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With 110 million buyers, sellers, collectors and lurkers roaming through Discogs every year, the 23-year-old online music marketplace’s forum threads are not exactly full of emotional support. In one of the notoriously messy threads, users complain about the May 2023 increase in selling fees from 8–9%. “What a rip off,” goes one post. 
In another forum, someone advises a seller contending with a buyer demanding a full refund: “People here need to have more balls when dealing with dopes. Grow a pair.” And another user simply writes: “Discogs has gone downhill. It’s really sad. I have loved this site for so long. It feels like bots are running it. AI is just going to make it worse.”

How does Discogs turn these passionate, semi-anonymous user criticisms into upgrades? Very carefully, according to Lloyd Starr, chief operating officer since May 1: “We’ve got millions of people on the platform every month now. It’s a lot harder to find the signal in that noise.”

To improve communication between Discogs and its users, the company’s executive leadership plans to spend 2024 rolling out initiatives to solicit user suggestions and make broad changes. The Discogs community remains angry about the fee increase — which applies to shipping costs, too — and the way the company suggested the “easiest thing” for sellers to do would be to increase their prices. In a “we can do better” post last month, founder and CEO Kevin Lewandowski announced a soon-to-be-created Community Advisory Board, for users to “bring feedback and ideas to Discogs and influence how the platform evolves.”

The advisory board, Starr suggests, will be the centerpiece of Discogs’ changes. In roughly late March, Discogs will solicit applications from users and appoint representatives from the “selling, contributing and collecting” communities, as Starr calls them, by early summer. “It’s more of a dynamic conversation than a one-way post on a forum,” he says.

Lewandowski and Starr have already begun their Discogs feedback-solicitation tour. The pair traveled to New York City together in mid-January to meet with power users, including Craig Kallman, chairman and CEO of Atlantic Records, who gave them a tour of his two million LPs. Starr won’t reveal exactly what these users suggested, but he outlines a broad plan for Discogs to use surveys, polls and live contests at record-selling events. “We really want the community to feel listened to and give them advice,” he says.

In addition, Discogs will roll out “25 in ’25,” an attempt to boost the company’s online database from 17 million listed items to 25 million by its 25th anniversary in November 2025. (As of 2019, the latest year in which Discogs released sales numbers, users sold 14.6 million items on the platform, including 11.6 million vinyl LPs.)

To help achieve 25 million, the company recently hired Brent Greissle, a longtime user who has personally added 50,000 entries to Discogs’ database, as principal of discography affairs, to oversee the project. Starr also hopes to expand the database’s “richness and diversity in culture,” tapping into Brazil’s record-store community, for example, through trips to Sao Paulo, like one Lewandowski recently took to visit the world’s biggest LP collector, Zero Freitas, who by some accounts owns over six million records.

As for technological changes, Lewandowski spells out plans to improve the log-in and checkout systems and want lists. “I wrote most of the code originally back in 2000. It had a major rewrite in 2004. Some of our current software goes back that far,” he says. “This enables us to do things faster and give the community things they’ve been asking us for.” Starr elaborates that Discogs has been working for years to upgrade order management, user authentication and fraud mitigation to bring the site up to Amazon-style e-commerce standards — but it’ll take more time. “We’ve got a little technical debt to resolve here,” he says.

Several Discogs users say they’re skeptical of broad changes coming from executive leadership, which they say hasn’t listened to their concerns. Jonathan Highfield, a longtime seller near Liverpool, England, complains that Greissle, a liaison between Discogs management and user forums, is too overloaded to respond effectively about slow-loading pages or difficulty searching for releases by genre, style or label. “If they’re listening, great, but the channel is too narrow for enough information to pass through,” Highfield says. “It makes people not want to use the site.”

And like many sellers, Kurt Walling, a semi-retired optician in Streetsboro, Ohio, who has been offloading portions of his personal collection via Discogs for years, remains upset about last year’s increase in selling fees. Of the imminent changes Starr is describing, Walling says: “My inclination is to think it’s corporate stuff. I don’t think it’s sincere.”

By way of response, Starr says, the last time Discogs changed its fees was 10 years ago, and since then, the company has been “absorbing the rising cost of salaries, the rising cost of enterprise software.” Plus, competitors like Amazon and eBay take a sales percentage out of every order, and Discogs is “doing the same thing.” While Discogs could have communicated the new fees more effectively to users, according to Starr, “I don’t think removing fees makes sense.”

And for all the discontent found on the Discogs forums, one user is satisfied with his experience: Kallman, who continues to use its database to help track Atlantic’s vast catalog of releases. “Crucial, rare, out-of-print recordings that might otherwise be at risk of being forgotten in the digital era are all preserved,” he says. “The database is the most valuable asset of Discogs, and they give it away for free. It’s a constant, evolving, living, breathing organism that continues to fine-tune to maintain the completeness of the platform.”

In 2023, Taylor Swift loomed so large in the world of vinyl albums, that one of every 15 vinyl albums sold in the U.S. was by the superstar.

Comparatively, in 2022, she accounted for one of every 25 vinyl albums sold.

Swift was the year’s top-selling act on vinyl for a third straight year, with 3.484 million copies sold across her catalog of albums, according to data tracking firm Luminate. The industry’s total vinyl album sales for 2023, across all artists in the U.S., finished at 49.61 million – up 14.2% from 43.46 million in 2022. 2023 marked the 18th consecutive year vinyl album sales grew in the U.S., and the largest year for vinyl album sales since Luminate began tracking data in 1991.  

In 2023, Swift’s vinyl sales accounted for 7% of the industry’s total vinyl album sales.

Read more about the year-end numbers in the U.S. 2023 Luminate Year-End Music Report.

Swift’s vinyl sales were so big in 2023 that she sold more than the next seven-biggest-selling acts on vinyl last year. Lana Del Rey was the year’s No. 2-seller on vinyl, with 646,000 copies sold, followed by Tyler, the Creator (552,000), Travis Scott (474,000), Olivia Rodrigo (408,000), Kendrick Lamar (382,000), Metallica (378,000) and The Beatles (373,000). (To round out the top 10-selling acts on vinyl last year, Fleetwood Mac was No. 9, with 357,000, and Mac Miller was No. 10 with 354,000.)

The top-selling vinyl album of 2023 was Swift’s 1989 (Taylor’s Version) with 1.014 million sold. That marks the largest yearly sales total for a vinyl album, and the first vinyl set to sell a million in a calendar year, since Luminate began tracking sales in 1991. The set also scored the largest sales week for a vinyl set since 1991 when it debuted with 693,000 copies sold in its first week.

Swift has five of the top 10-selling vinyl albums of 2023, and the entire top three. (See list, below.)

