cape … [I thought] “There is going to be so much to play with.” I completely lost myself in the character.

You really seemed to go for it with the Hot Chelle Rae song. What inspired you to choose that one? It seems a bit outside of your usual vibe.

It’s totally out of my wheelhouse, but totally a guilty-pleasure song. It’s cool because when I’m in the costume, I’m not self-conscious about what people are going to think. It allows you to lose yourself and find the character and sing songs you wouldn’t normally sing.

The package alluded to you and Miley both understanding the difficulties of growing up in the Hollywood spotlight, so why “Midnight Sky”?

I think honestly just the vibe of the song. I love older music, from the 1960s, ’70s, ’80s, and it had a real vintage feel. The second I heard it, I thought, “This has got to be the one.” It was the closest thing to what I’m into.

You’ve done movies, TV, albums, video games, but this is your first competition show. What was your goal? Did you want to win?

First of all, it’s just fun. This was an opportunity to have fun and they really allow you to play the game. You always think it’s smoke and mirrors and it’s all Hollywood and the contestants know who the other contestants are. But it is secretive and we really have no idea who anyone else is. When you leave the hotel, you’re completely covered up, with gloves and everything. You’re looking at how tall they are and trying to listen to their performance, but you can only hear the singer right before you. You don’t eat lunch together or rehearse together… so you’re playing along with the game.

Did anyone in your life immediately realize it was you under that costume?

I didn’t think anyone would ever guess or recognize my voice, but I was looking at a clip on TikTok and in the comments section every comment was, “Oh, this is Drake Bell.” They were like, “This is Drake because when he’s singing onstage without a guitar, if you look at a picture, his hands are like this and look at Ice King and his hands are like this too.” On the first night they were guessing it’s me? I thought I’d be the furthest thing from anyone’s mind.

Was there something about being masked that appealed to you as someone who has spent so much time with their face in the spotlight? Was there a comfort in that?

There’s a total comfort, like when I’m doing voice-over work on the Ultimate Spider-Man. Like when you’re doing fight scenes, you move your face in a way to get the sounds out and if you were on camera you wouldn’t make those faces because you’d be worried about what you look like. But getting the right voice behind the mask you’re not worried about someone going, “Wow, Drake Bell can’t dance.” Or “Why is Drake Bell singing this song?” 

Obviously it’s been a hectic, intense year for you as you’ve come back into the spotlight. Do you feel like Masked Singer is an opportunity to have a “second chance” in Hollywood?

I definitely feel that way. Being able to do something so fun and music-driven now that I just released a new album and am on tour now — life works in mysterious ways, but it all came together at the right time. As I’m launching the new record and reintroducing myself to the world, this is a really cool thing.

You mentioned that you dropped the Non-Stop Flight album earlier this year. Can we expect more music from you soon?

The album is big, 25 songs, and it’s a total concept album that sounds like you’re on an airplane flight with announcements from the flight attendants and captain. It’s a journey through my life and the most autobiographical, self-reflecting album I’ve put out. … Songs about the past, present, future, the good, the bad, ugly, ups and downs. It took four years to complete, and every time I thought I was done, I’d write another song and something would happen. I would also love to get back on screen and now I’m really focused with the work I’m doing with a production company and looking to get more into writing and directing and producing and hopefully getting on the other side [of the camera].

Billy Ray Cyrus Questions Beyoncé’s Lack of CMA Award Nominations: ‘Her Album Was Brilliant’

Billy Ray Cyrus is part of the BeyHive.

The “Achy Breaky Heart” singer took to Instagram on Wednesday (Nov. 20) to reminisce on his past with the CMA Awards, which took place at Nashville’s Bridgestone Arena on the same day as his post. He shared two photos, a throwback snap in which he accepted the 1992 award for single of the year and another picture posing alongside Lil Nas X in 2019. “Congratulations to ALL @cma nominees! I’m so happy and proud to see country music opening their doors and format to be inclusive to all people, all styles,” he captioned the post. “@lilnasx and I won this award in 2019 for Event Of The Year… but you wouldn’t have seen it because they didn’t air it in the show.”