TOP 10-SELLING VINYL ALBUMS OF 2023 IN U.S.1. Taylor Swift, 1989 (Taylor’s Version) (1.014 million)2. Taylor Swift, Speak Now (Taylor’s Version) (510,000)3. Taylor Swift, Midnights (492,000)4. Travis Scott, Utopia (373,000)5. Taylor Swift, Folklore (308,000)6. Olivia Rodrigo, Guts (267,000)7. Taylor Swift, Lover (256,000)8. Lana Del Rey, Did You Know That There’s a Tunnel Under Ocean Blvd (215,000)9. Fleetwood Mac, Rumours (206,000)10. Lana Del Rey, Born To Die (192,000)Source: Luminate, for the tracking period Dec. 30, 2022, through Dec. 28, 2023.

Vinyl album sales comprised 47.1% of all album sales in the U.S. in 2023 (49.61 million of 105.32 million). Vinyl LPs accounted for 57% of all physical album sold last year (49.61 million of 87 million). Both sums are Luminate-era records for vinyl’s share of the album sales market in the U.S.

For the third consecutive year, and the third year since Luminate began tracking sales in 1991, vinyl albums outsold CD albums in the U.S. Vinyl once again is the leading configuration for album purchases for the third year in a row. (Vinyl was the top-selling album configuration in 2023, followed by CDs and then digital download albums.)

Vinyl was the dominant configuration for album purchases in the U.S. up until the early 1980s. After that, cassettes took hold until the early ‘90s, when the CD configuration blossomed and remained king until 2021, when vinyl retook the top slot.

Luminate began tracking music sales in 1991 when the company was known as SoundScan. Luminate’s sales, streaming and airplay data is used to compile Billboard’s weekly charts. Luminate’s 2023 tracking year ran from Dec. 30, 2022, through Dec. 28, 2023. Luminate is an independently operated company and a subsidiary of PME TopCo, a joint venture between Penske Media Corporation and Eldridge. Billboard is an independently operated company owned by PME Holdings, a subsidiary of PME TopCo.

Morgan Wallen’s One Thing at a Time closed out 2023 as the most popular album of the year in the U.S., according to music data tracking firm Luminate. The album’s lead single, “Last Night,” was the year’s most-streamed song by on-demand audio streams, while Miley Cyrus’ “Flowers” was the most-heard song on the radio. Total music consumption in the U.S. – as measured in equivalent album units – increased by 12.6% in 2023. (View the U.S. 2023 Luminate Year-End Music Report.)

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See the year’s top 10 albums chart, along with other year-end rankings and overall industry volume numbers, below.

But first, the fine print:

Equivalent album units – for album titles and chart rankings cited below (but not industry volume numbers) – comprise traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported on-demand official audio and video streams generated by songs from an album, or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. Album titles and album chart rankings by equivalent album units do not include user-generated content (UGC) streams, but UGC streams are included in Luminate’s industry volume numbers. (UGC streams are not factored into any of Billboard’s weekly charts.)

For the sake of clarity, equivalent album units do not include listening to music on broadcast radio or digital radio broadcasts. All numbers cited in this story are rounded, and reflect U.S. consumption only.

Luminate’s equivalent album unit totals include SEA and TEA for an album’s songs registered before an album’s release, but during the tracking period of Dec. 30, 2022, through Dec. 28, 2023.

Luminate began tracking music sales in 1991 when the company was known as SoundScan. Luminate’s sales, streaming and airplay data is used to compile Billboard’s weekly charts. Luminate’s 2023 tracking year ran from Dec. 30, 2022, through Dec. 28, 2023.

Luminate is an independently operated company and a subsidiary of PME TopCo, a joint venture between Penske Media Corporation and Eldridge. Billboard is an independently operated company owned by PME Holdings, a subsidiary of PME TopCo.

Highlights from Luminate’s 2023 year-end data:

Morgan Wallen’s One Thing at a Time was Luminate’s top album of 2023. It’s the second time Wallen has led the year-end list. He also was tops in 2021 with Dangerous: The Double Album.

On Luminate’s 2023 U.S. year-end top 10 most popular albums ranking, Taylor Swift has five of the top 10 titles – a single-year Luminate-era record.

Total U.S. album consumption increased by 12.6% in 2023.

R&B/hip-hop continues to hold firm as the top U.S. core genre by total album consumption; the world music genre – inclusive of the Korean pop (K-pop) genre – had the largest percentage gain year-over-year.

Morgan Wallen’s “Last Night” tallied 1.015 billion U.S. on-demand audio streams in 2023 — the most U.S. on-demand audio streams a song has earned in a calendar year. It is only the second song ever to exceed 1 billion on-demand audio streams in a calendar year.

Yearly U.S. on-demand audio streams surpassed 1 trillion for the second time.

27% of all on-demand audio streams in the U.S. in 2023 were R&B/hip-hop songs, the largest share of any core genre.

Swift’s 1989 (Taylor’s Version) is the first vinyl album in Luminate history to sell 1 million copies in a calendar year in the U.S.

Swift sold more albums in 2023 than any other act, accounting for 6% of all albums sold, industry-wide.

The top 10-selling CD albums of 2023 were all by Swift or K-pop acts.

Total U.S. album sales grew 5.2% in 2023 – just the second year that album sales grew in the last 10 years.

U.S. vinyl album sales outsold CDs for the third year in a row. 2023 marked the 18th consecutive year vinyl album sales grew in the U.S., and the largest year for vinyl album sales since Luminate began tracking data in 1991.

47.1% of all albums sold in 2023 in the U.S. – across all configurations, physical & digital combined – were vinyl LPs. 57% of all physical albums sold were vinyl.

Total U.S. album sales for the year (physical and digital download purchases combined) grew by 5.2%.

Swift’s 1989 (Taylor’s Version) sold 1.975 million in traditional album sales in the U.S. in 2023 – the biggest-selling album of any year since 2015.

One Thing at a Time debuted at No. 1 on the Billboard 200 chart dated March 18, 2023, and spent 16 nonconsecutive weeks atop the tally. That marked the most weeks at No. 1 for any album since Adele’s blockbuster 21 spent 24 nonconsecutive weeks at No. 1 in 2011-12. One Thing at a Time is the second Wallen album to be named Luminate’s year-end No. 1 album, after his previous release, Dangerous: The Double Album, in 2021. Wallen is the first artist to have Luminate’s year-end No. 1 album twice in a three-year span since Drake led the year-end ranking in 2018 (with Scorpion) and in 2016 (with Views).