Cyrus then pointed out the lack of nominations for Beyoncé, whose Cowboy Carter album features his daughter Miley Cyrus on “II Most Wanted.” Cowboy Carter not only topped the Billboard 200 for two weeks, but reigned at No. 1 on the Top Country Albums chart for a full month. Plus, lead single “Texas Hold ‘Em” made the 32-time Grammy winner the first Black woman to hit No. 1 on the Hot Country Songs ranking, a position it held for 10 weeks.

“I was surprised to see @beyonce wasn’t nominated??? Her album was brilliant… her single ruled,” Billy Ray wrote. “But she knows that. She doesn’t need a trophy from the CMA… or permission …. or approval from any of their judges. ‘When ya knock em out…. Ya don’t need no judge’. – Muhammad Ali.”

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See his post here.

Beyoncé previously stirred CMA controversy in 2016, when she performed her country-leaning song “Daddy Lessons” at the awards show alongside The Chicks. A pre-show announcement teasing her performance sparked calls for a CMAs boycott on social media and, after the performance, there was no mention of her appearance on the CMAs website.

In a March post on Instagram, the “16 Carriages” singer wrote that her Cowboy Carter album was “born out of an experience” she’d had years prior where she “did not feel welcomed,” which many fans took to be in reference to the 2016 controversy. 

Troye Sivan and Royel Otis Celebrate Big Wins at 2024 ARIA Awards

The 2024 ARIA Awards lit up Sydney’s Hordern Pavilion on Nov. 20, celebrating the best in Australian music— but it was Troye Sivan and Sydney duo Royel Otis who were the big winners of the evening.

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Fresh off his SWEAT tour with Charli XCX, Sivan dominated for the second consecutive year, taking home three major awards: Album of the Year and Best Pop Release for Something to Give Each Other and Best Solo Artist. It follows his impressive performance at the 2023 ARIAs, where he collected four trophies, including Song of the Year.

The pop powerhouse said when receiving the coveted Album of the Year award, “I literally don’t have anything to say. Genuinely, totally, totally speechless, thank you guys, so, so much,” before delving into the deeply personal inspiration behind his record.

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“This album has completely, completely changed my life. It was inspired by the moments between lockdowns in Melbourne. I was single, and really depressed and lonely, and then those little glimpses of hope in between. I just started to go out and hook up with random people,” Sivan said.

The crowd erupted in cheers, but the camera quickly panned to his mother, who was seen covering her ears in mock horror. Sivan laughed and apologized: “Oh, my mum, sorry mum! Guys, my mum has seen the craziest s— at my shows, this is like, nothing for her.”

He went on to share a specific encounter that shaped the album’s direction: “So, I was going through the break-up, really, really depressed, and I meet this one guy. I have this one-night stand with him, right? And we have this incredible, incredible connection. And I’m like, oh my God, I thought the connection could only look like one thing, you know? And then I started to realise just how many people there are in the world and how many incredible connections of all kinds can feel, and how it can present in all of these different ways.”

Sivan added that he wrote the album “about this random stranger that I never saw again.” However, he later ran into the same man at a wine bar in Melbourne after the album’s release.

“The album is out at this point and it’s going really well,” he said. “And then the crazy thing is, that I said to him – the album is out at this point and it’s going really well – and I said to him, just so you know, it’s sort of about you,” adding that the man told him the album had helped him through a breakup.

The singer ended with: “So, music is just really, really cool. So yeah, go have a one-night stand with someone—you never know what could happen!”

Sivan’s latest album has been hailed as a defining moment in the pop powerhouse’s career. The record debuted at No. 1 on the ARIA Albums Chart, marking his first-ever chart-topping album in Australia. It has garnered nearly 250 million streams globally, earned two Grammy nominations, and was shortlisted for the prestigious Australian Music Prize.

“Rush” not only debuted at No. 77 on the Billboard Hot 100 — marking Sivan’s first solo appearance on this chart since 2018 — but it also topped the Dance/Electronic Streaming Songs and Dance/Electronic Song Sales charts, amassing over 23.4 million global streams to date.

As Sivan prepares for his Something to Give Each Other Tour, his momentum shows no signs of slowing. The tour, kicking off in late 2024, includes stops in Australia and New Zealand, with highlights like back-to-back performances at the Sydney Opera House Forecourt on Nov. 28 and 29, marking a homecoming for the artist.