Nearly all of One Thing at a Time’s units earned in 2023 were powered by on-demand streams of its 36 songs. Its collected tracks generated 6.657 billion on-demand streams in the U.S., equaling 92.5% of the album’s total activity for the year (or, 4.962 million SEA units of its total 5.362 million units). One Thing at a Time was also the most-streamed album of 2023.

One Thing at a Time sold 326,000 in traditional album sales in 2023 (making it the No. 13-biggest-selling album of the year). The set also generated 745,000 in individual digital track sales, equaling nearly 75,000 in TEA units.

2023 marks the eighth year in a row in which Luminate’s year-end top album is by a solo male artist. The last time a solo male didn’t finish at No. 1 was in 2015, when Adele’s 25 ruled.

One Thing at a Time’s 5.362 million equivalent album units earned in 2023 is the largest sum for any album measured in a calendar year since 2015, when Adele’s 25 tallied 8.008 million and was the year’s top album.

One Thing at a Time spun off the massive multi-format chart hit “Last Night,” which spent 16 weeks atop the all-genre Billboard Hot 100. The tune also closes 2023 as the most-streamed song by on-demand audio streams.

TOP 10 ALBUMS OF 2023 IN U.S., BY TOTAL EQUIVALENT ALBUM UNITS1. Morgan Wallen, One Thing at a Time (5.362 million)2. Taylor Swift, Midnights (3.209 million)3. SZA, SOS (3.172 million)4. Taylor Swift, 1989 (Taylor’s Version) (2.872 million)5. Morgan Wallen, Dangerous: The Double Album (2.179 million)6. Taylor Swift, Lover (1.875 million)7. Travis Scott, Utopia (1.782 million)8. Taylor Swift, Speak Now (Taylor’s Version) (1.775 million)9. Taylor Swift, Folklore (1.612 million)10. Metro Boomin, Heroes & Villains (1.573 million)

Source: Luminate, for the tracking period Dec. 30, 2022, through Dec. 28, 2023. UGC streams are not included in this chart, but are included in Luminate’s on-demand streaming charts (below).

While Wallen has a pair of titles in the year-end top 10, Taylor Swift looms even larger. Swift has five albums among Luminate’s year-end top 10 – the first time any act has placed that many albums among Luminate’s year-end top 10 since the company began tracking data in 1991. Previously, the most titles any single act had among the year’s top 10 was three, achieved by Garth Brooks in 1993.

On Luminate’s year-end top 10 albums ranking, Swift is found at No. 2 (Midnights, 3.209 million units), No. 4 (1989 [Taylor’s Version], 2.872 million), No. 6 (Lover, 1.875 million), No. 8 (Speak Now [Taylor’s Version], 1.775 million) and No. 9 (Folklore, 1.612 million). Just two of those albums were released in 2023: Speak Now (Taylor’s Version) and 1989 (Taylor’s Version). Midnights was issued in late 2022, while Folklore bowed in 2020 and Lover arrived in 2019. All of Swift’s catalog in 2023 was buoyed by her stadium-filling The Eras Tour and its film adaptation Taylor Swift: The Eras Tour.

Swift also has five of the top 10-selling albums of 2023, five of the year’s top 10-selling vinyl albums and three of the top 10-selling CD albums. She’s also No. 1 on each of the three rankings. (See lists, below.)

TOTAL ALBUM CONSUMPTION INCREASES 12.6%: Equivalent album units increased by 12.6% in 2023, to 1.097 billion (up from 974.9 million in 2022). There were 28 albums that earned at least 1 million equivalent album units in 2023 – up from 19 in 2022.

R&B/HIP-HOP LEADS AMONG GENRES: R&B/hip-hop continues to hold firm as the top genre by total album consumption, with 277.27 million units earned in 2023 – equating to 25.3% of total volume (1.097 billion units) last year across all of Luminate’s core genres measured. R&B/hip-hop consumption increased by 5.9% in 2023 over its volume in 2022 (261.72 million). However, R&B/hip-hop’s share of total consumption decreased from 26.8% in 2022 to 25.3% in 2023. (R&B/hip-hop is an umbrella genre for Luminate that contains most titles categorized as R&B and/or rap.)

2023’s second-largest genre, by total album consumption, was rock with 212.42 million units (up 9.1% from 194.72 million in 2022). Pop music was third, with 135.32 million (up 9.4% from 123.72 million in 2022), country was fourth, with 92.19 million (up 21.8% from 75.69 million in 2022) and Latin was fifth, with 75.26 million (up 21.9% from 61.73 million in 2022).

In terms of the largest percentage gains among Luminate’s core genres, year-over-year, the world music genre had the biggest increase in 2023. The genre’s 34.1% gain last year (29.94 million units vs. 22.32 million in 2022) is inclusive of Korean pop (K-pop) music. (K-pop is one of the many music genres housed within the larger world music core genre.) The second-and-third-largest percentage increases in 2023 among Luminate’s core genres belonged to Latin (up 21.9%, to 75.26 million in 2023, vs. 61.73 million in 2022) and country (up 21.8%, to 92.19 million, vs. 75.69 million in 2022).

TAYLOR SWIFT’S ‘1989 (TAYLOR’S VERSION)’ IS 2023’s TOP-SELLING ALBUM: Taylor Swift’s most recent release, and her fourth re-recorded project, 1989 (Taylor’s Version), was 2023’s top-selling album in the U.S., with 1.975 million copies sold across all configurations (physical and digital combined: CD, vinyl LP, cassette, digital download album). See the top 10-selling albums, below.

TOP 10-SELLING ALBUMS OF 2023 IN U.S. (PHYSICAL & DIGITAL SALES COMBINED)1. Taylor Swift, 1989 (Taylor’s Version) (1.975 million)2. Taylor Swift, Midnights (973,000)3. Taylor Swift, Speak Now (Taylor’s Version) (908,000)4. Travis Scott, Utopia (575,000)5. Stray Kids, 5-STAR (526,000)6. Taylor Swift, Folklore (466,000)7. TOMORROW X TOGETHER, The Name Chapter: TEMPTATION (444,000)8. Taylor Swift, Lover (425,000)9. Olivia Rodrigo, Guts (404,000)10. Stray Kids, ROCK-STAR (229,000)Source: Luminate, for the tracking period Dec. 30, 2022, through Dec. 28, 2023.

With 1.975 million copies sold, 1989 (Taylor’s Version) is the biggest-selling album of any year since 2015, when Adele’s 25 sold 7.441 million copies. An album by Swift has been the year’s top-seller in six of the last 10 years: 1989 (Taylor’s Version) in 2023, Midnights in 2022, Folklore in 2020, Lover in 2019, Reputation in 2017 and 1989 in 2014. She also had the top-seller in 2009 with Fearless. Swift is the only act to have the top-selling album of the year at least seven times since Luminate began tracking sales in 1991.