Beyond Troye Sivan’s big night, the 2024 ARIA Awards delivered plenty of standout moments. Royel Otis, consisting of Royel Maddell and Otis Pavlovic, pulled an impressive four-award haul, for Best Group presented by Stan, Best Rock Album, Engineer – Best Engineered Release (Chris Collins), and Producer – Best Produced Release (Chris Collins).

First Nations hip hop trio 3% — consisting of Nooky, Dallas Woods, and Angus Field — won Best Hip Hop/Rap Release for “KILL THE DEAD” and Best Cover Art (Daniel Boyd and Nomad Create).

Hardcore Sydney group SPEED, who are set to be part of the Coachella 2025 lineup, took out the gong for Best Hard Rock/Heavy Metal Album.

Teen Jesus and the Jean Teasers took home the Michael Gudinski Breakthrough Artist Award and Dom Dolla nabbed the win for Best Dance/Electronic Release for “Saving Up,” marking his third ARIA Award. Meanwhile, Angie McMahon proved her indie prowess, snagging Best Independent Release for Light, Dark, Light Again.

The night also saw Missy Higgins inducted into the ARIA Hall of Fame, a heartfelt moment celebrating her incredible legacy, topped off with her win for Best Australian Live Act Presented by Destination NSW. G Flip struck a chord with fans, clinching Song of the Year for “The Worst Person Alive”, while Taylor Swift’s global dominance continued as she was crowned Most Popular International Artist.

The 2024 ARIA Awards were packed with show-stopping performances, showcasing the incredible talent and diversity of Australian music. Troy Cassar-Daley brought the crowd to its feet with a heartfelt performance featuring U.S. country star Kane Brown and a surprise appearance by Kasey Chambers. Jessica Mauboy teamed up with hip-hop standouts 3% and Julian Hamilton of The Presets for a high-energy rendition of “Won’t Stop” and “Our People.”

The night wasn’t short on surprises either—CYRIL, Becca Hatch, and Budjerah created a soulful, genre-blending moment that spotlighted Australia’s rising stars, while The Kid LAROI brought the house down with his high-energy set. Ava Max lit up the stage with a medley of her hits, and The Pixies stunned with a surprise world-exclusive TV performance of “Where Is My Mind” in support of Ausmusic T-Shirt Day.

Wrapping it all up in style was a performance from Missy Higgins, alongside Amy Shark, Angie McMahon, Gretta Ray, and G Flip, who landed Song of the Year for “The Worst Person Alive.”

More winners on the night included Tkay Maidza for Best Soul/R&B release, Emily Wurramara for Best Adult Contemporary Album, Mia Dyson for Best Blues & Roots Album, Bluey for Best Children’s Album, Tones And I (Nick Kozakis and Sela Vai) for Best Video Presented by YouTube, Missy Higgins for Best Australian Live Act presented by Destination NSW,  Taylor Swift for Most Popular International Artist, Midlife for Best Jazz Album and DOBBY for Best World Music Album. 

ARIA CEO, Annabelle Herd, said of the evening: “All of us at ARIA are so proud of this genuinely global-facing industry that proved tonight exactly how much Australia has to be proud of when it comes to homegrown music. I’m beyond excited for the future of Australian music after seeing the incredible talent of the winners, performers, and nominees at this year’s Awards. Thank you to YouTube, DNSW, all of our partners, and the incredible ARIAs team, especially broadcast EP Craig Campbell and Event Producer Brendan Maher. Here’s to another incredible year of Ausmusic in 2025!”

Mel Silva, VP, Google Australia on behalf of YouTube added: “Year after year, the ARIA Awards prove to be an incredible celebration of Australian music. Huge congratulations to all of this year’s winners and nominees – you’re absolutely crushing it! YouTube is honored to continue our partnership with ARIA, and to help connect fans around the world with their favourite artists – from the Red Carpet mirror-selfies, to the incredible content created by artists, to showcasing unforgettable performances and amazing talent like Missy Higgins’ Hall of Fame induction. You can check it all out on YouTube.”

See all the 2024 ARIA Award winners here.

Post Malone & Chris Stapleton Open the 2024 CMA Awards With Spirited ‘California Sober’ Performance

Post Malone and Chris Stapleton opened the 2024 Country Music Association Awards Wednesday (Nov. 20) with a rockin’ performance of their duet “California Sober.”