1989 (Taylor’s Version) was also the top-selling vinyl LP of 2023 (1.014 million sold) and the top-selling CD album of the year (800,000 sold). 1989 (Taylor’s Version) is the first album to sell a million copies on vinyl in a calendar year since Luminate began tracking sales in 1991.

Sales of 1989 (Taylor’s Version) were bolstered by its availability across 15 physical configurations: five color vinyl variants, eight CD editions and two cassette albums. Further, of the five vinyl variants, Target carried a color edition that includes one bonus track (“Sweeter Than Fiction”). The set was also issued in two download editions – a standard 21-song version and a deluxe 22-track edition which adds a re-recorded version of the album’s “Bad Blood,” featuring Kendrick Lamar.

Swift, like many acts, leaned into creating additional versions of an album for purchase by superfans. All of the top 10-selling albums of 2023 were aided by their availability across multiple iterations, including many that contained collectible branded merchandise or color vinyl.

Swift by far sold the most albums of any act in 2023 in the U.S., as her collected catalog sold 6.172 million copies (across all configurations, physical and digital combined). Her sales accounted for 6% of all album sales last year across all albums by all artists. The second-biggest selling act, in terms of album sales in 2023, was K-pop group Stray Kids with 1.205 million copies sold.

TOTAL U.S. ALBUM SALES INCREASE BY 5.2%: Total U.S. album sales increased by 5.2% in 2023 to 105.32 million copies sold (up from 100.09 million in 2022). 2023 marked just the second year album sales increased in the last 10 years, following 2021. Album sales declined in every year from 2012-20, and again in 2022, as fans increasingly adopt streaming services as a means to consume music.

Total U.S. physical album sales (CD, vinyl LP, cassette, etc.) increased by 8.9% to 87 million in 2023 (up from 79.89 million in 2022). Digital album sales declined by 9.3% to 18.32 million in 2023 (down from 20.2 million in 2022).

VINYL REIGNS: For the third consecutive year, and the third year since Luminate began tracking sales in 1991, vinyl albums outsold CD albums in the U.S. Vinyl once again is the leading configuration for album purchases for the third year in a row.

Vinyl was the dominant configuration for album purchases in the U.S. up until the early 1980s. After that, cassettes took hold until the early 1990s, when the CD configuration blossomed and remained king until 2021, when vinyl retook the top slot.

49.61 million vinyl albums were sold in 2023 (up 14.2% from 43.46 million in 2022). 2023 marked the 18th consecutive year vinyl album sales grew in the U.S., and the largest year for vinyl album sales since Luminate began tracking data in 1991.

TOP 10-SELLING VINYL ALBUMS OF 2023 IN U.S.1. Taylor Swift, 1989 (Taylor’s Version) (1.014 million)2. Taylor Swift, Speak Now (Taylor’s Version) (510,000)3. Taylor Swift, Midnights (492,000)4. Travis Scott, Utopia (373,000)5. Taylor Swift, Folklore (308,000)6. Olivia Rodrigo, Guts (267,000)7. Taylor Swift, Lover (256,000)8. Lana Del Rey, Did You Know That There’s a Tunnel Under Ocean Blvd (215,000)9. Fleetwood Mac, Rumours (206,000)10. Lana Del Rey, Born to Die (192,000)Source: Luminate, for the tracking period Dec. 30, 2022, through Dec. 28, 2023.

The top-selling vinyl album of 2023 is Swift’s 1989 (Taylor’s Version) with 1.014 million sold. That marks the largest yearly sales total for a vinyl album, and the first vinyl set to sell a million in a calendar year, since Luminate began tracking sales in 1991. The effort also scored the largest sales week for a vinyl set since 1991 when it debuted with 693,000 copies sold in its first week.

Swift closed 2023 with five of the top 10-selling vinyl albums. Further, her catalog of albums sold 3.484 million copies on vinyl in 2023 – the most of any artist. (Lana Del Rey was the second-biggest selling act on vinyl in 2023, with 646,000 sold.) Swift’s vinyl sales accounted for 7% of the industry’s total vinyl album sales in 2023.

Vinyl album sales comprised 47.1% of all album sales in the U.S. in 2023 (49.61 million of 105.32 million). Vinyl LPs accounted for 57% of all physical album sold last year (49.61 million of 87 million). Both sums are Luminate-era records for vinyl’s share of the album sales market in the U.S.

In 2023 a total of 99 albums each sold at least 50,000 copies on vinyl – up from 88 in 2022. Comparatively, 65 albums on the CD configuration sold at least 50,000 copies in 2023 (up from 56 in 2022).

CD ALBUM SALES INCREASE, SWIFT & K-POP DOMINATE: 36.83 million CD albums were sold in 2023 (up 2.7% compared to 35.87 million in 2022), making it the second-most popular configuration for album purchases.

The top 10-selling CD albums of 2023 are comprised entirely of releases by Swift and K-pop artists. All profit from their availability across multiple collectible editions for superfans.

Swift sold the most CD albums in 2023, with 1.985 million copies sold across her entire catalog of titles. Stray Kids wrap as the No. 2-seller on CD, with 1.188 million sold. Swift’s CD sales represented 5.4% of all CD albums sold in 2023, industry-wide.

TOP 10-SELLING CD ALBUMS OF 2023 IN U.S.1. Taylor Swift, 1989 (Taylor’s Version) (800,000)2. Stray Kids, 5-STAR (520,000)3. TOMORROW X TOGETHER, The Name Chapter: TEMPTATION (442,000)4. Stray Kids, ROCK-STAR (381,000)5. NewJeans, 2nd EP Get Up (332,000)6. TWICE, Ready to Be (303,000)7. SEVENTEEN, SEVENTEEN 10th Mini Album Fml (288,000)8. Taylor Swift, Midnights (276,000)9. Taylor Swift, Speak Now (Taylor’s Version) (267,000)10. Jung Kook, Golden (244,000)Source: Luminate, for the tracking period Dec. 30, 2022, through Dec. 28, 2023.

Digital album sales were the third-most popular configuration in 2023 for album purchases, and the category dropped by 9.3% to 18.32 million (down from 20.2 million in 2022). The top-selling digital album of 2023 was Swift’s Midnights, with 201,000 downloads sold. Swift additionally was the top-selling artist in terms of digital albums in 2023, with 667,000 downloads sold. Morgan Wallen was the second-biggest-selling artist in terms of download albums, with 187,000 sold. Swift’s digital sales presented 3.6% of all download albums sold, industry-wide.

CASSETTE SALES STEADY: After cassette album sales jumped 28% in 2022, the niche configuration mostly stayed steady in 2023, slipping just 0.75%. In 2023, a total of 436,400 cassette albums were sold – a sliver less than the 439,700 sold in 2022. Cassettes were the leading album configuration for purchases from the early 1980s until the early 1990s. Today, cassette tapes are frequently sold exclusively on an artist’s webstore and in collectible editions. In 2023, the Billboard 200 chart saw No. 1 albums that boasted a cassette configuration from Blink-182’s One More Time, Olivia Rodrigo’s Guts and Swift’s 1989 (Taylor’s Version), Speak Now (Taylor’s Version) and Midnights (which first led the list in 2022).

TOTAL STREAMING INCREASES 14.6%, ON-DEMAND AUDIO UP 12.7%: Total U.S. on-demand song streams (audio and video combined, inclusive of UGC streams) increased by 14.6% to 1.453 trillion in 2023 (up from 1.268 trillion in 2022). Yearly on-demand audio streams (again, inclusive of UGC) surpassed 1 trillion for a second time, with 1.249 trillion (up 12.7% from 1.108 trillion in 2022).

On-demand audio streams comprised 86% of all on-demand streams in 2023, with the remainder generated by on-demand video.

The R&B/hip-hop genre accounted for the most on-demand streams (audio and video combined, inclusive of UGC) in 2023, among Luminate’s core genres, with 26.6% of the year’s volume (387.09 billion of 1.453 trillion).

Rock had the second-largest share of on-demand song streams (audio and video combined, inclusive of UGC) in 2023, with 16.2% of volume (235.11 billion of 1.453 trillion). Pop was third with 12.6% (182.63 billion of 1.453 trillion), Latin was fourth with 8.3% (120.18 billion of 1.453 trillion) country was fifth with 7.8% (113.09 billion of 1.453 trillion).

As for year-over-year growth in total on-demand streams (audio and video combined, inclusive of UGC) among Luminate’s core genres, world music had the largest percentage growth, increasing by 33.3% to 35.97 billion, as compared to 26.98 billion in 2022. The respective second- and third-biggest increases, by percentage, belonged to the genres of dance/electronic (23.2% to 54.37 billion, up from 44.14 billion in 2022) and country (22.2% to 113.09 billion, up from 92.52 billion in 2022).

Looking just at on-demand audio streams for 2023 (inclusive of UGC), R&B/hip-hop was tops with 27% of volume (337.21 billion of 1.249 trillion). Rock (17%; 211.72 billion of 1.249 trillion), pop (11.8%; 147.11 billion of 1.249 trillion), country (8.5%; 106.28 billion of 1.249 trillion) and Latin (8%; 99.71 billion of 1.249 trillion) were Nos. 2-5 for 2023, respectively, as they were in 2022 and 2021.

The genres that saw the largest percentage growth in year-over-year on-demand audio streams (inclusive of UGC) were world music (up 26.2% to 27.52 billion, up from 21.8 billion in 2022), Latin (up 24.1% to 99.71 billion, up from 80.34 billion in 2022) and country (up 23.7% to 106.28 billion, up from 85.91 billion in 2022).

Note: UGC streams are included in Luminate’s industry streaming on-demand volume numbers and its year-end streaming song charts. UGC streams are not factored into any of Billboard’s weekly charts.

‘LAST NIGHT’ SURPASSED 1 BILLION ON-DEMAND AUDIO STREAMS: Morgan Wallen’s “Last Night” was the most-streamed song of 2023 in the U.S. by on-demand audio streams (inclusive of UGC), with 1.015 billion – the most U.S. on-demand audio streams a song has earned in a calendar year.

“Last Night” is the second song to surpass 1 billion on-demand audio streams in a calendar year in the U.S., following Lil Nas X’s “Old Town Road” (featuring Billy Ray Cyrus), which cleared 1.002 billion in 2019.

See the top 10 most-streamed songs, by on-demand audio, below.

TOP 10 MOST STREAMED SONGS OF 2023 IN U.S., ON DEMAND AUDIO1. Morgan Wallen, “Last Night” (1.015 billion)2. SZA, “Kill Bill” (802.60 million)3. Zach Bryan, “Something in the Orange” (656.07 million)4. Miley Cyrus, “Flowers” (634.42 million)5. SZA, “Snooze” (550.83 million)6. The Weeknd, “Die for You” (539.29 million)7. Eslabon Armado x Peso Pluma, “Ella Baila Sola” (526.34 million)8. Luke Combs, “Fast Car” (525.51 million)9. Morgan Wallen, “You Proof” (517.58 million)10. Taylor Swift, “Cruel Summer” (507.78 million)Source: Luminate, for the tracking period Dec. 30, 2022, through Dec. 28, 2023. Includes UGC streams.

DIGITAL TRACK SALES DECLINE FOR 11TH YEAR IN A ROW: Digital track sales declined for an 11th consecutive year, falling 11.9% to 133.88 million in 2023 (down from 151.9 million in 2022). The top-selling digital song of 2023 was Jason Aldean’s “Try That in a Small Town” with 497,000 downloads sold. It was the second year in a row that no song sold more than a half-million downloads. Prior to 2022, it last happened in the early days of downloading, in 2004 (the first full year of the iTunes Store, which launched in mid-2003). Further, 2023 marks the second year in a row that no song sold 1 million copies. Before 2022, the industry last had a year without a million-selling download in 2005.

TOP 10-SELLING DIGITAL SONGS OF 2023 IN U.S.1. Jason Aldean, “Try That in a Small Town” (497,000)2. Miley Cyrus, “Flowers” (428,000)3. Oliver Anthony Music, “Rich Men North of Richmond” (358,000)4. Morgan Wallen, “Last Night” (302,000)5. Jimin, “Like Crazy” (296,000)6. Luke Combs, “Fast Car” (251,000)7. Jung Kook featuring Latto, “Seven” (228,000)8. Jelly Roll, “Need a Favor” (181,000)9. Jung Kook, “Standing Next to You” (163,000)10. Rema & Selena Gomez, “Calm Down” (159,000)Source: Luminate, for the tracking period Dec. 30, 2022 through Dec. 28, 2023.

CYRUS’ ‘FLOWERS’ BLOOMED ON RADIO: Miley Cyrus’ “Flowers” was tops on radio in 2023, with 3.919 billion audience impressions earned across all monitored radio stations in the U.S. Audience impressions are measured by cross-referencing plays with Nielsen Audio audience data – i.e., a play of a song on a top-rated New York station at 8 a.m. on a Monday has more listeners (audience) than an overnight weekend play in a smaller city.