With both stars wearing cowboy hats and slinging guitars with a full band backing them up, the rapper-turned-country star and Kentucky native brought the energy right away. “She said, ‘I’ll take you on a little trip/ Come on, give these lips a try,’” they sang, harmonizing while looking at each other excitedly. “She said, ‘Baby, give me one more kiss/ Before I kiss your ass goodbye.’”

“California Sober” appears on Posty’s album F-1 Trillion, which debuted atop the Billboard 200 in August. The track peaked at No. 34 on the Billboard Hot 100 and No. 14 on the Hot Country Songs chart.

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Hosted by Peyton Manning, Luke Bryan and Lainey Wilson, this year’s CMAs are taking place at Bridgestone Arena in Nashville. Both Posty and Stapleton are nominated for prizes, and the former’s Morgan Wallen duet, “I Had Some Help,” and the latter’s “White Horse” even competed against each other in the single of the year category. The winner was announced just moments after the duo’s show-opening performance, with Stapleton walking away with the prize — his third time winning single of the year to date.

The “Starting Over” musician is also up for entertainer of the year and male vocalist of the year, as well as album of the year for Higher and song of the year for “White Horse.” In addition to single of the year, Post and Wallen’s “I Had Some Help” snagged nods for musical event of the year and music video of the year.

Maino “Big Dog,” Killer Mike, Key Glock & Project Pat “Still Talking That Sh*t” & More | Daily Visuals 11.20.24

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Killer Mike Grammy Celebration

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It’s been a while since we’ve seen Maino rock his signature gold crown in his music videos and though the headpiece is still retired, the Brooklyn rapper doesn’t have an issue with reminding everyone he’s still royalty out in these streets and use his latest music video to state as much.

Dropping off some new visuals to “Big Dog,” Maino hits the streets of BK with his wolf pack to mark his territory while shape shifting into a K-9 to show he got that dog in him before sitting on a throne to spit his bars and let everyone know he’s still a king in New York. We wonder if he got that crown in a display case or in his closet or something.

Back in the South, Killer Mike, Key Glock and Project Pat got something to say and in their clip to “Still Talking That Sh*t,” the three rappers give us a block performance with a mic in the parking lot of a seafood restaurant where they no doubt got some grub after working up an appetite eating up some of your favorite rappers.

Check out the rest of today’s drops including work from Kash Doll, Fendi P, and more.

MAINO – “BIG DOG”

KILLER MIKE, KEY GLOCK & PROJECT PAT – “STILL TALKING THAT SH*T”

KASH DOLL – “JUMP”

SHABOOZEY – “GOOD NEWS”

MIYAHDADON – “I CAN REALLY”

FENDI P – “MY RIDE WAITING”

BUGLE & BUJU BANTON & DAMIAN “JR GONG” MARLEY – “THANK YOU LORD”

RUSTE JUXX – “WORK”

Kelly Clarkson Channels a Fellow Vocal Great With Celine Dion ‘All By Myself’ Cover

Only Kelly Clarkson could do a Celine Dion song justice, showing off her unmatched vocal ability for Kellyoke on her daytime talk show on Wednesday (Nov. 20) by taking on the her fellow superstar’s “All By Myself.”

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Accompanied by a piano and wearing a black leather skirt and off-the-shoulder top, Clarkson began the verses softly before turning up the emotion for the power ballad’s moving chorus, as her guitarist added to the intensity with a solo. “All by myself/ Don’t wanna be/ All by myself/ Anymore,” the superstar sang before wrapping up the cover by hitting an impressive high note, met with cheers from the audience.

“All By Myself” was originally released by singer-songwriter Eric Carmen in 1975 as the first single from his debut, self-titled album. The track peaked at No. 2 on the Billboard Hot 100. More than two decades later, the song was re-popularized by Dion, who released a cover of the track in 1996 as a single off her fourth English-language album, Falling Into You. The song, produced by David Foster, quickly became one of Dion’s biggest hits, hitting the top 10 on the Hot 100, Hot 100 Airplay and Hot 100 Singles Sales charts.

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Next month, Clarkson is set to return for her second year as host of NBC’s annual Christmas in Rockefeller Center telecast on Dec. 4. Besides hosting, Clarkson is also set to perform some festive hits at the tree-lighting ceremony.

Watch Kelly Clarkson’s cover of Celine Dion’s “All By Myself” below.