TOP 10 RADIO SONGS OF 2023 IN U.S. (BASED ON AUDIENCE IMPRESSIONS)1. Miley Cyrus, “Flowers” (3.919 billion)2. Rema & Selena Gomez, “Calm Down” (3.643 billion)3. Metro Boomin, The Weeknd & 21 Savage, “Creepin’” (3.529 billion)4. The Weeknd, “Die for You” (2.628 billion)5. SZA, “Kill Bill” (2.623 billion)6. Taylor Swift, “Anti-Hero” (2.491 billion)7. David Guetta & Bebe Rexha, “I’m Good (Blue)” (2.448 billion)8. Morgan Wallen, “Last Night” (2.435 billion)9. Luke Combs, “Fast Car” (2.358 billion)10. Harry Styles, “As It Was” (2.199 billion)Source: Luminate, for the tracking period Dec. 30, 2022, through Dec. 28, 2023.

As sales of vinyl grew for the 16th consecutive year in the U.K., Taylor Swift and The Beatles reigned supreme.
Swift’s 1989 (Taylor’s Version) (via EMI) was the U.K.’s biggest-selling vinyl album of 2023, according to data published by the Official Charts Company, shifting 84,700 copies on the format since its release last October.

The fourth in Swift’s re-recording projects blasted to the biggest opening week for any album in 2023 (with more than 184,000 combined units), and logged three weeks at No. 1 on the Official U.K. Albums Chart. Based on midweek data, it’s set to log a fourth when the weekly chart is published this Friday, Jan. 5.

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Swifties love their wax. 1989 (Taylor’s Version) is one of three Swift LPs to crack the top 10 on the Official Top 40 best-selling vinyl albums of 2023, ahead of Speak Now (Taylor’s Version) (No. 4) and Midnights (No. 8), while another five titles impact the year-end chart: Lover (No. 20), folklore (No. 21), reputation (No. 27), evermore (No. 37) and the Record Store Day limited-edition release folklore – The Long Pond Studio Sessions (No. 38).

Completing the podium on the U.K.’s year-end vinyl albums chart is The Rolling Stones’ Hackney Diamonds (Polydor), at No. 2; and Lana Del Rey’s Did you know that there’s a tunnel under Ocean Blvd (Polydor), at No. 3, respectively.

Meanwhile, The Beatles’ “last” single “Now And Then” (via Apple Corps), released 53 years after the Fab Four split, is crowned the best-selling vinyl single of 2023 in the U.K.

The song, which began life as a demo recorded by John Lennon in the late 1970s, and which features contributions from all four members of the legendary band, moved 33,000 copies on vinyl since its release, which included 12” and 7” versions, with fans snapping up clear, light blue and blue/white marble editions.

En route to No. 1 on the weekly tally last November, “Now And Then” established a flurry of records, including the longest span between an artist’s first and last No. 1, and the U.K.’s fastest-selling vinyl single of the century.

On the year-end vinyl singles tally, Boygenius’s “The Rest” (Interscope) comes in behind the Beatles, at No. 2, while veteran electronic music wizard Aphex Twin completes the top 3 with “Blackbox Life Recorder 21F” (Warp). British punk icons the Sex Pistols land three vinyl releases in the U.K.’s top 10, all via Virgin: “Anarchy in the U.K.” (No. 5), “Holidays in the Sun” (No. 6) and “Pretty Vacant” (No. 9).

Vinyl is no trifling matter. Data published by the BPI, which operates the OCC in a joint venture with entertainment retail body ERA, shows that the format posted its 16th consecutive year of growth in 2023.Year-on-year growth was 11.7% to 5.9 million units (up to week 51), for the highest annual sales figures for the format since 1990. That’s well up on the 2.9% growth recorded in the previous year.

See the full year-end vinyl charts here.

U.S. vinyl album sales surged in the week ending Dec. 21, with 2.054 million copies sold, according to Luminate. That marks the largest week of 2023 for vinyl albums, and the third-largest week in the modern era — since Luminate began electronically tracking sales in 1991. The only two larger weeks registered since 1991 both […]

Record Store Day’s Black Friday festivities on Nov. 24 yielded big gains for vinyl album sales in the U.S., thanks to hot-selling titles by the likes of Linkin Park, Olivia Rodrigo, The Doors, U2 and Post Malone – all released exclusively for the indie store holiday.

According to Luminate, in the tracking week ending Nov. 30, the top five-selling Record Store Day (RSD) Black Friday album release were Linkin Park’s Lost Demos (on translucent sea blue vinyl), Rodrigo’s four-song Guts: The Secret Tracks (on opaque deep purple vinyl), The Doors’ Live in Bakersfield, California, August 21, 1970 (on double vinyl), U2’s U2 Live: Under a Blood Red Sky (on red vinyl, naturally) and Post Malone’s The Diamond Collection (on clear double vinyl). (See lists below, which are ranked by album sales generated in the week ending Nov. 30.)

The Doors’ Live in Bakersfield set was released on both vinyl and as a two-CD set, and their combined sales across the two configurations make the album the RSD Black Friday top-seller overall for the week.

Typically, many unique and limited-edition titles – both albums and singles – are released for RSD Black Friday celebrations, exclusively sold through independent and small chain music stores. Record Store Day traditionally has its main indie store holiday in the springtime (2023’s edition was held on April 22), followed by a secondary shindig for Black Friday.

In the week ending Nov. 30, U.S. vinyl album sales industry-wide (across all sellers of music, not just indie stores and small chains) grew 67% to 1.748 million sold (up from 1.046 million sold the previous week). Independent store vinyl album sales for the week jumped 149% to 829,000 (up from 333,000 the previous week). 47.4% of all vinyl albums sold in the U.S. in the week ending Nov. 30 were purchased at independent and small chain music stores (829,000 of 1.748 million).

With 1.748 million vinyl albums sold industry-wide, that marks the fifth-largest week for vinyl album sales in the U.S. in the modern era, since Luminate began electronically tracking music sales in 1991. (It’s also the second-largest week of 2023 for vinyl album sales, following the week ending April 27, which captured Record Store Day 2023, with 1.809 million sold). The biggest week since 1991 for vinyl album sales was the week ending Dec. 22, 2022, when 2.232 million vinyl albums were sold.

Top-Selling Record Store Day Black Friday 2023 Exclusive Albums at Independent Record Stores in U.S. (By Configuration)Rank, Artist, Title1. Linkin Park, Lost Demos (translucent sea blue vinyl)2. Olivia Rodrigo, Guts: The Secret Tracks (opaque deep purple vinyl)3. The Doors, Live in Bakersfield, California, August 21, 1970 (double vinyl)4. U2, U2 Live: Under a Blood Red Sky (red vinyl)5. Post Malone, The Diamond Collection (clear double vinyl)6. Rilo Kiley, Under the Blacklight (translucent “blacklight” purple vinyl)7. Noah Kahan, Cape Elizabeth (color marbled vinyl)8. Grateful Dead, Filmore West 1969, March 2nd (five vinyl LP box set)9. Coheed and Cambria, Live at the Starland Ballroom (solar flare colored double vinyl)10. Gram Parsons and The Fallen Angels, The Last Roundup: Live From the Bijou Café in Philadelphia, 3/16/73 (double vinyl)11. Jerry Garcia & John Kahn, Pure Jerry: Marin Veterans Memorial Auditorium San Rafael, California – February, 28, 1986 (double vinyl)12. Joni Mitchell, Court and Spark: Demos (vinyl)13. CZARFACE, CZARtificial Intelligence (translucent Czarbury orange vinyl)14. The Beach Boys, The Beach Boys’ Christmas Album (green vinyl)15. My Morning Jacket, Happy Holiday! (clear vinyl with “white snow splatters”)16. Faces, Had Me a Real Good Time: Live at the BBC, In Session & In Concert 1971-1973 (vinyl)17. Nas, I Am… The Autobiography (double vinyl)18. The English Beat, I Just Can’t Stop It (double vinyl)19. Willie Nelson, Shotgun Willie (double vinyl)20. Bill Evans / Chuck Israels / Larry Bunker, Tales: Live in Copenhagen (1964) (vinyl)21. Various Artists, Jazz Dispensary: At the Movies (purple marble vinyl)22. Kim Petras, Problematique (apple red vinyl)23. Jonas Brothers, The Family Business (clear double vinyl)24. Soundtrack, Asteroid City (orange double vinyl)25. The Flaming Lips, Live at the Paradise Lounge (pink vinyl)

Top-Selling Record Store Day Black Friday 2023 Exclusive Singles at Independent Record Stores in U.S.Rank, Artist, Title1. Prince and The N.P.G, Gett Off (12-inch vinyl)2. Billy Strings featuring Willie Nelson, California Sober (green 12-inch vinyl)3. Turnstile x BADBADNOTGOOD, Mystery / Alien Love Call, featuring Blood Orange / Underwater Boi (12-inch vinyl)4. Motley Crue, Too Young to Fall In Love (Remix) / Knock em’ Dead Kid / Too Fast for Love (orange/black 12-inch vinyl)5. Cypress Hill, Insane In the Brain (2023 Remix) / Hits From the Bong (2023 Remix) (12-inch vinyl)6. Phoenix, Winter Solstice / Winter Solstice (Braxe+Falcon Remix) (7-inch vinyl)7. Aimee Mann, Dead Eyes / Dead Eyes (demo) (7-inch vinyl)8. Jeff Beck, Midnight Walker Lament, featuring Imelda May / Elegy for Dunkirk (Live), featuring Olivia Safe / Goin’ Down (Live) (12-inch vinyl)9. The Hold Steady, The Death of the Punchline / Radar & Leda (random color 12-inch)10. Waterboys, This Is the Sea (Fast) / The Passenger (10-inch vinyl)

Source: Luminate, for the week ending Nov. 30, 2023.

Taylor Swift is the queen of vinyl, as the superstar is by far the top-selling artist in 2023 in the U.S. when it comes to vinyl albums sold. So far this year, through Nov. 2, her catalog of albums have sold 2.484 million copies on vinyl in 2023, according to data tracking firm Luminate. That equates to 6.43% of total vinyl album sales (38.585 million) — or, nearly one out of every 15 vinyl albums sold.

A healthy chunk of Swift’s vinyl sales this year come from her latest release, 1989 (Taylor’s Version), which debuted with 693,000 copies sold in the U.S. in the week ending Nov. 2, following its Oct. 27 release. That sum also broke the record for the single largest sales week for an album on vinyl since Luminate began tracking music sales in 1991. It surpassed the high-water mark previously set by Swift herself, with the debut week of Midnights in 2022, with 575,000 copies sold.

Swift’s impressive vinyl sales figures are bolstered by her catalog generally being made available in multiple collectible variants, including five different versions of 1989 (Taylor’s Version) – each in a different color vinyl with a different cover. (It’s not uncommon for artists to release multiple versions of an album on vinyl — Swift is not alone in this practice.)

2023’s second-biggest-selling artist when it comes to vinyl albums is Lana Del Rey, with 501,000 sold across her assorted albums.

In 2022 and 2021, Swift was the year’s top-selling vinyl albums artist in the U.S. In 2022, she sold 1.69 million (of the market’s total 43.46 million) and in 2021 she sold 1.093 million (of the market’s total of 41.717 million). In total, from January 2021 through Nov. 2, 2023, there were 123.762 million vinyl albums sold. Of that sum, Swift sold 5.273 million vinyl albums – equaling 4.26% of the vinyl market.

So far in 2023, Swift has five of the top 10 biggest-selling albums on vinyl, with four of those among the top five. Her latest release, 1989 (Taylor’s Version), is the year’s biggest on vinyl, with, as noted above, 693,000 sold in its first week. At Nos. 2, 3 and 5, respectively, are Speak Now (Taylor’s Version) (406,000), Midnights (367,000) and Folklore (201,000). Lover is Swift’s fifth title among the year’s top 10-sellers, at No. 9 with 151,000 sold.

“When I saw that you were going to call from Billboard, I was reminiscing about the first time I was on the charts,” Nancy Sinatra tells Billboard over the phone. “I think I was No. 89 or something. It barely made it. [It was called] ‘So Long Babe.’”

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The 83-year-old pop legend has a sharp memory. Her first Billboard Hot 100 hit, “So Long Babe,” hit No. 86 – just three spots away from her guess. Of course, that shouldn’t be a surprise to anyone who follows her on X (formerly known as Twitter). Sinatra regularly weighs in on everything from politics (she’s NOT a fan of the guy who tried to reverse the results of a democratic election, FYI) to AI to her celebrity pals’ birthdays.

Although she’s effectively retired from music, she’s more than happy to reflect on her lengthy career as Light in the Attic releases a new compilation of her work, Keep Walkin’: Singles, Demos & Rarities 1965-1978, on vinyl and CD. “Just when I thought I was out, they pull me back in,” she jokes, making a Godfather reference which is doubly funny, considering that her father Frank famously berated series author Mario Puzo.

Here, Nancy Sinatra chats with Billboard about everything from finding her voice on the Hot 100-topping “These Boots Are Made for Walkin’,” her up-and-down acting career and how her daughters’ “tenacity” keeps her music alive.

When you started releasing music, you had a string of singles that didn’t chart. Eventually, working with Lee Hazelwood yielded you a career-defining breakthrough, “These Boots Are Made for Walkin’.” Did working with him feel different?

Very much so. That early stuff was what we used to call bubblegum. I was a nervous wreck [on “Boots”]. I was eager to please because I knew I was going to be dropped from the label if I didn’t do something important enough to make the charts. It was nerve-racking.

After working with him for a bit, were you able to relax?

It got better. The fact that we had a chart record right away was the impetus to keep going. It gave me the confidence to know I was going in the right direction.

With “Boots,” you’re singing in a deeper register than on your earlier stuff. That must have been a conscious decision with your new direction.

Absolutely. Each song dictates the vocal approach. The fact that the music was so completely different, the vocals just followed suit.

You and Lee had another classic with “Some Velvet Morning.” It’s a very strange song – what did you think of it when you first came across it?

I had no idea what it was about. I don’t know if Lee even had an idea either. Later on, in retrospect, he said something about Phaedra [from Greek mythology], that he wanted to pay tribute to Phaedra. That’s a bunch of bull. That never came up in all the years we’d performed. Never once. It was a lucky marriage of vocal sounds, strange as it may seem, and arrangement. He dictated the change in time signatures that occurs in the song. Lee asked Billy [Strange] to do that.

How was working with the Wrecking Crew’s Billy Strange? He’s a legend in his own right.

He was like a big brother. He was one of the best people I’ve ever known in my life. I still miss him so much.

Light In the Attic has done a few reissues of your material. I gather your daughter was the impetus behind that connection.

It’s incredible how my kids have helped me so much. Both of my daughters are very much responsible for these incarnations of mine. I keep bouncing back and it’s because of their tenacity, AJ and Amanda. I’m very blessed.

Courtesy Photo

Do you think about these songs a lot in your day-to-day life?

I don’t, but I’m on Twitter constantly to keep in touch with the public, and they remind me every day of the songs. But the funny thing is they don’t know the half of it. There’s so much they’ve never heard. I’m hoping if we’re blessed enough to succeed with the first couple projects, they will dig deeper into my catalog because there are so many songs that should be heard. They have access to all of my master tapes. Between the Light in the Attic reissues and the book, I feel like I’m reborn again, again. The book is called One for Your Dreams, the phrase from “You Only Live Twice.” David Wills is the author. It’s a picture book with all of the iconic photographs by Ron Joy and stories to go with them.

Since you mentioned the Bond theme, I’m curious, do you keep up with the film series?

I love Daniel Craig. I’m crazy about him. He’s so good, he’s such a good Bond. Did he really die in the last one?

In No Time to Die? I feel like… no.

They blew him up, for heaven’s sake!

Yeah, but he can get out of anything.

I hope so.

When you said people on Twitter don’t know the half of it, what are you referring to? What era?

There was an album called Nancy Sinatra that had artists like Kim Gordon, Morrissey, Pete Yorn — that was another gift from my daughter AJ. She put that together. She said, “Mom, I know so many people who love your music and we should take advantage of that and get songs written by them.” And they did, they came up with songs, which was so sweet. Whether I like it or not, they’re bringing me back all the time. But the songs people are not talking about are very versatile. There’s my California Girl album; I did an album called Cherry Smiles that was a lot of rare singles nobody’s heard. There’s a lot of interesting music that’s recorded that hopefully Light in the Attic will discover. I guess we have to be pretty successful with what we’re doing before they commit to doing anything else. But I’m grateful and humbled. It’s such a gift to me at this time in my life.

Do you miss recording or performing?

Every day of my life. It’s true what they say about how it’s in your blood.

Would you ever get back into it?

No, I’m too old now. I wouldn’t be able to tour. I suppose men can do it but I don’t know about women my age who tour. Do you? Dolly Parton is a lot younger than me and she does still tour.

You also did movies back in the day but didn’t stick with it. Were you less passionate about acting than music?

I was such a crappy actor. It never grabbed me. I made what I like to call my epic films and I stopped. (laughs)

I caught one on TCM that featured you performing, a movie called The Ghost in the Invisible Bikini from 1966.

Oh, that is so horrible. I made a couple of fun ones. The Last of the Secret Agents? was a fun movie. The Wild Angels made me No. 1 at the box office. I had a run-in with a couple of fun movies. I’m very lucky.

Do you have any personal favorites of your own songs?

I like a song called “100 Years,” it’s a Lee Hazelwood song. I also like a song called “Cuando calienta el sol” which is on my California Girl album which is just me and a guitar player called Daryl Curaco. I do lean toward the guitar/vocal duets, I think they’re quite lovely and special. “Bang Bang (My Baby Shot Me Down)” was one of them.

And that song, of course, got a second life thanks to Kill Bill.

Isn’t that the truth? That’s what I mean. In spite of me, I keep getting brought back. Just when I thought I was out, they pull me back in.

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Source: THE DROP SHOP / THE BASQUAIT ESTATE / THE DROP SHOP / THE BASQUAIT ESTATE
The legacy of Jean-Michel Basquiat will be brought to life in a special way for Hip-Hop’s 50th anniversary. His estate will be releasing his “Beat Bop” single on vinyl.

Hype Beast is reporting that the late great artist’s music will be available. This week the estate announced it will be dropping his very rare “Beat Bop” song in partnership with The Drop Shop. In 1983 the Haitian and Puerto Rican creative founded Tartown Records Co. and recorded the gritty Rap song which featured an almost 10-minute battle between K-Rob and Rammellzee. In 2013 Profile Records founder Cory Robbins detailed how the record came to be with Spin Magazine. “It didn’t follow any rules. It was long and it didn’t have a hook. It was so free-form. There’s no record like it” he said.

According to the press release the forthcoming sale will feature 50 copies of the original 500 test pressings Jean-Michael Basquiat had created. “The Drop offers 39 of the original 50 copies that remained in Basquiat’s personal collection. All are factory-sealed and come in a numbered, handmade commemorative leather case with a signed certificate issued by the Estate of Jean-Michel Basquiat” it read. “The release marks the first time the Estate has offered any pressings from the artist’s personal collection for sale.”
In the past “Beat Bop” has sold for over $100,000 at auction. The limited-edition vinyl will be available starting November 2 at $4,000.00 each. You can find out more about the drop here. 

BMG said on Thursday (Oct. 18) that it will use Universal Music Group’s (UMG) commercial services division for the distribution of its physical recorded music, in what BMG CEO Thomas Coesfeld described as the first project of a burgeoning “alliance.” Last month, BMG announced it was winding down its agreement with Warner Music Group’s ADA […]